"This book is the first to examine the fraught relationship between the Federal Bureau of Investigation and a variety of religious groups that have developed in the United States in the century of the FBI's existence. Encompassing religious communities that run the gamut from established religious institutions to violent extremist groups, and covering a period that includes the World Wars, the Cold War, the Civil Rights movement, and 9/11, Truth Faith and Allegiance tackles questions of importance for understanding the history of American religion, the history of law enforcement, and the future of religious liberty"--Provided by publisher.

Written between 1963 and 1966, when its publication would have proved to be political dynamite—and its author's undoing— The Architects of political intrigue and personal betrayal takes readers into the German Democratic Republic in the late 1950s, shortly after Khruschev's "secret speech" denouncing Stalin and his methods brought about a "thaw" in the Soviet bloc and, with it, the release of many victims of Stalinist brutality. Among these is Daniel, a Communist exile from Hitler who has been accused of treachery while in Moscow and who now returns to Germany after years of imprisonment. A brilliant architect, he is taken on by his former colleague, Arnold Sundstrom, who was in exile in Moscow as well but somehow fared better. He is now in fact the chief architect for the World Peace Road being built by the GDR. In Daniel, Arnold's young wife Julia finds the key that will unlock the dark secret of her husband's success and of her own parents' deaths in Moscow-and will undermine the very foundation on which she has built her life. A novel of exquisite suspense, romance, and drama, The Architects is also a window on a harrowing period of history that its author experienced firsthand-and that readers would do well to remember today.

The stories in "Jewish Children" likely capture the joys, struggles, and everyday experiences of Jewish children growing up in the shtetls (Jewish villages) of Eastern Europe. Aleichem's writing often combines humor, warmth, and poignant observations about family, community, and tradition. The collection may include tales of mischief, friendship, and coming-of-age moments, as well as reflections on the unique cultural and religious heritage of Jewish communities. Aleichem's characters are typically colorful and memorable, offering readers insights into the rich tapestry of Jewish life and culture. Through "Jewish Children," Sholem Aleichem likely invites readers to immerse themselves in the world of Jewish childhood, where laughter and tears, dreams and aspirations, mingle against the backdrop of a changing world. The collection serves as a tribute to the resilience, humor, and enduring spirit of Jewish children throughout history.

Rumi's Untold Story is written from 30-year research by award-winning Rumi translator, scholar and author Shahram Shiva. It provides a clear record of highlights of Rumi's life and clarifies certain aspects of his very colorful history which have been kept secret from public until now. It covers Rumi's unconventional relationship with his mentor Shams and Sham's controversial and doomed marriage to Rumi's daughter Kimia. TOPICS:1. Preface2. About Rumi3. The Growing Phenomenon of Rumi4. Why Rumi? Here are 12 Reasons5. Rumi & Shams: A Love Story, Tragedy or Personal Necessity? The Untold Story6. Who was Kimia Khatun? (Kimya, Khatoon, Khatoun) 7. The Collective Poems of Shams or Rumi?8. What Really Went On Between Rumi and Shams in those Precious Several Months?9. Rumi, Hafez, Omar Khayyam and Global Artistic Perspective10. Rumi, a Pop Star Celebrity at the Time?11. Is Rumi the Inspiration for Today's Love Songs?12. Was Rumi a Sufi?13. A Rumi for All Seasons14. Rumi was Gloriously Blasphemous15. Rumi Belongs to the Whole World and Cannot Be Marginalized16. The Famed Whirling Dervishes of Turkey do not Represent Rumi, they Epitomize his Son17. Why the Academia Will Never Come Close to Understanding Rumi and Other Mystic Poets and Writers18. Rumi's Untold Story - Conclusion19. Selection of Rumi Poems with Original Persian20. Shahram Shiva's Unique & Proven 4-Step Method to Whirling21. How to Manifest Your Vision22. Understanding Mystic or Yogic Dreams23. Soul Evolution Principal: The Four Stages24. Personal Gratitude25. References26. About Shahram Shiva

One of the most persistent legends in the annals of New World exploration is that of the Land of Gold. This mythical site was located over vast areas of South America (and later, North America); the search for it drove some men mad with greed and, as often as not, to their untimely deaths. In this history of quest and adventure, Robert Silverberg traces the fate of Old World explorers lured westward by the myth of El Dorado. From the German conquistadores licensed by the Spanish king to operate out of Venezuela, to the journeys of Gonzalo Pizarro in the Amazon basin, and to the nearly miraculous voyage of Francisco Orellana to the mouth of the Amazon River, encountering the warlike women who gave the river its name, violence and bloodshed accompanied the determined adventurers. Sir Walter Raleigh and a host of other explorers spent small fortunes and many lives trying to locate Manoa, a city that was rumored to be El Dorado—City of Gold. Celebrated science fiction author Robert Silverberg recreates these legendary quests in The Golden Dream: Seekers of El Dorado.

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: "The unexamined life is not worth living." In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography Life and Shape, first published in 1962, which now, after years of being out of print, has again happily come back to life. As opposed to Survival Through Design (1954), his superb collection of densely philosophical essays, Neutra took a different tack in Life and Shape, following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright. As in the autobiographies of Sullivan and Wright, Life and Shape concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuw Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). Life and Shape also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it. Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to "include everything" but rather to present an honest recounting of his memory of his life. In writing my own Richard Neutra and the Search for Modern Architecture [Oxford University Press, 1982; Rizzoli Press, 2006], I relied on Life and Shape when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back. - Thomas S. Hines, UCLA Professor Emeritus of History and Architecture

Anchor Books proudly launches an annual essay series. Acclaimed essayist Phillip Lopate has selected the most surprising, important, and exquisite pieces published during the last twelve months. Bringing together materials from both periodicals and books, The Anchor Essay Annual 1997 also includes essays never before published, as well as translations from abroad. The result is as rich and unique as it is cosmopolitan. In her brilliantly frank "Revelation", Mary Gaitskill recounts the religious epiphany that changed her life. Hilton Als explores the "Negressity" of his soul in "My Pin-Up". In his dazzling "The Laying Off of Desire", Jean Baudrillard sets forth a flamboyant dissection of human sexuality. Hubert Butler ruminates on the stunted life of his handicapped grandchild in "Little K." We relive the glories and disappointments of the Borscht Belt in Vivian Gornick's evocative group portrait, "The Catskills Remembered". And we ride a rollercoaster of cultural insight in Daniel Harris's "A Psychosexual History of the Homosexual Body". A a whole, this superb collection is a heady cocktail indeed. All of this exciting new work is placed in context with an illuminating introduction from Phillip Lopate, "the house authority on the genre and its greatest practitioner" ( Washington Times ). With generous selections from over twenty-five writers from around the world, The Anchor Essay Annual 1997 is the first in what is sure to become a series widely anticipated and highly acclaimed, every October, for years to come.

Son of pioneer movie producer Harry Rapf, Maurice Rapf grew up in Hollywood in that city's golden age. After moving from independent filmmaking to Warner Bros., in 1924 the senior Rapf joined Louis Mayer and became one of the founding members of MGM. Hence, movies were a huge influence in Maurice Rapf's early life. After graduating from college, Rapf worked as a screenwriter for major Hollywood studios, but, in 1947, he left Hollywood, never to work for a major studio again. On numerous occasions, he was called before the House Un-American Activities Committee as an alleged communist, although he never made a public confession or denial. As a result he was blacklisted from the industry and forced to begin a new career in the East. He eventually became a movie critic and film studies professor. Maurice Rapf knows movies and the movie business as an insider, from first-hand experience, not from books. His autobiography is the story of one person's interaction with an evolving Hollywood. Rapf witnessed the historical progression of movie production: from silents to sound, from a fun-loving frontier community to a huge and fiercely competitive industry, from an apolitical never-never land to a community very much aware of-and nervous about-its social responsibility in a period of economic depression and in a period of world peace seriously threatened by the aggression of fascism. Of interest to students and teachers of film studies, of American history, and of American popular culture, as well as anyone who loves movies.

By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome, celebrated both as the Eternal City and Caput Mundi - the head of the world - had lost its pre-eminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile and a mania for building, determined to restore the prestige of his church by making Rome the must-visit destination for Europe's intellectual, political and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist: no mean feat in the age of Rubens, Rembrandt and Velazquez.0Together, Alexander VII and Bernini made the greatest artistic double act in history, inventing the concept of soft power and the bucket list destination. Their creation of Baroque Rome as a city more beautiful and grander than since the days of the Emperor Augustus continues to delight and attract. 0Famous as a TV Presenter for MasterChef and Through the Keyhole, Loyd Grossman has also been deeply involved in heritage and art history. His love of Rome was kindled by his first encounter with the enigmatic and strangely beautiful monument to this relationship between artist and pope: the elephant carrying on obelisk outside Santa Maria Sopra Minerva, just behind the Pantheon. Written with this as a starting point, An Elephant in Rome is a book for those who love the endless fascination of the Eternal City and want a deeper and more entertaining tale of how it came to be.

The classic history of the muckraking era (1902–1914) has been extended to trace the muckrakers' influence through World War II and McCarthyism, the civil rights movement and the counterculture, Korea and Vietnam, Naderism and women's liberation, and Watergate. (Former editions stopped with the New Deal.) The book that Allan Nevins called, "By all odds the best account in print of a most interesting movement," now embodies the challenge of the muckrakers to Americans of the seventies. Professor Filler has added a new introduction and a new final chapter, "The Anguish of Change." and has updated facts, interpretations, and references throughout the book. He also has updated his chronology and bibliography and has added four newly discovered cartoons and drawings to the twenty-two illustrations appearing in previous editions. Modern heirs of the muckraking tradition—Jack Anderson, Bernstein and Woodward, Dan Ellsberg, James Forman, Abbie Hoffman, Ralph Nader, I.F. Stone, and various TV talk-show personalities—are treated fairly but astringently. So too are revisionist critics of the original muckrakers. Today's journalistic investigators and social critics, in Professor Filler's view, lack the historical perspective and the emphatic sensitivity of their precursors. His opinion on this score will be controversial, but would be understood by Ida Tarbell, who wrote of the first edition, "His liberal sympathies give warmth to his narrative and his honesty as an investigator gives it trustworthiness."

"In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb's commitment to the free-culture movement and giving access to a wide range of artistic works with today's gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify"--

Hitler's Germany: The Nazi Background To War by Karl Loewenstein is a comprehensive analysis of the rise of the Nazi party and the events that led to the outbreak of World War II. The book delves into the political, economic, and social factors that contributed to the rise of Hitler and the Nazi regime in Germany. It examines the role of propaganda, the persecution of Jews and other minorities, and the militarization of German society. The author also explores the international response to Hitler's aggression, including the appeasement policies of Britain and France. Drawing on a wealth of primary sources and historical research, Loewenstein provides a detailed and nuanced account of one of the most tumultuous periods in modern history. This book is a must-read for anyone interested in the origins of World War II and the rise of totalitarianism in Europe.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Given the long history of anti-Semitic evil done by the Catholic Church over the centuries, who could have imagined that there was at least on family of (converted?) Jews who gave the world 3 roman popes! Prinz does his scholarly homework and combines it with great story telling to make a book that deserves a much bigger audience.

"Howard Jacobson's funny, revealing and tender memoir of his path to becoming a writer. It's my theory that only the unhappy, the uncomfortable, the gauche, the badly put together, aspire to make art. Why would you seek to reshape the world unless you were ill-at-ease in it? And I came out of the womb in every sense the wrong way round. In Mother's Boy, Booker-Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish. Jacobson was forty when his first novel was published. In Mother's Boy he traces the life that brought him there. Born to a working-class family in 1940s Manchester, the great-grandson of Lithuanian and Russian immigrants, Jacobson was raised by his mother, grandmother and aunt Joyce. His father was a regimental tailor, as well as an upholsterer, a market-stall holder, a taxi driver, a balloonist, and a magician. Grappling always with his family's history and his Jewish identity, Jacobson takes us from the growing pains of childhood to studying at Cambridge under F.R. Leavis, and landing in Sydney as a maverick young professor on campus." --

Published to coincide with its world premiere at the Almeida Theatre in London, this play explores relationships within the family, and our own particular and individual understanding of such communal history.

This is Laski's most important book after A Grammar of Politics . It discusses, on a grand scale, every aspect of American public life. Laski surveys American traditions and the American spirit, political institutions, the entire educational, religious, economic and social scene, America as a world power, and Americanism as a principle of civilisation. Laski's unsurpassed knowledge of American constitutional, social and cultural history is set in the perspective of his deep study of comparative constitutional history and political theory. He was one of very few people to see U.S. politics from the inside, as a result of his friendships with Roosevelt, Brandeis and Oliver Wendell Holmes.

Twenty-four stories of Israeli and Jewish life, chosen from the more than one hundred Haim Watzman has written over the last nine years in his "Necessary Stories" column in the The Jerusalem Report. Bookended by a flashback to his first weekend in Israel forty years ago and a storytelling encounter on a recent flight back home from the US, these stories--funny, meditative, and sad, set in immigrant camps, the army, and the author's own neighborhood in south Jerusalem--uniquely capture what it is like, in our age, to be an Israeli and a Jew. Praise for Haim Watzman: "His stories detail the lives of ordinary Israelis, often touching on current events ... The dialogue, though written in English, has the distinct feeling of Hebrew speech -- that unmistakable combination of impatience and warmth." --Naomi Zeveloff, Forward "Watzman knows that every encounter, no matter how fleeting--a conversation in a cemetery with a long-dead Talmudic sage; Felix Mendelssohn's great aunt scolding the young prodigy; four Jews on a plane discussing the Bible, the Zohar and Wuthering Heights--is a matter of life and death. Necessary Stories is a quietly beautiful work, haunting in places, gently funny in others, written by a graceful, thoughtful, eloquent man who understands that life itself is not enough. One must live to tell the tale." --From the Introduction by Joseph Skibell "Author Haim Watzman is a master of the tiny moment, the exact point in time that leaves an impression on the future ... If you enjoy short stories, 'Necessary Stories' is a fine collection, filled with hints and hidden meanings. It's a perfect choice for a Jewish book club whose members can discuss these stories for hours." --Rivkah Lambert Adler, Jerusalem Post, June 14, 2017 "Watzman writes with immediacy, attentiveness and empathy, whether he's describing a pregnant feral cat he names Hagar, who makes her home in the dumpster of his Jerusalem building, or the best friend of the bride at a wedding, or his late son, who was killed in a tragic accident while serving in the IDF. Watzman ... has a good ear for dialogue. The stories, layered with meaning, speak to his wide-ranging interests." --Sandee Brawarsky, The Jewish Week/Times of Israel "All but one of these stories are relatively short ... Yet anyone who sits down with this collection will come away with a sense of something much larger--a multifaceted impression of what it's like to make a life in a place where the prosaic mixes with the fantastic; history, politics, and philosophy are around every corner, and each encounter with a stranger holds the potential to show you the world from a fresh angle." --Janice Weizman, The Jerusalem Report

Before Guy Gavriel Kay became known for his groundbreaking works of speculative fiction, establishing himself as one of the world's most respected writers in that genre, he was an accomplished poet, his work appearing in major literary journals such as The Antigonish Review and Prism . Through the years, while writing his dramatic international bestsellers, Kay has continued to quietly explore the paths and boundaries of poetry as well. Now for the first time, Guy Gavriel Kay's poetry has been gathered and selected for publication. For those familiar with his fiction, the poems in Beyond This Dark House will resonate for their linguistic and emotional nuances and their mythological allusions, echoing and illuminating themes of his fiction. But readers of contemporary poetry will also be captivated by the exquisite craft and power of these poems. Some are ironic and austere, slyly tracing the interplay of writer and world, present and past; others are sensual, even erotic, charting the mercurial but abiding nature of passion-in love, in language, in history.

In a wonderful synthesis of science, history, and imagination, Gino Segrè, an internationally renowned theoretical physicist, embarks on a wide-ranging exploration of how the fundamental scientific concept of temperature is bound up with the very essence of both life and matter. Why is the internal temperature of most mammals fixed near 98.6°? How do geologists use temperature to track the history of our planet? Why is the quest for absolute zero and its quantum mechanical significance the key to understanding superconductivity? And what can we learn from neutrinos, the subatomic "messages from the sun" that may hold the key to understanding the birth-and death-of our solar system? In answering these and hundreds of other temperature-sensitive questions, Segrè presents an uncanny view of the world around us.