Left to their own devices by their alcoholic mother, Ada and Sam cultivate an insular world into which they soon draw a third wheel—a pockmarked, limping wallflower named Dorrie. In the years spanning childhood to young adulthood, these three troubled girls learn to lean on each other completely, finding ways to fill each other up and tear each other down. But when a horrible accident upends their reality, they find they must decide whether to continue to foster their codependent cycle, or to break free, with or without each other’s aid.

Ella is a precocious and fiercely competitive actress whose sole aim in life is making her famous playwright father, David, proud. Over the course of a boozy evening, Ella and David deliberate over whether to read the reviews of her Off-Broadway debut…and things unravel from there. Halley Feiffer’s dark, probing and very funny new play pulls the audience into the middle of a deeply complicated relationship and sheds new light on the eternal struggles of parents and children to find common ground.

Henry Roth's Call it Sleep, praised when it first appeared in the 1930s, neglected for decades, and reissued to wide acclaim in the 1960s, has been finally hailed as the finest Jewish-American novel of the first half of the century and one of the richest modernist novels to appear in America. The introduction and essays locate the novel in its cultural context and in terms of contemporary debates about ethnic literature, minority writing, modernism and canonization. Thus the volume sets out to consider Roth's hybrid status--as an American writer, a Jewish writer, and a European modernist.

What Is Jewish Literature? is a richly thoughtful analysis and comprehensive overview of what defines Jewish literature. It is an international collection, featuring authors and scholars who write in different languages from different literary, spiritual, and personal perspectives.The book explores long-standing What are the criteria for identifying Jewish literature? Are they language, religious affiliation of the author, religious sensibility, a distinctive Jewish imagination, or literary tradition?If the writer is the criterion, do Sholem Aleichem and Nathanael West really inhabit a shared universe? Is a text by S.Y. Agnon part of the same literary tradition as a play by Arthur Miller?Is Yiddish or Hebrew or Ladino the defining element? If so, where do we place Franz Kafka, Primo Levi, Elie Weisel, Saul Bellow, Nellie Sachs?Is tradition the yardstick? Do we then classify Saul Bellow's Mr. Sammler's Planet as a Jewish novel... as Holocaust literature... as American fiction?What Is Jewish Literature? debates all these possibilities. It is a landmark collection that encourages the reader to participate in the quest for answers that defy simple responses.The contributors reflect the multilingual and multicultural nature of any discussion of Jewish literature. Their voices range from polemical to speculative, from scientific to lyrical.What Is Jewish Literature? is an enduring contribution to the literary resource for the scholar, the teacher, and the student and for any individual who strives to appreciate, evaluate, and understand the varied riches of Jewish writing.

The Warsaw Ghetto 1942: When Izolda's husband, Shayek, is imprisoned, she sets out to release him. She changes her name, her hair, her religion. Eventually she is captured and deported to Auschwitz. But even there, she trusts that her love will save them both

Traces the development of Melanie Klein's ideas within a biographical framework, describing the importance of her work, and portraying her as a woman of warmth and insight.

This book deals with the integration of thousands of survivors of the Holocaust into Israeli society in the early years of the new State's existence. Among the issues discussed are: the ways in which the survivors were recruited into the defence forces and the role they played in the War of Independence, the settlement of the immigrants in towns and villages abandoned by Arabs during the war and the immigrant youth.

Old Stock: A Refugee Love Story is a humorously dark folk tale woven together with a high-energy concert. This music/theatre hybrid starring international Klezmer sensation Ben Caplan is inspired by the true stories of Jewish Romanian refugees coming to Canada in 1908. It's about how to love after being broken by the horrors of war. It's about looking into the eyes of God.

"Fat combines the cultural imaginary about fat as object of fear, pathology, and obsession with the material realities of fat as it intersects with the human body"--

"The Bible is full of stories that teach us to dream big, be curious, and be ourselves. And who better to learn these lessons from than Biblical characters themselves? Dream Big, Laugh Often contains portraits of 14 Biblical figures, including Abraham and Sarah, Moses and Miriam, David and Deborah, and more, brought to life with Hanoch Piven's joyful and clever art made from found ojbects."--

Professor Buchdahl presents a systematic exposition of classical thermodynamics, against a background of general physical theory and on a purely phenomenological (i.e. non-statistical) level. Although particular attention is paid to the meaning of the various concepts introduced, Professor Buchdahl is not afraid of making simplifications where these are likely to enhance the reader's understanding of the subject and the relationships between the principal and ancillary laws. The emphasis throughout is on meaning and physical significance. Specific applications of the general theory are discussed in two final chapters. This book, first published in 1966, is intended for the student who has taken a first course in analytical, though not axiomatic, development of the subject. It will supplement rather than replace, the many familiar introductory treatments of thermodynamics.

In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais , Walter Benjamin's Denkbilder , or Adorno's Minima Moralia . Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues--metaphors, gestures, anecdotes--essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and questions of foundations are traced through the work of Goethe, Schopenhauer, Simmel, Husserl, Thomas Mann, and others. The book's reflections culminate in a rereading of the fable "Care Crosses the River" that lies at the center of Heidegger's analysis of Dasein in which the fable's elided Gnostic center is recovered: Care creates the human in its own image, as a reflection of its narcissism. At stake throughout are two inextricable elements of Blumenberg's thought: a theory of nonconceptuality as essential to philosophizing and an exploration of culture understood as humanity's unceasing attempts to relieve itself of the weight of the absolutism of reality.

"Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multifaceted oeuvre. Its brevity makes it an ideal point of entry for readers daunted by the sheer bulk of Blumenberg's later writings, or distracted by their profusion of historical detail. Paradigms expresses many of Blumenberg's key ideas with a directness, concision, and clarity he would rarely match elsewhere. What is more, because it served as a beginner's guide for its author as well, allowing him to undertake an initial survey of problems that would preoccupy him for the remainder of his life, it has the additional advantage that it can offer us a glimpse into what might be called the ¿genesis of the Blumenbergian world.'"--The Afterword by Robert SavageWhat role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought?In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. These metaphors answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.

'A powerful, integrative, and insightful theory of society.'-Jack Meacham, State University of New York, Buffalo This provocative work presents a unified and scientifically grounded new theory on the development of society, namely, that the imaginary play of children reflects an endogenous orientation toward the construction of society. In twelve studies, Furth combines delightful observations of young children's spontaneous actions and interactions with lucid descriptions of complex psychological theories-including those of Piaget, Freud, Lacan, and Marxist scholars.

Philosophical Essays is a pivotal volume in the collected works of Hans Jonas (1903-1993), one of most important German-American philosophers of the last half of the 20th century. Of the four books published in English during his lifetime, it is the only one to include contributions from his three primary areas of achievement: philosophical reflection on gnosticism, on biology, and on technology - hence the subtitle, "From Ancient Creed to Technological Man." The three sections of the book are, however, given in reverse order with essays on "Science, Technology, and Ethics" preceding papers on "Organism, Mind, and History" and "Religious Thought of the First Christian Centuries." The temporally ultimate project is that which Jonas sees as having philosophical priority. This collection of 18 essays originally published between 1965 and 1974 - that is, after completion of The Phenomenon of Life (1966) but before The Imperative of Responsibility (1984) - manifests the most intensive integration of Jonas's three projects. As such, this volume provides special witness to the inherent unity of what might otherwise be seen as more episodic work. In the Introduction Jonas himself argues for both a biographical and a philosophical unity, the latter of which is emphasized in a new foreword by Carl Mitcham of the European Graduate School.

Originally published in 1960, the two volumes of Experiments in Personality report a number of experiments in psychogenetics, psychopharmacology, psychodiagnostics, psychometrics and psychodynamics, all of which formed part of the programme of research which had been developing from the late 1940s at the Maudsley Hospital. Presenting the studies together in a book, rather than the more usual route of journal articles, was itself felt to be an experiment at the time, especially given the wide area covered. The decision was deliberate because all the studies reported formed part of a larger whole, which would have been lost if published separately. Volume II looks at psychodiagnostics, psychodynamics and psychometrics.

Sticker to spine. Inner front cover has library plate and FEP is stamped.Minimal stamping, usual places. Pages clean, bright and tight.

Psychology.