Spaceflight historian Amy Shira Teitel tells the riveting story of the female pilots who each dreamed of being the first American woman in space. When the space age dawned in the late 1950s, Jackie Cochran held more propeller and jet flying records than any pilot of the twentieth century-man or woman. She had led the Women's Auxiliary Service Pilots during the Second World War, was the first woman to break the sound barrier, ran her own luxury cosmetics company, and counted multiple presidents among her personal friends. She was more qualified than any woman in the world to make the leap from atmosphere to orbit. Yet it was Jerrie Cobb, twenty-five years Jackie's junior and a record-holding pilot in her own right, who finagled her way into taking the same medical tests as the Mercury astronauts. The prospect of flying in space quickly became her obsession. While the American and international media spun the shocking story of a "woman astronaut" program, Jackie and Jerrie struggled to gain control of the narrative, each hoping to turn the rumored program into their own ideal reality-an issue that ultimately went all the way to Congress. This dual biography of audacious trailblazers Jackie Cochran and Jerrie Cobb presents these fascinating and fearless women in all their glory and grit, using their stories as guides through the shifting social, political, and technical landscape of the time.

Berlin--"East" and "West," day and of course night--throughout the 80s before the Wall came down. In the eyes of an American philosophy student. And Jewish, which makes for moments at once awkward, poignant, resonant, unspoken, crass, funny, and always lurking. Most of all, Susan Neiman can write, as borne out again by her books to follow this debut. Here, we live the Reagan years with her--when a city was divided, America the occupier, and the cigarettes not named "Salem" because it sounds too Jewish. Peter Becker folded an easel in the corner to make a table. He brought cold cuts and bread and asked me what I thought of his paintings. Later I would learn that people here always ask you what you think of their paintings, and that it's wrong just to say you find them interesting, but perfectly alright to say you find them awful. . . . You come from a Jewish family, don't you?" asked Becker. "Yes," I said. "It doesn't matter," said the other painter. Doesn't matter? To whom?

The legendary television star tells the backstage stories of the classic comedy of Your Show of Shows, Caesar's Hour, and other landmark programs.

Phillip Lopate's richest and most ambitious book yet--the final volume of a trilogy that began with Bachelorhood and Against Joie de Vivre -- Portrait of My Body is a powerful memoir in the form of interconnected personal essays. One of America's foremost essayists, who helped focus attention on the form in his acclaimed anthology The Art of the Personal Essay , Lopate demonstrates here just how far a writer can go in the direction of honesty and risk taking. In thirteen essays, Lopate explores the resources and limits of the self, its many disguises, excuses, and unmaskings, with his characteristic wry humor and insight. From the title essay, a hilarious physical self-exam, to the haunting portrait of his ex-colleague Donald Barthelme, to the bittersweet account of his long-delayed surrender to marriage, "On Leaving Bachelorhood," Lopate wrestles with finding the proper balance between detachment and empathy, doubt and conviction. In other essays, he celebrates his love of film and city life, and reflects on his religious identity as a Jew. A wrenchingly vivid, unforgettable portrait of the author's eccentric, solipsistic, aged father, a self-proclaimed failure, is the centerpiece of a suite of essays about father-figures and resisted mentors. The book ends with the author's own introduction to fatherhood, as witness to the birth of his daughter. A book that will engage readers with its conversational eloquence, skeptical intelligence, candor, and mischief, Portrait of My Body is a captivating work of literary nonfiction.

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.

"From his parents roots in villages of Eastern Europe to his own childhood in Massachusetts, Meltzer's memoir is not just a look at life but an introspective exploration of the influences of an era of history on that life." Booklinks 9/98

With Still: Notes on a Mid-Faith Crisis , one of today’s most exciting literary voices arrives at the crossroads of culture and spirituality. Lauren Winner, author of Girl Meets God , joins the ranks of writers like Anne Lamott and Barbara Brown Taylor, sharing a memoir that N. T. Wright calls “an unusually painful story, told with rare honesty by an unusually gifted writer.” Dr. Rowan Williams, the Archbishop of Canterbury, says “it is a relief to find a book on the life of faith that is honest about the pain of emptiness and the fear of losing all that orients your life. Nothing glib here and nothing superhuman: just putting one foot in front of the other with whatever trust you can manage, because there is no other way to go.”

Lauren Book, now 25, was 11 years old when her new nanny, Waldina Flores, joined the family. For the next six years Lauren endured daily sexual and physical abuse. "I was a people pleaser," she says. "I was beaten every day...Waldy was very smart, like all predators are. She hit me and bruised me where my parents wouldn't look. When you are 13 and 14 parents never look at their children's stomachs or lower backs or butts or upper thighs." Lauren is the oldest of three children; her father, Ron Book, is a prominent Florida attorney and lobbyist. In 2002, after being encouraged by her boyfriend, Lauren confessed to her therapist, who in turn called her parents. Her father fired Flores. She fled to Oklahoma and was arrested one month later while coaching a 10-year-old girls' soccer team. While in prison, Flores wrote love letters to Lauren asking for money and ultimately was sentenced to another 10 years on top of the initial 15 years. Since then, Lauren and her father have successfully mounted a legislative onslaught against predators; the many laws they are responsible for include the right to get 48-hour access to predators' HIV test results, a ban on molesters from ever contacting their victims or families, passed legislation to create a statewide network of sexual assault treatment centers, and the controversial act that barred predators from living 2500 feet from public places where children gather such as schools, parks, and playgrounds. Lauren's memoir is a book about hope in the face of extreme adversity. While it deals with a tremendously sensitive and "dark" subject, the hope that it delivers to readers carries an everlasting positive impact. Her story will empower readers to address abuse issues in their own lives and move them to understand the resulting deep emotional matrix that results from abuse and the incredible power of an individual's ability to recover and embrace life.

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

"Nearly every family has a skeleton in its closet, an ancestor who "sins" against custom and tradition and pays a double price. Karen Tintori refused to allow the truth to remain forgotten. This is a book for anyone who shares the conviction that all history, in the end, is family history."--Frank Viviano, author of Blood Washes Blood and Dispatches from the Pacific Century "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours."-- Comunes of Italy Magazine " Unto the Daughters reads like a nonfiction version of the film Godfather II--if it had been told from the point of view of a female Corleone."--Eleni N. Gage, author of North of Ithaka Karen Tintori thought she knew her family tree. Her grandmother Josie had immigrated from Sicily with her parents at the turn of the century. They settled in Detroit, and with Josie's eight siblings, worked to create a home for themselves away from the poverty and servitude of the old country. Their descendants were proud Italian-Americans. But Josie had a sister that nobody spoke of. Her name was Frances, and at age sixteen, she fell in love with a young barber. Her father wanted her to marry an older don in the neighborhood mafia--a marriage that would give his sons a leg up in the mob. But Frances eloped with her barber. And when she returned a married woman, her father and brothers killed her for it. Her family then erased her from its collective memory. Even 80 years and two generations later, Frances and her death were not spoken of, her name was erased from the family genealogy, her pictures burned, and her memory suppressed. Unto the Daughters is a historical mystery and family story that unwraps the many layers of family, honor, memory, and fear to find an honor killing in turn of the century Detroit. "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours. It's a must read for anyone researching their Italian ancestry."-- Comunes of Italy Magazine KAREN TINTORI is a writer and journalist who lives in Michigan with her family. Karen's books include Trapped, a 2002 Chicago Tribune favorite book, and The Book of Names (co-author), among others. Visit her website at: www. karentintori .com

Drawing on his more than thirty years of experience (including a record four Super Bowls) as the NFL's top referee, Jerry Markbreit describes the hard-hitting, fast-paced NFL action from a perspective few others can match. Filled with humorous anecdotes as well as his opinions on controversial subjects and players and coaches, this book is the first comprehensive look at pro football officiating from the official's point of view -- and Markbreit's homage to the sport he has helped define.

It was 1994: post-Liz Phair, mid-Courtney Love, just shy of Alanis Morissette. After seven years of slogging it out in the Boston music scene, Jen Trynin took a hard look at herself and gave "making it" one last shot. It worked. Suddenly Trynin became the spark that set off one of the most heated bidding wars of the year. Major labels vied for her, to the tune of millions of dollars in deals. Lawyers, managers, and booking agents clamored for her attention. Billboard put her on the cover. Everyone knew she was the Next Big Thing. But then she wasn't. In a series of dizzying, hilarious, heartbreaking snapshots, Trynin captures what it's like to be catapulted to the edge of rock stardom, only to plummet back down to earth. Everything I'm Cracked Up to Be is the story of a girl who got what she wished for--and lived happily ever after anyway.

A personal memoir

"This is an insightful, tenderly written autobiography by one of the early mothers of Psychoanalysis. Born in Poland in 1884, Deutsch was a close student of Sigmund Freud: ironically she has been considered 'more Freudian than Freud.'"--

When American-born Haim Watzman immigrated to Israel, he was drafted into the army and, after eighteen months of compulsory service, was assigned to Company C, the reserve infantry unit that would define the next twenty years of his life. From 1984 until 2002, for at least a month a year, Watzman, who had never aspired to military adventure, was a soldier. Watzman was a soldier as he adjusted to his new country, raised his children, and pursued a career as a writer and translator. At times he defended his adopted country’s borders; at other times he patrolled beyond them, or that gray area, the occupied territories. A religiously observant Jew who opposed Israel’s presence in the West Bank and Gaza Strip, he served in uniform in conflicts that he demonstrated against in civilian clothes. Throughout, he developed a deep and abiding bond with the diverse men of Company C--a fellowship that cemented his commitment to reserve service even as he questioned the occupation he was enforcing. In this engrossing account of the first Intifada, the period of the Oslo Accords, and Israel’s reoccupation of the West Bank as lived by citizen-soldiers in the field, Watzman examines our obligations to country, friends, family, and God--and our duty to protect our institutions even as we fight to reform them.

On the night the SS rounded up the Jews of his Ukrainian ghetto, eighteen-year-old Yosel Epelbaum crawled on his hands and knees to a nearby forest. There he joined a diverse band of pro-Soviet partisans, led by a kind of warlord in the wilderness, who created a "forest republic" behind enemy lines. With his courageous comrades, Epelbaum disrupted the German war effort for almost a year and a half and saved hundreds of civilans at the same time. After the liberation. the young survivor became caught up in Europe's roaring black market. With little money or formal education, an knowing no English, he immigrated to San Francisco in 1947 and within a year opened an ice cream shop in the city's outlying, foggy Sunset District. Only a decade later Joe Pell was well on his way to becoming one of the leading real estate developers in Northern California. Taking Risks, related in a taut and vivid style, is his story--one of loss and torment but also daring, ingenuity, and uncommon resilience.

international praise for Diane Armstrong: 'Mosaic flows like a novel which, once started, is hard to put down. It is a compelling family history of extraordinary people played out against some of the most frightening events of our century. The depth of emotions evoked is stunning. I was thrilled and deeply moved.' Joseph Heller author of Catch-22 'Diane Armstrong's book is a source of delight to the reader. Written with fervor and talent, it will capture your attention and retain it to the last page.' Elie Wiesel Nobel Prize winner a family story you'll never forget ... This extraordinary true story begins in the Polish city of Krakow in 1890 and spans one hundred years and four continents. It is the story of a Jewish family whose patriarch, Daniel Baldinger, divorces the wife he loves because she is barren. He believes 'a man must have sons to say Kaddish for him when he dies.' To ensure having children, he marries a girl of eighteen. By 1913, Daniel has eleven children - including six sons to say Kaddish for him. Impatient for his God-given son to begin learning the sacred language of the Torah, Daniel sent Avner to cheder at Chevre Tilem when he was three years old. Most boys were enrolled at four or five, but Daniel couldn't wait for Avner's rabbinical training to begin. Cheder was the place where childhood ended. At this religious day school, Jewish boys learned Hebrew and studied the Torah. No coloured pictures, childish stories or lively games relieved the tedium of this dour classroom where Avner had to memorise words he didn't understand, learn hundreds of rules and write strange squiggles. But although God has answered Daniel's prayers, it is with a bitter twist: each of his six sons rebels against his religion, and not one of them says Kaddish for him when he dies. This richly textured portrait follows these eleven children from the 1890s, through the terrifying years of the Holocaust (when Diane and her parents assumed non-Jewish names and passed themselves off as Catholics in the little village of Piszczac), to the present. A long shadow fell across the little girl tracing patterns in the dirt with a stick. After watching her for a few minutes, the stranger asked, 'What's your name, little girl?' Without looking up, she replied, 'Danusia Boguslawska.' 'But what was your name before that?' he insisted. My father, Henek, who was standing by the open window, froze when he heard the last question. Instead of rushing outside and grabbing the child to prevent her from answering that insidious question, he was struck dumb and stood there helplessly awaiting her reply, on which all their lives depended. Mosaic is compelling storytelling at its best: from the fascinating detail of Polish Jewish culture at the turn of the century and the rivalries and dramas of family life, to its moving account of lives torn apart by war and prejudice, this is a remarkable story of a family, and of one woman's journey to reclaim her heritage. For centuries Poland has been a battleground whose fields, watered by more blood than rain, have nurtured ancient hatreds. Jews have not had a monopoly on suffering, grief and loss. Before we drive away from Szczakowa, I look back at the leafy street where the synagogue and mikveh stood, just a short stroll from the house on Parkowa Street. If I close my eyes, I can see a dapper white-haired gentleman in top hat and patent leather shoes like mirrors striding ahead of his wife in a flowered hat with feathers, her long full skirt rustling as she tries to keep up with him as they walk to the synagogue on Kilinskiego Street for the marriage of their daughter Lieba to Daniel Baldinger. In this forgotten country town, I've found important pieces of the mosaic.

Brian Cuban was a successful lawyer—and an addict. Brian Cuban was living a lie. With a famous last name and a successful career as a lawyer, Brian was able to hide his clinical depression and alcohol and cocaine addictions—for a while. Today, as an inspirational speaker in long-term recovery, Brian looks back on his journey with honesty, compassion, and even humor as he reflects both on what he has learned about himself and his career choice and how the legal profession enables addiction. His demons, which date to his childhood, controlled him through failed marriages and stays in a psychiatric facility, until they brought him to the brink of suicide. That was his wake-up call. This is his story. Brian also takes an in-depth look at why there is such a high percentage of problematic alcohol use and other mental health issues in the legal profession. What types of therapies work? Are 12-step programs the only answer? Brian also includes interviews with experts on the subject as well as others in the profession who are now in recovery. The Addicted Lawyer is both a serious study of addiction and a compelling story of redemption.

The key distinction between Al Goldstein and Hugh Hefner is that the last thing on earth Al would be caught doing is taking himself seriously. Otherwise, given the amount of trouble Al has seen, his autobiography reads more like a tragedy than the absurd, uproarious comedy it is. Like a fat tiger with nine lives, Al Goldstein constantly collides with his own mortality, yet has survived for 69 years, so far. Recently, after finally succeeding in cannibalizing his entire fortune, Goldstein toughed his way through a full year homeless on the streets of New York — merely his latest accomplishment. Al's list of priors involve two dozen arrests, four ex-wives, Mafia hit contracts, thousands of death threats, innumerable medical procedures, and constant legal attack throughout his 34 years publishing Screw. Al's blood enemies include politicians, D.A.'s, CEO's and religious officials. When Goldstein was acquitted on pornography charges in Wichita, Kansas, in 1978, he flew the entire jury to New York to celebrate at Plato's Retreat, and took them all out to dinner on the anniversary of his acquittal. This landmark victory thereafter insured the right of Americans to view buck-ass naked sex with or without redeeming social value.

Faced with the loss of her mother, Suzy, to cancer at sixty, Wall Street Journal reporter Katherine Rosman longs to find answers to the questions that we all wrestle with after losing someone we love. So she does what she does best: she opens her notebook and starts investigating. Thumbing through her late mother's address book, Rosman embarks on a cross-country odyssey, tracking down total strangers from whom she hopes to learn about a woman she once thought she couldn't know better. With a reporter's eye for detail and nuance, Rosman creates a vivid, unflinching, and unforgettable portrait of a privately remarkable mother and woman. In the process, Rosman tells a universal tale of loss and love, capturing the angst families confront when wading through the world of doctors and hospitals, the poignancy and pain that come as a life ends, and the humor that helps transform sadness into a new and powerful brand of happiness.