Examines the role of women as leaders, activists, and members of the labor movement in New York and Chicago during the late nineteenth and early twentieth centuries

Mr. Geneen, who transformed ITT -- a diversified giant with 250 profit centers on four continents dealing in everything from Wonder Bread to irrigation valves, from Avis cars to national telephone systems -- into one of the world's best run corporations, talks about how decisions are made, who makes them, and what it takes -- and means -- to be a successful manager. Interwoven with Geneen's views are the experiences that shaped them. Geneen selects and distills lessons from which other managers can learn. ISBN 0-385-17496-9 : $17.95.

In a sweeping narrative about the people and the politics behind the budget, Wessel looks at the 2011 fiscal year (which ended September 30) to see where all the money was actually spent, and why the budget process has grown wildly out of control

A vibrant, deeply human portrait of a woman dedicated to fierce protest against the tyranny of institutions over individuals, by the celebrated author Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one's senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power--these were key demands in the many public protest movements she helped mount. Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity--and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual. In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.

Engagingly written and richly illustrated, Putting Meat on the American Table explains how America became a meat-eating nation -- from the colonial period to the present. It examines the relationships between consumer preference and meat processing -- looking closely at the production of beef, pork, chicken, and hot dogs. Roger Horowitz argues that a series of new technologies have transformed American meat. He draws on detailed consumption surveys that shed new light on America's eating preferences -- especially differences associated with income, rural versus urban areas, and race and ethnicity. Putting Meat on the American Table will captivate general readers and interest all students of the history of food, technology, business, and American culture.

Why we should put full employment back on the national agenda and how we can summon the political will to achieve it. Full employment used to be an explicit goal of economic policy in most of the industrialized world. Some countries even achieved it. In Back to Full Employment , economist Robert Pollin argues that the United States--today faced with its highest level of unemployment since the Great Depression--should put full employment back on the agenda. There are good reasons to seek full employment, Pollin writes. Full employment will help individuals, families, and the economy as a whole, while promoting equality and social stability. Equally important, creating a full-employment economy can be joined effectively with two other fundamental policy aims: ending our dependence on fossil fuels and creating an economy powered by clean energy. Explaining views on full employment in macroeconomic theory from Marx to Keynes to Friedman, Pollin argues that the policy was abandoned in the United States in the 1970s for the wrong reasons, and he shows how it can be achieved today despite the serious challenges of inflation and globalization. Pollin believes the biggest obstacle to creating a full-employment economy is politics. Putting an end to the prevailing neoliberal opposition to full employment will require nothing less than an epoch-defining reallocation of political power away from the interests of big business and Wall Street and toward the middle class, working people, and the poor, while mounting a strong defense of the environment. In the end, achieving full employment will be a matter of political will: Can the United States make having a decent job a fundamental right?

• Part backstage tour, part travelogue, part social commentary, all funny and insightful • Adventures in more than 20 US cities, large and small • Anecdotes about celebrities, including Mel Brooks, Susan Stroman, Jason Alexander, and Martin Short Ever wonder what it’s like to be a real working actor? Wonder no more! Michael Kostroff is here to reveal, in hilarious detail, just what it’s like to travel with the road companies of The Producers and Les Miserables. His firsthand account of the exciting, funny, and sometimes bizarre highlights of his journey includes working at a temp job when his agent calls to say, “You got the part!”; singing on a revolving stage while lugging a dead body; seeing ghosts in haunted theaters; and much more. Along the way, anecdotes about nailing an audition, keeping a performance fresh, and getting along with fellow cast members give useful tips for working actors. Anyone who wants to know what a life in the theater is really like needs this intimate and unforgettable narrative. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Telling the Truth is Dr. Olasky's valuable response to this charge from the noted theologian. In it he emphasizes both the philosophical and the practical: detailing the need for Christian journalists to have a well-developed worldview, and giving essential instruction to help them hone their writing, editing, and interviewing skills. The shortcomings of modern journalism are many. Too often evangelical publications, instead of exhibiting the journalistic excitement of the hunt, are content printing public-relations releases and carrying on their business in a joyless manner. But it doesn't have to be this way. Indeed, as Christians, it must not be this way! We are called to excellence; to do our work in such a way that it glorifies the Creator Himself. This incisive book not only urges journalists to grasp the significance of their purpose, but shows them how to more effectively accomplish it. As Olasky says, "If even fifty new, talented, biblically directed journalists were to emerge in America during the next few years, the revitalization of Christian journalism would be well under way."

Los Angeles and the movies grew up together, and a natural extension of the picture business was the premium presentation of the product--the biggest, best, and brightest theatres imaginable. The magnificent movie palaces along Broadway in downtown Los Angeles still represent the highest concentration of vintage theatres in the world. With Hollywood and the movies practically synonymous, the theatres in the studios' neighborhood were state-of-the-art for showbiz, whether they were designed for film, vaudeville, or stage productions. From the elegant Orpheum and the exotic Grauman's Chinese to the modest El Rey, this volume celebrates the architecture and social history of Los Angeles's unique collection of historic theatres past and present. The common threads that connect them all, from the grandest movie palace to the smallest neighborhood theatre, are stories and the ghosts of audiences past waiting in the dark for the show to begin.

The rare book dealers who delighted readers with the history of their bookselling days in "Old Books, Rare Friends" now offer the other side of their story -- an intimate look at the joys of a relationship that has lasted more than half a century. When their friendship and business partnership began in the 1940s, Leona Rostenberg and Madeleine Stern were pioneers in a man's world. Now approaching their nineties, the duo, who -- among their many discoveries -- unearthed Louisa May Alcott's pseudonymous blood-and-thunder stories, remains a vibrant institution in the rare book trade, even as the Internet changes their field -- and their community -- forever. After publishing "Old Books, Rare Friends," Rostenberg and Stern received a flood of fan mail asking about their personal lives, and they have responded with poignant honesty and the warmth for which they are famous, as they reflect on their lives and their remarkable partnership. "Bookends" recounts their fascinating histories: family backgrounds, business adventures, the men they did not marry, and their approach to the bittersweet trials of aging. More than just a dual memoir, "Bookends" is also a chronicle of the cultural changes of twentieth-century American life and a loving farewell to the golden age of book collecting. Filled with wisdom and humor, this volume is a tribute to Rostenberg and Stern's passion for the written word -- and for life itself. Catching us off guard with their candor, they offer their insights regarding their business, their way of life, and their worldview. Above all, they present the story of a special relationship. At a time when people find it increasingly difficult to connect, here wehave the seamless story of a shared life. It is the unique product of an earlier time, yet it is a timeless reflection on the very nature of friendship. Though their fantastic partnership is un-reproducible, the ideal they have established, for the integration of one life so completely with another, contains lessons for all of us. Without husband or children they created a loving home when this was uncharted territory for women. They nurtured a business and life partnership that has lasted more than half a century and has only gotten stronger with time. When the passing years began to claim one's hearing and the other's sight, they became each other's eyes and ears. A meditation on aging and togetherness, this book is also the narrative of two pioneering single, Jewish women making their way in tandem through a world largely organized to keep them in their place. It is a gentle, wise story, told in their inimitable style, sparse, unadorned, and honest. Their affirmations supersede their uncertainties. As they write, "Bookends support books and come in pairs...If the word encapsulates our past, it looks also to the future, and to the books -- lived together, written together -- that will follow." They confront the challenges of aging in a no-nonsense tone, and, in facing them, give us an ideal of enduring human friendship that can't help but touch the heart.

John Houseman describes with extraordinary self-knowledge and grace a life full of fantastic episodes that took him from a bizarre childhood to a seemingly hopeless and conventional business career to his brilliant debut in the world of the theater.

Focuses on the elite nature of the profession, with its emphasis on serving business interests and its attempt to exclude participation by minorities.

A giant in the history of American entertainment, Eddie Cantor (1892-1964) won over the American public time and time again, first on stage, bowling audiences over in the Ziegfeld Follies, then in films, on the radio, and on television. His career ran from Vaudeville to video making all stops in between. A tireless person even when not on the stage, Cantor helped found the March of Dimes, and was the first national president of the Screen Actor's Guild (SAG), the American Federation of Radio Artists (later AFTRA), and the Jewish Theatrical Guild. Yet another medium in which Cantor succeeded was print. He authored and co-authored several books that upheld his standing as one of America's leading comedians. My Life Is In Your Hands & Take My Life combines for the first time in a single volume two memoirs written in 1928 and 1957, in which Eddie remembers his beginnings as an orphan on the Lower East Side and his hard-won climb from poverty to the bright lights of Broadway. The book also contains a lost chapter in which Eddie recalls his reactions to the stock market crash of 1929, along with a new complete index, discography, and filmography. In My Life Is In Your Hands & Take My Life, Cantor's humor is as sharp as ever and his sentiment is 100% genuine. While not at all modest about his decades of public adoration, Cantor shows a willingness to laugh at his blunders (such as his second film, "Special Delivery"), and to praise the many talented people with whom he collaborated. Along with telling the story of show business in the first half of the 20th century, Cantor also lets readers in on fond stories of his friends, from Jimmy Durante (who worked as a pianist in the Coney Island restaurant where Cantor was a singing waiter), to Ziegfeld alumni Will Rogers and W. C. Fields, to fellow entertainers Clara Bow and Fanny Brice.

A personal narrative celebrating fifty years of David Yurman--as told by David and Sybil Yurman, the founders of America's leading luxury jewelry brand. From their early days in the Bronx, to their success as a leading luxury jewelry company today, Sybil and David have lived and personified the American dream. Their artisan perspective and years spent in the Beat generation, along with their background as key figures in the American Craft movement of the '70s, and fearless approach, propelled them to champion a new category of designer jewelry. Through their artisan's point of view and craftsmanship, they sparked a relaxed and uniquely American category of versatile luxury jewelry that transcends from day to night. In 1970, David sculpted a bronze necklace for his partner and fellow artist as a romantic gesture. They didn't yet know that this gift of wearable-art for Sybil would lead to a business and lifelong collaboration. The Yurmans share here the stories behind their namesake company, elaborating on the transition from craftsmen to entrepreneurs, the birth of their signature cable bracelet, and the expansion into fine jewelry. Through in-depth interviews with Pamela Golbin, Sybil and David trace the brand's evolution, share lessons learned, and highlight experiences spanning five decades. This book features a visual mosaic of striking imagery, showcasing iconic Yurman pieces, cutting-edge materials, and groundbreaking advertising campaigns that have influenced the world of fine jewelry. Jewelry, design, art, and fashion enthusiasts will appreciate this inspirational anniversary book.

There was a time not very long ago when "going out" was only for the rich and the reckless. At the turn of the century, "going out" became part of everyday life as vaudeville halls, photograph parlors, penny arcades, nickelodeons, nightclubs, dance halls, world's fair midways, amusement parks, ballparks, and movie palaces opened their doors to the people of the city. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor, and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented on stage. Going Out chronicles the twentieth-century entertainment revolution that changed forever the ways we live, work, and play. In a matter of decades, a new public world of amusements was created where ethnic, class, and neighborhood differences were subordinated to the common pursuit of a good time. Clerks and bankers, sales girls and society ladies "turkey trotted" to ragtime in nightclubs and dance halls; "shot the chute" and clutched one another in "barrels of love"; visited "Darkest Africa" on the world's fair midways; and sat together in the dark watching pictures move on a screen. In Going Out, we meet the colorful characters who invented show business: Thomas Alva Edison, who was astonished when his phonograph made money playing music (he had designed it to take business dictation); Benjamin Franklin Keith, the circus grifter who opened a dime museum in Boston in the 1880s and within a decade owned the world's largest vaudeville theater circuit; Adolph Zukor and Marcus Loew, the New York furriers who made millions in the early picture-show business; and the dozens of small-time show businessmen who rode the rails with their "shows" in their trunks. And we hear the stories of the early black performers and their struggles to maintain their dignity and livelihood while audiences demanded their public humiliation. Going Out is a history of twentieth-century show business and of the new American public that assembled in the city's wondrous pleasure palaces, parks, and theaters. The book concludes with an account of the fall or relocation of this entertainment world, as central city amusement parks, movie palaces, and ballparks were uprooted and transported to the suburbs in the decades following World War II.

A mother and daughter of Puerto Rican and Jewish ancestry, the Moraleses express their radical and feminist views in diary-like poetry and prose that echo the rhetoric of the '60s. Yet the mixed origins of this pair lend an international, even universal feeling to the sentiments. They seem to speak for many women of many places and times. Titles of their pieces include "Concepts of Pollution," "Distress Signals," "Getting Out Alive," "Class Poem" and "I Am the Reasonable One." Both authors are literary, serious, socially concerned and passionate, and their anger is about injustices that plague them and other people. There is much vivid imagery and heartfelt emotion, and the reader may well long for causes that stir them as these women are stirred. Copyright 1986 Reed Business Information, Inc.

Collected essays about the news business and newspapers that appeared in the New Yorker magazine in the 1940s.