News photos and feature stories provide a chronological account of the recording careers and controversial antics of the British group

This engaging autobiographical account traces the remarkable life and career of John Meisel, Canadian political scientist, professor, and public intellectual. The memoir is witty and insightful, filled with stories and personalities that will both inspire and challenge readers the world over. Peter C. Newman, former editor of Maclean's and the Toronto Star, has this to say about the book:,"John Meisel is a national treasure - with a Moravian accent. His life and times have bridged fabulous careers in academia and public affairs, anointing each with the grace of his thoughts and the cadence of his words. This is a book for the ages." Learn more about the book through Wintergreen Studios Press (www.wintergreenstudiospress.com).

The Devil's Knee : In the eighteen years that have passed since they were last seen, Larry "Tunafish" Tunig and Simon "Bull" Bronstien have left their criminal careers behind and have been living the quiet life in Mexico City. "Bull," overcome by remorse for past misdeeds, has sought solace in religion, changing his name back to Simon, growing a beard and attending daily services at the local synagogue. But the mob won't leave them alone. Larry and Simon are recalled from Mexico and moved into a Beverly Hills mansion, where Larry is to preside as the fourth husband of Joyce Adams, once a Las Vegas whore, now the widow of the mob's big boss. Larry's assignment: to keep cops and reporters from snooping around. But how do you stay inconspicuous when your new stepdaughter is becoming one of the nation's leading rock stars, your pacifist buddy has attacked and maimed an anti-Semitic orator in the street, and a contingent of tommygun-wielding mobsters has just prevented three drug-crazed hippies from blowing up your house?

Preface Sources In the Beginning Bucknell & Princeton First Years in NY From War to Socialism Safe for Democracy? Civil Liberties Under Fire Family Worries & New Careers Back to Normalcy Two Chickens in Every Pot Crash & the '32 Campaign Early Thirties Socialist Factionalism & New Deal Communism Reappraised War Clouds Gather WWII Violet & Norman Last Campaign Electoral Fizzle Peace & Communism Test of Freedom Zionism & the Middle East Lonely Quest Leader at Large Bibliography Works of Norman Thomas Index

Who are you? What defines you? What makes you, you? In the past an individual's identity was more predictable than it is today. Life's big questions were basically settled before you were born: where you'd live, what you'd do, the type of person you'd marry, your basic beliefs, and so on. Today personal identity is a do-it-yourself project. Constructing a stable and satisfying sense of self is hard amidst relationship breakdowns, the pace of modern life, the rise of social media, multiple careers, social mobility, and so on. Ours is a day of identity angst. Known by God is built on the observation that humans are inherently social beings; we know who we are in relation to others and by being known by them. If one of the universal desires of the self is to be known by others, being known by God as his children meets our deepest and lifelong need for recognition and gives us a secure identity. Rosner argues that rather than knowing ourselves, being known by God is the key to personal identity. He explores three biblical angles on the question of personal identity: being made in the image of God, being known by God and being in Christ. The notion of sonship is at the center - God gives us our identity as a parent who knows his child. Being known by him as his child gives our fleeting lives significance, provokes in us needed humility, supplies cheering comfort when things go wrong, and offers clear moral direction for living.

Following his career-spanning monograph "The big picture", Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. While glimpsing ballet through Elgort?s lens we are taken not to the front of the stage but behind the scenes, where the hard work is done. On this journey through the hallways and rehearsal spaces of some of the world?s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers? natural glamor as they work to perfect their craft. Elgort?s snapshot style allows the pain and pleasure of one of the world?s most beloved forms of expressive dance to be seen with beauty.

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its apparent rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare - the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.

Review 18th And Broadway America Is Artists Have Failed As Everything Comes Crashing Down Babar Is God The Beautiful Children Beautiful Women The Blood Stain Careers Matter Climb Desire For Joie Cook, For Some Reason For M.l. And Others For Mel The Future Task Of Language Hard Wind Heaven Hell Knows No Borders The Holocaust Hustling The Moon I Am Going Blind Now I Have Always Made People Nervous I Will Need A Volunteer I Will Wear Rags Isn't It Enough? Maria Music Ran Fierce Through Her Blood The Night Of The Living Tits One Day When I Was In The Spirit Prayer For The Dead The Question Sad Satan After Hours Scream The Story So Far They Say It's Mars Thief Of Fire Thigns That Go Hush In The Night We Are A Fist What's Your Name Where The Angels Sleep Where The Treasure's Hidden Why Rimbaud Went To Africa Without A Name The Worst -- Table of Poems from Poem Finder®

Significantly deepening our understanding of two key figures from the modernist period, The Humane Particulars collects the letters between William Carlos Williams and Kenneth Burke. Written during forty-two years of close friendship and literary debate, these nearly 250 letters span two long lives, two complicated personalities, and two brilliantly productive careers. The animated exchange between a canonical poet and the leading American rhetorical critic of the twentieth century offers a more complete vision of their outlooks and their contributions to the shape and tenor of the modernist scene. Set in context by James H. East's introduction and explanatory notes, the letters begin just after Burke and Williams's initial meeting in 1921 during a tramp through a New Jersey swamp and surrounding meadowlands. Their written exchange follows the maturing of their friendship and professional regard. The correspondence shows that Williams and Burke were fast friends during the experimental twenties, preoccupied by individual and divergent projects in the thirties and early forties, and reunited as enthusiastic correspondents after the Second World War. The letters refer to happy times spent together - walks in the woods, picnics and swimming, and visits to Burke's farm in Andover, New Jersey. They reveal, among other interesting personal matters, Burke's fascination with Williams's double life as physician and poet, Burke's hypochondria, and Williams's at times chastising medical advice to Burke. But, more important, the letters preserve the continual wrangling over the origin and nature of literary form that enlightened the pair's many disagreements. Of particular interest, the correspondence documents a largely unexplored aspect of Burke's career - his reciprocally influential relationship with the writers of the late modern and midcentury periods.

"Feliza Bursztyn: Welding Madness is the first museum retrospective of Colombian artist Feliza Bursztyn (b. Bogotá, 1933 - d. Paris, 1982) to be presented outside of her home country. Bringing together approximately 50 sculptures, films and installations as well as archival material, most of which are shown for the first time in Europe, this ambitious, career-spanning survey at Muzeum Susch positions Bursztyn as one of Latin America’s most important sculptors of the 20th century." -- Webseite Muzeum Susch

CONTRAPPASSO is an independent biannual magazine of international writing published in Sydney, Australia.Issue 2 contains Anthony May's never-before-published 65-page interview with the legendary Elmore Leonard; 'STR82ANL', a new novella by British writer Clive Sinclair (accompanied by a career-spanning interview by editor Matthew Asprey); a narrative by film writer David Thomson; fiction by Mimi Lipson and John Salazar; a memoir by Paul Pax Andrews; an essay by Peter Doyle; and poetry by Antigone Kefala, Chris Andrews, Tessa Lunney, Erin Martine Sessions, Mark Tredinnick, Daniel East, Mark O'Connor, Paolo Totaro, Chris Oakey, Elias Greig, Luke Whitington, Paolo Fabrizio Iacuzzi, and Floyd Salas.

We are organized around the double coordinates of mind-body and self-other, says author Michael Eigen. The story of therapy is, in part, the story of how the unconscious sense of self-other and mind-body expands to allow a fuller, more open self to emerge. This volume centers around the therapies of two individuals. Lynn and Les came of age in the 1960s, and their inner beings were stamped with the turmoil and personalist sensibility of that era. As the ensuing years swept them on into careers, marriage, family, they felt a nagging sense that something was lacking. Their lives were full but disappointing. Les and Lynn's dissatisfaction is mirrored in the problems being experienced by many others of their generation. The cutthroat world of business in which Les operated and the bureaucratic school system of which Lynn was a part worked against expression and fulfillment of their personal values. They needed help in finding ways to pursue their careers and fashion productive lives that were congruent with who they felt they were. Without this help, they were in danger of losing what was most precious to them: their very sense of self was being corroded by destructive forces they could not cope with. Unfolding on these pages is the story of how Les and Lynn struggled through the fears involved in initiating the changes necessary to reshape their lives and their selves into something they could affirm and believe in - something at once useful and fulfilling for themselves and their communities.

"We cannot help wincing, cannot help feeling that the author has committed an error of taste, cannot help hoping with all the vigour at our command that his example will not be followed. [...] We are compelled by conviction to express in clear terms the disfavour with which we regard audacious enterprises such as the one undertaken by the author of this novel." -- The Literary World, May 25, 1900 "Richard Marsh, author of A Second Coming , is the author also of 'The Beetle' and 'The Crime and the Criminal.' This, therefore, is his third coming. If one wishes to read one of his books, let it be 'The Crime' or 'The Beetle.' It may be better than 'A Second Coming.' It cannot easily be worse." -- The Critic, July, 1900 A Second Coming (1900) was the first attempt at serious literature by popular novelist Richard Marsh, and when it was published by the influential London publisher Grant Richards, whose publishing house helped launched the careers of George Bernard Shaw, G. K. Chesterton, and James Joyce, it appeared Marsh was on his way toward success as a respected literary writer. But the reviews were uniformly negative, decrying the book as blasphemous, and Marsh's bold and fascinating work was declared a failure and quickly consigned to oblivion. In A Second Coming , Marsh imagines what would happen if the long-awaited second coming of Christ took place in present-day London. How would he be received in a modern, industrialized world that had begun to question the relevance of his teachings and had tacitly given up hope of his return? Surprising and thought-provoking, Marsh's novel and the questions it raises are perhaps as relevant as ever. This edition features the unabridged text of the novel, a reproduction of its original cover, and a new introduction by Paul Fox.

" . . . scrupulous, fair-minded and richly-detailed study . . . the book charts one of the most remarkable intellectual careers of the 20th century's latter half. . . . What is most heartening about Mr. Alexander's biography is its exemplary civility and nuance in discussing ideas across the lines of political difference." ―Nathan Glick, Washington Times "Anyone interested in Howe's varied career, and the historical context that has given it its particular shape―American radicalism, the Cold War and anticommunism, the New Left, literary modernism, Jewish life―will profit handsomely from reading Alexander's respectful book." ―Wilson Quarterly "Edward Alexander's captivating study of Irving Howe is illuminating and scrupulous; it is also temperate, generous, and deeply fair-minded. If Howe were alive, he would thank the author―and even now, in Paradise, he is surely doing so (while hotly continuing the discussion)." ―Cynthia Ozick " . . . a singular achievement." ―Jerusalem Post " . . . a masterpiece" ―National Jewish Post and Opinion ". . . meticulous scholarship, felicitous writing style and a literate feistiness." ―Chicago Jewish Star "An excellent work of insight and criticism, recommended for academic libraries." ―Library Journal "An insightful, balanced contribution . . ." ―Booklist "Edward Alexander's estimable intellectual biography . . . studiously avoids both undue sentimentality and overly harsh censure." ―Sanford Pinsker, Philadelphia Inquirer "Edward Alexander's well-informed and engaging portrait of Irving Howe does full justice to the complexities of mind and the political passions of one of this country's leading intellectuals. This bracing, perceptive study honors Howe's admirable career by treating it with the same high degree of moral seriousness that characterized Howe's own work at its best." ―Alvin H. Rosenfeld Irving Howe, author of World of Our Fathers, the prize-winning history of American Jewish immigrant culture, and founding editor of the influential magazine Dissent, was for over 50 years a dominant―and controversial―figure in American intellectual life. Through a clear and eloquent study of Howe's politics, writings, and thought, Edward Alexander constructs a sympathetic yet critical intellectual biography of this complex individual.

"For centuries Jews in Germany were denied full rights and excluded from gentile society. At the same time, Jewish law restricted scholarship to exegesis of the Talmud. But from the late seventeenth century onward, as German universities progressively opened their doors to them, many Jews turned toward university studies. This process accelerated around 1800 once education (Bildung) assumed a central role for social ascent among the so-called Bildungsbürgertum (cultural bourgeoisie). Many Jews sought to benefit from the professional and social opportunities that university attendance enabled, but they soon discovered that while the state encouraged education as a means of "moral improvement" of the Jews, it was unwilling to concede them the right to professional careers. Alienated from their ancestral religion and unwilling or unable to return to trading occupations, academized Jews often found themselves leading precarious existences. Many joined the struggle for emancipation or took up the reform of Judaism. Now available in English translation for the first time, Monika Richarz's classic study addresses the far-reaching transformation of German Jewry under the impact of university education. It traces the secularization of Jewish education, the significance of academic education for social assimilation, and the loss of Jewish solidarity with increasing acculturation and emancipation"--

Originally Published by Scholars Press Now Available from Duke University Press In this interdisciplinary work, Martin H. Krieger examines the entrepeneur in terms of modes and ideal figures drawn from religion and classical studies. In so doing, he provides a means or vocabulary with which entrepreneurs can articulate their experience of risk, commitment, and judgment. In addition, by establishing a comparison between the entrepreneur and the figures he utilizes from religious and classical literature, Krieger generates surprising new ways to look at the careers of such traditional figures as St. Augustine, Moses, Oedipus, Antigone, and the characters of Shakespeare's The Tempest. Both an exercise in the humanities and in the pragmatic world of business, Krieger's work offers an intriguing methodology for how humanistic learning can be applied to the real world concerns of the entrepreneur. A teaching and self-study guide to Entrepreneurial Vocation is included as an appendix for those wishing to adopt the text as a classroom resource.

Reimagine the Possibilities for Your Own Congregation We all share a deep human need for meaning in our lives, a need to feel that we are part of something larger than ourselves. Yet many of us have discovered that successful careers, material affluence--even loving families--are not enough to satisfy this longing. And, too often, the congregations and organizations in which we seek greater meaning are uninspiring, or worse. The answer lies in belonging to a strong spiritual community--not just a collection of individuals but a dynamic, integrated congregation linked by commitment and vision, sustained by friendship and shared experience. But how to build it? Informative and encouraging, wise and practical, Spiritual Community looks at congregations and organizations--what they are and what they might become--and reveals the unique role they have the potential to play in refreshing our minds, transforming our hearts and giving our lives meaning. From establishing "radiant centers" to welcome people into the heart of the community, to reclaiming the power of ritual, to suggesting strategies for dealing with conflict--Rabbi Teutsch offers practical solutions to challenges congregations commonly face making themselves into spiritual communities. This is essential reading for every spiritual and lay leader--for anyone who wants to transform their congregation or organization into a strong spiritual community.

In this history of the ancient, and now defunct, office of the king's serjeant at law in Ireland, Judge Hart traces the development of an office which was at the centre of legal and political affairs in Ireland throughout the greater part of the seven centuries of its existence. From the early days of the 'first adventure of the common law' in the thirteenth century, to Serjeant Sullivan KC, who defended Sir Roger Casement on charges of treason in 1916, the serjeants at law included many of the leading members of the Irish bar, individuals who were as prominent in government, parliament and public life in Ireland as they were in the law courts. This survey seeks to provide for the first time a systematic analysis of their legal and political significance, and examines their changing role, from being the predecessor of the modern attorney general, to being chosen in the eighteenth century as much for their usefulness to the government as parliamentary champions as for their services in the courts.The contents also include the first table of all known holders of this office, details of their terms of office and careers, as well as appendices containing details of the earnings of serjeants before and after the Union. An Irish Legal History Series volume. -- Publisher description

The Epilogue essays, published when the literary partnership of Laura Riding and Robert Graves was it its height, illustrate their working relationship and the background to their later very different careers. This selection alerts general readers to rigorous, impassioned and a remarkably alive creative and critical moment.

Flavia is a journalist who has been poached from the BBC by a tabloid newspaper, the Daily Trumpet. Her brief: to dig up the dirt on her old friend Nicola Macdonald, now Secretary of State. Flavia exposes Nicola's affair with a younger man, Stephen, and the ensuing sordid headlines threaten to destroy both their careers and marriages. Flavia hopes that she will now be allowed to investigate the more serious corruption taking place in government: the acceptance of bribes from American company Omnicom.com. The Daily Trumpet editor, Miranda, and chief whip, Griff, have other ideas.