Excerpt from Memorial Meeting, Israel Friedlaender, Bernard Cantor, Whose Lives Were Sacrificed July 5, 1920, in the Cause of Israel and in the Service of Humanity Contributed critical notices of Scientific Books to American and European Reviews and Magazines. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Ernst Toller’s Justice: Experiences builds upon and supplements his personal experiences in prison, and the arbitrariness and favoritism to certain parties of the Weimar Justice system that were described in his autobiography, A Youth in Germany, and his Letters from Prison. It includes personal stories of his treatment by the justice system and the prison authorities, as well as stories the harsh and unfair treatment of his fellow prisoner’s that are still experienced by inmates even today, a hundred years later. Ernst Toller (December 1, 1893 – May 22, 1939) was a German author, playwright, left-wing politician and revolutionary, known for his Expressionist plays. He served in 1919 for six days as President of the short-lived Bavarian Soviet Republic, after which he became the head of its army. He was imprisoned for five years for his part in the armed resistance by the Bavarian Soviet Republic to the central government in Berlin. While in prison, Toller wrote several plays that gained him international renown. They were performed in London and New York City as well as in Berlin and other places. In 1933, Toller was exiled from Germany after the Nazis came to power. He did a lecture tour in 1936–1937 in the United States and Canada, settling in California for a while before going to New York. He joined other exiles there. He died by suicide in May 1939.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book by Aharoni, Ada

This is a revised version of the original Polish edition; the author collected six more tapes of interviews with Alex and wrote a large portion of the book anew. At the time of printing, Alex still refused to reveal his last name for the book.

Analogies play a fundamental role in science. To understand how and why, at a given moment, a certain analogy was used, one has to know the specific, historical circumstances under which the new idea was developed. This historical background is never presented in scientific articles and quite rarely in books. For the general reader, the undergraduate or graduate student who learns the subject for the first time, but also for the practitioner who looks for inspiration or who wants to understand what his colleague working in another field does, these historical circumstances can be fascinating and useful. This book discusses a series of analogy effects in subatomic physics, the prediction and theory of which the author has contributed to in the last 50 years. These phenomena are presented at a level accessible to the non-specialist, without formulae but with emphasis on the personal and historical background: memoirs of meetings, discussions and correspondence with collaborators and colleagues. As such, besides its scientific aspects, the book constitutes an absorbing witness account of a holocaust survivor who subsequently illegally crossed the Iron Curtain to escape communist persecution.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

A dramatic and original biography of a married couple, each violated in different ways but bound together by their suffering, their mutual understanding and love, and a desperate struggle for renewal. These twin biographies are brought to life by an imaginary exchange of letters in which, nevertheless, the events described are completely factual. Dita was an inmate of Auschwitz as a young girl - she and her father were the only surviving members of her Czech-Hungarian family. Ronald, a Londoner, was the victim of a dangerous and unnecessary prefrontal leucotomy, against his will, in the knife-happy days when this operation was common and left a pathetic trail of zombies vegetating in the asylums. To say simply that Ronald 'survived', to become a composer and scholar of international repute, is to gloss over the long and painful path of recovery he describes. Dita trod a parallel path, although the trauma each suffered was of a different nature. Auschwitz does not ever relinquish its victims: it remained a perpetual assassin in the wings, and even Dita's death from cancer, nearly forty years later, was perhaps its final victory. This imaginary correspondence is remarkable for the vivid picture it paints of a living death inside Auschwitz as well as the fearful existence of a patient inside a mental hospital in mid-century Britain. Above all, the intimate letters reveal a deep commitment and compassion between two people, a love-story intertwined with the horrific historical events of our time.

"Diaries of Sir Moses and Lady Montefiore, Volume 1: Comprising Their Life and Work as Recorded in Their Diaries From 1812 to 1883" offers a remarkable glimpse into the lives of two pivotal figures in 19th-century Jewish history. Compiled from their personal diaries, this volume chronicles the extensive philanthropic work and travels of Sir Moses and Lady Judith Montefiore across Europe and beyond. Explore the world through their eyes as they navigated political landscapes and social challenges, leaving an indelible mark on Jewish communities worldwide. Sir Moses Montefiore's tireless dedication to advocacy and relief efforts is vividly portrayed, alongside Lady Judith's insightful observations and unwavering support. This meticulously prepared edition sheds light on their shared commitment to social justice and religious observance. A vital resource for anyone interested in Jewish history, Victorian England, and the power of individual action, these diaries provide a compelling first-hand account of a life devoted to service and faith. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Edgar Morin, one of France's greatest living intellectuals, tells the story of his father, Vidal Nahoum, but also the story of Sephardic Jews, and of Europe. In this 'holographic history' Vidal's story, and that of his family, carries within it the flowering, decline, and death of Jewish culture in Spain, the passage from Empires to Nation States, the complex relations between Jews and Gentiles, between East and West, and, ultimately, the history of the twentieth century itself. Morin's work ranges from the great sweep of global historical events to the everyday details of individual lives, letters, feelings, reflections, and experiences. Vidal was born in 1894 in the Ottoman Empire's great Macedonian port. His great-grandfather came from Tuscany and spoke Italian. His mother tongue was fifteenth-century Spanish. He learned French and German as a child. When he was an adolescent, he dreamed of living in France; he was deported there as a prisoner, and then liberated by the French Prime Minister. He lived through the Balkan wars, the collapse of the Ottoman Empire, and two World Wars. Vidal cannot be isolated from his family. And as Edgar Morin explains, "this book also tells the stories of the men and women in his immediate family When, as his son, I inevitably come into his story... I describe him as objectively as possible. The reverence that inspired me did not call for a work of edification; it implied that I should attempt to write a truthful book. For this reason, the book is not in the least respectful, or at least not in the usual sense of the word. Vidal felt that loving someone meant being able to tease him. The author of these lines, who has inherited something of this trait, does not think it disrespectful to tease or make fun of the people he loves."

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

My Bohemian Days in London

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Felix Moscheles was the godson of Felix Mendelssohn. He was a painter, peace activist and keen fan of Esperanto.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.