Jack Zipes develops a social history of the fairy tale and shows how educated writers purposefully appropriated the oral folk tale in the eighteenth century and made it into a discourse about mores, values, and manners.

From a brilliant and witty comic book aficionado, this “scholarly but lively narrative” ( Kirkus Reviews ) reveals the links between Jews and the iconic superheroes of Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby. Many of us know that the superheroes at the heart of the American comic book industry were created by Jews. But you’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. With great wit and compelling arguments, Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity. Captivating, poignant, and packed with historical insights, this guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad magazine to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. “A witty, insightful exposé” ( Publisher’s Weekly ), Superman Is Jewish? is an endlessly fascinating American saga about an immigrant group that used comic books to see itself in new, empowering—and laughable—ways. You don’t even have to be Jewish to get a kick out of it.

Comic book collectors relive the Golden Days, as they recall their favorite childhood comic heroes in this sequel to All in Color for a Dime. This reprint from the 1973 Arlington House original sports a new introduction from Lupoff and Comics Buyer's Guide editor Maggie Thompson. The Comic-Book Book is an entertaining and evocative excursion into memory land and an important contribution to the study of pop culture.

One of the most imaginative figures to emerge from the science fiction field. Olaf Stapledon left an indelible mark on many other writers, from Arthur C. Clarke to Saul Bellows, but never won a mass following himself. This study by a renowned American literary critic provides a long-needed introduction to the life and work of the man Brian Aldiss called "the great classical example, the cold pitch of perfection as he turns scientific concepts into ontological epic prose poems, the ultimate science fiction writer." Probing the recurrent themes and images of Stapledon's novels -- which include Last and First Men, Odd John, Star Maker, and Sirius -- Leslie A. Fiedler brilliantly illuminates the complexity and richness that underlie Stapledon's fiction. As Fiedler demonstrates, Stapledon was very much a product of the 1930s, embracing a set of leftist attitudes that were common to many other "Oxbridge-educated sons of the English upper classes." But, as Fiedler further shows, there is much more to Stapleton's books than their superficial ideological content: his works are unique in their awe-inspiring vision of the breadth of the physical universe and the depths of the human psyche. "Certainly since encountering him," Fielder writes, "I have never been able to stare up at thee night sky with the same secure faith that either God exists or he does not; anymore than I have been able between sleeping and waking to be sure that the nighttime "I" preparing to dream is identical with or totally different from the conscious "I" about to surrender its dominion."

Is American vision implicitly possessive, as a generation of critics contends? By viewing the American poetic tradition through the prism of pragmatism, Elisa New contests this claim. A new reading of how poetry "sees," her work is a passionate defense of the power of the poem, the ethics of perception, and the broader possibilities of American sight. American poems see more fully, and less invasively, than accounts of American literature as an inscription of imperial national ideology would allow. Moreover, New argues, their ways of seeing draw on, and develop, a vigorous mode of national representation alternative to the appropriative sort found in the quintessential American genre of encounter, the romance. Grounding her readings of Dickinson, Frost, Moore, and Williams in foundational texts by Edwards, Jefferson, Audubon, and Thoreau, New shows how varieties of attentiveness and solicitude cultivated in the early literature are realized in later poetry. She then discloses how these ideas infuse the philosophical notions about pragmatic experience codified by Emerson, James, and Dewey. As these philosophers insisted, and as New's readings prove, art is where the experience of experience can be had: to read, as to write, a poem is to let the line guide one's way.

"Thirty-one, in part or in full, of the forty-six Constant Reader pieces are gathered here for the first time in book form. They not only belong with the body of her work, but also express the essence of the period in a telling way" -- Front jacket flap.

Presents essays addressing a range of literary, historical, and moral issues, covering the joys of literature in the works of such writers as Leo Tolstoy, Saul Bellow, and Sylvia Plath, as well as the author's early literary endeavors.

The first female Conservative rabbi in the U.S. reflects on ancient Jewish traditions as a guide to reconciliation and peacebuilding in our lives, our communities, and our world.

Often called Rthe godfather of rock journalism, S the only chronicler to witness some of the most significant events of the T60s now shares exclusive eyewitness glimpses into the era of Bob Dylan and the Beatles.

A collection of essays in which Cynthia Ozick examines the works of some of the world's most illustrious writers.

An original and highly unusual psycholinguistic study of American literature and culture from 1584 to 1860, this volume focuses on the metaphor of 'land-as-woman.' It is the first systematic documentation of the recurrent responses to the American contine

An XXX Rated Celebration of Adult Movies According to film historians, the first motion picture was screened in December 1895. And the first dirty motion picture was screened just a few months later. Adult movies are nearly as old as cinema itself. The Big Book of Porn celebrates this controversial art form in all its timeless glory--from the stag films of the 1920s and the Super 8 reels of the '50s to the VHS boom of the '80s and the interactive DVDs of Tomorrow. Chapters include: * Know Your Classics: The twenty-five most important adult films of all time, including Debbie Does Dallas, Deep Throat, and an X-rated musical version of Alice in Wonderland. * Great Moments in Porn History: From the first on-screen kiss to the invention of the silicone breast implant, these are major events that defined modern-day adult films. * The Pantheon of Porn: These mini-bios of mega-stars like Seka, Linda Lovelace, and Marilyn Chambers are filled with surprising trivia. * It's A Porn World, After All: We travel around the world--from Australia and Canada to Germany and Japan--to watch the best of international porn. * Make Your Own Porno: All you need is a video camera, a willing partner, and these simple pointers ("Tell a story," "Start with a bang," "Parody a real film title whenever possible"). And that's just the beginning. You'll also find a glossary of unfamiliar terms, a catalog of favorite porn genres, tons of classic stills and posters, interviews with porn pioneers, the 300 goofiest porn titles of all time (Edward Penishands, Juranal Park, Oklahomo!), and much, much more.

"The Hebrew Bible is only part of ancient Israel's writings. Another collection of Jewish works has survived from late- and post-biblical times, a great library that bears witness to the rich spiritual life of Jews in that period. This library consists of the most varied sorts of texts: apocalyptic visions and prophecies, folktales and legends, collections of wise sayings, laws and rules of conduct, commentaries on Scripture, ancient prayers, and much, much more. While specialists have studied individual texts or subsections of this library, Outside the Bible seeks for the first time to bring together all of its major components into a single collection, gathering portions of the Dead Sea Scrolls, the Septuagint, the biblical apocrypha, and pseudepigrapha, and the writings of Philo of Alexandria and Josephus. The editors have brought together these diverse works in order to highlight what has often been neglected; their common Jewish background. For this reason the commentaries that accompany the texts devote special attention to their references to Hebrew Scripture and to issues of halakhah (Jewish law), their allusions to motifs and themes known from later Rabbinic writings in Talmud and Midrash, their evocation of recent or distant events in Jewish history, and their references to other texts in this collection. The work of more than seventy-one contributing experts in a range of fields, Outside the Bible offers new insights into the development of Judaism and early Christianity. This three-volume set of translations, introductions, and detailed commentaries is a must for scholars, students, and anyone interested in this great body of ancient Jewish writings. The collection includes a general introduction and opening essays, new and revised translations, and detailed introductions, commentaries, and notes that place each text in its historical and cultural context. A timeline, tables, and a general index complete the set. "--

"Timely and beautifully written, New England Beyond Criticism provides a passionate defense of the importance of the literature of New England to the American literary canon, and its impact on the development of spirituality, community, and culture in America. An exploration and defense of the prominence of New England's literary tradition within the canon of American literature. Traces the impact of the literature of New England on the development of spirituality, community, and culture in America. Includes in-depth studies of work from authors and poets such as William Bradford, Emily Dickinson, Robert Frost, Henry David Thoreau, Susan Howe, and Marilynne Robinson. Examines the place and impression of New England literature in the nation's intellectual history and the lives of its readers"--

"Hard to believe but true: - The Passover Seder is a Greco-Roman symposium banquet - The Talmud rabbis presented themselves as Stoic philosophers - Synagogue buildings were Roman basilicas - Hellenistic rhetoric professors educated sons of well-to-do Jews - Zeus-Helios is depicted in synagogue mosaics across ancient Israel - The Jewish courts were named after the Roman political institution, the Sanhedrin - In Israel there were synagogues where the prayers were recited in Greek. Historians have long debated the (re)birth of Judaism in the wake of the destruction of Jerusalem and the Temple cult by the Romans in 70 CE. What replaced that sacrificial cult was at once something new-indebted to the very culture of the Roman overlords-even as it also sought to preserve what little it could of the old Israelite religion. The Greco-Roman culture in which rabbinic Judaism grew in the first five centuries of the Common Era nurtured the development of Judaism as we still know and celebrate it today. Arguing that its transformation from a Jerusalem-centered cult to a world religion was made possible by the Roman Empire, Rabbi Burton Visotzky presents Judaism as a distinctly Roman religion. Full of fascinating detail from the daily life and culture of Jewish communities across the Hellenistic world, Aphrodite and the Rabbis will appeal to anyone interested in the development of Judaism, religion, history, art and architecture. "--

The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.

A study of the 12th-century evolution of innovative anti-Jewish stereotypes and their impact on subsequent Western thought. The 12th century was a period of significant change and dislocation in the West; it witnessed the interaction of new societal circumstances and a prior ideational legacy, similar to events in the 19th-20th centuries. This interaction produced an innovative view of Jews which was fated to influence anti-Jewish perceptions up to the present. In the period of societal change, persecutory patterns emerged, directed at diverse societal outgroups, among them the Jews. The 12th-century stereotypes were permanently absorbed into the historic legacy of Christian anti-Jewish thinking. These stereotypes were based on a perception of Jewish hatred of Christianity and Christians, and that Jews commit acts of anti-Christian violence generated by this purported hatred (e.g. ritual murder, abuse of Christian symbols, moneylending abuses). The most pernicious anti-Jewish imagery involves stereotypes alleging mortal threats posed by Jews. States that every new stage in the evolution of anti-Jewish thinking is marked by dialectical interplay between a prior legacy of negative stereotypes and the realities of a new social context.

Beginning in Paris in the year 1290, Jews were accused of abusing Christ by desecrating the eucharist—the manifestation of Christ's body in the communion service. Over the next two centuries this tale of desecration spread throughout Europe and led to violent anti-Jewish activity in areas from Catalonia to Bohemia, particularly in some German-speaking regions, where at times it produced regionwide massacres and "cleansings." Drawing on sources ranging from religious tales and poems to Jews' confessions made under torture, Miri Rubin explores the frightening power of one of the most persistent anti-Jewish stories of the Middle Ages and the violence that it bred. She looks not just at the occasions on which massacres occurred but also at those times when the story failed to set off violence. She investigates as well the ways these tales were commemorated in rituals, altarpieces, and legends and were enshrined in local traditions. In exploring the character, nature, development, and eventual decay of this fantasy of host desecration, Rubin presents a vivid picture of the mental world of late medieval Europe and of the culture of anti-Judaism.

Chronicles the growth and success of Elektra Records during the 1960s