Nathan, a blind Jewish scribe, tells the story of the coming of the Messiah in the person of one Simon Stern—from his birth on the Lower East Side, through his career as a millionaire dealer in real estate, to his building of a refuge for the Jewish remnant of World War II. "A majestic work of fiction that should stand world literature's test of time, to be read and reread. A masterpiece."— Commonweal "This book ensnares one of the most extraordinarily daring ideas to inhabit an American novel in a number of years. For one thing, it is that risky devising, dreamed of only by the Thomas Manns of the world, a serious and vastly conceived fiction bled out of the theological imagination. For another, it is clearly an 'American' novel—altogether American, despite its Jewish particularity: it is not so much about the history of the Jews as it is about the idea of the New World as haven. . . . In its teeming particularity every vein of this book runs with a brilliance of Jewish insight and erudition to be found in no other novelist. Arthur Cohen is the first writer of any American generation to compose a profoundly Jewish fiction on a profoundly Western theme."—Cynthia Ozick, New York Times Book Review "This stately, ambitious amalgam of Jewish myth, history, theology, and speculations on the Jewish soul is like an enormous Judaic archeological ruin—often hard for the uninitiated to interpret, but impressive. . . . Intelligent, inventive, fascinating."— New Yorker

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

Nine Chicago-based short stories combine wit and precision to probe the meaning of ambition by creating insightful characters with realistic struggles

Eli Silver is a pediatrician in Upstate New York who has accidentally let his only child die. The Sorensons are a childless couple who move from house to house, rebuilding old structures in an effort to rebuild their lives. Elizabeth Bean is a working woman-- unmarried, pregnant, and determined to bear her child. The lives of these people intersect, and eventually interlock, through circumstances that involve both the vagaries of bodily functions and emotional extremes, and the love of parents for children and of men and women for each other.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

In his unique and lyrical style, Mario Levi captures the city of Istanbul and its storied past with a rare intimacy and humor. A major work of contemporary Turkish literature, Istanbul Was a Fairy Tale tells the stories of three generations of a Jewish family from the 1920s to the 1980s. Istanbul is their only home, and yet they live in a state of alienation, isolating themselves from the world around them. As witness, observer, and protagonist, the narrator—at once inside and outside of his story—records their many tales, as well as those of their friends and neighbors, creating an expansive mosaic of characters, each doing their best to survive the twentieth century.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskaia-the Jewish Enlightenment-did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets . The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism-a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could. Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

From the critically acclaimed author ofThe Memory Cathedralcomes perhaps the most powerful, haunting, and unforgettable novel of the Civil War--or any war--ever written. Provocative, poetic, and disturbing, it introduces us to a young narrator, Mundy McDowell, whose voice rivals any in literature, bringing poignantly to life the surreal horrors of battle and its spiritual cost to human survival. I was scarce twelve the day the damn Yankees invaded the valley. I seen a lot that day I ain't never gonna forget. Men blown apart, screamin' and dyin' all around me. I was wandering in the woods like I wasn't supposed to and wound up right in the middle of the battle. And that's what I suppose saved me. When I got back home the main house was burning to the ground. I saw two men wearin' bits and pieces of 'Federate and Yank uniforms. They killed Poppa right off, and Mother they dragged into the front yard before they killed her too. I reckon that was the day I first got the knack of being invisible. The spirit dog seen me right off, though. He was big and black and smelled like burning. His eyes were like red coals and everywhere he went, it seemed death followed. Him and me, we mostly traveled together after that. I passed through midnight fields of dead and dying soldiers, reeking makeshift field hospitals worse than hell itself; climbed into the mountains where the runaway slaves hid; and walked through towns shattered by the passage of the war. I met a lot of people, some of them living and some of them just memories. There was Jimmadasin, the slave who died on my account, and Mammy Jack, who taught me to see visions; the gallant Colonel Ashby, who let me ride by his side, and, of course, the mulatto whore Lucy, who saved my life twice. Last but not least, there was mad but brilliant General Jackson, who was probably responsible for putting more men in their graves than any other during the Shenandoah campaign. Whether he was a hero or a demon I never did determine, but I wish I had never met him at all. And through it all I remained silent. The power of speech left me the day my parents were killed and I first saw the spirit dog. You see, the whole time I was wandering through that valley of death I was deciding on whether to go back to being human or to become a spirit myself, and that's what this book is all about. From the Hardcover edition.

"Pale Blue Ink in a Lady's Hand is, in many ways, a prequel to what is known as Holocaust literature. It involves a long-suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen."--Page 4 of cover.

'Zone of the Interior' is a classic of zonked-out high-as-kite sixties literature. It tells the story of Sid Bell an American political refugee in London, who falls under the spell of Dr. Willie Last.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

First published in 1933, Matisse Picasso and Gertrude Stein contains three prose pieces written in the stream-of-consciousness style that Stein was famous for. A modernist classic not to be missed by fans and collectors of Stein's seminal work. Gertrude Stein (1874-1946) was an American poet, novelist, art collector, and playwright who famously hosted a Paris salon frequented by the likes of F. Scott Fitzgerald, Pablo Picasso, and Ernest Hemingway. Before she was a patron to "The Lost Generation" artists, Stein was an esteemed author who influenced many 20th-century writers with her innovative and experimental prose. Other notable works by this author include: Three Lives (1909), White Wines (1913), and An Exercise in Analysis (1917). Featuring an introduction by Sherwood Anderson, this volume is an essential read for fans of Gertrude Stein's work and those with an interest in Jazz Age literature.

The Time Axis by Henry Kuttner Called to the end of time by a being known as The Face of Ea, four adventurers face a power that not even the science of that era could meet -- the nekron, negative matter, negative force, ultimate desctruction for everything it touched! We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Underground Stream is a remarkable work in the canon of proletarian literature. It holds special significance for trade unionists and communists, offering a vivid portrayal of workers’ struggles in the industrial heart of the United States and highlighting the pivotal role played by militants of the historic Communist Party USA in these struggles. Beyond its historical and political value, the novel tells a compelling tale of the profound sacrifices demanded of communists in the fight for a better future. What sets Albert Maltz’s work apart is his portrayal of proletarian heroes, protagonists driven by the ideals of a more humane and just world. They are communists—pioneers and workers who stand firmly against a society built on exploitation and the machinery of oppression. Maltz depicts them not as idealized figures but as real, living people, complete with virtues and flaws, whose daily actions and efforts, no matter how small, play a vital role in the collective struggle to transform society. The Underground Stream exposes the harsh realities of the class struggle, challenging working-class readers to recognize their responsibility in contributing to its organization and advancement.

Barney Fugleman has two major preoccupations in life: sex and literature. He is obsessed by the life and work of a man hailed by many as a genius of the nineteenth century - and by Barney as a 'prurient little Victorian ratbag'. This curious propulsion drives him out of Finchley, and out of the life he shares with Sharon and her 'rampant marvellings', to Cornwall. There he offends serious ramblers with his slip-on snakeskin shoes, fur coat and antagonism to all things green and growing as he stomps the wild Atlantic cliffs on long, morbid walks, tampering with the truth, tangling with the imperious Camilla - and telling a riotous tale. By the winner of the Man Booker Prize and author of The Finkler Question .