The distinguished poet and critic argues for the abiding relevance of a great literary mind of the twentieth century Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence--and to overcoming it. By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling's original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling's major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today's concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, "Trilling's essays are not exactly literary criticism" but, like all literature, "ends in themselves."

Islamic antisemitism is as old as Islam itself, and is not a mere borrowing from non-Muslim sources, as has been claimed. The Legacy of Islamic Antisemitism provides comprehensive, meticulously documented evidence that a readily discernible, uniquely Islamic antisemitism—specific Muslim hatred of Jews—has been expressed continuously since the advent of Islam. Writing in 1971, S.D. Goitein, the pre-eminent scholar of Muslim-Jewish relations as revealed in the Geniza documentary record of the high Middle Ages (950-1250 C.E.), employed the term antisemitism, “…in order to differentiate animosity against Jews from the discrimination practiced by Islam against non-Muslims in general. Our scrutiny of the Geniza material has proved the existence of ‘antisemitism’ in the time and the area considered here…”. Goitein cited as concrete proof of his assertion that a unique strain of Islamic Jew hatred was extant at that time (i.e., up to a millennium ago)—exploding the common assumption of its absence—the fact that letters from the Geniza material, “…have a special word for it and, most significantly, one not found in the Bible or in Talmudic literature…but one much used and obviously coined in the Geniza period.” Important examples of antisemitic motifs in the foundational Muslim texts are presented: from the Koran and Koranic exegesis by the greatest classical and modern Muslim commentators; the hadith (words and deeds of the Muslim prophet Muhammad as recorded by pious Muslim transmitters), the sira (earliest Muslim biographies of Muhammad), as well as the writings of influential Muslim jurists, theologians, and scholars, from the Middle Ages through the contemporary era. These primary sources, and seminal secondary analyses translated here for the first time into English such as Hartwig Hirschfeld’s mid 1880s essays on Muhammad’s subjugation of the Jews of Medina, and George Vajda’s elegant, comprehensive 1937 study of the hadith—detail the sacralized rationale for Islam’s anti-Jewish bigotry. Numerous complementary historical accounts illustrate the resulting the plight of Jewish communities in the Muslim world across space and time, culminating in the genocidal threat posed to the Jews of Israel today. The Legacy of Islamic Antisemitism debunks the conventional wisdom which continues to assert that Muslim Jew hatred is entirely a 20th century phenomenon, a loose amalgam of re-cycled medieval Christian Judeophobic motifs, calumnies from the Czarist Russia “Protocols of the Elders of Zion”, and standard Nazi propaganda, that only arose after the advent of the Zionist movement and the protracted Arab-Jewish conflict over all of the lands comprising the original 1922 Mandate for historical Palestine. Scholars, educators, and interested lay readers will find this collection an invaluable resource for understanding the phenomenon of Muslim antisemitism, past and present. An updated Author’s Preface for this new edition—which includes materials through January 3, 2020—elucidates the current global pandemic of Muslim Antisemitism, and its resulting violent manifestations, in Israel, Western Europe, and the United States. Doctrinal drivers of this hatred, as espoused by iconic Muslim religious leaders representing the pinnacles of institutional Islamic religious education—both Sunni and Shiite—are introduced. This compendious, timely exposé rivets upon freshly translated samples of modern, seminal Koranic glosses—rife with Jew-hatred—which shape current understandings of Islam’s holy book, and Islam itself, by the Muslim masses. The new Preface concludes with a focused discussion about why non-Muslim religious leaders, especially Jews, must admonish institutional Islam to begin its own process, akin to Vatican II/Nostre Aetate, of expunging at least the most virulent Jew-hating motifs from Islam’s core theology.

Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.

The Asatir (Samaritan Book of the Secrets of Moses), was translated by Dr. Gaster and published in 1927. He claims it was compiled around the middle or end of the third century B.C., and is the "oldest book in existence of this kind of literature." This edition also contains The Pitron (Samaritan Commentary) and the Samaritan Story of the Death of Moses. "The best way to describe the Asatir is to call it a Midrash, Aggadah, or legendary supplement to the Pentateuch. Unlike other Apocrypha with which it has much in common, the author does not attempt to retail anew the sacred history and to present it in a specific form, and with a deliberate tendency. He is content to leave the sacred scripture as it stands, without meddling with its narrative and without trying to readjust the events recounted therein, according to a certain preconceived system either legal or astronomical."

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

An interesting presentation of an extraordinary type of correspondence between communities and foremost Jewish authorities during the past fifteen hundred years by which social, economic and religious problems were discussed and solved.

Product Description Slavery in the American South could not have existed without the authority of law defining slaves as the property of their masters. But the fact that slaves were also human beings placed limits on this harsh reality. When the rigor of the law and the complex bonds of sentiment linking master and slave came into conflict, masters looked to the courts. In one such case, State v. Mann, North Carolina Supreme Court justice Thomas Ruffin ruled that masters could not be prosecuted for assaulting their slaves. In articulating the legal basis for his decision, Justice Ruffin also revealed his own view of the "logic of slavery," in which he sanctioned the owner's rights even as he expressed his own horror at the mistreatment of the slave. Mark Tushnet, one of the foremost living authorities on antebellum slave law, now shows how studying such a simple case can illuminate an entire society. For those who detested slavery, the case represented all that was intolerable about that institution; for those who defended it, it raised vexing and persistent issues that could not be wished away. As further testament to the importance of State v. Mann, Harriet Beecher Stowe even made it central to her second antislavery novel, Dred. Tushnet discusses the opinion's place in the novel-in which she quoted liberally from Ruffin's decision-and evaluates other historians' interpretations of both the opinion and Stowe's provocative novel. Tushnet provides a finely detailed analysis of Ruffin's opinion, portraying the judge as a man compelled by law to uphold the slaveowner's right while moved as a Christian by the slave's maltreatment and ever hopeful that communal morality and a deep-seated sense of honor would moderate the excesses of slave owners. As Tushnet shows, however, slave law was a means for maintaining the ideological hegemony of the Southern master class. Slave Law in the American South paints a broad picture of a landmark case, tying together legal, historical, social, political, and even literary strands to show how the law itself was implicated in the persistence of slavery. It sheds new light on slavery and Southern history, as it probes the conscience of a troubled jurist incapable of fully transcending his times. This book is part of the Landmark Law Cases and American Society series. From the Back Cover "While losing neither objectivity nor moral compass, Mark Tushnet skillfully navigates the murky waters of Southern judicial and legal logic. His inspired study highly deserves close and serious attention."--Bertram Wyatt-Brown, author of The Shaping of Southern Culture: Honor, Grace, and War, 1760-1880s"More than two decades ago, Tushnet ignited the field of slave law studies with his provocative and thoughtful overview of the subject, The American Law of Slavery, 1810-1860. Now he has given us the first book-length study of a classic American slave case. Comprehensive and insightful, it merits the attention of legal scholars, historians, and non-specialists alike."--Timothy S. Huebner, author of The Southern Judicial Tradition: State Judges and Section Distinctness, 1790-1890 About the Author Mark V. Tushnet is Carmack Waterhouse Professor of Constitutional Law at Georgetown University Law Center. A former law clerk to Justice Thurgood Marshall, he is the author of numerous books including Taking the Constitution Away from the Courts and Red, White, and Blue: A Critical Analysis of Constitutional Law.

For two hundred years, addiction to opiates has seemed both dangerous and glamorous. Countless writers, from Coleridge and De Quincey to William Burroughs and Irving Walsh, have invested it with deep philosophical significance. Addicts are presumed to be in touch with profound mysteries of which non-addicts are ignorant. Dalrymple shows that doctors, psychologists and social workers, all of them uncritically accepting addicts' descriptions of addiction, have employed these literary myths in creating an equal and opposite myth of quasi-treatment. Using evidence from literature and pharmacology and drawing on examples from his own clinical experience, Dalrymple shows that addiction is not a disease, but a response to personal and existential problems. He argues that withdrawal from opiates is not the serious medical condition, but a relatively trivial experience. He says that criminality causes addiction far more often than addiction causes criminality. Romancing Opiates will make you wonder if the most obvious facts about addiction have been overlooked because of myths that suit the interests both of the addicts and the addiction bureaucracy that serves them.

The Saga Of The Jomsvikings is a book written by Lee Milton Hollander, which tells the story of the legendary Jomsvikings, a group of Viking warriors who lived in the 10th century. The book is a translation of the original Icelandic saga, which is one of the most famous and important sagas of the Viking Age.The Jomsvikings were a group of elite warriors who lived in a fortress on the island of Jomsborg, located in modern-day Poland. They were known for their bravery, skill in battle, and strict code of honor, which included loyalty to their leader and fellow warriors.The book follows the story of the Jomsvikings, from their origins as a group of mercenaries to their rise as one of the most feared and respected warrior groups in the Viking world. It also explores the relationships between the Jomsvikings and their allies and enemies, including the Danish king Harald Bluetooth and the Norwegian king Olaf Tryggvason.Throughout the book, the reader is taken on a journey through the Viking Age, with vivid descriptions of battles, raids, and political intrigue. The Saga Of The Jomsvikings is a fascinating and exciting read for anyone interested in Viking history and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Examines the effect of the Holocaust on traditional attempts to explain the Jewish people's sufferings while retaining the concept of covenant with God. also examines its influence on the self-image of American Jewry. Analyzes the works of Elie Wiesel, Isaac Bashevis Singer, Saul Bellow, and Cynthia Ozick, among others, and suggests that awareness of a covenantal concept of Judaism is a criterion for authentic Holocaust literature. Adopts the definition of the Holocaust as a unique event - the plan to exterminate an entire nation, and describes various approaches to theological problems raised by the Holocaust.

Where does perversion begin? Who is perverse? Ever since the word first appeared in the Middle Ages, anyone who delights in evil and in the destruction of the self or others has been described as 'perverse'. But while the experience of perversion is universal, every era has seen it and dealt with it in its own way. The history of perversion in the West is told here through a study of great emblematic figures of the perverse - Gilles de Rais, the mystical saints and the flagellants in the middle ages, the Marquis de Sade in the eighteenth century, the masturbating child, the male homosexual and the hysterical woman nineteenth century, Nazism in the twentieth century, and the complementary figures of the paedophile and the terrorist in the twenty-first. The perverse are rarely talked about and when they are it is usually only to be condemned. They are commonly viewed as monstrous and cruel, as something alien to the very nature of being human. And yet, perversion can also attest to creativity and self-transcendence, to the refusal of individuals to submit to the rules and prohibitions that govern human life. Perversion fascinates us precisely because it can be both abject and sublime. Whether they are sublime because they turn to art or mysticism, or abject because they surrender to their murderous impulses, the perverse are part of us because they exhibit something that we always conceal: our own negativity and our dark side. -- Back cover.

"For millennia, war was viewed as a supreme test. In the period 1750-1850 war became much more than a test: it became a secular revelation. This new understanding of war as revelation completely transformed Western war culture, revolutionizing politics, the personal experience of war, the status of common soldiers, and the tenets of military theory"--OCLC

Stephen Greenblatt has been at the center of a major shift in literary interpretation toward a critical method that situates cultural creation in history. Shakespearean Negotiations is a sustained and powerful exemplification of this innovative method, offering a new way of understanding the power of Shakespeare's achievement and, beyond this, an original analysis of cultural process.

Stephen Greenblatt sets out to explain his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Product Description The newly discovered diary of a Polish teenager in the Lodz ghetto during World War II—originally published by Jewish Family & Children’s Services of San Francisco, now available in a revised, illustrated, and beautifully designed trade edition. After more than seventy years in obscurity, the diary of a teenage girl during the Holocaust has been revealed for the first time. Rywka’s Diary is at once an astonishing historical document and a moving tribute to the many ordinary people whose lives were forever altered by the Holocaust. At its heart, it is the diary of a girl named Rywka Lipszyc who detailed the brutal conditions that Jews in the Lodz ghetto, the second largest in Poland, endured under the Nazis: poverty, hunger and malnutrition, religious oppression, and, in Rywka’s case, the death of her parents and siblings. Handwritten in a school notebook between October 1943 and April 1944, the diary ends literally in mid-sentence. What became of Rywka is a mystery. A Red Army doctor found her notebook in Auschwitz after its liberation in 1945 and took it back with her to the Soviet Union. Rywka’s Diary is also a moving coming-of-age story, in which a young woman expresses her curiosity about the world and her place in it and reflects on her relationship with God—a remarkable affirmation of her commitment to Judaism and her faith in humanity. Interwoven into this carefully translated diary are photographs, news clippings, maps, and commentary from Holocaust scholars and the girl’s surviving relatives, which provide an in-depth picture of both the conditions of Rywka's life and the mysterious end to her diary. Moving and illuminating, told by a brave young girl whose strong and charismatic voice speaks for millions, Rywka’s Diary is an extraordinary addition to the history of the Holocaust and World War II. From the Back Cover The newly discovered diary of a Polish teenager in the Lodz ghetto during World War II—originally published by Jewish Family & Children’s Services of San Francisco, now available in a revised, illustrated, and beautifully designed trade edition. After more than seventy years in obscurity, the diary of a teenage girl during the Holocaust has been revealed for the first time. Rywka’s Diary is at once an astonishing historical document and a moving tribute to the many ordinary people whose lives were forever altered by the Holocaust. At its heart, it is the diary of a girl named Rywka Lipszyc who detailed the brutal conditions that Jews in the Lodz ghetto, the second largest in Poland, endured under the Nazis: poverty, hunger and malnutrition, religious oppression, and, in Rywka’s case, the death of her parents and siblings. Handwritten in a school notebook between October 1943 and April 1944, the diary ends literally in mid-sentence. What became of Rywka is a mystery. A Red Army doctor found her notebook in Auschwitz after its liberation in 1945 and took it back with her to the Soviet Union. Rywka’s Diary is also a moving coming-of-age story, in which a young woman expresses her curiosity about the world and her place in it and reflects on her relationship with God—a remarkable affirmation of her commitment to Judaism and her faith in humanity. Interwoven into this carefully translated diary are photographs, news clippings, maps, and commentary from Holocaust scholars and the girl’s surviving relatives, which provide an in-depth picture of both the conditions of Rywka's life and the mysterious end to her diary. Moving and illuminating, told by a brave young girl whose strong and charismatic voice speaks for millions, Rywka’s Diary is an extraordinary addition to the history of the Holocaust and World War II. About the Author Dr. Anita Friedman leads Jewish Family and Children's Services (JFCS) of the San Francisco Bay Area, one of the largest and oldest family service institutions in the United States. She oversees the JFCS Holocaust Center, which is dedicated to remembrance, research, a

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of . . . our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.