Henry Grunwald makes sixteenth-century France under King Henry IV come vividly alive in A Saint, More or Less, as he explores, through the story of two women, the still timely subject of how politics, power, passions, and religious belief can intersect with explosive results.

In this erotic, metaphysical, and theological novel, the spirits of medieval Templar monks gather on the anniversary of their Grand Master's torment and execution. Together they commit the sexual perfidies and blasphemous acts of which they had been forced to accuse one another before a tribunal.

The People from Heaven , John Sanford's most ambitious and searing novel, completes his Warrensburg Trilogy, digging beneath the bucolic surface of a small-town to expose the hatred at its core. "A sacred book, majestic in its rebukes of those who violate the breath and origin of humanity while professing faith and going through the motions of holiness." Carl Sandburg The people of Warrensburg are divided by the arrival of a nameless Black woman. Her few allies call her America Smith, while the town's most prominent citizens try to drive her out. This clash results in rape and murder. Sanford punctuates this spare plot with poetic episodes from the nation's past, rooting the characters' actions in the violence of the nation's founding. He tells the story with an artistry of language that led the Cambridge Companion to Jewish American Literature to describe him as America's "most outstanding neglected novelist." This new edition of Sanford's literary masterpiece features an introduction by Jack Mearns, author of John Sanford: An Annotated Bibliography. The other books in the trilogy are Make My Bed in Hell and The Old Man's Place. John Sanford (1904-2003) was a screenwriter and author who wrote 24 books. A one-time member of the Communist Party, he and his wife, the ground-breaking screenwriter Marguerite Roberts, refused to testify to the House Un-American Activities Committee, and were blacklisted in Hollywood for nearly a decade. "Only a warm-hearted and perceptive author who believes in the potential worth of humanity could have conceived the powerful conflicts, the trenchant syllables here. The fact that it succeeds in provoking an examination of national conscience as well as of person attitude also suggests its worth." New York Herald Tribune "Sanford's technique is arresting and every page has a savor and quality of its own." The New Republic

Joseph Roth paints a vivid portrait of Emperor Napoleon's last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica--an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

Leopold von Ranke (1795-1886), generally recognized as the founder of the school of modern critical historical scholarship, and Jacob Burckhardt (1818-1897), the great Swiss proponent of cultural interpretation, are fathers of modern history--giants of their time who continue to exert an immense influence in our own. They are usually seen as contrasts, Ranke as representative of political history and Burckhardt of cultural history. In five essays, each flowing gracefully into the next, the distinguished historian Felix Gilbert shows that such contrasts are oversimplifications. Despite their interest in different aspects of the past, Ranke's and Burckhardt's views arose from common elements in the first half of the nineteenth century, the time in which they grew up and in which their first masterworks attracted such wide attention. This concise volume clarifies the beginnings of history as an autonomous discipline, while forcing us to examine our views on basic questions in historical scholarship. In the case of Ranke, relating his work to his times counteracts the current tendency to disregard the difference between the historical concepts of the eighteenth and nineteenth centuries. By focusing on this difference, Gilbert emphasizes the originality and novelty of Ranke's ideas about history. Although Burckhardt is often portrayed as an intellectually lonely figure, this book reveals the importance of relating his thought to the intellectual trends of his time. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Towards the end of 1937, having just completed his South American Amazonas trilogy (The Land without Death), Doblin embarked on a new project much closer to home. As a military doctor in Alsace he had experienced firsthand the chaotic scenes in Haguenau and Strasbourg that followed the Kaiser's abdication and the Armistice. His skill at depicting historical events in vivid epic prose would now be applied to seminal events still within living memory, and still highly controversial. He and his family (now with three small children) left Alsace on 14 November 1918 with the hospital staff and patients, reaching Berlin several days later. In March 1919 he witnessed the savage repression of the uprising in Lichtenberg, the eastern Berlin district where he had settled; his sister Meta was killed by grenade shrapnel as she fetched milk for her children. His essay On Cannibalism reveals his anger at both the ineptitude of the insurgents and the callousness of the Social Democrat Minister of War, Noske. Citizens and Soldiers, the self-contained first volume of November 1918: A German Revolution, presents a vivid panorama of fictional and real individuals, scenes and events over a chaotic two weeks. It was published in Amsterdam and Stockholm in October 1939, shortly after Britain and France declared war on Germany. Unsurprisingly it had little chance to circulate. During his exile years in California (1940-45), Doblin completed the remaining parts of what became the longest of his nine epic novels. When in 1947 the question arose of publishing the entire work in Germany, the French Occupation Authority (in which Doblin was serving as Public Education Officer) vetoed Citizens & Soldiers because of sensitivities about the status of Alsace-Lorraine, main location of the novel's action. (This border region had been French territory since the 17th century; was annexed by Germany in 1871 after the Franco-Prussian War, and reverted to France at the end of the First World War. Apart from the war years 1940-45 it has since remained French.) November 1918 A German Revolution therefore appeared as three volumes successively in autumn 1948, spring 1949 and spring 1950. This truncated edition was the basis for an incomplete English translation in the 1980s. In Germany, a complete edition appeared only in 1978, two decades after Doblin's death, enabling for the first time a proper evaluation of what is now seen as one of Doblin's most impressive achievements. It is high time that English readers too should have access to the missing first volume: Citizens & Soldiers.

Robert Nathan's "Jonah" is a compelling work of literary fiction that reimagines one of the Old Testament's most profound narratives. This acclaimed novel delves into the story of the biblical prophet Jonah, exploring the challenges and spiritual journey of a man called to deliver a divine message. Through Nathan's evocative prose, readers are drawn into a deeply reflective exploration of religious themes. The book centers on Jonah, the reluctant prophet, as he grapples with the weight of prophecy, the nature of obedience, and the concept of divine mercy. It offers a nuanced portrayal of a timeless figure confronting his faith, destiny, and the world around him. As a significant piece of biblical fiction, "Jonah" stands as a literary novel that resonates with enduring questions about human will and spiritual calling. It is a masterful example of Christian historical fiction that transcends its setting to ponder universal dilemmas. This edition presents a classic narrative, inviting reflection on a foundational story and its lasting impact on literature and thought. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mois Benarroch is the winner of the Jacquline Kahanoff literary prize 2021. "Mois Benarroch is the most important Mediterranean Sephardi writer in Israel." Prof. Habiba Pdaya, Haaretz. 2020. Follow the Benzimra family all over the world returning to the Moroccan city of Tetouan. Gates to tangier When the father of the Benzimra family dies, he leaves a will informing his family of an illegitimate son he fathered with a Muslim woman in Morocco. To receive the inheritance, the family is instructed do everything possible to find that son. They embark on a journey to Tetouan, Morocco, from places as far-flung as Jerusalem, Madrid, New York and Paris. They are in search of their lost brother; a journey that will bring them face-to-face with their Moroccan roots and with their Judaism, a journey that will force them to think about their identities. After this experience they will no longer be the same. The novel reveals the Sephardi-Ashkenazi conflicts that exist in Israeli society as well as the ties and tensions between the Arab world and Europe, and between Middle Eastern and Western cultures. This is a world of complexities and nuances that are often blurred in the versions shown to you by the media.This is a novel about the little-known world of the Jews of Northern Morocco, full of intrigue, humor, and eroticism. But there is also the possibility of a homecoming. Ways To Lucena In one of his major works, Lucena, Benarroch goes from time travel to social comment, which brings to mind the hilarious novels of Kurt Vonnegut Jr. An old odd ancient man is reaching the age of 1,000 years and has to pass his legacy to his great great great grandson, and prepares him for a journey that will last a thousand years. His first days begin in the Jewish city of Lucena at the beginning of the second millennium and ends in Israel and in Spain. He meets his descendant in a hotel in Malaga, while the young adolescent is trying to find his place in life and family, writing science-fiction short stories and fighting with his parents. This novel will take you back and forth from the future and back to the past, into a world of Sephardi Jewry, the inquisition, Mexican Jews, and back to our present day crazy modernity. Lucena is an internal exploration of the why of exile. Keys to Tetouan Keys to Tetouan is the novel of the Benzimra family and its infinite branches expanded all over the world. They are born in the city of Tetouan, Morocco and emigrate to Madrid, New York, Paris, Jerusalem, and wherever the wind takes them. But they keep longing for the city and keep returning in search of a bride or of an answer.

The Girl of the Golden West is a theatrical play written, produced and directed by David Belasco, set in the California Gold Rush. The four-act melodrama opened at the old Belasco Theatre in New York on November 14, 1905 and ran for 224 performances. Blanche Bates originated the role of The Girl, Robert C. Hilliard played Dick Johnson, and Frank Keenan played Jack Rance. Bates was joined by Charles Millward and Cuyler Hastings for two-week Broadway runs in 1907 and 1908. William Furst composed the play's incidental music. The play toured throughout the US for several years.The play has been adapted numerous times, most notably as the 1910 opera La fanciulla del West by Giacomo Puccini. It was also made into four films, all titled The Girl of the Golden West, in 1915, 1923, 1930 and 1938. Belasco wrote a novel based on the play in 1911.

Most of the characters that perform in this book still live, and are prosperous and happy. Some day it may seem worth while to take up the story of the younger ones again. - Mark Twain, 1876 Catherine Hiller has taken up Twain's challenge. Her latest novel, The Adventures of Sid Sawyer, turns The Adventures of Tom Sawyer upside down. Told from the point of view of Tom's supposedly sissy half-brother Sid, we get a fresh and original take on this beloved classic. Inspired by both Tom Sawyer and Huckleberry Finn, Hiller has cleverly woven some of the original text into a brand new adventure. This beautifully crafted and well-paced tale, a complete story in its own right, is told through Sid's eyes and brings a whole new twist to all the characters, shedding a rather different light on Tom, Mary, Aunt Polly and needless to say, Sid. The Adventures of Sid Sawyer will appeal to nostalgic adults and readers over 16 and features a series of 9 specially commissioned line drawings by artist and illustrator Ana Stankovic-Fitzgerald. REVIEWS from the eBook launch: April 2012: Sid Sawyer, brother of the more famous Tom, is a complex character. This coming-of-age tale is true to the spirit of Twain's books, but aimed at a slightly older audience. Catherine Hiller deals bluntly with issues of sex and racism, and portrays a darker view of human nature. Sid learns some tough life lessons, but ultimately love and loyalty prevail. An interesting read for anyone who enjoyed the original books. Jane Bailey Bain, author of 'Lifeworks' 'Most of the characters that perform in this book still live and are prosperous and happy' says Mark Twain in the foreword of The Adventures of Tom Sawyer. 'Some day it may seem worth while to take up the story of the younger ones again.' This is precisely what writer Catherine Hiller has done in The Adventures of Sid Sawyer. With graceful and witty style, she has continued Twain's story. This book explores life from the eyes of Tom's younger half-brother Sid - a thin, reflective, inquisitive boy with a tendency to be a right tattletale. The story follows Sid as he sets out to find out about the father he never knew. Along his journey he experiences love, saves a life, learns about himself and starts to grow up. Hiller's writing is crisp and her observations astute. The characters' voices are distinct and real. This book is touching and nostalgic without being sentimental. Colette Brenda, producer It was such a pleasure to revisit Tom and Huck whom I felt I grew up with several times over, on several readings. Following on from Twain, Hiller explores a new dimension with Sid Sawyer being the observer and narrator. The characters are developed thoroughly and much to my liking. I'm glad I caught this one - thanks! Jordan, customer review, Armadillo Central website.

"Robert Annys: Poor Priest: A Tale of the Great Uprising" by Annie Nathan Meyer transports readers to the heart of medieval England during a time of immense social and religious upheaval. This historical novel delves into the world of the Lollards, a religious movement advocating for reform within the Church. Against the backdrop of the Great Uprising, also known as the Peasants' Revolt, the story explores themes of faith, poverty, and resistance. Meyer's meticulously researched work brings to life a pivotal period in English history, offering a glimpse into the lives and beliefs of those who challenged the established order. For readers interested in historical fiction, religious fiction, and the struggles of the Middle Ages, "Robert Annys: Poor Priest" provides a compelling and insightful narrative. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father's wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer--from a distance--but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's The Twelfth Hour is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In London, before the First World War, where in society love and money predominate, Bertha and Nigel had been inseparable. But then Nigel felt he had to focus on the economics of life, and after all Bertha's family were quite modestly off. Whereas the heiress Mary, also interested in him but not anywhere near so charming, was very well set up. His decision was made. Though initially heartbroken, Bertha realises quickly that she has escaped from a delusion. Equanimity returns, and she finds in Percy Kellynch a devoted lover, though one a little more sober and less racy. They marry, as do Nigel and Mary, and over time the two become friends again, though now with wise awareness on Bertha's side. Nigel begins to see his error, as Mary's jealousy and her wish to supervise his life take their toll. He finds comfort in simply seeing Bertha initially, but inevitably begins to wish for more. Bertha is not interested, having moved on, but, if noticed, Nigel's attentions could be misconstrued... In the meantime, Bertha is also looking out for the future of a young friend, Madeline Irwin, who is smitten with Rupert Denison, a young man with rather too much of a penchant for patronising and "educating" young women. Madeline is impulsive, a little inexperienced and quite needy. Her headlong qualities precipitate problems very readily. As Bertha negotiates several crises arising from Nigel's reviving attachment, she also tries to assist Madeline in avoiding her own self-created disasters. Much depends on Bertha's talent for good management and wise counsel in the perils of both their lives. She is determined to win over adversity, but it will be a strong test of her skills.... Bird of Paradise, Leverson's fifth novel, as radiant with wit and wisdom as those which preceded it, was first published in 1914.

In the eighth novel in The Performers family saga, the lives of Miriam Da Silva and Claudette, granddaughter of the notorious Lilith, are destined to cross. Miriam, beautiful and rich, danced at the first ball of the 1892 Season, whilst Claudette, desperate to find a way of surviving in backstreet London, gambled all her charms and won a place on the stage of the Gaiety Theatre. Their paths crossed in the house of Mrs Lovibond - a house whose veneer of elegance concealed all the sordid vices of the Victorian underworld.

Mark Alexandrovich Landau (1888-1957) was a Russian emigrant and wrote many historical novels.

Like a Portuguese version of As I Lay Dying, but more ambitious, António Lobo Antunes's eleventh novel chronicles the decadence not just of a family but of an entire society - a society morally and spiritually vitiated by four decades of totalitarian rule. In this his masterful novel, António Lobo Antunes, "one of the most skillful psychological portraitists writing anywhere, renders the turpitude of an entire society through an impasto of intensely individual voices." (The New Yorker) The protagonist and anti-hero Senhor Francisco, a powerful state minister and personal friend of Salazar, expects to be named prime minister when Salazar is incapacitated by a stroke in 1968. Outraged that the President (Admiral Américo Tomás) appoints not him but Marcelo Caetano to the post, Senhor Francisco retreats to his farm in Setúbal, where he vaguely plots a coup with other ex-ministers and aged army officers who feel they've been snubbed or forgotten. But it's younger army officers who in 1974 pull off a coup, the Revolution of the Flowers (so called since no shots were fired, carnations sticking out of the butts of the insurgents' rifles), ending 42 years of dictatorship. Senhor Francisco, more paranoid than ever, accuses all the workers at his farm of being communists and sends them away with a brandished shotgun, remaining all alone - a large but empty shadow of his once seeming omnipotence - to defend a decrepit farm from the figments of his imagination. When the novel opens, Senhor Francisco is no longer at the farm but in a nursing home in Lisbon with a bedpan between his legs, having suffered a stroke that left him largely paralyzed. No longer able to speak, he mentally reviews his life and loves. His loves? In fact the only woman he really loved was his wife Isabel, who left him early on, when their son João was just a tiny boy. Francisco takes up with assorted women and takes sexual advantage of the young maids on the farm, the steward's teenage daughter, and his secretaries at the Ministry, but he can never get over the humiliation of Isabel having jilted him for another man. Many years later he spots a commonplace shop girl, named Milá, who resembles his ex-wife. He sets the girl and her mother up in a fancy apartment, makes her wear Isabel's old clothes, and introduces her to Salazar and other government officials as his wife, and everyone goes along with the ludicrous sham, because everything about Salazar's Estado Novo ("New State") was sham - from the rickety colonial "empire" in Africa to the emasculate political leaders in the home country, themselves monitored and controlled by the secret police. Once the system of shams tumbles like a castle of cards, Francisco's cuckoldry glares at him with even greater scorn than before, and all around him lie casualties. Milá and her mother return to their grubby notions shop more hopeless than ever, because the mother is dying and Milá is suddenly a spinster without prospects. The steward, with no more farm to manage, moves his family into a squalid apartment and gets a job at a squalid factory. The minister's son, raised by the housekeeper, grows up to be good-hearted but totally inept, so that his ruthless in-laws easily defraud him of his father's farm, which they turn into a tourist resort. The minister's daughter, Paula, whom he had by the cook and who was raised by a childless widow in another town, is ostracized after the Revolution because of who her father was, even though she hardly ever knew him. Isabel, the ex-wife, also ends up all alone, in a crummy kitchenette in Lisbon, but she isn't a casualty of Senhor Francisco or of society or of a political regime but of love, of its near impossibility. Disillusioned by all the relationships she had with men, she stoutly resists Francisco's ardent attempts to win her back, preferring solitude instead. We have to go to the housekeeper, Titina, this novel's most compelling character, to find hope of salvation, however unlikely a source she seems. Unattractive and uneducated, Titina never had a romantic love relationship, though she secretly loved her boss, who never suspected. She ends up, like him, in an old folks' home, and like him she spends her days looking back and dreaming of returning to the farm in its heyday. Old age is a great equalizer. And yet the two characters are not equal. Titina retains her innocence. But it's not the innocence of helpless inability - the case of João, Francisco's son - nor is it the pathetic innocence of Romeu, the emotionally and mentally undeveloped co-worker by whom Paula has a son. Titina isn't helpless or ingenuous, and she isn't immune to the less than flattering human feelings of jealousy, impatience and anger. But she never succumbs to baser instincts. She knows her worth and cultivates it. She is a proud woman, but proud only of what she really is and what she has really accomplished in life. At one level (and it operates at many), The Inquisitors' Manual is

The narrator of Early Companions was born in Germany. He tells of his early life there during Nazi times. When he came to New York, he participated in a left-wing movement, so he knows a thing or two about the internal squabbling among the comrades. Finally, he became a professor at a university, where he saw his share of faculty politics.

E. Phillips Oppenheim's "A Millionaire of Yesterday" was first released in 1900. The book follows the story of a young man's struggle for fortune in colonial Africa and his quest for happiness there. Young Scarlett Trent, who is eager to become wealthy in the gold mines of Africa, must struggle with his own sense of good and evil while juggling the difficulties he faces and his desire to succeed. His buddy Monty, a dubious alcoholic with a murky past, accompanies him on his mission. The suspense is maintained throughout the novel, whether they will be successful in achieving their goals or whether Monty's past returns to haunt them both. Despite his best efforts, Trent is obstructed by several opponents who only bring him immense tragedy. The readers will find themselves immersed in the experience of the novel as it leads them towards a happy ending. The Long Arm of Mannister, The Great Impersonation, and The Moving Finger are some of Oppenheim's best known works.

Richard Temperley arrives at Euston station early on a fogbound London morning. He takes refuge in a nearby hotel, along with a disagreeable fellow passenger, who had snored his way through the train journey. But within minutes the other man has snored for the last time-he has been shot dead while sleeping in an armchair. Temperley has a brief encounter with a beautiful young woman, but she flees the scene. When the police arrive, Detective Inspector James discovers a token at the crime scene: a small piece of enamelled metal. Its colour was crimson, and it was in the shape of the letter Z. Temperley sets off in pursuit of the mysterious woman from the hotel, and finds himself embroiled in a cross-country chase- by train and taxi - on the tail of a sinister serial killer. This classic novel by the author of the best-selling Mystery in White is a gripping thriller by a neglected master of the genre. J. Jefferson Farjeon (1883-1955) was the author of more than sixty crime and thriller novels that were highly acclaimed in his lifetime. Farjeon is the author of Number Seventeen, a play that was adapted for the big screen by Alfred Hitchcock. His Christmas crime novel, Mystery in White, was republished as a British Library Crime Classic and became a bestseller. Front cover (c) NRM/Pictorial Collection/Science & Society Picture Library