The Spanish Ballad (originally published as "Die Jüdin von Toledo") is a 1955 novel by German-Jewish writer Lion Feuchtwanger. The story focuses on the "Golden Age" of learning in medieval Spain, and also describes the affair of Alfonso VIII with the Jewish Raquel in Toledo. In Lion Feuchtwanger's prologue to the story, he mentions that the ballad was originally written by Alfonso X of Castile in regards of his Great-Grandfather (Alfonso VIII).

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings and narrowly escaping imprisonment, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At that same time, al-Mammi engages upon a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince’s fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.

"Murder by poison alarmed, enthralled, and in many ways encapsulated the Victorian age. Linda Stratmann's dark and splendid social history reveals the nineteenth century as a gruesome battleground where poisoners went head-to-head with authorities who strove to detect poisons, control their availability, and bring the guilty to justice. She corrects many misconceptions about particular poisons and documents how the evolution of issues such as marital rights and the legal protection of children impacted poisonings. Combining archival research with a novelist's eye, Stratmann charts the era's inexorable rise of poison cases both shocking and sad"--

A new translation of a forgotten masterpiece of German World War I literature, based on the author's own first-hand experiences of combat The war, an operation instigated by men, still felt to him like a storm decreed by fate, an unleashing of powerful elements, unaccountable and beyond criticism. Arnold Zweig's novel was first published in 1933 and is based on his own experiences in the German army during World War I. Following the unlawful killing of his younger brother by his own superiors, Lieutenant Kroysing swears revenge, using his influence to arrange for his brother's unit, normally safely behind the lines, to be reassigned to the fortress at Douaument, in the very heart of the battle for France. Bertin, a lowly but educated Jewish sapper through whose eyes the story unfolds, is the innocent man caught in the cross-fire. The book not only explores the heart-breaking tragedy of one individual trapped in a nightmare of industrialized warfare but also reveals the iniquities of German society in microcosm, with all its injustice, brutality, anti-Semitism, and incompetence. A brilliant translation captures all the subtleties, cadences, and detachment of Zweig's masterful prose.

Eric Jensen, a young American researcher of ancient Taoist philosophy, falls in love with Lillian Yang, a young Chinese revolutionary, during the Chinese Civil War

Born with a split lip and cleft palate, Toshy Wolfman's life is an uphill battle. Believing he is dim-witted and ugly, Toshy finds his resentment slowly building as he is ridiculed, used, and misled. Ultimately, he is imprisoned after being caught stealing a valuable and famous diamond, the Orange Sunset. But Toshy's story is not his alone - it is shared with his two sisters: Lil, a radical and a devotee of anarchist Emma Goldman; and Bessie, who goes to work for one of Goldmans enemies, the owners of the Orange Sunset. Toshy's love for his sisters drives him to make some of the bravest decisions of his life. But despite having seemingly overcome his obstacles, an aging Toshy stuns his nephew by asking for his assistance in committing suicide.Toshy wont fully explain his decision. Nor will he fully explain why, at this late stage in life, he is obsessed with making a journey to France.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A reanalysis of Sand's major writing, ranging from her early short stories to her later fiction, which identifies her writing as an example of an aesthetic mode often associated with femininity. The study compares Sand's place in the history of the realist novel to that of her male counterparts.

""Aristide Froissart"" is a novel written by French author Leon Gozlan and published in 1873. The story follows the life of Aristide Froissart, a young man from a wealthy family who becomes disillusioned with his privileged life and seeks purpose and meaning. He becomes involved in the socialist movement and begins to question the class system and the injustices he sees around him.As he becomes more involved in politics, Aristide faces opposition from his family and the upper-class society he was born into. He also falls in love with a woman who comes from a different social class, adding to the challenges he faces.Through Aristide's journey, the novel explores themes of social inequality, political activism, and the struggle for personal identity. It also offers a glimpse into French society during the late 19th century and the tensions between different social classes.Overall, ""Aristide Froissart"" is a thought-provoking and engaging novel that delves into important social and political issues of its time.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

Dissecting the complexities of living under a spiritual microscope, The Fakir follows Rudra, a hippie ripe with plans of suicide whose sudden rescue of an old man who strikingly resembles Sai Baba lends to a contemplative relationship of excavating truths and mysteries related to life.Rudra doesn t love anything and is in fact much in need of spiritual or medical help. He is a hippie inclined to live out of haversacks in small and dingy hotels and swigging down malt whiskey. However, this young man finds that everything in his life is changed due to a chance encounter. While driving along the highway, he comes upon an old man lying in a pool of his own blood. In a moment of conscientiousness that the traffic around him doesn t bother to acknowledge, he rushes forward to the old man's aid. There and then in an embrace, Rudra notes the resemblance this man shares with the Shirdi Sai Baba. The novel is an empathetic symbol of spirituality and life as the old man makes the hapless protagonist realize several truths about the metaphysics of the world. The dialogues that are written between the sage and disciple are at the heart of this novel and Bharucha brings a fascinating narrative to life. Karma, divinity, praying, and spirit communication among the broader entities of faith, forgiveness, and energy are all demystified to both the lay reader and the hippie. Most importantly, this book dwells upon the antenna that connects every individual to its master and how the act of goodness is necessary to inculcate a more attuned relationship with that figure of authority. The book stretches across the length of mysticism and spirituality and Bharucha triumphs in his use of symbolism and generosity. The Fakir is the opening installment of a trilogy and was published in 2007. It received rave reviews and was the fourth book in top Indian best selling lists.

When Edith Hofmann sat down to write this book, she was a 19-year-old coming to terms with the fact of her own survival. It is a story which describes a struggle; the struggle to come to terms with a haunting past, the struggle to survive, and the struggle to unburden a broken heart. It also embodies a struggle to form, in language, that which at times all but defies linguistic form. When Hofmann started writing this book she had only been speaking English for two years, and yet she wanted to convey her experiences, in English, to those with whom she had made her home. The cruel reality was that no one really wanted to hear. She poured out her soul, only to be told that 'no one was interested in the war any more'. This was 1950. Some fifty years later she revisited the manuscript, wondering whether such a text would have any value. For fifty years her text had lain in her drawer, waiting to be read. Her story is a novel, but it certainly is not a fiction. Scared for her own safety, Hofmann chose to write in the third person rather than pen a memoir. Every page is bound up with the intricate details of her life, those whom she loved, and those whom she lost; the echoes of those terrible years, and the memory they imposed. In compiling this text, she decided neither to change it, by removing discrepancies or updating anything, which Hofmann wrote in the late 1940s, nor to improve her English, but rather to leave it as a raw and indelible testimony not only to her survival but to her bid to survive survival. You will be moved; not only by what she has written, but by the fact that she wrote at all.

In the seventh book in The Performers saga, it is 1873 and impoverished Sophie Lackland must marry if she is to escape a lifeof genteel poverty. Then comes a letter telling of the death of her step-grandmamma, and of a strange bequest which could make it possible for Sophie to fulfil her ambition to qualify as a physician. So Sophie sets off for London, to a new life, new career and Gilbert Stacey, who offers her charm, tenderness and excitement.

This is not a book of documents, snippets or worthy speeches. Instead it presents the original essays and the moments of insight that told us what Australia is and could be. These are the essential statements - from historians, reporters, novelists, mavericks and visionaries - that take us from Federation to the present - day, and tell a story of national self - discovery. There is the Frenchman who saw that Australia was a 'workingman's paradise', and the historian who explained why. The two reporters who realised the true significance of Gallipoli and conveyed it to the nation. Russel Ward on the Australian Legend, Robin Boyd on the Australian Ugliness, Donald Horne on the Lucky Country, W.E.H. Stanner on the Great Australian Silence and Anne Summers on Manzone Country. Real Matildas, Cultural Cringers, Future Eaters and Forgotten People - and much more. Memorably written and cohesive, this is the essential sourcebook of the words that made Australia. Includes essays by Miles Franklin, Albert Metin, Ellis Ashmead - Bartlett, Keith Murdoch, Maybanke Anderson, D.H. Lawrence, W.K. Hancock, P.R. Stephensen, Vance Palmer, Robert Menzies, A.A. Phillips, Manning Clark, Russel Ward, Barry Humphries, Robin Boyd, Donald Horne, W.E.H. Stanner, Humphrey McQueen, Hugh Stretton, Anne Summers, Miriam Dixson, Bernard Smith, Paul Kelly, Geoffrey Blainey, Tim Flannery, David Malouf, Inga Clendinnen, Noel Pearson, Judith Brett and Ghassan Hage.

Leopold von Ranke (1795-1886), generally recognized as the founder of the school of modern critical historical scholarship, and Jacob Burckhardt (1818-1897), the great Swiss proponent of cultural interpretation, are fathers of modern history--giants of their time who continue to exert an immense influence in our own. They are usually seen as contrasts, Ranke as representative of political history and Burckhardt of cultural history. In five essays, each flowing gracefully into the next, the distinguished historian Felix Gilbert shows that such contrasts are oversimplifications. Despite their interest in different aspects of the past, Ranke's and Burckhardt's views arose from common elements in the first half of the nineteenth century, the time in which they grew up and in which their first masterworks attracted such wide attention. This concise volume clarifies the beginnings of history as an autonomous discipline, while forcing us to examine our views on basic questions in historical scholarship. In the case of Ranke, relating his work to his times counteracts the current tendency to disregard the difference between the historical concepts of the eighteenth and nineteenth centuries. By focusing on this difference, Gilbert emphasizes the originality and novelty of Ranke's ideas about history. Although Burckhardt is often portrayed as an intellectually lonely figure, this book reveals the importance of relating his thought to the intellectual trends of his time. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Uses popular literary material - sermons, novels, journals, etc. - to show the growth of a German-Jewish ideology and subculture in the first half of the 19th century. Argues that this subculture was the response of the Jewish minority to partial political emancipation and social integration. It was partial since Jews could not deny their religious and national identity, and German society was not willing to accept them even if they did so. Although designed to foster integration, the German-Jewish subculture encouraged the growth of a new identity, and thus greater separatism.

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. This new edition of Ted Allan's novel, This Time a Better Earth, reintroduces readers to the electrifying milieu of the Spanish Civil War and Madrid, which for a short time in the 1930s became the epicentre of a global struggle between democracy and fascism. This Time a Better Earth, first published in 1939, tells the story of Canadian Bob Curtis from the time of his arrival in Spain and the idealism and trials of the international volunteers. Allan's novel achieves the distinction of being both a work of considerable literary and historical significance and a real page-turner. This is the first installment of a series of titles to be published in the Canadian Literature Collection under the Canada and the Spanish Civil War banner. This is a large-scale project devoted to the recovery and presentation of Canadian cultural production about the Spanish Civil War (spanishcivilwar.ca), directed by Bart Auteur and Emily Robins Sharpe. A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. Published in English.

Loosely based on the Haitian slave insurrection of 1791, Babouk is a biting account of colonialism at its peak. By using the imagination of the novelist to fill in the gaps in the historical record, Endore is able to show us how slavery felt to the slaves who experienced it. His novel is rare for its depiction of the shared history of the slaves and its attention to the variety of the slave experience. It provides the reader with a vivid history of Haiti and a compelling account of slavery and rebellion.