Wrestling with God and Men is the product of Rabbi Steven Greenberg's ten-year struggle to reconcile his homosexuality with Orthodox Judaism. Employing traditional rabbinic resources, Greenberg presents readers with surprising biblical interpretations of the creation story, the love of David and Jonathan, the destruction of Sodom, and the condemning verses of Leviticus. But Greenberg goes beyond the question of whether homosexuality is biblically acceptable to ask how such relationships can be sacred. In so doing, he draws on a wide array of nonscriptural texts to introduce readers to occasions of same-sex love in Talmudic narratives, medieval Jewish poetry and prose, and traditional Jewish case law literature. Ultimately, Greenberg argues that Orthodox communities must open up debate, dialogue, and discussion-precisely the foundation upon which Jewish law rests-to truly deal with the issue of homosexual love. This book will appeal to all people of faith struggling to merge their belief in the scriptures with a desire to make their communities more open and accepting to gay and lesbian members. -- From the back cover

For millennia, two biblical verses have been understood to condemn sex between men as an act so abhorrent that it is punishable by death. Traditionally Orthodox Jews, believing the scripture to be the word of God, have rejected homosexuality in accordance with this interpretation. In 1999, Rabbi Steven Greenberg challenged this tradition when he became the first Orthodox rabbi ever to openly declare his homosexuality. Wrestling with God and Men is the product of Rabbi Greenberg’s ten-year struggle to reconcile his two warring identities. In this compelling and groundbreaking work, Greenberg challenges long held assumptions of scriptural interpretation and religious identity as he marks a path that is both responsible to human realities and deeply committed to God and Torah. Employing traditional rabbinic resources, Greenberg presents readers with surprising biblical interpretations of the creation story, the love of David and Jonathan, the destruction of Sodom, and the condemning verses of Leviticus. But Greenberg goes beyond the question of whether homosexuality is biblically acceptable to ask how such relationships can be sacred. In so doing, he draws on a wide array of nonscriptural texts to introduce readers to occasions of same-sex love in Talmudic narratives, medieval Jewish poetry and prose, and traditional Jewish case law literature. Ultimately, Greenberg argues that Orthodox communities must open up debate, dialogue, and discussion—precisely the foundation upon which Jewish law rests—to truly deal with the issue of homosexual love. This book will appeal not only to members of the Orthodox faith but to all religious people struggling to resolve their belief in the scriptures with a desire to make their communities more open and accepting to gay and lesbian members. 2005 Finalist for the Lambda Literary Awards, for Religion/Spirituality

In the second of two volumes of this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain in the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents--from the Iberian Peninsula and the collapse of "the golden age" to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentraion camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychaiatrist forever changes the conception of the human mind. And a great story unfolds. Not--as often imagined--of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians, from the Soviets to America. Which makes the story of the Jews everyone's story, too.

An “extremely funny...brilliantly alive” ( The New York Times Book Review ) social satire of the highest order from bestselling author Sam Lipsyte, centered around an unwitting mindfulness guru and the phenomenon he initiates. In an America convulsed by political upheaval, cultural discord, environmental catastrophe, and spiritual confusion, so many of us find ourselves anxious and distracted, searching desperately for peace, salvation, and—perhaps most immediately—just a little damn focus. Enter Hark Morner, a failed stand-up comic turned mindfulness guru whose revolutionary program is set to captivate the masses. But for Fraz and Tovah, a middle-aged couple slogging through a very rough patch, it may take more than the tenets of Hark’s “Mental Archery” to solve the riddles of love, lust, work, and parenthood on the eve of civilizational collapse. And given the sudden power of certain fringe players, including a renegade Ivy League ethicist, a gentle Swedish kidnapper, a social media tycoon with an empire on the skids, and a mysteriously influential (but undeniably slimy) catfish, it just might be too late. But what’s the point of a world, even a blasted-out post-apocalyptic world, if they don’t try with all their might to keep their marriage alive? In this “awfully funny...tartly effective sendup of 21st-century America” ( Star Tribune , Minneapolis) Sam Lipsyte reaches new peaks of daring in a novel that revels in contemporary absurdity and the wild poetry of everyday language while exploring the emotional truths of his characters. “Recommended reading” ( Vanity Fair ), in which “every line feels as thrillingly charged as a live wire” ( O, The Oprah Magazine ), Hark is a smart, incisive look at men, women, and children seeking meaning and dignity in a chaotic, ridiculous, and often dangerous world.

From the Hardcover "We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic's diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl's attempt to i¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor. Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Royadescribes her discovery of a swastika--"a plus sign gone awry, a dark reptile with four hungry claws"--painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, "pen in hand, I led my own chorus of words, with a melody of my own making." And she discovers the craft that would ultimately enable her to find her own voice and become her own person. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

"What is classical about Classical civilization? In one of the most audacious works of scholarship ever written, Martin Bernal challenges the foundation of our thinking about this question. Classical civilization, he argues, has deep roots in Afroasiatic cultures. But these Afroasiatic influences have been systematically ignored, denied or suppressed since the eighteenth century--chiefly for racist reasons. The popular view is that Greek civilization was the result of the conquest of a sophisticated but weak native population by vigorous Indo-European speakers--Aryans--from the North. But the Classical Greeks, Bernal argues, knew nothing of this 'Aryan model.' They did not see their institutions as original, but as derived from the East and from Egypt in particular. In an unprecedented tour de force, Bernal links a wide range of areas and disciplines--drama, poetry, myth, theological controversy, esoteric religion, philosophy, biography, language, historical narrative, and the emergence of 'modern scholarship.'"--Publisher's description.

"A mother becomes a true grandmother the day she stops noticing the terrible things her children do because she is so enchanted with the wonderful things her grandchildren do." -- Lois Wyse Here it is! A "grandmarvelous" feast of anecdotes, observations, poetry and prose that celebrates the glories of Grandmothering! An eight-time expert in the field, Lois Wyse explores with wit, warmth, and candor such weighty modern-day dilemmas as What to Name the Grandmother...How to Win the Granny Wars...and reveals the truth about that credit card-toting phenomenon Shopalong Cassidy-The Plastic Grandma. The perfect book for the Nana of today, it will make you laugh, it will make you cry...it will make you want to run out and buy something nice for your grandchild!

Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist. In addition to explaining his concept of uncreative writing, which is also the name of his popular course at the University of Pennsylvania, Goldsmith reads the work of writers who have taken up this challenge. Examining a wide range of texts and techniques, including the use of Google searches to create poetry, the appropriation of courtroom testimony, and the possibility of robo-poetics, Goldsmith joins this recent work to practices that date back to the early twentieth century. Writers and artists such as Walter Benjamin, Gertrude Stein, James Joyce, and Andy Warhol embodied an ethos in which the construction or conception of a text was just as important as the resultant text itself. By extending this tradition into the digital realm, uncreative writing offers new ways of thinking about identity and the making of meaning. -- Book Description

You exist in this darkness. Rebels. Creeps. Outcasts. Loners. People who hate everybody' This is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon.

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. Whatever became of Alexander after that famously bad day? And did you know that Judith Viorst is his mother? And what happens to her passion for household neatness and orderliness, her deep devotion to schedules, her compulsive yearning to offer helpful advice when Alexander— now grown up, married, and the father of three—moves his family into his parents’ house? What happens is controlled, and sometimes not so controlled, chaos, as lives and routines are turned upside down and the house is overrun with scattered toys, pacifiers, baby bottles, sippy cups, pink-sequined flip-flops, jigsaw puzzles, and fishy crackers. With her characteristic sparkle and wit, Viorst relates her efforts to (graciously) share space, to become (if only a little bit) more flexible, to (sort of) keep her opinions to herself, and even to eventually figure out how to unlock the safety locks of the baby's (expletives deleted) bouncy seat. She describes how she and her husband, while sometimes longing for the former peace and tranquility of unravished rooms and quiet dinners for two unaccompanied by cries of “Oh, yuck!” survived and relished the extended visit of the Alexander Five. She also opens our eyes to the joys of multigenerational family living and to the unexpected opportunities to grow that life presents—even under the most unlikely circumstances. Several generations of readers surely will relate to this funny and loving book, enhanced throughout by Laura Gibson’s delightful two-color drawings.

The Dark Night of the Soul by St. John of the Cross is one of the most profound and enduring spiritual books ever written, a timeless classic of Christian mysticism, inner transformation, and the journey toward divine union. Written between 1577 and 1579 by the Spanish Carmelite mystic, this remarkable work explores the soul’s passage through spiritual darkness, purification, and ultimate illumination. This powerful book presents the “dark night” not as despair, but as a necessary stage of spiritual growth, in which the soul is stripped of attachments, illusions, and worldly desires in order to be united with God. Through poetic language and deep theological insight, St. John of the Cross reveals the hidden process of spiritual awakening, describing both the suffering and the profound grace that accompany the soul’s transformation. Blending mystical poetry with spiritual commentary, The Dark Night of the Soul remains an essential book for readers seeking deeper understanding of faith, contemplation, and the interior life. Its teachings have influenced centuries of Christian thought, as well as modern discussions of spiritual crisis, personal growth, and the search for meaning. Perfect for readers of religious classics, spiritual philosophy, Christian mysticism, and contemplative literature, this timeless book continues to guide those navigating periods of inner struggle, doubt, and renewal. Whether approached as a devotional text or a philosophical work, The Dark Night of the Soul offers profound insight into the path toward spiritual clarity and union. This English edition, translated by David Lewis (1864), is now available in Kindle, Paperback, and Hardcover.

Presented by The Academy of American Poets, Committed to Memory is the essential poetry collection for every home library -- a gathering of the world's best-loved poems, chosen specifically for memorization. These poems carry on a timeless tradition kept alive not in libraries but through a cycle of reciting, listening, memorizing, and reciting anew. From beloved classics like Rudyard Kipling's "If' and Robert Frost's "The Road Less Traveled" to family favorites like Ernest Lawrence Thayer's "Casey at the Bat" and Lewis Carroll's "Jabberwocky", the poems in this collection will engage and delight both young and old. The poets include some of the greatest names in literature -- Shakespeare, Poe, Whitman, Bronte, Hardy, Browning, cummings, Joyce, and Dickinson. A truly timeless collection, Committed to Memory is a gift of love and language that will enrich readers' lives for years to come.

"We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged. Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today" -- Publisher's description

At the age of 27, alone in Jerusalem in the wake of a painful divorce, Ilana Kurshan joined the world s largest book club, learning daf yomi, Hebrew for daily page" of the Talmud, a book of rabbinic teachings spanning about 600 years and the basis for all codes of Jewish law. A runner, a reader and a romantic, Kurshan adapted to its pace, attuned her ear to its poetry, and discovered her passions in its pages. She brought the Talmud with her wherever she went, studying in airplanes, supermarket lines, and over a plate of pasta at home, careful not to drip tomato sauce upon discussions about the sprinkling of blood on the Temple altar. By the time she completed the Talmud after seven and a half years, Kurshan was remarried with three young children. With each pregnancy, her Talmud sat perched atop her growing belly. This memoir is a tale of heartache and humor, of love and loss, of marriage and motherhood, and of learning to put one foot in front of the other by turning page after page. Kurshan takes us on a deeply accessible and personal guided tour of the Talmud, shedding new light on its stories and offering insights into its arguments both for those already familiar with the text and for those who have never encountered it. For people of the book both Jewish and non-Jewish If All the Seas Were Ink is a celebration of learning through literature how to fall in love once again.

The sweep of Japanese literature in all its great variety was made available to Western readers for the first time in this anthology. Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

In 1990, David Rosenberg and Harold Bloom published the audacious New York Times best-seller The Book of J, which identified one of the earliest writers of the Bible to be a woman. Now David Rosenberg returns with The Book of David, which redefines the meaning of spirituality in our time. Our ancestors read the Bible sure of its authors, of whom King David was perhaps most beloved. The Book of David illuminates the original story of David so that it becomes, once again, our founding narrative of spiritual consciousness. Based on an exhilarating translation that uncovers the original sources, we behold a radiant writer, often called the Court Historian or Western Civilization's first novelist, who stands behind King David, creating the way we talk to and think about God. His sublime creation reinvents our idea of the spiritual warrior as well as the original language of spirituality. Seven years in the making, The Book of David starts where the conventional tales leave off, discarding the "David and Goliath" stereotype and providing a startling, mature figure of David. The Book of David will transform the way readers view themselves, their society, and their religion. It is unique in all that it contains: biography and novel, history and poetry, critique and guide, and, above all, a fountain of inspiration. From the Trade Paperback edition.

Profiling Canada's leading poet-singer, this concise biography surveys the remarkable 40-year career of Leonard Cohen that has produced 11 books and 11 records. Focusing on the evolution of Cohen's international reputation, the book begins with a review of the Montreal years. The popularity of works like The Spice Box of Earth and Beautiful Losers is examined in detail. Cohen's musical career receives special attention, from his first studio session to his latest record. The biography concludes with a discussion of Stranger Music .

This anthology for queer Jewish history draws from two millennia, five continents, and fifteen languages. Through poetry, drama, law, literature, memoirs and commentary, the book reveals a history long shared by two ancient cultures, Jewish and gay. It includes generous bibliographies, two indexes, and an extensive list of thematic links for focused study.--

The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood. In Roman Year , André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman’s family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome’s Via Clelia. Though dejected, Aciman’s mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman’s time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of “the poetry of the place” (John Domini, The Boston Globe ), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.

What colors do you see in nature - the green of a fern, the brown of a desert, the gray of a lifeless tree? Look closer. You'll find more than meets the eye. Is that a white flower, or a star that fell in the forest? Is that an orange sunset, or a piece of fruit that's ripe for eating? Is that a blue sky, or the slate on which a bird writes? In thirteen memorable poems, Jane Yolen takes you on a whimsical journey through Mother Nature's glorious landscape. Using Jason Stemple's dazzling photographs as a backdrop, Ms. Yolen paints her own vivid pictures that are both real and imagined.