Since 1949, when Pulitzer Prize-winning journalist Max Frankel began to write for The New York Times, readers have looked to his work as a lens through which they could witness America's role in a rapidly changing world. In this vivid and unforgettable memoir, Frankel chronicles the times of his extraordinary life as he experienced them...within the context of the news stories that defined an era. A quintessentially American story, The Times of My Life traces Frankel's riveting personal relationship with history...his harrowing escape from Nazi Germany...his life as an immigrant on the streets of New York...and his extraordinary half-century-long career at The Times. In a rich first-person account that moves from Hitler's Berlin to Cold War Moscow, from Castro's Havana to the newsroom of America's most influential newspaper, this powerful, compelling work interweaves Frankel's personal and professional lives with the era's greatest stories, from Sputnik to the Pentagon Papers to the collapse of the Berlin Wall. And it reveals Frankel's fascinating off-the-record encounters with Nikita Khrushchev, Henry Kissinger, John Kennedy, Richard Nixon, and a host of other history-makers who shaped their times--and ours. Guiding readers through Hitler's Berlin, Khrushchev's Moscow, Castro's Havana, and the Washington of Kennedy, Johnson, and Nixon, THE TIMES OF MY LIFE reevaluates the Cold War, and interweaves Frankel's personal and professional life with the greatest stories of the era. -->

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

Trial by jury is the mainstay of the accusatorial system of criminal justice. Here one of our most distinguished constitutional scholars, the Pulitzer Prize-winning Leonard Levy, brings his formidable skills to bear in tracing the development of what many great legal minds have called the Palladium of Justice. Recounting this history with his characteristic clarity, vigor, and elegance of expression, Mr. Levy has given us a brilliant and useful summary of one of our most cherished freedoms. Incisively, thoroughly, and thoughtfully—as always-Leonard Levy offers historical meaning and understanding to one of our most basic rights. —Stanley I. Kutler

What did "freedom of the press" really mean to the framers of the First Amendment and their contemporaries? This masterful book by a Pulitzer Prize–winning constitutional historian answers that question. In Emergence of a Free Press (a greatly revised and enlarged edition of his landmark Legacy of Suppression), Leonard W. Levy argues that the First Amendment was not designed to be the bulwark of a free press that many thought, nor had the amendment's framers intended to overturn the common law of seditious libel that was the principal means of stifling political dissent. Yet he notes how robust and rambunctious the early press was, and he takes that paradox into account in tracing the succession of cases and reforms that figured in the genesis of a free press. Mr. Levy's brilliant account offers a new generation of readers a penetrating look into the origins of one of America's most cherished freedoms.

In this highly entertaining book, Lawrence Weschler chronicles the antics of J. S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money. "Lawrence Weschler, who evidently admires [Boggs]-something not difficult to do-has written what may be the most extraordinary biography imaginable: "weird," to use a favourite Boggs word. It does something towards changing our entire outlook on money and its uses. And the reader is left with an uneasy feeling that anything in this world can be created by drawing it." —Ruth Rendell, Daily Telegraph "As ideal a subject matter as money is for Boggs' genius, Boggs is as ideal a topic for Weschler's considerable talents. . . . A writer any less lucid than Weschler would smudge the lines, making of Boggs a counterculture caricature or a high-art huckster. And a writer any less confident would knock the balance, making academic mud pies of Boggs' enlightened chaos." —Jonathon Keats, San Francisco Chronicle Book Review "[A] witty and engaging chronicle. . . . Weschler's fascinating account of the artist as agent provocateur demonstrates both the significance of Boggs's art and his determination to continue his unusual critique of the idea of money." —Henry Wessells, Washington Post Book World "[A] witty, excellently written account of a bizarre and fascinating snippet of modern life." —Paul Ormerod, Times Higher Education Supplement "The book, like the artist, challenges people to pause and consider the extent to which the economic bedrock of everyday life is in part a confusing welter of artistic abstractions. It's a work that is at once informative, entertaining, and provocative-a reading experience, one might say, of rather good value." —Toby Lester, Atlantic Monthly "[A] fascinating tale, especially in these days of fluctuating currency rates, the euro, and inexplicable Net-stock valuations." —Paul Lukas, Fortune Lawrence Weschler, a recipient of the prestigious Lannan Literary Award for 1998, is the author of numerous books, including Calamities of Exile: Three Nonfiction Novellas , and Mr. Wilson's Cabinet of Wonder , which was a finalist for both the Pulitzer Prize and the National Book Critics Circle Award.

'A fresh, unexpected, and revealing portrait of Russia' ANNE APPLEBAUM, Pulitzer Prize-winning author of Gulag and Red Famine 'A century of Russian history told through the women who lived it, shaped it, and survived it' NADYA TOLOKONNIKOVA, founder of Pussy Riot[Bokinfo]

From the author of the 2022 Pulitzer winner The Netanyahus , one of the great comic epics of our time: the Last Jewish Novel about the Last Jew in the World. On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt... Meanwhile, in the not-too-distant future of our own, "real" world, another last Jew--the last living Holocaust survivor--sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects. After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form. James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century. An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe. While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer. James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

The former Poet Laureate of the United States, Nemerov gives us a lucid and precise twist on the commonplaces of everyday life. The Collected Poems of Howard Nemerov won both the National Book Award and the Pulitzer Prize in 1978. "Howard Nemerov is a witty, urbane, thoughtful poet, grounded in the classics, a master of the craft. It is refreshing to read his work. . . . "— Minneapolis Tribune "The world causes in Nemerov a mingled revulsion and love, and a hopeless hope is the most attractive quality in his poems, which slowly turn obverse to reverse, seeing the permanence of change, the vices of virtue, the evanescence of solidities and the errors of truth."—Helen Vendler, New York Times Book Review

From the moment the battle ended, Gettysburg was hailed as one of the greatest triumphs of the Union army. Celebrations erupted across the North as a grateful people cheered the victory. But Gabor Boritt turns our attention away from the rejoicing millions to the dark mood of the White House--where Lincoln cried in frustration as General Meade let the largest Confederate army escape safely into Virginia. Such unexpected portraits abound in Lincoln's Generals, as a team of distinguished historians probes beyond the popular anecdotes and conventional wisdom to offer a fascinating look at Lincoln's relationship with his commanders. In Lincoln's Generals, Boritt and his fellow contributors examine the interaction between the president and five key generals: McClellan, Hooker, Meade, Sherman, and Grant. In each chapter, the authors provide new insight into this mixed bag of officers and the president's tireless efforts to work with them. Even Lincoln's choice of generals was not as ill-starred as we think, writes Pulitzer Prize-winner Mark E. Neely, Jr.: compared to most Victorian-era heads of state, he had a fine record of selecting commanders (for example, the contemporary British gave us such bywords for incompetence as "the charge of the Light Brigade," while Napoleon III managed to lose the entire French army). But the president's relationship with his generals was never easy. In these pages, Stephen Sears underscores McClellan's perverse obstinancy as Lincoln tried everything to drive him ahead. Neely sheds new light on the president's relationship with Hooker, arguing that he was wrong to push the general to attack at Chancellorsville. Boritt writes about Lincoln's prickly relationship with the victor of Gettysburg, "old snapping turtle" George Meade. Michael Fellman reveals the political stress between the White House and William T. Sherman, a staunch conservative who did not want blacks in his army but who was crucial to the war effort. And John Y. Simon looks past the legendary camaraderie between Lincoln and Grant to reveal the tensions in their relationship. Perhaps no other episode has been more pivotal in the nation's history than the Civil War--and yet so much of these massive events turned on a few distinctive personalities. Lincoln's Generals is a brilliant portrait that takes us inside the individual relationships that shaped the course of our most costly war.

WINNER OF THE PULITZER PRIZE In the bustling streets of early 20th-century New York City, the stoop of a nondescript brownstone serves as the central stage for the intricate dramas and poignant narratives that unfold in Elmer Rice's seminal work, "Street Scene." Premiering in 1929 at the Playhouse Theatre in New York City, this evocative play offers a profound exploration of the human condition amidst the backdrop of a gritty urban landscape. At the heart of the narrative are the Maurrant family—Anna, Rose, and Frank—whose lives intertwine with those of their neighbors in profound and often tumultuous ways. Anna Maurrant, a woman grappling with issues of infidelity and disillusionment in her marriage, finds herself entangled in a web of secrets and desires. Her daughter, Rose, struggles to navigate the demands of her job and the oppressive presence of her father, Frank, whose domineering and sometimes abusive behavior casts a shadow over their household. Against this backdrop of familial strife, the character of Sam Kaplan emerges as a beacon of empathy and compassion. A Jewish neighbor deeply in love with Rose, Sam serves as both a confidant and a source of solace amidst the chaos of their urban existence. His unwavering devotion to Rose illuminates the complexities of love and longing in a world marked by social and economic divides. As the action unfolds entirely on the front stoop of the brownstone and in the adjacent streets, Rice skillfully captures the rhythm and pulse of city life, infusing each scene with a palpable sense of immediacy and authenticity. From the colorful array of neighbors and passersby to the bustling energy of the urban milieu, "Street Scene" paints a vivid portrait of a community teetering on the brink of despair yet resilient in the face of adversity. Recipient of the prestigious Pulitzer Prize for Drama in 1929, "Street Scene" remains a timeless testament to the enduring power of theater to illuminate the complexities of the human experience. Through its rich tapestry of characters and its evocative portrayal of urban life, Rice's play invites audiences to reflect on themes of love, longing, and the indomitable spirit of the human soul against the backdrop of a mean quarter of New York City.

The Pulitzer Prize-winning journalist and editor of The New Yorker writes on some of the essential musicians of our time.[Bokinfo]

From the editors of From One Experience to Another comes a new collection featuring celebrated writers for young adults. Contributors include Newbery Medal winners Jerry Spinelli and Betsty Byars, Paul Zindel, winner of the Pulitzer Prize for Drama, and Jon Scieszka, author of The Stinky Cheese Man & Other Fairly Stupid Tales, a New York Times "Notable Book of the Year." Other authors include T.A. Barron, Tamora Pearce, Mary Ann McGuigan, Lois Metzger, Mel Glenn, Joyce Hansen, Rich Wallace, Joan Abelove and Eleanora E. Tate.

"A timely new collection that sounds themes about the fragility of life and our duty to respect the planet in a time of climate change, from the Pulitzer Prize-winning poet who work "begins in delight and ends in wisdom" (Carrie Fountain) The work of Carl Dennis has won praise for its "integrity, its substance, and its seemingly effortless craft; and for its embodiment of passionate inquiry" (Times Literary Supplement). The title of his new collection, Earthborn, helps to point the way to its two central concerns: how to find meaning, as creatures of the earth, in lives that are short and frail and destined to be forgotten; and how, as stewards of the earth, to address the need to protect our home from ourselves, from the menace to life posed by our own species. The book succeeds in braiding together a recognition of our limits and of our responsibilities in ways that are deeply moving and revealing"--

"A world in which the leading liberal-democratic nation does not assume its role as world policeman will become a world in which dictatorships contend, or unite, to fill the breach. Americans seeking a return to an isolationist garden of Eden--alone and undisturbed in the world, knowing neither good nor evil--will soon find themselves living within shooting range of global pandemonium." --From the Introduction In a brilliant book that will elevate foreign policy in the national conversation, Pulitzer Prize-winning columnist Bret Stephens makes a powerful case for American intervention abroad. In December 2011 the last American soldier left Iraq. "We're leaving behind a sovereign, stable, and self-reliant Iraq," boasted President Obama. He was proved devastatingly wrong less than three years later as jihadists seized the Iraqi city of Mosul. The event cast another dark shadow over the future of global order--a shadow, which, Bret Stephens argues, we ignore at our peril. America in Retreat identifies a profound crisis on the global horizon. As Americans seek to withdraw from the world to tend to domestic problems, America's adversaries spy opportunity. Vladimir Putin's ambitions to restore the glory of the czarist empire go effectively unchecked, as do China's attempts to expand its maritime claims in the South China Sea, as do Iran's efforts to develop nuclear capabilities. Civil war in Syria displaces millions throughout the Middle East while turbocharging the forces of radical Islam. Long-time allies such as Japan, Saudi Arabia, and Israel, doubting the credibility of American security guarantees, are tempted to freelance their foreign policy, irrespective of U.S. interests. Deploying his characteristic stylistic flair and intellectual prowess, Stephens argues for American reengagement abroad. He explains how military intervention in Iraq and Afghanistan was the right course of action, foolishly executed. He traces the intellectual continuity between anti-interventionist statesmen such as Henry Wallace and Robert Taft in the late 1940s and Barack Obama and Rand Paul today. And he makes an unapologetic case for Pax Americana, "a world in which English is the default language of business, diplomacy, tourism, and technology; in which markets are global, capital is mobile, and trade is increasingly free; in which values of openness and tolerance are, when not the norm, often the aspiration." In a terrifying chapter imagining the world of 2019, Stephens shows what could lie in store if Americans continue on their current course. Yet we are not doomed to this future. Stephens makes a passionate rejoinder to those who argue that America is in decline, a process that is often beyond the reach of political cures. Instead, we are in retreat--the result of faulty, but reversible, policy choices. By embracing its historic responsibility as the world's policeman, America can safeguard not only greater peace in the world but also greater prosperity at home. At once lively and sobering, America in Retreat offers trenchant analysis of the gravest threat to global order, from a rising star of political commentary.

'The best account of this episode in English.' TLS Napoleon was the hero of his age, a man who helped France become, briefly, a hugely impressive European power. In 1814, he was imprisoned on Elba, planning an escape and plotting his course of action once he had done so. From the time he landed back in France to his loss at Waterloo, one hundred days elapsed. Scholar Alan Schom, an expert in the history of the Napoleonic era, outlines the key personalities and events of those hundred days in 1815. Napoleon is a far cry from the heroic leader of the time before he was imprisoned in Elba, attempting to gather forces and convince his old friends to help him once again. Despite the difficulties he faced from his irresponsible brothers, and acting in opposition to the statesman Talleyrand, Napoleon was only a whisker away from a famous triumph, and only eventually defeated by the mobilised force of the Allies. It was the Duke of Wellington and Blücher who defeated Napoleon, who was prepared to take on England, Austria, Prussia and Russia. The book includes a brilliant account of the manoeuvres at Waterloo, and is a fantastic tale of daring that is a useful book exactly 200 years on from the 100 days. 'Undoubtedly the best account of this episode in English' - Richard Holmes, The Times Literary Supplement 'Alan Schom has written a racy account, backed by copious detail and an abundance of quotations...a good read' - Michael Carver, Sunday Telegraph 'A brisk, pacey account of the Hundred Days, written in a fluent and engaging manner...There are excellent sketches of Fouché, Talleyrand and Carnot and a most able analysis of the background...as well as fascinating material on espionage and intelligence' - Frank McLynn in the Literary Review 'A riveting narrative of events...a sparkling portrait gallery of the personalities who shaped those events' - Russell F. Weigely, author of The Age of Battles Alan Schom was a professor of French and European history before retiring to write full-time. He is the author of Emile Zola: A Biography and Trafalgar . One Hundred Days was nominated for the 1992 Pulitzer Prize and for the 1992 US National Book Award.

This is the remarkable story of Barack Obama's journey to the White House, as told by the greatest cultural recorders in the world, the staff of The New York Times. From the first mention of Barack Obama in its pages (when he was elected president of the Harvard Law Review), to his electrifying speech at the 2004 Democratic Convention, to the days and months of the hardfought, innovative campaign for Presidency, The New York Times has documented, recorded, and analyzed Obama in all the ways that he has irrevocably changed this country. In twelve rich chapters, filled with award-winning photos and graphics, as well as text from Nobel Prize and Pulitzer€”winning columnists like Paul Krugman and Thomas Friedman, and seasoned political reporters like Adam Nagourney, The New York Times tells Obama's unlikely and incredible journey from the beginning all the way to his inauguration as President of the United States. Jill Abramson, the managing e

Pulitzer-Prize-winning author Bernard Bailyn brings us a book that combines portraits of American revolutionaries with a deft exploration of the ideas that moved them and still shape our society today.

Spring and All, a collection of poems and essays, was first published by William Carlos Williams in 1932. Williams was a true renaissance man - he was a doctor, an artist, and a poet. This collection contains many of his classics including Red Wheelbarrow. He wrote this while tending to a sick child. So much depends upon a red wheel barrow glazed with rain water beside the white chickens. Williams was well celebrated during his lifetime. He won the first National Book Award for Poetry. He was posthumously awarded a Pulitzer Prize. Be inspired by his thought-provoking works! Note that Lisa Shea will also soon have an annotated and illustrated version, for those who would enjoy having notes on each poem.

From a brilliant and witty comic book aficionado, this “scholarly but lively narrative” ( Kirkus Reviews ) reveals the links between Jews and the iconic superheroes of Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby. Many of us know that the superheroes at the heart of the American comic book industry were created by Jews. But you’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. With great wit and compelling arguments, Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity. Captivating, poignant, and packed with historical insights, this guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad magazine to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. “A witty, insightful exposé” ( Publisher’s Weekly ), Superman Is Jewish? is an endlessly fascinating American saga about an immigrant group that used comic books to see itself in new, empowering—and laughable—ways. You don’t even have to be Jewish to get a kick out of it.