Dramatizations of aspects of American life seen through the comic or tragic predicament of American Jews.

"With gimlet eyed cool and razor sharp wit, The Low Desert explores both the depravity and humanity at the heart of Tod Goldberg's critically acclaimed gangster universe, first introduced in Gangsterland, continued in Gangster Nation, and expanded here with all-new and returning characters. The uncle of an FBI agent spends his life as sheriff in different cities, living too close to the violent acts of men; a cocktail waitress moves through several desert towns trying to escape the loss of an adopted daughter who went missing under unexplained circumstances; a drug dealer with a penchant for karaoke and a bullet hole in his foot meets a talkative lawyer and a silent clown in a Palm Springs bar. These surprising and thrilling stories from a master of modern crime fiction elaborate and enrich the dynamic Sal Cupertine/Rabbi David Cohen gangster universe"--

"A medieval slave-turned-sultan, an alien who declines to visit Earth, a prophet who dares to ask "is God funny?" and a ghost who fears the living--these are among the terrifying, tragic, passionate, and comic characters who animate Michael Oren's stories. Crisscrossing genres, they explore the outer bounds of imagination and artistic freedom, exposing the reader to a kaleidoscope of human emotions and experience. In The Night Archer, the acclaimed historian, political commentator, and statesman Michael Oren is revealed as a writer of bold versatility."--Provided by publisher.

New York Times Notable Book of the Year Publishers Weekly Best Book of 1997 With an Introduction by Robert Giroux, The Complete Stories of Bernard Malamud is "an essential American book," Richard Stern declared in the Chicago Tribune when the collection was published in hardcover. His praise was echoed by other reviewers and by readers, who embraced the book as they might a displaced person in one of Malamud's stories, now returned to us, complete and fulfilled and recognized at last. The volume gathers together fifty-five stories, from "Armistice" (1940) to "Alma Redeemed" (1984), and including the immortal stories from The Magic Barrel and the vivid depictions of the unforgettable Fidelman. It is a varied and generous collection of great examples of the modern short story, which Malamud perfected, and an ideal introduction to the work of this great American writer.

These stories introduce a man who finds equal pleasure in his beautiful girlfriend and the fat, soccer-loving lout she turns into after dark; shrinking parents; a case of impotence cured by a pet terrier; and a pessimistic Middle Eastern talking fish.

A collection of short stories takes readers into a world that looks normal but hides the bizarre

In this collection of short stories, originally published in 1974, Grace Paley "makes the novel as a form seem virtually redundant" (Angela Carter, London Review of Books ). Her stories here capture "the itch of the city, love between parents and children" and "the cutting edge of combat" (Lis Harris, The New York Times Book Review ). In this collection of seventeen stories, she creates a "solid and vital fictional world, cross-referenced and dense with life" (Walter Clemons, Newsweek ).

A collection of short stories follows a Russian Jewish family living in Toronto, covering twenty-three years in the life of Mark, from arguments with neighbors to his first sexual encounter with a cousin and the death of his grandfather.

Two spine-chilling short stories by Anthony Horowitz, a master-storyteller and the best-selling author of the Alex Rider series. Jamie is pleased with the camera he finds at a car boot sale - that is until he realises everything he photographs breaks . . . or dies. Henry soon finds out that his new computer has a life of its own - and it's not afraid to gamble with people's lives.

Joel Meyrowitz is one of the world's best-known and best-selling photographers; his Cape Light has become a color photography classic with 100,000 copies sold. The Tuscan countryside is among the most well-loved on earth, for its beauty, its natural bounty, its magnificent light. Award-winning photographer Joel Meyerowitz and novelist/playwright Maggie Barrett have combined talents to create a loving and personal portrait of Tuscany through the seasons. Meyerowitz provides the breathtaking images; Maggie Barrett offers poetic, evocative commentary that pays loving tribute to this alluring rural world. They take you inside everyday Tuscan life and landscape, and also capture the warmth of the people who live there and their profound connection to the land. Joel Meyerowitz, who has published 14 books, is a Guggenheim fellow and an NEA and an NEH award-winner. His photographs have shown in major museums, including the Museum of Modern Art. He was the only photographer granted access to Ground Zero, where he persistently captured both the devastation and the dedication of the many workers who toiled at the World Trade Center site. Maggie Barrett is the author of three novels and a collection of short stories. Her play, Give it Up, was performed off Broadway.

Lishs second anthology of new Esquire fiction displays the magazines most distinguished short stories of the last three years.

Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction, and today he is considered one of the genre's 'big three' alongside Arthur C. Clarke and Isaac Asimov. His short stories were instrumental in developing its structure and rhetoric, while novels such as Stranger in a Strange Land and Starship Troopers demonstrated that such writing could be a vehicle for political argument. Heinlein's influence remains strong, but his legacy is fiercely contested. His vision of the future was sometimes radical, sometimes deeply conservative, and arguments have flared up recently about which faction has the most significant claim on his ideas. In this major critical study, Hugo Award-winner Farah Mendlesohn carries out a close reading of Heinlein's work, including unpublished stories, essays, and speeches. It sets out not to interpret a single book, but to think through the arguments Heinlein made over a lifetime about the nature of science fiction, about American politics, and about himself.

The New Yorker dishes up a feast of delicious writing–food and drink memoirs, short stories, tell-alls, and poems, seasoned with a generous dash of cartoons. “To read this sparely elegant, moving portrait is to remember that writing well about food is really no different from writing well about life.”— Saveur (Ten Best Books of the Year) Since its earliest days, The New Yorker has been a tastemaker—literally. In this indispensable collection, M.F.K. Fisher pays homage to “cookery witches,” those mysterious cooks who possess “an uncanny power over food,” and Adam Gopnik asks if French cuisine is done for. There is Roald Dahl’s famous story “Taste,” in which a wine snob’s palate comes in for some unwelcome scrutiny, and Julian Barnes’s ingenious tale of a lifelong gourmand who goes on a very peculiar diet. Selected from the magazine’s plentiful larder, Secret Ingredients celebrates all forms of gustatory delight. A sample of the menu: Roger Angell on the art of the martini • Don DeLillo on Jell-O • Malcolm Gladwell on building a better ketchup • Jane Kramer on the writer’s kitchen • Chang-rae Lee on eating sea urchin • Steve Martin on menu mores • Alice McDermott on sex and ice cream • Dorothy Parker on dinner conversation • S. J. Perelman on a hollandaise assassin • Calvin Trillin on New York’s best bagel Whether you’re in the mood for snacking on humor pieces and cartoons or for savoring classic profiles of great chefs and great eaters, these offerings from The New Yorker ’s fabled history are sure to satisfy every taste.

“A sprightly and clear-eyed testimonial to the value of globalization” ( The Wall Street Journ al ) as seen through six surprising everyday goods—the taco salad, the Honda Odyssey, the banana, the iPhone, the college degree, and the blockbuster HBO series Game of Thrones. Trade allows us to sell what we produce at home and purchase what we don’t. It lowers prices and gives us greater variety and innovation. Yet understanding our place in the global trade network is rarely simple. Trade has become an easy excuse for struggling economies, a scapegoat for our failures to adapt to a changing world, and—for many Americans on both the right and the left—nothing short of a four-letter word. But as Fred P. Hochberg reminds us, trade is easier to understand than we commonly think. In Trade Is Not a Four-Letter Word , you’ll learn how NAFTA became a populist punching bag on both sides of the aisle. You’ll learn how Americans can avoid the grim specter of the $10 banana. And you’ll finally discover the truth about whether or not, as President Trump has famously tweeted, “trade wars are good and easy to win.” (Spoiler alert—they aren’t.) Hochberg debunks common trade myths by pulling back the curtain on six everyday products, each with a surprising story to tell: the taco salad, the Honda Odyssey, the banana, the iPhone, the college degree, and the smash hit HBO series Game of Thrones . Behind these six examples are stories that help explain not only how trade has shaped our lives so far but also how we can use trade to build a better future for our own families, for America, and for the world. Trade Is Not a Four-Letter Word is the antidote to today’s acronym-laden trade jargon pitched to voters with simple promises that rarely play out so one-dimensionally. Packed with colorful examples and highly digestible explanations, Trade Is Not a Four-Letter Word is “an accessible, necessary book that will increase our understanding of trade and economic policies and the ways in which they impact our daily lives” ( Library Journal , starred review).

With a Little Help is my first serious experiment in self-publishing. I’ve published many novels, short story collections, books of essays and so on with publishers, and it’s all been very good and satisfying and educational and so on, but it seems like it’s time to try something new. You see, I’ve always released my work under open licenses from the Creative Commons project, so that my readers could share and remix my works. A good number of these readers wanted to know why I didn’t distribute the physical book as well, and see what a writer working on his own could do. So here we have it. With a Little Help, consists of 12 stories, all reprints except for “Epoch,” which was commissioned by the Ubuntu project‘s Mark Shuttleworth for $10,000 (this being the most expensive option for buying the book — don’t worry, there are cheaper editions).

A collection of eighteen first-person stories by the science fiction master includes tales featuring such diverse narrators as a dolphin in love with a human and an alien visitor living in disguise in a New York hotel.

In this hilarious collection, a Thurber Prize winner who is "one of the funniest writers in America" chronicles the absurdity of fame and the humanity of failure in a world dominated by social media stars ( Daily Beast ). Simon Rich is an award-winning humorist who draws comparisons to Douglas Adams (the New York Times Book Review ), James Thurber, and P.G. Wodehouse (the Guardian ). With Hits and Misses , he's back with a hilarious collection of stories about dreaming big and falling flat, about ordinary people desperate for stardom and the stars who are bored by having it all. Inspired by Rich's real experiences in Hollywood, Hits and Misses chronicles all the absurdity of fame and success alongside the heartbreaking humanity of failure. From a bitter tell-all by Paul Revere's horse to a gushing magazine profile of World War II's most infamous dictator, these stories roam across time and space to skewer our obsession with making it big -- from the days of ancient Babylon to the age of TMZ.

With The World Is the Home of Love and Death, Harold Brodkey completes the extraordinary literary voyage that began with the publication of his first short story in The New Yorker in 1952. During the past four decades, Brodkey established himself as a modern master of short fiction. In The World Is the Home of Love and Death, Brodkey returns to themes he has treated so memorably in the past--the conformity and stupefying monotony of suburbia, the malevolence of cocktail-party conversation--bringing to them a new refinement and compression. In all of these stories, Brodkey proves that there has never been a more acute translator of the language of power, coercion, and, ultimately, love. It is altogether appropriate that Brodkey's final return to fiction should be to the short story, a form that he has influenced so profoundly.