One may contend that "Replenishing Jessica" is neither a novel nor an essay, but one cannot deny it is prose. After all, a poet wrote it and he put into is such a phrase as, "He wrapped his dreams in a sigh," which is good even if it does not belong in this novel..." So wrote a critic contemporary of Maxwell Bodenheim in December 1925. Shortly afterwards, the novel was yanked from bookshelves and repressed for reasons of obscenity. It would be almost four years later that Replenishing Jessica would finally be cleared of its charges by a New York judge and available for sale. A new edition was published by Boni & Liveright and sold in excess of 10,000 copies mere days after its revival. Success had landed on Bodenheim's doorstep, but would only last a short while before he was once again at the cusp of personal and financial failure. Replenishing Jessica fell out of print in the early 1950s and has since been forgotten in the annals of Depression-era American literature. Though Bodenheim wrote the novel with its suggestive title in order to turn a quick buck, he managed to also instill into the book a magical realism accurately capturing the sights and sound of Jazz Age New York. Now reprinted for the first time in over 70 years, Bodenheim scholar, Paul Maher Jr., has researched and edited a new edition of Replenishing Jessica for the 21st-century complete with an extensive introduction tracing the history of the book and a biography of Bodenheim between 1925 to 1928.

This collection of interviews provides a revealing self-portrait of Martin Ritt (1914-1990), America's preeminent maker of social films and one of the most sensitive portraitists of the rural South. Ritt's Hollywood career began in 1958 with Edge of the City and ended in 1990 with the release of Stanley and Iris. In all, he directed twenty-six movies, including some of Hollywood's most enduring films--Hud, Hombre, The Spy Who Came in from the Cold, The Brotherhood, The Molly Maguires, The Front, and Norma Rae. Although he gave mostly boilerplate interviews to the press when promoting a movie, Ritt provided more revealing interviews for seminars, oral histories, and documentary filmmakers. The most significant of these, published here for the first time, create a close-up portrait of this distinguished director of plays and films. Ritt speaks eloquently about his years with the Group Theatre and recreates the passion of the director Harold Clurman. He tells how the Group shaped his ideas about art and the communal nature of the theatrical enterprise, which he extended into his work in film. He speaks of his relationship with Clifford Odets and Elia Kazan, and he talks in detail about his experiences with the blacklist, directing and acting in TV during its Golden Age, his career as a theater director, and his experiences working with such actors as Paul Newman, Sally Field, Sophia Loren, Orson Welles, and Robert De Niro. Ritt discusses his philosophy of directing, the place of film in the history of art, his quarrels with ""auteur theory,"" and the influence of his politics on his work. Gabriel Miller, a professor of English at Rutgers University, is the author of The Films of Martin Ritt: Fanfare for the Common Man (University Press of Mississippi). Articles by him have appeared in the Los Angeles Times, American Book Review, and Literature/Film Quarterly, among other publications.

Kurt Wolff seeks to answer a large ques­tion: what are the justifications and tasks of sociology at a time when hu­mankind and its planet are in jeop­ardy? Since his youth in Germany, where he was a student ofthelate, great Karl Mannheim, the author has ori­ented much of his work to the sociology of sociology. Survival and Sociology takes into ac­count that this age, for the first time in history, extends to society what was only in the province of nature and god—the ability to destroy as well as create life. That being the case, the concern of so­ciology must shift from everyday issues to ideas and policies aimed at averting human extinction. The act of "surrendering" to our novel condition may give us a clue. In any case, it re-establishes our continuity with such founding figures as Max We­ber. Max Scheler. Alfred Schutz, Emile Durkheim. Georg Simmel, and Mann­heim himself. As a result. Wolffs work can be seen as both innovative and continuing a grand tradition of analysis. The an­swers given are very much in terms of specific American conditions, but also provide the sort of theoretical scaffold­ing that underwrites current East-West negotiations on practical issues relat­ing to arms negotiations and peace set­tlements. It is thus a work that should have wide appeal to students of the his­tory of ideas, sociologists of knowledge, and people interested in the philosoph­ical foundations of war and peace.

FROM THE POET the Chicago Tribune calls the new voice of Chicago, comes L-vis Lives!, a bold new collection of poetry and prose exploring the collision of race, art, and appropriation in American culture. L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, and Eminem, and meet some of history's more obscure whiteboy heroes and anti-heroes: legendary breakdancers, political activists, and music impresarios. A story of both artistic theft and radical invention, L-vis Lives! is a poetic novella on all of the possibilities and problems of post-racial" American culture-where Black art is still at times only fully accepted in a white face, and every once in a while an L-vis" comes along to step in to the void. i am a hero to most. the great hope of something other. a complex back-story. something other than the business of my father. Bland's antonym. jim crow's black sheep. the forgotten son left to rise in the darkness among the dis carded in the wild of working class, single mother hoods. a hero who transcends who translates the dis satisfactions of the plains; kids of kurt cobain, method man amphetamine, the odd Iowan who digs dirt and lights beyond the pig yard, spits nebraskan argot, hero to the heart land, middle brow(n) america "--

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

A rare and fascinating view into the creative process of one of the most notorious, talented and colorful figures of American cinema. When production began in 1928, writer/director Erich von Stroheim predicted the silent epic Queen Kelly would be his greatest cinematic achievement. Within a few weeks, however, the film was behind schedule, over budget, and filled with scenes of such frank eroticism and immorality that it was doubtful the film could ever pass the censors. With the film only partially completed, a frustrated and disgusted producer/star Gloria Swanson eventually shut down production. The demise of Queen Kelly marked the turning point in the career of one of silent cinema's greatest directors, who would never be given another filmmaking opportunity of this scale. The long-awaited publication of the complete screenplay (presented in cooperation with the Gloria Swanson estate) offers a richly detailed picture of von Stroheim's unrealized masterpiece that inarguably would have been one of the last great spectacles of the silent era. In addition to the extensively annotated 230-page shooting script, this volume includes 90 pages from an earlier draft. The original ending is dramatically different from the final version and had been discarded and rewritten by von Stroheim in an effort to cut costs during production. Also included are photographs, full production credits and an introduction detailing the troubled history of this most remarkable film. This book offers a thought-provoking view of the masterpiece that might have been.

Every Australian's birthright includes the expectation of a healthy and possibly happy life of some longevity, assisted by all the services which a civilised society can make possible. But this is not yet within the Aboriginal (or Maori, Pacific Islander, Canadian Inuit and American Indian) grasp. That so many young Aboriginal people prefer death to life implies a rejection of what people in the broader Australian society, have on offer. It reflects a failure, as a nation, to provide sufficient incentives for young Aborigines to remain alive. This is a study of youth who have, or feel they have, no purpose in life -- or who may be seeking freedom in death. It is a portrait of life, and of self-destruction, by young Aboriginal men and women. To comprehend this relatively recent phenomenon, which occurs more outside than inside custody, one has to appreciate Aboriginal history -- the effects of which contribute more to an understanding of suicide today than do psychological or medical theories about the victim. Aboriginal youth at risk are suffering more from social than from mental disorder. Adopting a historical and anthropological approach to suicide in New South Wales, the Australian Capital Territory and New Zealand, this book documents rates of suicide that may well be the world's worst. It tries to glimpse the soul of the suicide rather than merely his or her contribution to our national statistics.

Preface / S. Dillon Ripley -- Foreword / Wilton S. Dillon -- Introduction / Allan J. Lichtman -- Essays on the Family -- Lessons from Nature? Monogamy among Humans and Other Mammals / Devra G. Kleiman -- The First Americans: Migrations to a New World / T. Dale Stewart -- Continuity across Generations: The Adams Family Myth / David F. Musto -- The Depression Experience in Mens Lives / Glen H. Elder, Jr. and Richard C. Rockwell -- Changing Risks, Changing Adaptations: American Families in the Nineteenth and Twentieth Centuries / John Modell -- Aging Patterns in Black Families / Jacquelyne Johnson Jackson and Bertram Emmanuel Walls -- Kinship, Community, and Locality in American Culture / David M. Schneider -- The Making of a Community: The Role of Women in an Agricultural Setting / Seena B. Kohl -- Caring for the Insane in Ante-Bellum Massachusetts: Family, Community, and State Participation / Barbara G. Rosenkrantz and Maris A Vinovskis -- Roots of the American Family: From Noah to Now / Francis L.K. Hsu -- Workshops and Colloquia -- Family Photo Interpretations (Participants: Joan R. Challinor, Jonathan Garlock, Judith Mara Gutman, Amy Kotkin, Catherine Hanf Noren, Amalie Rothschild, Jamil Simon, William Stapp, Elisabeth Weis) -- Collecting Oral History (Participants: Robert Byington, E. Culpepper Clark, Susan Kalcik, Robert McCarl, Beverly Robinson, Ralph Rinzler, Steven Zeitlin) -- Family Documents (Participants: Allen F. Davis, Richard S. Lackey, Bill R. Linder, Sylvia Wright Mitarachi, James Walker) -- Whither Families? (Participants: Wilton S. Dillon, Jared Hoffman, Francis L.K. Hsu, A. Sidney Johnson III, Rosabeth Moss Kanter, Margaret Mead) -- Epilogue / Joan R. Chandler.

What if the history you thought you knew was only part of the story? What if the untold connections between two powerful cultures could change everything you thought about solidarity, struggle, and survival? The Hidden Ties: Uncovering the Secret Relationship Between Blacks and Jews Across the Ages is an eye-opening exploration into a relationship that has been hidden in plain sight for centuries. This groundbreaking book sheds light on the profound yet often overlooked history between Black and Jewish communities, revealing the moments of cooperation, shared struggle, and mutual resistance that have shaped both cultures. From the ancient interactions between Jews and Africans in Egypt to the powerful alliance formed during the Civil Rights Movement, this book uncovers the rich tapestry of solidarity between these two resilient groups. You'll discover how Jewish activists stood side-by-side with African Americans in the fight for justice and equality, how their struggles have been intertwined through the centuries, and how both communities have risen from oppression, together. What Will You Discover? The hidden historical connections between Jews and Africans, from ancient civilizations to modern times. How shared experiences of exile, slavery, and oppression created unexpected bonds. The key moments of solidarity during pivotal movements like the Civil Rights Era. How Black and Jewish cultures have influenced one another in ways that shaped history. This book goes beyond just telling history-it dives deep into the emotional and cultural ties that continue to bind these two communities today. You'll gain a deeper understanding of the struggles, triumphs, and complex challenges faced by both Blacks and Jews as they fought side by side for justice, dignity, and freedom. Why You Need This Book: If you've ever wondered about the powerful, hidden stories of cooperation that have existed between these two remarkable groups, The Hidden Ties will open your eyes to a whole new world of shared history. You'll walk away with a deeper appreciation for the ways cultural connections shape our world-and why understanding these ties can help us build a more united future. Don't let this important history remain hidden. Order your copy today and uncover the truth that history forgot!

This book describes political and sociological developments in Israel before and after the February 2009 elections, alongside an analysis of electoral trends. It provides an effective analysis of contemporary political and sociological Israeli history. Rather than focusing narrowly on electoral politics alone, this book broadens its focus to make it relevant to undergraduate and graduate students in Middle Eastern, Israeli and Jewish studies and the liberal arts. Israel at the Polls has been updated and published annually for thirty years, providing readers with up-to-date analysis and continuity of scholarship; this book offers an expert long-term assessment of Israeli politics. This book was published as a special issue of Israel Affairs.

Complete digitally restored reprint (facsimile) of the original edition of 1937 with excellent resolution and outstanding readability. Illustrated with over 100 drawings, photos and maps. Alexander Alexandrovich Goldenweiser was born in Kiev, Ukraine, in 1880. He emigrated to the United States in 1900. He studied anthropology under Franz Boas, and earned his AB degree from Columbia University in 1902, his AM degree in 1904, and his Ph.D. in 1910. Professor Goldenweiser taught at the following institutions: Lecturer, Anthropology, Columbia University, 1910-1919; New School for Social Research, NY, 1919-1926; Lecturer, Rand School of Social Science, 1915-1929; Professor, Thought and Culture, Oregon State System of Higher Education, Portland Extension, 1930-1938; Visiting Professor, University of Wisconsin-Madison, 1937-1938; Professor, University of Washington, 1923; Visiting Professor of Sociology, Reed College, 1933-1939. He died on July 6, 1940, in Portland, Oregon.

From a height of almost 100,000 members during the Depression, when politicians, workers, and intellectuals were drawn into its orbit, the American Communist Party has descended into irrelevance and isolation, failing even to run a presidential candidate in 1988. Indeed, as Guenter Lewy writes in this critical account of American Communism, despite decades of feverish activity and ferocious discipline, it was a cause doomed to fail from the very beginning. In The Cause that Failed, Lewy offers an incisive narrative of the American Communist Party from the days of John Reed to the advent of glasnost. He traces its origins and development, underscoring how its devotion to Moscow and inflexible Marxist ideology isolated it from the American scene--in fact, most of its first members were Eastern European immigrants. During the left wing tide of the Depression the Communist Party reached the peak of its influence, as it joined labor unions and progressive organizations in a "Popular Front." But Lewy reveals the deceptive, antidemocratic, self-defeating tactics the Communists pursued even then, as they manipulated front organizations, seized control of political parties, peace groups, and labor unions, and enforced political conformity among members and sympathizers. He follows the Party through its inexorable decline in the succeeding decades, up to its current position as one of the last Stalinist parties left in a world of glasnost and perestroika. Lewy also provides a sharply critical discussion of the encounter between Communism and liberal and mainstream America

Book by Weyl, Nathaniel

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.