Germany's changing historical memory of World War II and its aftermath, as reflected in the official and public remembrance of the German war dead, exposes an unresolved tension between a discourse of guilt and a discourse of national suffering and victimization. In Germany, under the auspices of the Allied occupation, remembrance honored the victims of the Nazis and those who had fought against the regime. After the partition of Germany, a new culture emerged, memorializing the civilian dead and fallen German soldiers. Despite the fierce ideological rivalry between East and West Germany, however, certain similarities existed. The political leaderships who shaped these cultures ceased to confront their citizens with the question of guilt and instead depicted the German people as victims. In Guilt, Suffering, and Memory —whose Israeli edition was awarded the Jacob Bahat Prize for best original book—Gilad Margalit discusses the official remembrance ceremonies for the German war dead, the memorials erected to commemorate them, the public discussions of these disparate cultures, and their treatment in postwar German literature and film.

It was over thirty years ago that Georke Mikes wrote How to be an Alien, the classic vade mecum for foreigners in Britain. The book became required reading for the alien, and an indispensable aid to self-understanding for the native. It is a heavy responsibility to be acknowledged as the leading expert on a subject as tricky as the British. For one thing, even they can change a good deal in thirty years. In acknowledgement of this, Mr Mikes has felt bound to write a new guide. At the heart of the book are the important sections on How to Lose an Empire, Become a Colony, and Stop Being an Island. All these themes are brand new. Others are familiar, but required new treatment. Sex could no longer be despatched in the shortest chapter known to literature (ten words) but called for at least a page (Britons whose self-confidence is wobbly had better skip it). The art of getting lost in London has become infinitely more complex than it was, and what is happening to the language is hair-raising. But the native will find that although his self-esteem takes some hard knocks, he ends in a glow of self-congratulation. It seems that when Great Britain finally becomes a desert island it will have its Robinson Crusoe in the shape of George Mikes. Amid all the changes two things remain the same: Nicholas Bentley is still the perfect illustrator for George Mikes's wit, and a special chemistry still exists between Mikes and his adopted country. The chemistry produced the most famous of all his works, and now it has produced the book to rival it.

Statistics: An Intuitive Approach by George H. Weinberg is a comprehensive guide to understanding statistics. The book is written in a clear and concise manner, making it accessible to readers with little to no prior knowledge of statistics. The author takes an intuitive approach to teaching statistics, using real-world examples and practical applications to help readers understand complex concepts. The book covers a wide range of topics, including probability, hypothesis testing, correlation, regression, and analysis of variance. Each chapter includes numerous examples and exercises to help readers practice what they have learned. The author also includes a glossary of key terms and a list of recommended readings for further study. Overall, Statistics: An Intuitive Approach is an excellent resource for students, professionals, and anyone looking to gain a better understanding of statistics. The book is well-written, easy to follow, and provides a solid foundation for further study in the field.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

The Ladies of the Corridor is a novel written by Dorothy Parker, an American writer, poet, and critic. The book is a story about a group of elderly women living in a retirement home called the Tamarack Lodge. The main character, Mrs. Laura Sheridan, is a widow who has been living in the lodge for several years. She is bored with her life and feels trapped in the routine of the home. However, she finds solace in the company of her fellow residents, who are all women of a certain age.The novel explores the lives of these women and their experiences of aging, loneliness, and the loss of independence. The ladies of the corridor are portrayed as strong and resilient, despite their physical limitations. They find comfort in each other's company and support each other through the challenges of growing old.The story takes a dramatic turn when a new resident, Mrs. Pearl Jewett, arrives at the lodge. Mrs. Jewett is a vibrant and outspoken woman who challenges the status quo of the home. She encourages the other women to stand up for themselves and demand better treatment from the staff. Her arrival causes tension and conflict among the residents and staff, and the novel explores the dynamics of power and control in the home.Overall, The Ladies of the Corridor is a poignant and insightful novel about aging, friendship, and the resilience of the human spirit. Dorothy Parker's writing is sharp and witty, with a deep understanding of the human condition. The book is a must-read for anyone interested in the experiences of older women and the challenges they face in society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This volume has grown over the years as a family project of Martha Harris, her two daughters Meg and Morag and her husband, Donald Meltzer. It therefore has its roots in English literature and its branches waving wildly about in Psycho-analysis. It is earnestly hoped that it will reveal more problems than it will solve.

Chroma is a meditation on the color spectrum by the celebrated late artist and filmmaker Derek Jarman. From the explosions of image and color in In The Shadow of the Sun, The Last of England, The Garden and Wittgenstein, to the somber blacks of his collages and tar paintings, Jarman has consistently used color in unprecedented ways, making his ideas on the subject of interest to filmmakers, film audiences, artists and students alike. Blue, his most personal and innovative film, consists of a compelling soundtrack accompanied by a monochrome blue image and is, among other things, a comment on Jarman's diminishing eyesight due to AIDS. In his signature style, a lyrical combination of classical theory, anecdote, and poetry, Jarman takes the reader through the spectrum, introducing each color as an embodiment of an emotion, evoking memories or dreams. He explains the use of color in Medieval painting through the Renaissance to the modernists and draws on the great color theorists from Pliny to Leonardo. He writes too about the meanings of color in literature, science, philosophy, psychology, religion and alchemy. Read either as a work on color, or a distillation of Jarman's artistic vision, Chroma presents an exciting perspective on the subject.

An excellent examination of how the collapse of the Soviet Union and the impact of globalization have brought about changes not only to the territorial configuration sovereignty of states and their boundaries, but also to traditional notions of state, boundaries, sovereignty and social order These essays focus on the key regional and geopolitical characteristics of this global reordering, with an emphasis on Eastern Europe and South Asia. They discuss the territorial reordering which is taking place at the level of the state as boundaries are redemarcated in line with ethno-territoral demands; as borders are transversed by the movement of peoples, information and finance; and as the lines of territorial demarcation are perceived not only in terms of their fixed characteristics but as part of a process through which regional and ethnic identities continue to be formed and reformed. Each section ends with articles which focus on literature on geopolitics and boundaries. This is an invaluable addition to our understanding of contemporary world affairs.

'You speak a language that I understand not.' Hermione's words to Leontes in The Winter's Tale are likely to ring true with many people reading or watching Shakespeare's plays today. For decades, people have been studying Shakespeare's life and times, and in recent years there has been a renewed surge of interest into aspects of his language. So how can we better understand Shakespeare? How did he manipulate language to produce such an unrivaled body of work, which has enthralled generations both as theater and as literature? David Crystal addresses these and many other questions in this lively and original introduction to Shakespeare's language. Covering in turn the five main dimensions of language structure - writing system, pronunciation, grammar, vocabulary, and conversational style - the book shows how examining these linguistic 'nuts and bolts' can help us achieve a greater appreciation of Shakespeare's linguistic creativity.

Contradictory stereotypes about Jewish sexuality pervade modern culture, from Lenny Bruce's hip eroticism to Woody Allen's little man with the big libido (and even bigger sexual neurosis). Does Judaism in fact liberate or repress sexual desire? David Biale does much more than answer that question as he traces Judaism's evolving position on sexuality, from the Bible and Talmud to Zionism up through American attitudes today. What he finds is a persistent conflict between asceticism and gratification, between procreation and pleasure. From the period of the Talmud onward, Biale says, Jewish culture continually struggled with sexual abstinence, attempting to incorporate the virtues of celibacy, as it absorbed them from Greco-Roman and Christian cultures, within a theology of procreation. He explores both the canonical writings of male authorities and the alternative voices of women, drawing from a fascinating range of sources that includes the Book of Ruth, Yiddish literature, the memoirs of the founders of Zionism, and the films of Woody Allen. Biale's historical reconstruction of Jewish sexuality sees the present through the past and the past through the present. He discovers an erotic tradition that is not dogmatic, but a record of real people struggling with questions that have challenged every human culture, and that have relevance for the dilemmas of both Jews and non-Jews today.

Now in a paperback edition, David Amram retraces in this engaging memoir the creative paths he followed through restless days and long, exhilarating nights with his collaborator and friend Jack Kerouac. With candor and humor, Amram illuminates the private side of Kerouac, his extraordinary intellect and his ardent pursuit of music and literature. Among the last of a generation that altered the style and substance of the arts in its time, Amram also celebrates in this wise and affecting book the renaissance of interest in Kerouac’s work three decades after his death. Photographs are included. “[A] compassionate, firsthand portrait.”—Eric P. Nash, The New York Times Book Review “... every bit as radiant as his enduringly popular first memoir, Vibrations.”—Donna Seaman, Booklist “[A]n unpretentious, freewheeling festival of highly diverting tales.”—Kirkus Reviews “[Offbeat] is most valuable for its narrative of the ongoing restoration of Kerouac’s literary reputation.”—Paul A. Bergin, St. Petersburg Times

The fourth volume of The New Cambridge Medieval History covers the eleventh and twelfth centuries, which comprised the most dynamic period in the European Middle Ages. The first of two parts, this volume deals with ecclesiastical and secular themes, in addition to major developments such as the expansion of population, agriculture, trade, and towns; the radical reform of the Western Church; the appearance of new kingdoms and states, the Crusades, knighthood and law; and the development of literature, art and architecture, heresies and the scholastic movement.

"China is nervous because there are now more Falun Going practitioners than there are members of the Chinese Communist Party"—Li Hongzhi, founder of Falun Gong. In one of the most bizarre cases of political repression in modern history, the People's Republic of China has banned a spiritual practice built around traditional exercises and meditation. They say that Falun Gong has become a dangerous threat to the largest nation on Earth. In a return to the dark days of the Cultural Revolution, they have burned thousands of Falun Gong books and literature. They have beaten and detained thousands of practitioners. They have issued an arrest warrant for Falun Gong founder Li Hongzhi. They are sentencing some practioners to long periods of incarceration at show trials. World leaders and human rights groups are speaking out. Why is this happening? Is it because Falun Gong has attracted an estimated l00 million practitioners? What is Falun Gong's appeal? What is it that China fears? This is their story. Largely Unheard. Until Now. This timely non-fiction book presents the inside story of China's crackdown on Falun Gong, taking a stand against the most blatant and pervasive political book burning since the days of Hitler's rise to power. By offering Falun Gong's story in the context of the current crisis in China, it provides an important look at a dramatic underreported and unfolding story. In China, their point of view has been banned. It deserves to be heard worldwide. Veteran journalist Danny Schechter executive produced "China Now" for Channel 13 in 1991. He has written about Chinese issues for Newsday and Z Magazine. He is the author of The More You Watch, The Less You Know (Seven Stories Press) and is the executive producer of Globalvision and executive editor of the Media Channel (www.mediachannel.org). An Excerpt "The picture doesn't add up. What I see here with these people and what they're doing, they seem very normal people. They're from all walks of life; and then on the other side you've got this picture that the Chinese government is painting, and the two just don't match."-Adam Montanaro, Falun Gong practitioner (USA)

Three plays from one of Britain's leading and best loved literary figures: House of Cowards, The Dogs of Pavlov and Pythagoras (Smith). All previously performed in London, these prize-winning plays originate in Abse's preoccupation with personal and public themes. House of Cowards, which won the Foyle Award for the best play produced outside the West End, concerns the willingness of people to surrender their individuality to a charismatic leader. The Dogs of Pavlov, which the Financial Times described as "a work of exceptional merit" and "a superb creation", explores the conditioning of people to perform un-thinking evil. Pythagoras (Smith), which was awarded a Welsh Arts Council Literature Prize, focuses on the relationship between patient and doctor and of medicine and magic. Dannie Abse (b.1923) was born in Cardiff and studied Medicine at Cardiff, King's College and Westminster Hospital. A poet, novelist, playwright, he has also published diaries and autobiography. He has published eleven volumes of poetry including a Collected Poems.

"Now in its fifth edition, The Italian City Republics illustrates how, from the eleventh century onwards, many Italian towns achieved independence as political entities, unhindered by any centralising power. Until the fourteenth century, when the regimes of individual 'tyrants' took over in most towns, these communes were the scene of a precocious, and very well-documented, experiment in republican self-government. In this new edition, Trevor Dean has expanded the book's treatment of women and gender, the early history of the communes and the lives of non-élites. Focusing on the typical medium-sized towns rather than the better-known cities, the authors draw on a rich variety of contemporary material, both documentary and literary, to portray the world of the communes, illustrating the patriotism and public spirit as well as the equally characteristic factional strife which was to tear them apart. Discussion of the artistic and social lives of the inhabitants shows how these towns were the seedbed of the cultural achievements of the early Renaissance. The bibliography has been updated with the latest scholarship for students to continue their studies. Both students and the general reader interested in Italian history, literature and art will find this accessible book a rewarding and fascinating read"--

Architect Daniel Libeskind, known for his dynamic, fractured compositions, is also recognized for introducing a new critical discourse to architecture. In an enormous variety of projects around the world—major cultural institutions, convention centers, universities, hotels, commercial centers, and residential work—he has manifested his commitment to expanding the horizons of architecture and urbanism. Counterpoint: Daniel Libeskind is the first comprehensive portrait of the work of Studio Daniel Libeskind, which was established in Berlin in 1989 and moved to New York in 2003 after winning the World Trade Center design competition. Drawn from a series of interviews with celebrated architecture critic Paul Goldberger, Counterpoint exemplifies Libeskind's multidisciplinary approach, which reflects a profound interest in philosophy, art, music, literature, theater, and film. Along with Memory Foundations, the master plan for the World Trade Center site, featured projects include the Jewish Museum Berlin, the Royal Ontario Museum, the extension to the Denver Art Museum, the MGM Mirage CityCenter in Las Vegas, a multi-building complex in Busan, South Korea, and projects in the United Kingdom, Switzerland, Spain, the Netherlands, Italy, Israel, Mexico, Japan, and China.

This masterpiece novel -- by the internationally acclaimed, young South African writer Damon Galgut--about E.M. Forster, his life, struggles with homosexuality, and the writing of his universally loved novel A Passage to India will call to mind the international success of Colm Toibin's The Master . For readers of Colm Toibin, Ian McEwan, and J.M. Coetzee. In 1912, the SS Birmingham approaches India. On board is Morgan Forster, novelist and man of letters, who is embarking on a journey of discovery. As Morgan stands on deck, the promise of a strange new future begins to take shape before his eyes. The seeds of a story start to gather at the corner of his mind: a sense of impending menace, lust in close confines, under a hot, empty sky. It will be another twelve years, and a second, and much longer time spent in India, before A Passage to India , E.M. Forster's most beloved work of literature, is completed. During these years, Morgan will come to a recognition of his homosexuality and of the infinite subtleties and complexities of human nature. Arctic Summer is an intimate portrait of the man who became one of Britain's finest novelists, his struggle to find a way of living and being, and a stunningly vivid evocation of the mysterious alchemy of the creative process. Galgut animates the literary times in which Forster lived with encounters with some of the writers of the day, including Virginia and Leonard Woolf and D.H. Lawrence . Galgut also brilliantly and poignantly describes Forster's two closest relationships, enduring and sadly unfulfilled. Arctic Summer is a literary masterpiece, by one of the finest writers of his generation."

The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities and social sciences. The Oxford Handbook of Continental Philosophy is the definitive guide to the major themes of the continental European tradition in philosophy in the nineteenth and twentieth centuries. Brian Leiter and Michael Rosen have assembled a stellar group of contributors who provide a thematic treatment of continental philosophy, treating its subject matter philosophically and not simply as a series of museum pieces from the history of ideas. The scope of the volume is broad, with discussions covering a wide range of philosophical movements including German Idealism, existentialism, phenomenology, Marxism, postmodernism, and critical theory, as well as thinkers like Hegel, Marx, Nietzsche, Freud, Heidegger, and Foucault. This Handbook will be an essential reference point for graduate students and professional academics working on continental philosophy, as well as those with an interest in European literature, the history of ideas, and cultural studies.

"Umetni?ka misija Boba Dilana jeste "turneja bez kraja", a njegovo delo, delo je u neprekidnom i neprolaznom nastajanju; po tome je, bez imalo nasilnog u?itavanja, uporedivo s jednim od najneobi?nijih i najsmelijih poduhvata u istoriji književnosti - s Fineganovim bdenjem Džejmsa Džojsa. Jer, ne samo da je Džojsov kripti?ni testament pisan pod radnim naslovom "delo u nastajanju" ve? je, baš kao i Tarantula, pisan sa sasvim o?itom namerom da se izdigne iznad svih rutinskih i konvencionalnih na?ina komunikacije autora sa ?itaocem - i uz svesno preuzet rizik od gubitka svake komunikacije. I dok se Džojsovo delo ponajviše bavi tokom podsvesti protagonista, Dilanovo nastoji da do?ara muziku podsvesti - njegove vlastite, ali i podsvesti svakog od nas. Taj nivo, nivo podsvesti, možda je jedino pravo polazište za ?itanje Tarantule. Ovo delo, sasvim izvesno, ne predstavlja neuspeli pokušaj unošenja reda u haos, ve? uspešno do?aranu sliku haosa - zavodljivog haosa kreativnog uma, koji ume da bude zastrašuju?e brutalan i amoralno sablažnjiv, ali i neodoljivo duhovit i dirljivo nežan. To je svet u kome ?italac i sam postaje lik iz Dilanove pesme, neko "ko zna da se nešto doga?a, ali ne zna šta je to". I ve? nakon nekoliko stranica shvata da i ne mora da zna: ovo delo ne treba odgonetati, niti ga treba "razumeti" u bilo kom uobi?ajenom smislu te re?i. Treba ga ?itati naglas, bez agresivnog u?itavanja i štreberskog traženja smisla. Ono nešto neuhvatljivo što ostane posle takvog ?itanja, to je muzika. A ona je, sre?om, izvan i iznad svakog razuma. Zoran Paunovi?, iz Predgovora I još: ako vas u zanimljivost i/ili vrednost Dilanovog pisanja nije uverila dodeljena mu Nobelova nagrada za književnost u 2016. a nisu ni prethodni redovi izvrsnog prevodioca i vrsnog tuma?a rok literature, onda predlažemo da Tarantulu ?itate unatraške. U tom slu?aju odmah ?ete nai?i na tri toposa, od kojih je jedan - Jugoslavija. Možda je sva tajna u tome. Vladislav Bajac" --