From Publishers Weekly Sault Ste. Marie's Jewish community in the 1930s, where Torgov grew up, is evoked in this Canadian memoir. Containing many mirthful moments, the book is deeply moving as well. Holding center stage is the author's profane, choleric, intolerant father. There is little about the boy's mother, who died when he was only 10, or the stepmother whom Torgov Sr. wed and then quickly divorced. Most of the fun as well as the sadness arises from duels between father and son and the latter's childhood escapades, such as conniving with a sympathetic maid to feast on forbidden foods. Torgov also brings to life members of the insular town's Jewish and Christian communities in his endearing anecdotes. Copyright 1986 Reed Business Information, Inc.

Marcel Schwob's 1896 novella The Children's Crusade retells the medieval legend of the exodus of some 30,000 children from all countries to the Holy Land, who traveled to the shores of the sea, which--instead of parting to allow them to march on to Jerusalem--instead delivered them to merchants who sold them into slavery in Tunisia or delivered them to a watery death. It is a cruel and sorrowful story mingling history and legend, which Schwob recounts through the voices of eight different protagonists: a goliard, a leper, Pope Innocent III, a cleric, a qalandar and Pope Gregory IX, as well as two of the marching children, whose naive faith eventually turns into growing fear and anguish. Though it is a tale drawn from the early 13th century, Schwob presents it through a modern framework of shifting subjectivity and fragmented coherency, and its subject matter and its succession of different narrative perspectives has been seen as an influence on and precursor to such diverse works as Alfred Jarry's The Other Alcestis, Ryunosuke Akutagawa's "In a Grove," William Faulkner's As I Lay Dying and Jerzy Andrzejewski's The Gates of Paradise. It is a tale told by many yet understood by few, a mosaic surrounding a void, describing a world in which innocence must perish.--Amazon.prime

In the 1980s, former New York City police commissioner and mayor Isaac Sidel becomes president of the United States after the former president resigns due to corruption, but Sidel must evade assassins sent by a shady cabal of Swiss bankers.

Howard Engel has written the perfect parody of a present day Christmas in the suburbs. In his irreverant yet delightfully nostalgic style, Howard Engel tells a story of family, laughter and love. Engel's ear for the rhythm of Thomas' original book combined with his hilarious accounts of uncles, aunts and cousins stuffed into an overcrowded living room, draining the punch bowl and scavenging for presents, brilliantly captures the comic and nostalgic moments of the season.

"A modern English comedy of morals and manners, about a highborn family of outrageous characters, in a story that proves revenge can be sweet. In the months leading up to the Brexit referendum, Ayesha, the beautiful, young secret daughter of the late Enyon Trelawney, has married the much older thuggish banker Tomlinson Sleet with whom she has a young daughter, Stella. Ayesha is busy restoring the once run-down Trelawney Castle in Cornwall, which Sleet has bought, to its former glory, as well as studying art at the Courtauld in London. The elderly Countess Clarissa-still ensconced on the property--the host of a camp television show, is about to head into a disastrous marriage. Lady Jane has separated from the hopeless Trelawney heir Kitto, who is crazier than ever, and found an enlightened woman to keep her company abroad. Sleet is becoming increasingly difficult, distracted by the seductive and ruthless bitcoin goddess Zamora, but Kitto's sister Blaze and her husband, Joshua, will support Ayesha's clever plan as she discovers shocking secrets, takes action, and brings the family together."--

"The archetypal student-teacher romance is cleverly turned on its head for the post-#MeToo era in this striking new play by the acclaimed author of What a Young Wife Ought to Know and Bunny. Jon, a star professor and author, is racked with self-loathing after his third marriage crumbles around him when he finds himself admiring a student--a girl in a red coat. The girl, nineteen-year-old Annie, is a big fan of his work, and also happens to live down the street. From their doorways to his office to hotel rooms, their mutual admiration and sexual tension escalates under Jon's control to a surprising conclusion that will leave you wanting to go back and question your perceptions of power as soon as you finish."--

Threptus the former beggar boy has teamed up with Floridius, a soothsayer and seller of sacred chickens. Together they earn a living helping people solve problems and mysteries. In this third book of the series, it is the time of Saturnalia - when all the rules are turned upside down and chaos ensues. Threptus is enjoying the mayhem but the thunder omens are disturbing. Can Threptus help his friend matchmake and avoid the disaster threatened by the thunder omen?

Floridius, freelance soothsayer, is afraid that he has lost his talent for seeing the future. Threptus wants to find some titbits of information that his mentor can use to convince people he still has the gift, but will a poisoned honey cake lead to disaster along the way? (Back cover).

Emphasizes the personal life of the modern English novelist, exploring his relationships with contemporary artists and other members of the illustrious Huxley family

Benjamin Disraeli was a British politician who twice served as the Prime Minister and also became the Earl of Beaconsfield. Disraeli is noted for being influential as a politician and as a novelist.

"Star Trek" 's Captain Kirk is back, with another fast-paced adventure for the future's greatest private detective, Jake Cardigan. Best known for his role as Captain James T. Kirk of the Starship "Enterprise," William Shatner has created a whole new career for himself as a suspense novelist--and his bestselling Tek series has been hailed by "The Wall Street Journal" for novels "as tough and scrappy as Captain Kirk." Walt Bascom is head of the Cosmos Detective Agency, and therefore is Jake Cardigan's boss. As Tek Kill opens, Walt is having a bad morning: five police officers broke into his house, threw him out of bed, and arrested him for murder. The video security system at the home of wealthy entrepreneur Dwight Grossman clearly shows Bascom shooting Grossman in the back. And telephone records show that Grossman had been making threatening phone calls to a former girlfriend--a woman now involved with Bascom. Despite what looks like an open-and-shut case against Bascom, Jake and his partner Sid Gomez must find a way to clear the boss's good name--and find the real killer. They have allies: Jake's son, Dan, is friendly with Grossman's sister, Susan. And Susan Grossman has been having flashes of telepathy, including visions of her brother's murder that does not feature Walt Bascom. She's frightened, but she's prepared to testify in court about what she believes. Unfortunately, Susan Grossman is a user of the deadly drug Tek. The choice facing the police is obvious: they can believe what they see with their own eyes on videotape, or they can believe a known drug user who claims to have telepathic visions. Jake and Sid can see that they have a lot of work ahead if they're going toget the boss out of jail and back to the office. And the person who went to such trouble to make Walt Bascom look like a murderer is hardly likely to sit back and let them do their jobs without making an effort to put them off the trail--a deadly effort.

Connoisseurs of fictional murder and intrigue will rejoice in Shooting Script and Other Mysteries by William Link and Richard Levinson. Spanning the years 1954 to 1966, this collection shows the young writers exploring terrain that would later make them world famous as co-creators of a certain raincoat-clad LAPD detective and a mystery novelist from Cabot Cove, Maine. These compelling stories range from a small town in Colorado to a military base in Germany; from the hot, flat roads of Nevada to the steel-and-glass canyons of New York City. Never before collected in one volume, they share a common denominator: suspense of the most delicious variety. Shooting Script is edited by Edgar Award-winning playwright Joseph Goodrich and features a foreword by Tom Straw, author of the New York Times best-selling Richard Castle novels.

When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.

"Stein attains a new level of achievement that demonstrates his ability to write as well as, and perhaps better than, most of the novelists he publishes... It's the sort of book you hate to stop reading." -- John Barkham Reviews "If you bury yourself in a Sol Stein book while walking, you will walk into a wall." -- The New York Times "Brilliantly conceived, highly recommended." --United Press International

Working from the 1960s on, the French writer, artist and illustrator Roland Topor (1938-97) was an all-round maverick known for his paintings and drawings as much as for his novels (such as The Tenant , filmed by Roman Polanski), plays and short stories, all dominated by a sense of irrational, everyday menace. He was also a filmmaker, actor (appearing as Renfield in Herzog's Nosferatu ) and the cofounder, with Arrabal and Jodorowsky, of the Panic performance art movement. The tone of Topor's fiction and art could be interpreted as humorous, but it's a humor pushed deep into discomfort, almost to the point of total horror. From the collision of these factors, rooted in the author's experiences and his irrepressible personality, come works increasingly seen as unique in European art and writing of the late 20th century. Head-to-Toe Portrait of Suzanne tells of an isolated, misanthropic narrator and his encounter with the beautiful Suzanne, an old flame from his past. It is at once a fable, a love story of enormous tenderness and a tale of increasingly unpleasant events that culminate in horror and atrocity. With its distinct blend of sympathetic cynicism and grotesquerie, Head-to-Toe Portrait of Suzanne --Topor's first work to be translated into English in half a century--offers an ideal introduction to the work and worldview of an artist currently undergoing a major reassessment and rediscovery in his home country and beyond.

How can we understand India today, fifty years after Independence and only months after its nuclear tests outraged the world? The novelist Arundhati Roy has written, specially for this collection, a fierce denunciation of the Indian nuclear program, which serves as an introduction to nine essays on India, all originally published in The New York Review of Books . In this volume, seven distinguished writers offer penetrating insights into the complexities of the subcontinent. Roderick MacFarquhar reflects on the legacy of Empire and Partition, Ian Buruma considers secularism and Indian democracy, Pankaj Mishra remembers life in Benares, and Christopher de Bellaigue writes on a violent Bombay. But the volatile intersections of history, politics, and culture on which they focus haunt Indian literature too, as shown in essays by Nobel Prize-winner Amartya Sen on Rabindranath Tagore, Hilary Mantel on Rohinton Mistry, and Anita Desai on Indian women's writing.

"Here is the doorway to Kabbalah for readers at all levels of experience: these aphoristic gleanings of ancient and mystical philosophy - written in the form of haiku by award-winning novelist Richard Zimler - capture the heart of the tradition in ways that are personally awakening"--

Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of . . . our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.