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As millions of people around the world who have read her diary attest, Anne Frank, the most familiar victim of the Holocaust, has a remarkable place in contemporary memory. This volume of essays looks beyond this young girl's words at the numerous ways people have engaged her life and writing. Apart from officially sanctioned works and organizations, there exists a prodigious amount of cultural production, which encompasses literature, art, music, film, television, blogs, pedagogy, scholarship, religious ritual, and comedy. Created by both artists and amateurs, these responses to Anne Frank range from veneration to irreverence. Although at times they challenge conventional perceptions of her significance, these works testify to the power of Anne Frank, the writer, and Anne Frank, the cultural phenomenon, as people worldwide forge their own connections with the diary and its author.

The Zohar is the great medieval compendium of Jewish esoteric and mystical teaching, and the basis of the kabbalistic faith. It is, however, a notoriously difficult text, full of hidden codes, concealed meanings, obscure symbols, and ecstatic expression. This illuminating study, based upon the last several decades of modern Zohar scholarship, unravels the historical and intellectual origins of this rich text and provides an excellent introduction to its themes, complex symbolism, narrative structure, and language. A Guide to the Zohar is thus an invaluable companion to the Zohar itself, as well as a useful resource for scholars and students interested in mystical literature, particularly that of the west, from the Middle Ages to the present.

"In her nonfiction books (Letters from a War Zone) and her first novel Ice and Fire) Dworkin established a reputation as a provocative writer of feminist literature. She gives her own name to the protagonist/narrator of this powerful, almost frenzied, admittedly autobiographical novel that chronicles her life and sexual victimization. "Andrea" gets her first taste of sex at age nine when she is molested in a movie theater. A rebellious teenager, she hangs out in Greenwich Village, idolizes Allen Ginsberg and is swept up into the peace movement. Penniless, streetwise but not street-smart, Andrea is continually and brutally raped by lovers, acquaintances, strangers. The novel's unparagraphed prose--like Andrea, intense, jumpy, impassioned--brilliantly captures the narrator's mental and physical degradation. As her life disintegrates, she repeats three facts--her name, her place of birth and the poet Walt Whitman's address in Camden, N.J., on a street where she was born--as a mantra anchoring her to reality. The most sexually graphic and horrifying scenes involve her marriage to a European revolutionary who abuses and burns her as she desperately tries to be a good bourgeois housewife. It is no wonder that the novel's ending finds Andrea committed to the women's movement. While Andrea's high-pitched voice is at first hard to take, its vehemence and candor build to a convincing indictment of a society that tolerates violence against women."--Publisher'sWeekly via amazon.com.

Alex is an awkward, introverted child growing up in 1970s Berkeley, California - a confusing vortex of shifting values, rampant drug use and social confusion. Misunderstood by his family and taunted mercilessly by classmates, he suffers from a paralyzing lack of confidence and low self-esteem. His existence is made tolerable when he discovers a superhero-like rock band, KISS, which inspires him to learn the guitar. While in high school, he auditions for Legacy - a group of hard partying, working class, twenty-something metalheads from the East Bay suburbs. After recording his first album with the group at age eighteen, he defies his Ivy League parents' rigid academic expectations by forgoing college and hitting the road with metal bands including Slayer, Megadeth, White Zombie and Judas Priest. As his own band, now known as Testament, rises through the ranks of thrash metal, the world begins to take notice of the young guitar prodigy who, despite being fawned over by autograph-seeking metalheads, guitar fanatics and adoring female fans, still feels the pain, awkwardness and ghosts of his past. Soon, a blooming interest in jazz and literature reshapes his values and strengthens his musicianship, bringing further accolades from fans and media but causing resistance and tension from within his inner circle. These experiences cause a realization to unfold: that the scene in which he had first sought his freedom and self-identity is fraught with its own perilous limitations, while the education he'd so fiercely resisted from his family can be invaluable when sought on one's own terms.

...the sin of an old man is equal to about two sins of a young man. The fable-like story of an old man's sexual obsession with a young woman is a distillation of Italo Svevo's concerns--attraction of an older man to a younger woman, individual conscience versus social convention, and the cost of sexual desire. This novella is a marvel of psychological insight, following the man's vacillations and tortuous self-justifications to their tragic-comic end. It is presented here in a translation first commissioned and published by Virginia Woolf for her Hogarth Press. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

Moses, at the end of his life, refuses to give up his soul to God, who is forced to take it himself with a single kiss.

Isaac D'Israeli's Amenities of Literature was published in 1841, when the author was seventy-five years old. The title was adopted to connect it with two preceding volumes, Curiosities of Literature and Miscellanies of Literature . As the author writes in the preface, this book was intended to form a portion of a much larger work that was never completed. "A history of our vernacular literature has occupied my studies for many years. It was my design, not to furnish an ari

Essays discuss Jewish critical interpretations of the Bible and the influence of these writings on modern literature

This book is the first attempt to think philosophically about the comic phenomenon in literature, art, and life. Working across a substantial collection of comic works author Agnes Heller makes seminal observations on the comic in the work of both classical and contemporary figures. Whether she's discussing Shakespeare, Kafka, Rabelais, or the paintings of Brueghel and Daumier Heller's Immortal Comedy makes a characteristic contribution to modern thought across the humanities.

This book has hardback covers.Ex-library,With usual stamps and markings,In good all round condition.No dust jacket.

A celebration of the magic, power, and poetry of the Celtic spirit, this title features classic and never-before-published works from Ireland, Scotland, Cornwall, and Wales. The volume threads together the finest poetry, fables, fairy stories, and folk lore and lyrics from pre-Christian sources to contemporary bards such as Dylan Thomas and Van Morrison. 150 color & b&w illustrations.

In 1961, Beat writer Seymour Krim set Greenwich Village on its ear with a slim volume of essays that featured an unleashed voice, a brash title, and a foreword by Norman Mailer. James Baldwin called Views of a Nearsighted Cannoneer an "extraordinary volume." Saul Bellow published an excerpt in his journal The Noble Savage, and Mailer saluted Krim’s jazzy prose with its "shifts and shatterings of mood." Despite such praise and critical attention, Krim’s work is excluded from most Beat anthologies and is little known outside literary circles. With Missing a Beat, a collection of eighteen essays by Krim published between 1957 and 1989, Cohen introduces this influential writer to a new generation. In the Village Voice, New York Magazine, New York Times, and elsewhere, Krim pioneered a new style of subjective and personal reporting to write about the postwar American scene from a Jewish angle. Aggressively unacademic, Krim’s journalism displays the "rapid, nervous, breathless tempo" that Irving Howe called a hallmark of Jewish literature. Krim outlived his early literary fame, but he produced an impressive body of work and was a tremendous prose stylist. Missing a Beat resurrects an American original, finding Krim a new literary home among such celebrated writers as Norman Mailer, David Mamet, and Saul Bellow.

Natalia Ginzburg, arguably the most important woman writer of postwar Italy, always spoke of herself with irrepressible modesty. Yet the woman who claimed she "never managed to climb up mountains" in fact wrote the history of twentieth-century Italy with her sparse and captivating prose, chronicling Fascism, war, and the Nazi occupation as well as the intimacies of family life. Ginzburg's marriage to Leone Ginzburg, who met his death at the hands of the Nazis for his anti-Fascists activities, and her work for the Einaudi publishing house placed her squarely in the center of Italian political and cultural life. But whether writing about the Turin of her childhood, the Abruzzi countryside, where her family was interned during World War II, or contemporary Rome, Ginzburg never shied away from the traumas of history-even if she approached them only indirectly, through the mundane details and catastrophes of personal life. Intensely reserved, Ginzburg said that she "crept toward autobiography stealthily like a wolf." But she did openly discuss her life and her work in an extraordinary series of interviews for Italian radio in 1990. Never before published in English, It's Hard to Talk about Yourself presents a vivid portrait of Ginzburg in her own words on the forces that shaped her remarkable life-politics, publishing, literature, and family. This fluid translation will join Ginzburg's autobiography, Family Sayings , as one of the most important records of her life and, as the editors write in their preface, "the last, unexpected, original book by Natalia Ginzburg."

The seventh novel in the Rougon-Macquart cycle, L'Assommoir (1877) is the story of a woman's struggle for happiness in working-class Paris. At the center of the story stands Gervaise, who starts her own laundry and for a time makes a success of it. But her husband soon squanders her earnings in the Assommoir, a local drinking spot, and gradually the pair sink into poverty and squalor. L'Assommoir was a contemporary bestseller, outraged conservative critics, and launched a passionate debate about the legitimate scope of modern literature.

In the nineteenth century, American tourists, scholars, evangelists, writers, and artists flocked to Palestine as part of a "Holy Land mania." Many saw America as a New Israel, a modern nation chosen to do God's work on Earth, and produced a rich variety of inspirational art and literature about their travels in the original promised land, which was then part of Ottoman-controlled Palestine. In American Palestine, Hilton Obenzinger explores two "infidel texts" in this tradition: Herman Melville's Clarel: A Poem and Pilgrimage to the Holy Land (1876) and Mark Twain's The Innocents Abroad: or, The New Pilgrims' Progress (1869). As he shows, these works undermined in very different ways conventional assumptions about America's divine mission.In the darkly philosophical Clarel, Melville found echoes of Palestine's apparent desolation and ruin in his own spiritual doubts and in America's materialism and corruption. Twain's satiric travelogue, by contrast, mocked the romantic naiveté of Americans abroad, noting the incongruity of a "fantastic mob" of "Yanks" in the Holy Land and contrasting their exalted notions of Palestine with its prosaic reality. Obenzinger demonstrates, however, that Melville and Twain nevertheless shared many colonialist and orientalist assumptions of the day, revealed most clearly in their ideas about Arabs, Jews, and Native Americans.Combining keen literary and historical insights and careful attention to the context of other American writings about Palestine, this book throws new light on the construction of American identity in the nineteenth century.

A dazzling triumph from the bestselling author of 'The War of the Roses' - a sweeping and ambitious novel spanning across two eras and the city at the center of it all. A mother's deathbed confession. A son's life spins out of control. And now Osiris has one mission; to find his long lost sister, Isis. Osiris embarks upon a journey to his ancestral home in Egypt. The winding streets of the City of the Dead conceal many dangers. His mother's enemies are everywhere and will not hesitate to kill to keep their secrets hidden. Cryptic clues left by his mother slowly begin to unravel, and with it, a trail of cold bodies in Osiris' wake. But he is not the only one searching for Isis. And this predator is not looking for a happy reunion but something much more sinister. This bitter and incredibly deadly enemy is hot on Osiris' scent; he's hunter that triggers a heart-stopping chase with utterly fatal consequences. Follow Osiris in this edge-of-your-seat roller-coaster ride of daring maneuvers and nerve-wracking action as they try to find Isis before they both end up in just another Egyptian tomb. Readers thrilled about this edge of your seat novel: "Mother Nile is an utterly engrossing story." - Goodreads Reviewer ⭐⭐⭐⭐⭐ "Mr. Adler’s writing is remarkable; his use of language erudite and energized." - Goodreads Reviewer ⭐⭐⭐⭐⭐ "Mr. Adler is a masterful storyteller..." - Goodreads Reviewer ⭐⭐⭐⭐⭐ "This story is so skillfully drawn to pull us in from the start and keep us captive till the very end." - Goodreads Reviewer ⭐⭐⭐⭐⭐ "What a lovely gift inside a nitty-gritty novel that cannot be easily classified.. It is as tender as as it is cruel." - Goodreads Reviewer ⭐⭐⭐⭐⭐ "The story line itself makes the book worthwhile, but the detailed look at life in the recent past makes the book exceptional." - Goodreads Reviewer ⭐⭐⭐⭐⭐

Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining and gory bits about the Romans! It's history, but not as we know it! Find out everything you ever needed to know in this brilliant, action-packed, fact-filled book including: - How to keep the gods happy - Why you should never ignore an omen - How to defeat an army who are riding elephants, and - How to spot a barbarian

The years 1909-2009 marked a century of kibbutz life-one hundred years of achievements, challenges; and creative changes. The impact of kibbutzim on Israeli society has been substantial but is now waning. Contributors discuss the hopes, goals, frustrations, and disappointments of the kibbutz movement They also examine reform efforts intended to revitalize the institution and reinforce fading kibbutz ideals. The various studies presented in this book clarify the dynamism of the kibbutz institution and raises questions about the ways in which residential arrangements throughout the world manage change.

'Walking Back the Cat' is an unusually riveting and exotic post-Cold War thriller from a master of the espionage genre. A Soviet-era KGB agent code named Parsifal lives under deep cover in a western American town. A specialist in what the KGB describes as 'wetwork' and the rest of the world calls murder, Parsifal discovers that he has come under the orders of a new Resident - one who is preparing an operation that will shake the world. Into this cauldron of chaos comes Finn, a young veteran of the Gulf War, hoping against hope to land in a backwater where he can put the savagery he has witnessed in the desert behind him. Two incarnations of pure violence, Parsifal and Finn careen head on into each other when Finn discovers that someone is shaking down an Apache gambling casino, and Parsifal receieves instructions to kill him. 'Walking Back the Cat' plunges the reader into the mesmerizing world of KGB agents, CIA spooks and modern day Apaches desperately trying to walk the fine line between their ancestral legacy and survival in a world dominated by White Eyes run riot.