Rapid developments in information technology and precision weaponry are said to herald a 'revolution in military affairs' (RMA), making possible quick and decisive victories with minimal casualties and collateral damage. But has such a revolution taken place? The issues that drive conflict will persist, and many of the technical advances associated with the RMA will not necessarily produce a transformation in the nature of warfare. The end of the Cold War has highlighted another revolution one in political affairs. Major powers appear less likely to go to war with one another than they are to intervene in conflicts involving weak states, with potential opponents including militia groups, drug cartels and terrorists. RMA technology may be less suited to conflicts such as these. If the cumulative effect of these changes has produced a revolution, it is a revolution in strategic, as much as military, affairs. This paper argues that: the RMA is the practical expression of a 'Western Way of Warfare', the key features of which are: professional armed forces; intolerance of casualties; and intolerance of collateral damage the key technological and conceptual components of the RMA were in place by the early 1970s. The trend has therefore been evolutionary, rather than revolutionary. The significant difference is in the new political setting of the end of the Cold War, and the revolution in perceptions of Western particularly US conventional military strength brought about by the Gulf War of 1991 the Gulf conflict could mark the start of a true 'revolution' if future battles offer similar opportunities to exploit the RMA's technology. However, since the US and its allies appear unbeatable when fighting on their own terms, future opponents will fight differently the West will therefore face opponents who will follow strategies that contradict the Western Way of Warfare. They will avoid pitched battles, will exploit the West's reluctance to inflict civilian suffering, and will target their opponent's domestic political base, as much as its forward troops. The problem for the West is not how to prevail, but how to do so in an acceptable manner. The more warfare becomes entwined with civilian activity, the more difficult it is to respond with the type of decisive and overwhelming military means embodied in the RMA. The RMA does not create a situation in which information is the only commodity at stake, and so does not offer the prospect of a 'virtual war'. The new circumstances and capabilities do not prescribe one strategy, but extend the range of strategies available. The issue underlying the RMA is the ability of Western countries, in particular the US, to follow a line geared to their own interests and capabilities.

A Yale physicist tells the story of dark matter, its discovery, its importance to our understanding of the universe, and of the experiments that are presently being carried out around the world to determine what this mysterious missing mass is and what its future will be.

"On February 18, 2001, the FBI finally arrested Hanssen and charged him with selling to the Russians - over a period of more than twenty years - top-secret, classified information. Nothing that has been reported to date about this ordinary-looking but tormented man has revealed the astonishing facts that Lawrence Schiller and Norman Mailer - collaborators on the Pulitzer Prize-winning The Executioner's Song and Oswald's Tale-uncovered during their nine-month investigation into the life of this complex man. In seeking to solve this almost impenetrable mystery, Schiller and Mailer spent hundreds of hours interviewing members of Hanssen's family as well as his closest friends, colleagues, and fellow church members. They traveled to Moscow to interview a key member of the KGB who had handled the spy they knew only as "Ramon Garcia."".

...[U]npredictable in the way that only the best nonfiction can be....I found myself thinking of the Bhagavad-Gita...What struck me was the idea of non-attachment....Weschler writes, One works and works at something, which then happens of its own accord....its happening cannot be said to have resulted from all that work, the way effects are said to result from a series of causes."-M.G. Lord, The New York Times Book Review An excerpt A few months ago, a friend I was talking with began to tell me about a friend of his named Gary Isaacs, who was working at the downtown headquarters of one of the city's top investment houses as an executive in the division monitoring the savings-and-loan crisis. Though Isaacs was just thirty-two years old, my friend recounted, he had previously worked on the Street in several other capacities as well, and before that he'd had a notably successful career in an entirely different field; what's more, it seemed he was about to quit this one, too, and to head off in yet another direction. When I asked my friend what the previous career had been, and, for that matter, what the new one was going to be, he replied that it would be far more entertaining for me to hear the whole story from the man himself, which is how, a few days later, I came to find myself in the sleek elevator of one of downtown's better-known headquarters zooming up towards I didn't have the faintest idea what. "Mr. Weschler has an extraordinary power to catch the crucial moment in people's lives--that moment (of passion or conviction) which suddenly alters the course of a life. Such 'conversions' may be absurd or tragic, or delightful, or sublime--we see all of these, and more, in these sometimes very odd, but intensely human, and beautifully told tales." -Oliver Sacks

Shuttling between cultural comedies and political tragedies, Lawrence Weschler's articles have throughout his long career intrigued readers with his unique insight into everything he examines, from the ordinary to the extraordinary. Uncanny Valley continues the page–turning conversation as Weschler collects the best of his narrative nonfiction from the past fifteen years. The title piece surveys the hapless efforts of digital animators to fashion a credible human face, the endlessly elusive gold standard of the profession. Other highlights include profiles of novelist Mark Salzman, as he wrestles with a hilariously harrowing bout of writer's block; the legendary film and sound editor Walter Murch, as he is forced to revisit his work on Apocalypse Now in the context of the more recent Iraqi war film Jarhead; and the artist Vincent Desiderio, as he labors over an epic canvas portraying no less than a dozen sleeping figures. With his signature style and endless ability to wonder, Weschler proves yet again that the "world is strange, beautiful, and connected" (The Globe and Mail). Uncanny Valley demonstrates his matchless ability to analyze the marvels he finds in places and people and offers us a new, sublime way of seeing the world.

The diverse residents of an apartment house get along fine, but when they try to rent a vacant room, each prospective tenant finds fault with one of them.

This cookbook brings together over 250 recipes from Leah Leneman's meat- and dairy-free range. As the title suggests, it is a book of popular, accessible dishes. As well as classic vegan recipes there are plenty of not so vegan sounding meat- and dairy-free ideas too, including Pizza, Kebabs, Lasagne, Vichysoisse Soup, Kidney Bean Cheese Burgers, Hot Chilli and Guacamole, Ice cream, Chocolate Cake and Bread and Butter Pudding.

Product Description Journeys beyond the Pale is the first book to examine how Yiddish writers, from Mendele Moycher Sforim to Der Nister to the famed Sholem Aleichem, used motifs of travel to express their complicated relationship with modernization. The story of the Jews of the Pale of settlement encompasses current-day Russia, the Ukraine, Belarus, and Poland. Review "This book is deliciously subversive. Garrett demonstrates that the major writers in Yiddish, a language without its own territory, wrote as if their Jewish subjects lived and traveled freely at the center of the world; not on its margins, not in a ghetto, not in a valorized state of exile."—David G. Roskies, Jewish Theological Seminary "Garrett’s work goes a long way towards conceptualizing and analyzing a phenomenon omnipresent in Yiddish short stories, novels, poetry, and drama, combining theoretical considerations of the journey in general and specific, nuanced readings of Jewish journeys in particular."—Jeremy Dauber, Columbia University "This kind of scholarship is vital for the further progress in Yiddish studies and its integration into the mainstream humanities."—Mikhail Krutikov, Oxford Centre for Hebrew and Jewish Studies and author of Yiddish Fiction and the Crisis of Modernity, 1905–1914 From the Back Cover "This book is deliciously subversive. Garrett demonstrates that the major writers in Yiddish, a language without its own territory, wrote as if their Jewish subjects lived and traveled freely at the center of the world; not on its margins, not in a ghetto, not in a valorized state of exile."-David G. Roskies, Jewish Theological Seminary "Garrett's work goes a long way towards conceptualizing and analyzing a phenomenon omnipresent in Yiddish short stories, novels, poetry, and drama, combining theoretical considerations of the journey in general and specific, nuanced readings of Jewish journeys in particular."-Jeremy Dauber, Columbia University "This kind of scholarship is vital for the further progress in Yiddish studies and its integration into the mainstream humanities."-Mikhail Krutikov, Oxford Centre for Hebrew and Jewish Studies and author of Yiddish Fiction and the Crisis of Modernity, 1905-1914 About the Author Leah V. Garrett is assistant professor of Judaic studies and English literature at the University of Denver, Colorado.

A series of six publications to be released over three years, each of which focuses on different aspects of Friedlander's images of people, featuring photographs chosen and sequenced by the artist from his archive.

Three stories of unspeakable evil make up The Dead Man Volume 1 , an action adventure collection full of dark humor, surprising twists, and supernatural terror: Matthew Cahill, dead and buried in an avalanche, wakes up in a morgue three months later in Face of Evil . But now he sees things no one else can and when his friend goes on a killing spree, he realizes the evil Mr. Dark has a plan for him. In search of Mr. Dark, Matt finds himself in Heaven, Washington, a tiny hamlet in the Cascade Mountains embroiled in a four-family blood feud in Hell in Heaven . Only Matt can stop the bloodshed, but even he is going to have a hard time figuring out why Mr. Dark brought him here. Matt believes a madman may hold the key to defeating Mr. Dark and his rotting touch. To find him, Matt must infiltrate a lunatic asylum in Ring of Knives --and his only chance of escaping alive is to face the unspeakable terror deep in the asylum's woods.

When a young woman falls down a flight of stairs and is left brain dead, her family agrees to donate her organs. Dr. Jesse Travis oversees the grim task, saving several other seriously ill patients. But one of the organ recipients returns to the hospital with a complication no one could have seen coming-West Nile Virus. Soon, other patients who received organs at Community General begin dying of West Nile-related illnesses, and Jesse is suspected as being at fault... Dr. Mark Sloan knows his friend isn't to blame-and he soon uncovers a conspiracy of greed and personal revenge that may mean the end of his career.

“As wise as it is well written. . . . A sustaining work of art.” —Linda Elisabeth Beattie, Courier-Journal In this inspired anthology, doctors relate true stories from their professional lives, capturing disillusionments and triumphs encountered along the way. Essays by such distinguished writers as Peter D. Kramer, Kay Redfield Jamison, Danielle Ofri, Robert Coles, Lauren Slater, Sandeep Jauhar, and Perri Klass create a vivid mural of the medical world, from a student’s uneasy first encounter with a cadaver to a veteran doctor’s memories of the emotionally charged days and nights of residency.

The very best writing from one of America's most groundbreaking literary magazines. When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the "fourth genre." The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic's boyhood remembrances of the bombing of Belgrade, Carolyn Forche's haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman's meditation on the photo of a murdered boy his same age--Emmett Till--and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath. With an introduction by Lee Gutkind, Creative Nonfiction's founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.

Stefan Fatsis sends his “stunningly perfect, consummately perfect, why-would-anyone-use-anything-else? perfect” glove to be restored by the glove designer at Rawlings. Frank Deford makes the case that the baseball cap may be the most universal article of clothing ever designed. Roger Angell considers why it is that pitchers are “so much livelier and more garrulous than hitters.” George Plimpton reflects on the slow demotion of aging or slumping players from pitcher to first base, to the outfield. United by the authors’ fervent love of the game, each chapter in this book reminds us of the unique role baseball plays in our national history and collective imagination. In addition to the authors mentioned above, the lineup includes: • Kevin Baker • Jeff Greenfield • Katherine A. Powers • Michael Shapiro • John Thorn • Sean Wilentz • And more! Published previously as Anatomy of Baseball and Great Baseball Stories , this wide-ranging collection now includes pieces by A. Bartlett Giamatti, Gay Talese, Matthew McGough, and George Vecsey. Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt.

Includes 20 distinguished contemporary writers who have connected with nature & learned why we are inextricably attached to it. In "Against Nature," Joyce Carol Oates explains why writers generally resist nature as a topic. Diane Ackerman swims with a right whale & her calf. John McPhee explores the mystery of the Loch Ness monster & the people who obsess over it. Sherry Simpson looks at the conflict-riddled business of trapping & killing Alaskan wolves. Also, essays by: Mark Doty, Barry Lopez, Vaclav Havel, Bill Bryson, Deborah Archer, Sue Ellen Campbell, Leslie Leyland Fields, John Hales, Hal Herring, Edward Hoagland, Kurt Hoelting, Paul Lindholdt, Leslie Roberts, Lucy Wilson Sherman, & Sandi Wisenberg.

In any given year, one in four Americans suffers from a diagnosable mental illness--and yet there is still a significant stigma attached to being labeled as "mentally ill." We hear about worst-case scenarios, but in many--maybe even most--cases, there is much room for hope. These frank, often intimate stories reflect the writers' struggles to overcome--both as professionals and as individuals, as current therapists and as former patients--the challenges presented by depression, bipolar disorder, OCD, and other mental disorders. These dramatic narratives communicate clearly the rewards of helping patients move forward with their lives, often through a combination of medication, talk therapy, and common sense. Collectively, these true stories highlight the need for empathy and compassion between therapist and patient, and argue for a system that encourages human connection rather than diagnosis by checklist.

Every year, one in four American adults suffers from a diagnosable mental health disorder. In these true stories, writers and their loved ones struggle as their worlds are upended. What do you do when your father kills himself, or your mother is committed to a psych ward, or your daughter starts hearing voices telling her to harm herself--or when you yourself hear such voices? Addressing bipolar disorder, OCD, trichillomania, self-harm, PTSD, and other diagnoses, these stories vividly depict the difficulties and sorrows--and sometimes, too, the unexpected and surprising rewards--of living with mental illness.