"Award-winning designer and writer Steven Heller comes of age at the center of New York's youth culture in the mid-1960s to the mid-1970s"--

One of the most prominent and intriguing figures in contemporary British politics, David Blunkett has risen from being a councillor in his native Sheffield to becoming the home secretary. This is the story of his climb up the political ladder, as well as of his determination to overcome his disability.

A fascinating autobiography by renowned US architect, theorist and designer Stanley Tigerman.

"I had to do something to escape Hitler's clutches," writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris, until German canons can be heard in the distance, before deciding to escape by bicycle across France as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive by sheer miracle and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. In a memoir written at age 79, Esti Freud, daughter-in-law of Sigmund Freud and wife of his oldest son Martin, looks back on her life that began before the 20th century, was lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mother's death, daughter Sophie turned to Esti's memoir as a scaffold for this book, expanding it through family letters and archival material. Out of these documents the author has created a fascinating, many-voiced mosaic--the story of a famous family and of a century seen through the eyes of many characters. Indomitable Esti was not an easy person to love. While she establishes herself professionally three times, in three different languages, her troubled family relationships leave her lonely, often deeply unhappy. Sophie confides that Esti died without son or daughter at her side. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was "too beautiful" for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was "not a financially favorable linkage," and that his family was not respectable since patriarch Sigmund was "just another psychiatrist, and one who writes pornography books at that." Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate--and perhaps disturb--readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.

Shipped from UK, please allow 10 to 21 business days for arrival. From Apes to Warlords, hardcover, Good, In good to very good condition. Some shelfwear, inscribed to free-end paper.

One of the most influential philosophers of the twentieth century details the events of his career and describes meetings with people who have shaped the philosophical and political character of recent history

Memoirs of motion picture director, Sergei Eisenstein, 1898-1948; translated from Russian text.

'My mother was the source of my brains and my father the mother of kindness,' said Sandor Rado, a Hungarian analyst whom Freud first embraced but with whom he was later displeased. In Heresy: Sandor Rado and the Psychoanalytic Movement, Paul Roazen and Bluma Swerdloff use interviews with Rado and his family to bring to life one of Freud's foremost followers, who later founded his own institute and psychodynamic orientation, one that focused on motivation rather than instinct. Based on interviews sponsored by the Columbia University Oral History Project, and including Freud's letters to Rado, this is a personal account of Rado and the life events that shaped him and his theories. Rado's life in late nineteenth-century Hungary, the enduring influence of his mother, his meetings with Freud (who made three slips of the tongue during their first encounter), his analysis with Karl Abraham, his affair with Helene Deutsch (she called it a 'companionship of suffering'), and Rank and Ferenczi's downfalls are vividly depicted. Rado's radical departure from Freudian theories of femininity, a reformulation daringly in keeping with today's gender debates, is also included. Rado freed himself from phallocentrism, abandoning the notions of universal castration fear and penis envy. He contended that men and woman are different, which does not mean that women are inferior. He saw women as having a greater emotional capacity based on their biological role as child bearers and nurturers. In 1963, as further evidence of his prescience, Rado prophesied the current crisis in psychotherapy, noting that 'the old-fashioned therapeutic practice will disappear for lack of money.' He anticipated that the influence of biochemical genetics was going to be 'so enormous that it would be bootless to try to outline it.' Dr. Swerdloff uses Rado's predictions and an analysis of the present debate to demonstrate the need to steer psychoanalysis toward a more scientific course.

A survivor of Auschwitz recounts his harrowing experiences, his adjustment to freedom, and his work on behalf of the Jewish cause

A self-portrait by the late filmmaker describes his New York youth, his work in the newspaper world, his military career during World War II, and his rise to success in Hollywood as a writer, director, and producer known for his gritty, frequently violent portrayals of the dark side of American life.

Memoirs of a Jew who was born in 1927 in Borisław, Poland. Pp. 31-132 deal with the Holocaust period, based on information found in a diary she kept at the time. Wolanski survived in hiding, at first with a Christian family and then in a bunker in the forest, until the liberation.

Traveling Heavy is a deeply moving, unconventional memoir by the master storyteller and cultural anthropologist Ruth Behar. Through evocative stories, she portrays her life as an immigrant child and later, as an adult woman who loves to travel but is terrified of boarding a plane. With an open heart, she writes about her Yiddish-Sephardic-Cuban-American family, as well as the strangers who show her kindness as she makes her way through the world. Compassionate, curious, and unafraid to reveal her failings, Behar embraces the unexpected insights and adventures of travel, whether those be learning that she longed to become a mother after being accused of giving the evil eye to a baby in rural Mexico, or going on a zany pilgrimage to the Behar World Summit in the Spanish town of Béjar. Behar calls herself an anthropologist who specializes in homesickness. Repeatedly returning to her homeland of Cuba, unwilling to utter her last goodbye, she is obsessed by the question of why we leave home to find home. For those of us who travel heavy with our own baggage, Behar is an indispensable guide, full of grace and hope, in the perpetual search for connection that defines our humanity.

In this book, leading musician, jazz club founder, and compere Ronnie Scott recalls the highlights, tribulations, multiple frustrations and moments of intense musical gratification in running his leading London jazz club, due to celebrate its 45th year in October 2004. He also writes of his early days as a musician and band-leader. The book is full of his wry and witty observations and is informed by a shrewd appreciation of the eccentricities of human nature.

Limited to 100 copies (+ 5 artist's copies) numbered 1-100. Includes a print of 'Candlelight' (2014), signed and numbered by Roger Ballen. Separated into four parts, Ballenesque takes readers on a visual, chronological journey through Roger Ballen's entire oeuvre, including both iconic images and previously unpublished photographs. Part I explores his formative artistic influences and his later rediscovery of boyhood through photography, culminating in his first published monograph, Boyhood, in 1979. Part II then charts the period between 1980 and 2000, during which time his deeper search for the elemental self found its way into the 'Dorps', or small towns, of South Africa and concluding with the release of his seminal monograph Outland. Part III covers the years 2000-2013, when Ballen achieved global recogition with Shadow Chamber and Boarding House and his work began to veer away from portraiture altogether. Finally, in Part IV, Ballen reflects upon his career in its entirety. With over 300 photographs and an introduction by eminent academic Robert J. C. Young, this book provides both an entirely new way of seeing Ballen's work for those who already follow his career and a comprehensive introduction for those encountering his photographs for the first time.

The evidence at hand: an autobiography—complete with their mother’s edits—written by his brilliant and disturbingly religious sister; a story featuring actual childhood events, but published by his mother as fiction; the transcript of a hypnotherapy session from his adolescence; and perjured court documents hidden in a drawer for decades. These are the clues Robin Hemley gathers when he sets out to reconstruct the life of his older sister Nola, who died at the age of twenty-five after several years of treatment for schizophrenia. Armed with these types of clues, Hemley quickly discovers that finding the truth in any life—even one’s own—is a fragmented and complex task. Nola: A Memoir of Faith, Art, and Madness is much more than a remembrance of a young woman who was consumed her entire life by a passion for finding and understanding God; it is also a quest to understand what people choose to reveal and conceal, and an examination of the enormous toll mental illness takes on a family. Finally, it is a revelation of the alchemy that creates a writer: confidence in the unknowable, distrust of the proven, tortuous devotion to the fine print in life, and sacrifice to writing itself as it plays the roles of confessor, scourge, and creator. Upon its first release in 1998, Nola won ForeWord ’s Book of the Year Award for biography/memoir, the Washington State Book Award for biography/memoir, and the Independent Press Book Award for autobiography/memoir.