Conversations with Nadine Gordimer edited by Nancy Topping Bazin and Marilyn Dallman Seymour Nadine Gordimer is one of the contemporary world's most admired writers of novels and short stories. This volume collects three decades of her interviews. In them she presents her attitudes toward her art and its interconnection with the oppressive, volatile politics in her native land. She has traveled extensively to other countries only to discover that no matter how white her skin she is indeed African and the only country she can call home is South Africa. If you write honestly about life in South Africa, apartheid damns itself, she says. She is ruthlessly honest, and her fiction has played the vital role of communicating in detail to the rest of the world the effects of apartheid upon the daily lives of the South African people. To maintain her integrity, she writes as though she were dead, without any thought of how anyone will react to what she has written. She remains heroically undaunted both by the banning of three of her novels by the white government and by the protests of radical blacks who assert that whites cannot write convincingly about blacks.She is concerned neither with the image of blacks nor with the image of whites, only with revealing the complexity, the full truth. This truth condemns the racism upon which apartheid is built. In her nine novels and eight volumes of short stories, Gordimer digs deeper and deeper until she has thematic layers. These include betrayal-political, sexual, every form and power, the way human beings use power in their relationships. Her accounts in these interviews of how she works and of which writers she admires will fascinate readers, scholars, teachers, and students alike. Co-editors Nancy Topping Bazin retired from the faculty of the English and women's studies departments at Old Dominion University, and Marilyn Dallman Seymour retired from the staff of the Government Publications Department of the Old Dominion University Library.

Nadine Gordimer describes this collection of her non-fiction pieces as a reflection of how I've looked at this century I've lived in. The collection of essays, articles and addresses encompass Gordimer's own evidence of the inequities of apartheid as she saw them in 1956, her account of the bans on literature still in effect in the mid-1970s, through to South Africa's emergence in 1994 as a free country. Gordimer's canvas is global and her themes are wide-ranging. She examines the impact of technology on our expanding world-view, the convergence of the moral and the political in fiction and she reassess the role of the writer in the modern world.

A thoughtful and moving portrayal of the ways in which the deepest human feelings can be muddied and affected by the law.

Whether talking about her own writing, interpreting the works of others, or giving us a window on the world that "we in South Africa are attempting to reconstruct," Nadine Gordimer has much to tell us about the art of fiction and the art of life. In this deeply resonant book Gordimer examines the tension for a writer between life's experiences and narrative creations. She asks first, where do characters come from--to what extent are they drawn from real life? We are touching on this question whenever we insist on the facts behind the fiction, Gordimer suggests, and here she tries to unravel the mysterious process that breathes "real" life into fiction. Exploring the writings of revolutionaries in South Africa, she shows how their struggle is contrastingly expressed in factual accounts and in lyrical poetry. Gordimer next turns to three writers linked by their search for a life that transcends their own time and place: in distinctive and telling ways, Naguib Mahfouz, Chinua Achebe, and Amos Oz defy accepted norms of loyalty to the mores and politics of their countries. Their search in Egypt, Nigeria, and Israel for a meaningful definition of home testifies to what it must be: the destination of the human spirit beyond national boundaries. Ending on a personal note, Gordimer reveals her own experience of "writing her way out of" the confines of a dying colonialism.

God, Man, and Devil is an anthology of five Yiddish plays in translation, plus two additional independent scenes, all written by well-known playwrights in the first quarter of the twentieth century. The settings range widely—a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on strike, a subway, and the boardwalk of Atlantic City. The plays evoke tears and laughter through melodrama, expressionism, satire, fantasy, farce, suspense, and romance. But all consider the same question: what is life’s moral purpose? And all display the theatrical flair that made Yiddish audiences such passionate fans of their dramas and their stars. Translated and edited to make them more accessible for both reading and performance, the plays are accompanied by prefaces and notes to help students of theater and of Jewish culture by providing historical context, production histories, and elucidation of references.

Delve into the formative years of a pivotal political movement with Nahum Sokolow's "History of Zionism, Vol. 2 of 2: 1600-1918." This meticulously researched historical text explores the evolution of Zionism from its early roots to the end of World War I, providing crucial context for understanding the creation of modern Israel. Spanning centuries of Jewish history, this volume examines the key figures, events, and intellectual currents that shaped Zionist thought and action. Sokolow's work illuminates the complex interplay of European and Middle Eastern politics surrounding the movement, offering insights into the dynamics of colonialism and post-colonialism in Palestine. A vital resource for anyone seeking a comprehensive understanding of Zionism, its origins, and its enduring impact. This book remains an essential contribution to the study of 19th-century political thought, Jewish history, and the ongoing story of Israel. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A novel about a mysterious mail-order bride in the wake of World War II, whose sudden decision ripples through time to deeply impact the daughter she never knew.

What’s the most useful thing you could know about your own life? In this era-defining book, developed from her groundbreaking Radio 4 essay series, Naomi Alderman turns her boundless curiosity and incisive thinking to a question that affects us all: how do we understand, and navigate, the epoch we’re living through? She calls this epoch the Information Crisis. The internet has flooded us with more knowledge, opinions, ideas, opportunities, as well as verbal attacks and misinformation, than ever before. It lets us learn more quickly and also spread falsehood more quickly, it brings us together and also divides us in new ways, it is now the lens through which we perceive and understand the world. There is no going back. But we have been here before. In fact, this is humanity’s third information crisis. The first, the invention of writing 5,000 years ago, and the second, the invention of the printing press 600 years ago, drastically reshaped our perceptions, interactions and mental landscapes in ways that feel acutely familiar. Overwhelmed by information, people become afraid and angry, unsettled and distressed, as well as more knowledgeable, educated and curious. By looking at those previous information crises, both the turmoil and the advances, Alderman asks what we can learn from the past to better understand our present, and prepare for our future. Drawing on the work of philosophers and historians, Don’t Burn Anyone at the Stake Today explores how new technology opens up new ways of being and helps us chart a way forward (once again), through the turbulent seas of information overload.[Bokinfo]

For Tom and his teddy bear, each day's activity continues into a wonderful nighttime adventure when Tom wields his magic cloth at bedtime.

"Intersectionality occurs when people already oppressed, experience more oppression. Examples include women who experience racism or poor people who are under-served. Identifying such intersections allows for more precise analysis of oppression, as well as newly recognized identities, such as blackwomen or homeless people of colour. Identifying oppression always compares one group to another group that is not oppressed and both groups form units. The method of intersectionality can be expanded to many areas of progressive thought, across disciplines. The injustice of oppression logically requires a broad humanistic framework. Despite its immense popularity, intersectionality is often confused with diversity and inclusion and its broad applications are often not recognized. A Philosophical View of Intersectionality precisely explains what intersectionality is in theory and reality, with vivid examples of contemporary intersected groups. The three parts of this book encompass the nature of intersectionality as a theory, how the indeterminacy of intersectional method allows for the identification of new intersections such as victims of sudden violence, and intersections that result when minority students are "firsts" in higher education. intersectional analysis compares those oppressed with those unoppressed in a same unit. The lack of oppression is justified by moral requirements for more general groups to which units ultimately belong.. Intersectionality logically depends on universal egalitarian humanism. We owe other human beings certain goods and recognition and are prohibited from harming them in certain ways. For example, black and Asian people belong to the unit of racial groups that includes whites and should be treated as whites are; the justification of how whites are already treated is based on their membership in the total human group, and that treatment should be extended to black and Asian people"--

Race and Mixed Race is an exploration of the philosophical, social, and historical problems related to racial identity - from the perspectives of individuals of "pure" and mixed race. Tracing the history of racial designations in the United States, Naomi Zack uses philosophical methods to criticize the logic of American racial categories. She discusses why racial identity is a matter of importance; examines the treatment of mixed race in law, society, and literature; and addresses philosophical questions related to the designation of someone as belonging to a given race. In this first philosophical challenge to accepted racial classifications in the United States, Zack argues that black and white designations are themselves racist because the concept of race does not have an adequate scientific foundation. The "one drop" rule, which originally was a rationalization for slavery, persists to this day despite the fact that there have never been "pure" races and that most American blacks have "white" genes. Challenging the equation that black plus white always results in black, the author explores the existential problems of mixed race identity. The stringent bi-racial system in this country does not recognize mixed racial heritage, which generates a special racial alienation for many Americans. Discussing the possibility of eliminating all racial identities for their lack of scientific or moral underpinning, Zack analyzes American racial words to reveal their metaphorical nature. Ironically suggesting the inclusion of "gray" into the vocabulary as a designation for mixed black and white race, she concludes that any racial identity, based as it must be on false and unjust racial identification, is an expression of bad faith.

Examining racial profiling in American politics, philosopher Naomi Zack argues against white privilege discourse while introducing a new theory of applicative justice. Drawing clear lines between rights and privileges and between justice and existing laws, and examining the legal structure that has permitted the killings of Trayvon Martin, Michael Brown, Eric Garner, Tamir Rice, and others, Zack shows why it is more important to consider black rights than white privilege as the country moves forward through today's culture of inequality.--From publisher description.

Ten of the funniest stories from the smash hit tv show that has swept the country. Disclaimer: This book was published in 1957, so the description of this book is outdated. There was a movie starring Steve Martin with the title of Sergeant Bilko, but that is not the same. The original, and on the cover, was Phil Silvers.

In this acclaimed novel, Natalia Ginzburg uses fragments of everyday experience, recorded in a series of letters, to create a profoundly moving picture of the lives of a small group of people in modern Italy.

Delia is one of five children, growing up in a poor Italian village. She is 17, and dreams of marrying a rich man; she dreams of a grand apartment in the city and silk stockings. To escape her father's neglect and her mother's sadness, she begins to take the dusty road to the city every day, accompanied by Nini, her sweet and mysterious cousin. When Nini takes a job in a factory and moves in with a city woman, Delia sees another way of being. But when she discovers she's pregnant, she agrees to marry the father, seduced by the promise of wealth and comfort. Nothing, not even Nini's desperate declaration of love, can stop her - but her rejection will be his undoing. The Road to the City is a short, poignant novel about the dreams of youth, and the cruelty it takes to make them come true.

"Using the North African diplomat Hasan al-Wazzan, known in Europe as Leo Africanus (c. 1488-after 1532), as its guide, this book offers a comparative journey through the worlds of Arabic and Italian theatre and poetics in the late medieval and early modern period (1300-1600). Special attention to theatrical performances in Rome and in Italy in general, as well as in Tunis, Cairo, and in North Africa in general."--

Wife.Mother.Spy. A double life is no life at all.Since the disappearance of her husband in 1951, Laura Leverett has been living in limbo with her daughter in Geneva. All others see is her conventional, charming exterior; nobody guesses the secret she is carrying.Her double life began years ago, when she stepped on to the boat which carried her across the Atlantic in 1939. Eager to learn, and eager to love, she found herself suddenly inspired by a young Communist woman she met on the boat. In London she begins to move between two different worlds - from the urbane society of her cousins and their upper class friends, to the anger of those who want to forge a new society. One night at a party she meets a man who seems to her to combine both worlds, but who is hiding a secret bigger than she could ever imagine.Impelled by desire, she finds herself caught up in his hidden life. Love grows, but so do fear and danger. This is the warm-blooded story of the Cold War. The story of a wife whose part will take her from London in the Blitz, to Washington at the height of McCarthyism, to the possible haven of the English countryside. Gradually she learns what is at stake for herself, her husband, and her daughter; gradually she realises the dark consequences of her youthful idealism.Sweeping and exhilarating, alive with passion and betrayal, A Quiet Life is the first novel from a brilliant new voice in British fiction.

Book by Ausubel, Nathan