Analyzes the works of Canadian Jewish poet A.M. Klein (1909-1972) written in the late 1920s-early 1950s, reading them as a combative poetic response to history. Klein's early poetry in "Hath Not a Jew, " composed against the background of the rise of antisemitism in Europe and in Montreal, his hometown, reveals his deep identification with Jewish tradition and his disillusionment with the humanist inability to confront Nazism. Deeply affected by news of the Holocaust, he wrote his mock epic "The Hitleriad" in 1942, in which he presented Hitler's ugliness, mediocrity, and meanness of spirit. This seems an attempt to demystify Hitler, paralleled perhaps by Arendt's concept of the banality of evil. "The Rocking Chair, " a collection of poems, and the novel "The Second Scroll" represent Klein's attempt to come to terms with the post-Holocaust world. Ch. 4 (pp. 61-80), "The Hitleriad: Against the Silence of the Apocalypse, " appeared in "Studies in American Jewish Literature" 9 (1990).

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Harvard Law School LibraryCTRG97-B2542At head of title: National Tax Association.Ithaca, N.Y. : The Association, [1915?]. 22 p. ; 23 cm

This pioneering effort links history and personality, by pairing intellectual friends and foes, most notably Lionel Trilling and Irving Howe, but also Thomas Carlyle and John Stuart Mill, T.E. Lawrence and Bertrand Russell, and lesser known figures. The periods range from the early 1830s, when Carlyle and Mill discovered each other, to 1975, when Lionel Thrilling died and the relationship with Howe ended. The essay that gives this volume its title is also the most ambitious. Alexander examines Trilling and Howe in relation to one another, as well as their comparative reactions to the Holocaust. He explores their participation in the fierce disputes of the fifties over the relationship between literature and society, and their perspectives on the turmoil of the American sixties. The chapter on the friendships (and ex-friendships) of Carlyle and Mill, Lawrence and Russell, views their stories against the background of the modern conflict between reason and feeling, positivism and imagination. But Alexander avoids viewing each pair of friends as counterparts. Though relationships may have begun in adversity, they sometimes developed into friendships. As a young woman, George Eliot dismissed Jews as candidates for "extermination," but her friendship with the Talmudic scholar Emanuel Deutsch changed her into one of the major Judeophiles of the Victorian period. And the quartet of Thomas Carlyle, J. S. Mill, D. H. Lawrence and Bertrand Russell shows how quickly-formed literary friendships, especially those based on the hunger for disciples, sometimes dissolve into ex-friendships. This volume reveals new perspectives on leading literary figures and their relationships, and shows how personal friendship influences art.

Excerpt from Are the Germans the Chosen People?: Address Delivered at the Business Men's Club, Cincinnati, January 28th, 1918 The statement has been made frequently of late years that the modern Germans in their claim that they are God's chosen people are the latter day counterpart of the ancient Jews, who are thus termed in the Bible. Preachers and writers in Germany make the direct comparison in unmistakable terms as when one of these preachers declares unreservedly: As was Israel among the heathen, so is Germany amongst the nations, the pious heart of Europe, and another asserts no less apodictically: In a moment we, the children of modern humanity, have become the heir of Israel, the people of the Old Testament. We shall be the bearers of God's promises, the living proof that it is not man who creates history, but God through man. The conviction that they are the chosen people -of these latter ages has become a leading article of German belief; it has imbued the German peo ple with a feeling of superiority over all other nations; they have become obsessed with the idea that they are God's favorites; they speak of God as the. German God, implying thereby that other peoples are without the pale of His special concern. It is, however, not only Germans who have instituted the comparison between themselves and ancient Israel in this matter of being God's chosen people, but leading speakers and thinkers in other lands, when discussing the state of the modern German mind, are fond of adducing the same comparison. It was only recently that I heard a distinguished American professor say this emphatically and without modification. As I listened to his words the thought presented itself forcibly to my mind that this frequently reiterated statement could and should be subjected to careful examination. For I felt that this comparison was super ficial and far from the truth inasmuch as the term chosen peo ple received an entirely different interpretation by the leading spirits of ancient Israel, namely the prophets, from that given it by the spokesmen of modern Germany as revealed in the writings and utterances of the foremost framers of opinion in that realm in recent days. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Review In this adventure story for the entire family anything does! It is a story of childhood innocence and world peace. -- Ladybug PressThis book is an innovative Masterpiece for young and old. -- New WavesThis is a still more revolutionary contribution to children's literature than Harry Popper... -- Mariv Product Description Peace Flower is a story which can be read from the age of ten to a hundred and ten. It is an imaginative tale of fantastic adventures in space, to find the Peace Flower in the Future and bring it back to earth as it does not exist in our present. Lee and Ronni two brave children face the terrible nuclear giant Nuki, who tries to stop them from bringing peace on earth, and they triumph. The book has been adopted by many schools and colleges to teach peace education. It is available in English, in Hebrew, and in Arabic. It is also available on tape, from Ladybug Press, Ca. About the Author Ada Aharoni is an Israeli poet, writer, and lecturer. She writes in English and Hebrew and has published twenty two books to date that have been translated into several languages. She believes that culture and literature can help in healing the urgent ailments of our global village, such as war and conflict, and the themes of peace and conflict resolution are major ones throughout her works. She studied at London University, where she earned an M. Phil. Degree on Henry Fielding, and at the Hebrew University in Jerusalem, where she was awarded a Ph.D. on: Saul Bellow, the Nobel Prize laureate. Her first novel, The Second Exodus, was published in 1983, and To Alexandria, Jerusalem and Freedom appeared in 1985. Her historical novel From The Nile to The Jordan, was published in 1994; and in 1996 she published The Peace Flower, a fantasy for young and old, which has been compared to St. Exupery's Little Prince. She is likewise one of the editors of the book: Saul Bellow: A Mosaic, that covers the First International Saul Bellow Conference, which she initiated and chaired at Haifa University. Among her published books are eight collections of poems in Hebrew, English, French and Arabic, and two books of translations of Israeli poetry, including Shin Shalom's New Poems. She is the Editor of the Anthology: A Song to Life and to World Peace, as well as of Waves of Peace (1997), dedicated to the memory of Yitzhak Rabin. She is the founder and editor of the Literary Magazine Galim: Waves (1987-1997), and the electronic journals internet Horizon: Pave Peace, and Poetry Israel: Lirit, featuring Israeli poets in English translation. Her latest published book is: You and I Can Change the World (Jan. 2000). Among her many prizes and awards are: The British Council Award, the Keren Amos President Award, the Haifa and Bremen Prize, The World Academy of Arts and Culture Award, the Korean Gold Crown of World Poets Award, the Shin Shalom Prize, the Yunus Emre Award, the Rachel Prize, and she was chosen as one the Hundred Global Heroines in Rochester, N.Y, in 1998. She was also awarded the Honorary Award of HSJE: The World Historical Society of the Jews from Egypt, for her "devoted and unmatched efforts to promote the history of the Jews from Egypt, through her visionary literature and poetry proclaiming peace in the world." She is President of the XIII World Congress of Poets (Haifa, Israel, 1992), and the founder and President of IFLAC: the International Forum for the Culture and Literature of Peace, and convener of PTLC the "Pave Peace Through Literature and Culture" commission of IPRA: the International Peace Research Association. She is also the founder and General Director of "The Bridge: Jewish and Arab Women for Peace in the Middle East." Ada Aharoni has taught literature and sociology at the University of Haifa, and sociology and Conflict Resolution, in the general studies department of the Technion in Haifa. She has been a guest lecturer and visiting professor at several American and European universities,

I paint with acrylic and oil paint on canvas, I use gold leaf and glazes in many works, I often write poetry to accompany my paintings. I paint many subjects from birds and patriotic art, to marriage equality. Most of the images and ideas I use are taken from real life, the birds that walk around my pond, the fabric of my mother's dress, the wallpaper in her bedroom. I use imagery that I have drawn from memories of growing up in Boston, Lady Liberty, Uncle Sam, weathervanes and antiques, geometrics from the nineteen seventies and eighties, rain running down a pane of glass. The poems I write may be reflective of my artwork or reflective of my life experience. I have exhibited my art in Boston and Vero Beach, Florida for; Art Ark, Dale Sorensen, Vero Beach Museum of Art, The Regina Stark Gallery and President Obama. In 2012 I was asked by the Democratic Party and Forward America to exhibit nine of my paintings for President Obama's election, that exhibit ran for several months here in Vero Beach, Florida, something I am very proud of. I have since created two paintings for President and Mrs. Obama I have spent my life like most people in America, working full time and taking care of my home and family. It wasn't until the year 2011 that I was able to make the commitment to paint and write full time. Three years later, the result of that commitment is "The Art of Thomas Rose." My hope is that "The Art of Thomas Rose" brings enjoyment to the reader and encourages free thought about life and love. We are all beautiful people, deserving of love, respect and understanding. I hope you enjoy my book. As always, peace and love. Tom

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The American Labor Movement, Its Makeup, Achievements and Aspirations Meanwhile, the Socialist political party published a pamphlet con taining this testimony in full, with all the omissions, inaccuracies and errors against which protest was made and it then added various mis representations wholly outside of the testimony given before the Com mission. In fact, matter which was never before the Commission. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Description for this book, An American Anarchist: The Life of Voltairine De Cleyre, will be forthcoming.

In this comprehensive, up-to-the-minute survey of research and opinion by leading Latin American cultural and literary critics, Naomi Lindstrom examines five concepts that are currently the focus of intense debate among Latin American writers and thinkers. Writing in simple, clear terms for both general and specialist readers of Latin American literature, she explores the concepts of autonomy and dependency, postmodernism, literary intellectuals and the mass media, testimonial literature, and gender issues, including gay and lesbian themes. Excepts (in English) from relevant literary works illustrate each concept, while Lindstrom also traces its passage from the social sciences to literature.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Review The Answer Is In The Garden Asie (sheherazade) Cash The Debut (ode To Anna Moffo) Doctor Type Dog Bite Erotic And Sepulchral Epigrams From The Cinquencento: I Erotic And Sepulchral Epigrams From The Cinquencento: Ii Erotic And Sepulchral Epigrams From The Cinquencento: Iii Erotic And Sepulchral Epigrams From The Cinquencento: Iv Erotic And Sepulchral Epigrams From The Cinquencento: Ix Erotic And Sepulchral Epigrams From The Cinquencento: V Erotic And Sepulchral Epigrams From The Cinquencento: Vi Erotic And Sepulchral Epigrams From The Cinquencento: Vii Erotic And Sepulchral Epigrams From The Cinquencento: Viii Erotic And Sepulchral Epigrams From The Cinquencento: X Est-ce Que Fantasia On My Father's Gift Faust In Seersucker Shorts Fugitive Blue A History Of Private Life L'indifferent (sheherazade) La Flute Enchantee (sheherazade) The Letter (ode To Anna Moffo) The Moving Occupations The Ornate And Lovely Corner House A Professor Young And Old Relics Of The True Cross The Square Of Swan Tea Dance -- Table of Poems from Poem Finder® From Publishers Weekly In the title poem and centerpiece of this debut collection, 1989 "Discovery"/ Nation poetry award co-winner Koestenbaum writes, "Mired in low culture, / I was aching to reach the high."41 But it is precisely the low that allows him to exult in the lavish heights of the Metropolitan Opera, idolizing a diva who rises above the mundane only in her performances. Koestenbaum's own performances are formal and fluidly elegant: "I think that Anna / Moffo sings, / to this day, in a second, / parallel Met, a hologram of the original / projected in air, / where failing voices continue / to thrive amidst a system of strange geysers / and girders, cables / linking the golden prompter's box / to a sky that burns directly on the stage."45 His wit can become self-conscious, his metaphors heavy, but the unifying strength of the poems is Koestenbaum's burgeoning awareness of being gay, with all its emotional ramifications: "Thinking I was invisible, I wore the peacock / Blue and found I was too visible. I wanted to shock / My public into cheers, until I learned that they were primitives . . . / When Carla put her hand on Ricky's knee / I saw my future's blueprint. I was wearing pants of lapis lazuli."11 Copyright 1990 Reed Business Information, Inc. From Library Journal Half operatic libretto, half slangy conversation, Koestenbaum's first book of poems interweaves sophisticated urban wit with a sense of lost happiness ("I am a landlord of a sadness"). With Anna Moffo, well-known coloratura soprano (born in 1932 in Wayne, Pennsylvania) as muse and "favorite," Koestenbaum explores role-playing, sexual identity, friendship, homoeroticism, and art as a refuge from psychic discontinuity. Through his rapid-fire digressions and formally rhyming arpeggios emerges a longing for elusive interpersonal realities "in which the secret life is fully seen." "I read/ these urgent things too quickly, as if I were not fixed/ By what occurs, as cats, cards, and elections/ Are fixed." Koestenbaum's extravagant fantasies nurse "a foolish daydream" of opera as a metaphor of life. "I mail/ this letter,/ addressed to Miss Moffo, care/ of the mind's Met, where Broadway joins forgotten avenues."-- Frank Allen, SUNY at CobleskillCopyright 1990 Reed Business Information, Inc.

This collection of covers of official UK football programs--in American, that's soccer programs--includes every league club active from the end of World War II to the start of the Premiership (1992), which comes to more than 100 teams from across the United Kingdom. It covers the golden age of British football, a time of local pride and growing success, of "Roy of the Rovers" good feeling, all of which is reflected in period designs, colorful graphics and charming illustrations, far from the glossy corporate memorabilia that fans accumulate today. These pieces are rare and highly collectible, and the majority are reproduced in this book for the first time, but more importantly for most readers, they offer an armchair anthropologist's trip through 1960s, 70s and 80s England. By Bob Stanley, who worked as a freelance music writer with NME and Melody Maker before forming the group Saint Etienne, and with an introduction by Brian Glanville, a highly regarded sports writer and a leading authority on British soccer.

The first of a planned six volumes of Gurwitsch's writings, this volume contains, above all, the English translation of his Equisse de phénoménologie constitutive, the text based on his four lecture courses at Institute d'Histoire des Sciences et des Techniques at the Sorbonne during the 1930s. These lectures were regularly attended by Maurice Merleau-Ponty. The book relates Husserlian or constitutive phenomenology to modern first philosophy and the philosophy of the human as well as the natural sciences and was nearly finished when Gurwitsch had to flee to the United States before Germany conquered France. In addition, this volume contains what is in effect Gurwitsch's autobiographical sketch, critical reviews of works by Gaston Berger, Jean Hering, Maurice Merleau-Ponty, Maurice Pradines, and Ives Simone, members of the French intellectual milieu of the 1930s when French phenomenology initially developed, and also two originally unpublished essays from that period. Finally, there are three essays and two reviews from Gurwitsch's American period in which phenomenological philosophy and especially his revised account of the noema are also placed in historical perspective.