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This dramatic and chilling novel about one girl's escape from Hitler's Germany was inspired by the experiences of the author's mother, one of 1,200 children rescued by Americans as part of the One Thousand Children project.

"A historical study of the treatment of Jews in Yugoslavia after Nazi ideology was adopted, with an emphasis on the ways Jews survived and were rescued by those who put their own lives in peril"--Provided by publisher.

In plain eloquence, the woman who married Oskar Schindler tells the true story of their life together, what they did to save the Jews in their factories, and what led to "Schindler's list". It soon became clear that her marriage would have both its passions and its betrayals. Yet Emilie stayed with Oskar through his growing involvement with the Nazis, working for counterintelligence with him. She first, then he later, came to realize the costs of the Nazi takeover and became witnesses to its terrors. Their inward allegiance changed even as they needed to maintain patriotic appearances and close affiliations with the Nazis in power. Through their work together at their two factories, saving the Jews became paramount for the Schindlers. Emilie nursed the Jewish factory workers when they fell ill, often saving their lives. She risked imprisonment or worse for her activities in the black market to feed them. Her stubbornness kept her fighting for food, even daring to ask a wealthy mill owner to give them grain to feed her starving workers. Where Light and Shadow Meet chronicles the Schindlers' flight after the war, the loss of almost all their possessions, and their eventual emigration to Argentina. There they settled on a farm, but barely scraped together an existence. Oskar returned to Germany, leaving Emilie to manage on her own. This is the story of one woman's daily acts of bravery during Hitler's reign and why it mattered. It is also the story of a marriage and of survival. Finally, it is the story of Emilie's strength in continuing on one day at a time.

From an award-winning McCarthy scholar comes the first post-Cold War exploration of the anticommunist witch-hunt and its devastating impact. Tracing the way that a network of dedicated anticommunists created blacklists and destroyed organizations, this broadbased inquiry reveals the connections between McCarthyism's disparate elements in the belief that understanding its terrible mechanics can prevent a repetition. of photos.

"There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. An early colonial governor of Virginia thanked God for the absence of printing in his colony. A century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrate the advancement of learning while expressing concern about information overload.

"There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. An early colonial governor of Virginia thanked God for the absence of printing in his colony. A century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrate the advancement of learning while expressing concern about information overload.

"From one of the leading historians of the Jewish past comes a stunning look into a previously unexamined dimension of Jewish life and culture: the calendar. In the late sixteenth century, Pope Gregory XIII instituted a momentous reform of Western timekeeping, and with it a period of great instability. Jews, like all minority cultures in Europe, had to realign their time-keeping to accord with the new Christian calendar. Elisheva Carlebach shows that the calendar is a complex and living system, constantly modified as new preoccupations emerge and old priorities fade. Calendars serve to structure time and activities and thus become mirrors of experience. Through this seemingly mundane and all-but-overlooked document, we can reimagine the quotidian world of early modern Jewry, of market days and sacred days, of times to avoid Christian gatherings and times to secure communal treasures. In calendars, we see one of the central paradoxes of Jewish existence: the need to encompass the culture of the other while retaining one#x19;s own unique culture. Carlebach reveals that Jews have always lived in multiple time scales, and demonstrates how their accounting for time, as much as any cultural monument, has shaped Jewish life. After a decade exploring Judaica collections around the world, Carlebach brings to light these textually rich and beautifully designed repositories of Jewish life. With color illustrations throughout, this is an evocative illumination of how early modern Jewry marked the rhythms and realities of time and filled it with anxieties and achievements."--Jacket.

For Elisabeth Roudinesco, a historian of psychoanalysis and one of France's leading intellectuals, Canguilhem, Sartre, Foucault, Althusser, Deleuze, and Derrida represent a "great generation" of French philosophers who accomplished remarkable work and lived incredible lives. These troubled and innovative thinkers endured World War II and the cultural and political revolution of the 1960s, and their cultural horizon was dominated by Marxism and psychoanalysis, though they were by no means strict adherents to the doctrines of Marx and Freud. Roudinesco knew many of these intellectuals personally, and she weaves an account of their thought through lived experience and reminiscences. Canguilhem, for example, was a distinguished philosopher of science who had a great influence on Foucault's exploration of sanity and madness-themes Althusser lived in a notorious personal drama. And in dramatizing the life of Freud for the screen, Sartre fundamentally altered his own philosophical approach to psychoanalysis. Roudinesco launches a passionate defense of Canguilhem, Sartre, Foucault, Althusser, Deleuze, and Derrida against the "new philosophers" of the late 1970s and 1980s, who denounced the work-and sometimes the private lives-of this great generation. Roudinesco refutes attempts to tar them, as well as the Marxist and left-wing tradition in general, with the brush of Soviet-style communism. In Freudian theory and the philosophy of radical commitment, she sees a bulwark against the kind of manipulative, pill-prescribing, and normalizing psychology that aims to turn individuals into mindless consumers. Intense, clever, and persuasive, Philosophy in Turbulent Times captivates with the dynamism of French thought in the twentieth century.

The epitome of the modernist engineer-architect-artist, El Lissitzky is one of the most influential and genuinely experimental artists of the early twentieth century. Equally prolific as a painter, designer, architect and photographer, he connected countries and cultures as a leading ambassador between the Soviet and European avant-gardes of the 1920s, promoting Suprematist and Constructivist art in the West and European abstract movements in Russia. For El Lissitzky, art was conceived not as a personal expression and production of objects, but rather as a collective and social activity. Working with Malevich, he developed the new visual language of Suprematism, which he applied not only to painting, but also to print and book works, architectural and theater projects, ceramics, educational theory and propaganda. Fusing this array of media, his three-dimensional work "Proun Room" used the actual space of a room to merge painting, sculptural installation and architecture; similarly, with his students he adorned the trams and buildings of Vitebsk with Suprematist triangles and squares, and used his "Proun" motifs to design costumes and machinery for the stage (most famously for the 1920 Futurist opera, Victory over the Sun ). This volume provides a comprehensive view of Lissitzky's influential career. Eliezer (Lazar) Markovich Lissitzky, El Lissitzky (1890-1941) was one of the most experimental and controversial artists to work with the Russian and European avant-garde during the early twentieth century. After 1917, during the first communist period, El Lissitzky served as a cultural ambassador, promoting Russian art and Soviet ideas in the West. Later he worked as a propagandist for the Stalinist regime during the 1930s. He died of tuberculosis in 1941.

This work takes up two related questions with regard to Jesus: his intention and his relationship to his contemporaries in Judaism. These questions immediately lead to two others: the reason for his death (did his intention involve an opposition to Judaism which led to death?) and the motivating force behind the rise of Christianity (did the split between the Christian movement and Judaism originate in opposition during Jesus' lifetime?).

Describes The Events Leading Up To The Signing Of The Emancipation Proclamation That Freed Over Four Million Slaves In The United States.

The first biography of Pericles in a century, written by a renowned scholar and teacher, offers a classical model for today's political leaders. Kagan reminds readers of the fragility of democracy and uses Pericles as an example of the kind of strong political leadership so urgently needed today.