This new edition of Contemporaries and Snobs, a landmark collection of essays by Laura Riding, offers a counter-history of high modernist poetics.

Excerpt from The Poetical Works of Gilbert Frankau, Vol. 1: 1901-1916 Q for Queen's Eyot with its crowds and its curses, R is the Rot to be found in these verses. S is the Slouch each Etonian acquires, T for Me Tutor who Teaches and Tires. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Poetical Works of Gilbert Frankau, Vol. 2: 1916-1920 His right to the fags of the free Canteen, to a seat at the banquet-board, Though he came to the men who had killed their man, with never a man to his sword. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A book of humorous poems, designed to bring a smile to those who have entered their "senior" years.

Experience the timeless themes and powerful emotions of Dante's Divine Comedy brought to life in this thrilling theatrical adaptation. Composer Benjamin Godard and librettist Edouard Blau masterfully combine music and drama to capture the essence of one of the greatest works of Western literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Culpa Del Primer Peregrino Y El Passagero Antonio Enriquez Gomez Rover, 1735

Collection of poems, memoirs, articles, translated foreword, and excerpts from talks by the Sri Lankan author; includes one biographical article on her.

Amy Levy (1861-1889) was a British poet and novelist. Levy was born in Clapham, London into a Jewish family that was mildly observant, but as an adult she no longer practised Judaism although she continued to identify with the Jews as a people. Levy wrote stories, essays and poems for periodicals, some popular and others literary. The stories Cohen of Trinity and Wise in Their Generation, both published in Oscar Wilde's magazine Women's World, are among her best. Her final book of poems, A London Plane-Tree and Other Verse (1889), contains lyrics that are among the first to show the influence of French symbolism. Her other works include Xantippe and Other Verse (1881), The Romance of a Shop (1888), Reuben Sachs (1888) and Miss Meredith (1889).

A clean, unmarked and unclipped copy in a Brodart jacket cover.

This Is A New Release Of The Original 1911 Edition.

Originally published in 1952, this book provides a detailed critical analysis of 40 German lyrics. All the poems analysed are reprinted in full, so that criticism may be checked by reference to the original text. The book therefore provides a unique introduction to German poetry from the Age of Enlightenment to that of Rilke, without burdening the reader with too much details about minor figures.

As a poet, critic, anthologist and teacher, Saskatchewan native Eli Mandel was a major figure in Canadian literature, particularly prairie literature. Mandel fashioned his identity as a post-Holocaust Jewish writer positioned dramatically between extremes of tradition and innovation, nation and region, East and West, producing work which can be read in a variety of contexts and which reflects patterns and changes within Canadian writing from the 1950s to the 1980s. This two-volume edition of Mandel's collected poetry includes the complete texts of ten previously published volumes of poetry, as well as 82 "new" poems never before presented in a collection.

Selected Poems: In Five Sets includes sixty-one poems personally selected and arranged by the author in 1970. Drawn from her Collected Poems of 1938, this is a remarkable distillation of Laura Riding’s poetic achievement. The extraordinary preface is perhaps Laura (Riding) Jackson’s most succinct explanation of her renunciation of the writing of poetry, and is a provocative commentary on the contemporary poetry scene.