An examination of problems and issues that affected the development of the Western world through the late 1940's. Bibliogs

Stephen Ward charts the rise and fall from grace of the man at the centre of the Profumo Scandal. Friend to film stars, spies, models, government ministers and aristocrats, his rise and ultimate disgrace coincided with the increasingly permissive lifestyle of London's elite in the early 1960s. Andrew Lloyd Webber's musical, with book and lyrics by Christopher Hampton and Don Black, centres on Ward's involvement with the young and beautiful Christine Keeler, which led to one of the biggest political scandals and most famous trials of the twentieth century. Stephen Ward premiered at the Aldwych Theatre, London, in December 2013.

Examines the work of leading revisionist educational historians and contends that their arguments and allegations against the American public school system have strayed far from historical reality

Radclyffe Hall was born in 1884 in Bournemouth in a house of horrors called 'Sunny Lawn'. It was an unhappy childhood, until her father's death when Radclyffe inherited £200,000. She was 18. She leased a London house, dressed in chappish clothes, called herself Peter then John & wrote her first collection of verse. She was a political reactionary, a reformed Catholic, obsessive about work, hunted with 3 packs, got her pipes from Dunhill's, wore brocade smoking jackets & had her hair cropped. She thought real women were born to be wives & disliked doing any business with them. Her 1st love was Mabel Batten, known as Ladye, who reputedly had an affair with Edward VII. Radclyffe Hall is now most famous for THE WELL OF LONELINESS, written in 1928. A novel about 'congenital inverts' - lesbian love - the book was suppressed both here & the US & caused Radclyffe to be put on trial under the Obscene Publications Act. Brilliantly written, this biography is a fresh and irreverent insight into the lives of one of the most alluring and eccentric women of this century.

The world of comedy and comedians of the last five decades. By the man the New York Times calls a comic institution himself, the only comedian (twenty-six years in stand-up) to have made Elie Wiesel laugh, as well as having appeared on The Tonight Show (140 times, second only to Bob Hope, but who's counting). From the director of TV comedy series Mad About You, Seinfeld, Friends, Weeds and Curb Your Enthusiasm . Larry David: "I'm lucky. I know and love David Steinberg. You don't. Now's your chance. Don't blow it! "David has always been a comedy hero to me. One of his many gifts is the ability to inspire funny people to be even funnier, as you will discover in this truly hilarious, insightful book." --Martin Short From David Steinberg, a rabbi's son from Winnipeg, Canada, who at age fifteen enrolled at Hebrew Theological College in Chicago (the rabbinate wasn't for him) and four years later, entered the master's program in English literature at the University of Chicago, until he saw Lenny Bruce, the Blue Boy of Comedy, the coolest guy Steinberg had ever seen, and joined Chicago's Second City improvisational group, becoming, instead, the comedian's comedian, director, actor, working with, inspired by, teaching, and learning from the most celebrated, admired, complicated comedians, then and now--a funny, moving, provocative, insightful look into the soul, wit, and bite of comedy and comedians--a universe unto itself--of the last half-century. From the greats: George Burns, Lenny Bruce, Sid Caesar, Lucille Ball, Mel Brooks, and Carl Reiner, et al., to the newer greats: Carol Burnett, Steve Martin, Lily Tomlin, Billy Crystal, Bob Newhart, and the man for all comedy, Martin (Marty) Short; to the greats of right now: Chris Rock, Dave Chappelle, Julia Louis-Dreyfus, Wanda Sykes; and more . . . Steinberg, through stories, reminiscences, tales of directing, touring, performing, and, through the comedians themselves talking (from more than 75 interviews), makes clear why he loves comedy and comedians who have been by his side in his work, and in his life, for more than sixty years. Here are: Will Ferrell, Eric Idle, Whoopi Goldberg, Mike Myers, Groucho himself and the greatest of them all (at least of the last half century), Jonathan Winters . . .

The author of The Closed Circle , the bestselling account of Arab society and politics, relates the fall of the Soviet empire as experienced from the inside. Based on firsthand accounts from party leaders, decision-makers, and first secretaries of the republics and satellites, this dramatic narrative examines why the crumbling of Communism occurred so peacefully, how much was accidental and how much planned, and what Gorbachev's motivations might have been. ".fabulous, absolutely indispensable."-- Literary Review .

The sudden and almost bloodless demise of the Soviet Union - and with it, communism - caught everyone by surprise, from the KGB and the Red Army to Gorbachev, Yeltsin, and the dissidents at home and in the satellite states. In the first full-scale account of this mysterious transformation, historian and journalist David Pryce-Jones is able to provide answers to the crucial questions: Why did Gorbachev not shoot his way out of the crisis in classic Soviet style, as former leaders had done in Hungary and Czechoslovakia? How did an unlikely alliance of nationalist actors, idealistic poets, and political priests unseat the ruling despots of Warsaw, Bucharest, East Berlin, and Prague? What role did the West really play in all this? And what do these remarkable events presage for Russia's future? The result is a vivid account of the Soviet empire's fall, as experienced from the inside - and at the top. Uncompromising in its accuracy and keen in its insight, The Strange Death of the Soviet Empire is the definitive account of one of history's greatest anticlimaxes.

It has now been more than forty years since President John F. Kennedy was assassinated on the streets of Dallas on November 22, 1963. No event in the post-war era, not even the terrorist attacks of September 11, 2001, has cast such a long shadow over our national life. The murder of the handsome and vigorous president shocked the nation to its core, and shook the faith of many Americans in their institutions and way of life. The repercussions from that event continue to be felt down to the present day. Looking back, it is now clear that Kennedy's death marked a historical crossroads after which point events began to move in surprising and destructive directions. In Camelot and the Cultural Revolution: How the Assassination of John F. Kennedy Shattered American Liberalism, James Piereson examines this seminal event from an entirely new and provocative point of view. Most books on the assassination take up the question as to who was really responsible for killing the President. Mr. Piereson takes it as established fact that Kennedy was killed by Lee Harvey Oswald. What needs to be explained, he argues, is the bizarre aftermath of the assassination: Why in the years after the assassination did the American Left become preoccupied with conspiratorial thinking? How and why was John F. Kennedy transformed in death into a liberal icon and a martyr for civil rights? In what way was the assassination linked to the collapse of mid-century liberalism, a doctrine which until 1963 was the reigning philosophy of the nation? In answering these questions, Piereson places great weight on the influence of Jacqueline Kennedy in shaping public memory of her husband and the meaning of his death. The Kennedy assassination, he argues, is a case study in public myth-making and the ways in which images and symbols can override fact and substance in political life.

"Christianity, Judaism, and Islam are usually treated as autonomous religions, but in fact across the long course of their histories the three religions have developed in interaction with one another. In Neighboring Faiths, David Nirenberg examines how Muslims, Christians, and Jews lived with and thought about each other during the Middle Ages and what the medieval past can tell us about how they do so today. There have been countless scripture-based studies of the three "religions of the book," but Nirenberg goes beyond those to pay close attention to how the three religious neighbors loved, tolerated, massacred, and expelled each other--all in the name of God--in periods and places both long ago and far away. Nirenberg argues that the three religions need to be studied in terms of how each affected the development of the others over time, their proximity of religious and philosophical thought as well as their overlapping geographies, and how the three "neighbors" define--and continue to define--themselves and their place in terms of one another. From dangerous attractions leading to interfaith marriage; to interreligious conflicts leading to segregation, violence, and sometimes extermination; to strategies for bridging the interfaith gap through language, vocabulary, and poetry, Nirenberg aims to understand the intertwined past of the three faiths as a way for their heirs to produce the future--together." -- Publisher's description.

Between 1938-41 some 17,000 Jewish refugees from Germany, Austria, and Poland reached Shanghai, then under Japanese control. Ch. 7 (pp. 169-266), "Japanese Policy vis-à-vis the Jews", explains Japan's unusual behavior in opening the door to Jewish refugees. Describes the influence of the so-called "experts on Jewish affairs" in Japan and their unique approach to antisemitism - to make use of alleged Jewish wealth and influence on behalf of Japan's "New Order". This approach lasted until America's entry into the war when it became unfeasible and Nazi propaganda gained more influence. Discusses immigration restrictions imposed in August 1939, Nazi antisemitic propaganda, and the establishment of a ghetto in 1943 under German instigation. Japan's attitude towards Jews evolved from favorable to highly antagonistic, blaming the Jews for all economic and social ills and for a conspiracy to overthrow the government and dominate the media, aid the communists, and halt Japanese development.

This book is a tribute to some of America's greatest characters, people holding on to unique ways of life at all costs. A castle builder, a forty-year veteran Woolworth's lunch-counter waitress, a moonshiner, and the president of The Brooklyn Elite Checker Club are among this varied group of ordinary people who prevail against all odds. They are Dewey Chafin and Barbara Elkins, snake handlers for the Church of the Lord Jesus in Jolo, West Virginia; Amos Powers, caretaker of America's only coon-dog graveyard in Colbert County, Alabama; Dixie Evans, curator of Exotic World, Museum of Burlesque in Helendale, California; and Mike Gashwarza of the Hopi tribe, fighting against electricity being brought to Old Oraibi, Arizona, the oldest town in North America. David Isay's compelling, often humorous profiles are accompanied by Harvey Wang's wonderful portraits of fifty such people, die-hard individualists who speak for themselves, illuminating their remarkable lives and personalities. Henry Roth's foreword is a moving testament to the creativity, tenacity, and dignity these people possess.

Some people say scohn, while others say schown. He says bath, while she says bahth. You say potayto. I say potahto And- -wait a second, no one says potahto. No one's ever said potahto. Have they? From reconstructing Shakespeare's accent to the rise and fall of Received Pronunciation, actor Ben Crystal and his linguist father David travel the world in search of the stories of spoken English. Everyone has an accent, though many of us think we don't. We all have our likes and dislikes about the way other people speak, and everyone has something to say about 'correct' pronunciation. But how did all these accents come about, and why do people feel so strongly about them? Are regional accents dying out as English becomes a global language? And most importantly of all: what went wrong in Birmingham? Witty, authoritative and jam-packed full of fascinating facts, You Say Potato is a celebration of the myriad ways in which the English language is spoken - and how our accents, in so many ways, speak louder than words

David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures - not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.

Religious faith is under assault. In books, movies, and on television, secular critics are attacking religion and the religious with ever-increasing intensity. These "new atheists" typically repeat a two-part mantra: They claim that only an idiot could believe in God, and that idiots who do so have been responsible for most of the hate and violence that have plagued humanity. Abandon religion, they urge, and the world will finally know peace. Surprisingly few books have emerged to defend faith from this onslaught. Yet when it comes to this second argument--the behavior of religious people in the world--abstract claims can be tested by reference to objective facts. In Defense of Faith examines the historical record and demonstrates that far from encouraging hate and aggression, the Judeo-Christian tradition has been the West's most effective curb on these dangerous defects of human nature. In Defense of Faith asserts that the belief in the sanctity and equality of all humans at the core of both Judaism and Christianity--what Brog calls the "Judeo-Christian idea"--has been our most effective tool in the struggle for humanity. The Judeo-Christian idea, Brog argues, has provided the intellectual foundation for human rights. Even more importantly, he maintains, the Judeo-Christian idea has repeatedly inspired the faithful to devote their lives to, and often risk their lives in, the fulfillment of these high ideals. In Defense of Faith also convincingly demonstrates that when we abandon religion as the critics urge, peace does not break out. Instead, we quickly revert to the most base instincts of our selfish genes. Written by a Jewish author who works closely with the Christian faith community, In Defense of Faith will appeal to secular and religious readers alike. This book will challenge the secular to reconsider the role of religion in Western civilization. It will inspire the religious to embrace a proud legacy of faith in action for the sake of humanity.

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.