A beautiful, elegiac novel of a father, a son, and the secrets that divide generations. In the seventy-fifth year of his life, on a sweltering August afternoon, Chester Garland, the distinguished psychiatrist, author, and campaigner for human rights, is struck by a subway train and dies. Soon after, his son Paul receives a thoroughly unexpected inheritance: three diaries written decades earlier, in the year when Garland, on a trip to France,unaccountably walked out on his family and his profession. As cool, detached Paul, a cyberspace cartoonist, reads the diaries, he finally faces the event that has shadowed his life since childhood. He embarks, as his father had a quarter century earlier, on a pilgrimage of love and grief, of passions-religious, erotic, and intellectual-and of discovery that is as unexpected as it is moving. With grace and precision, Gitlin takes us on a journey not just across an ocean or across decades, but into the secret depths of two men's lives, which were forever changed in the aftermath of that tumultuous decade now known as "the sixties." A memorable portrait of a father and son locked in a biblical embrace, Sacrifice builds with quiet elegance to its shocking conclusion.

"A hilarious, poignant memoir from comedian Todd Glass about his decision at age forty-eight to finally live openly as a gay man--and the reactions and support from his comedy pals, from Louis CK to Sarah Silverman. Growing up in a Philadelphia suburb in the 1970s was an easy life. Well, easy as long as you didn't have dyslexia or ADD, or were a Jew. And once you added gay into the mix, life became more difficult. So Todd Glass decided to hide the gay part, no matter how comic, tragic, or comically tragic the results. It might have been a lot easier had he chosen a profession other than stand-up comedy. By age eighteen, Todd was opening for big musical acts like George Jones and Patti LaBelle. His career carried him through the Los Angeles comedy heyday in the 1980s, its decline in the 1990s, and its rebirth via the alternative comedy scene and the explosion in podcasting. But the harder he worked at his craft, the more difficult it became to manage his "situation." There were the years of abstinence and half-hearted attempts to "cure" himself. The fake girlfriends so that he could tell relationship jokes onstage. The staged sexual encounters to burnish his reputation offstage. It took a brush with death to cause him to rethink the way he was living his life; a rash of suicides among gay teens to convince him that it was finally time to come out to the world. Now, Todd has written an open, honest, and hilarious memoir in an effort to help everyone--young and old, gay and straight--breathe a little more freely. Peppered with anecdotes from his life among comedy's greatest headliners and tales of the occasionally insane lengths Todd went through to keep a secret that--let's face it--he probably didn't have to keep for as long as he did, The Todd Glass Situation is a front-row seat to the last thirty plus years of comedy history and a deeply personal story about one man's search for acceptance"--

Welcome to the Dollhouse is a stark suburban comedy about eleven-year-old Dawn Wiener, a middle child in middle school in the middle of New Jersey. Sometimes hated, often reviled, seldom understood, Dawn tries in vain to put on a happy face as she struggles through the onset of what looks to be a long puberty. Life is generally grim, and sometimes it only gets grimmer. Nevertheless, she does find moments of grace amidst the humiliation of her first series of frustrated love affairs, and soon Dawn begins to wonder if life might not be better outside New Jersey.

'Bower's book is a devastating indictment' Sunday Times 'Explosive ... Bower reveals a remarkable and sinister picture of the man who likes to appear as the ever-smiling hero' Daily Mail A sensational critical biography of the man and his business practices. No British tycoon is better known, few claim to be richer and none has masterminded a more recognisable brand than Richard Branson. What is behind the success of the buccaneering balloonist, the tabloids' favourite celebrity nude, the 'grinning jumper' and the scourge of corporate goliaths? Tom Bower has a uncovered a different tale to the one so eagerly promoted by Virgin's publicists. Here is the full story of Branson: his businesses, his friendships, his ambition, his law-breaking, his drug-taking, his bullying. Offering an intimate scrutiny of exactly how Richard Branson created and sold himself, this biography reveals Branson to be a single-minded profiteer who, while occasionally generous to others, has a fixed purpose to enhance his family's wealth in secret off-shore trust funds. Instead of a glittering saint, Branson emerges as a devious actor, proud of plucking for his own profit the good ideas of others.

Tom Lehrer's Second Song Book [Dec 01, 1972] Lehrer, Tom

The New York Times and Globe & Mail -bestselling author of The Imperfectionists returns with an intricately woven novel about a bookseller who travels the world to make sense of her puzzling past. Tooly Zylberberg tells a story: as a child, she was stolen from home, stashed at a den of thieves, then adopted by crooks there, who ended up raising her and even using the little girl in capers around the globe. But Tooly understands only fragments of what happened in Thailand, Italy, New York and beyond. Then, a desperate message reaches her musty bookshop in Wales, and she is lured into a journey that will reveal the secret of her childhood. Celebrated for his ingenious plotting, humanity and humor, Tom Rachman has written a novel that will amplify his reputation as one of the most exciting young writers today.

This book traces the life of Lev Nussimbaum, a Jew who transformed himself into a Muslim prince and became a best-selling author in Nazi Germany. Born in 1905 in Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. But his life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity--until she divorced him in a tabloid scandal. His closest friend in New York was arrested as the leading Nazi agent in the United States. He was invited to be Mussolini's official biographer--until the Fascists discovered his "true" identity. Under house arrest, he wrote his last book, helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. As he tracks down the pieces of Lev's deliberately obscured life, Reiss discovers a series of shadowy worlds--of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists--that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century--of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism

Product Description From Israel's leading historian, a sweeping history of 1967--the war, what led up to it, what came after, and how it changed everything Tom Segev's acclaimed works One Palestine, Complete and The Seventh Million overturned accepted views of the history of Israel. Now, in 1967--a number-one bestseller in Hebrew--he brings his masterful skills to the watershed year when six days of war reshaped the country and the entire region. Going far beyond a military account, Segev re-creates the crisis in Israel before 1967, showing how economic recession, a full grasp of the Holocaust's horrors, and the dire threats made by neighbor states combined to produce a climate of apocalypse. He depicts the country's bravado after its victory, the mood revealed in a popular joke in which one soldier says to his friend, "Let's take over Cairo"; the friend replies, "Then what shall we do in the afternoon?" Drawing on unpublished letters and diaries, as well as government memos and military records, Segev reconstructs an era of new possibilities and tragic missteps. He introduces the legendary figures--Moshe Dayan, Golda Meir, Gamal Abdul Nasser, and Lyndon Johnson--and an epic cast of soldiers, lobbyists, refugees, and settlers. He reveals as never before Israel's intimacy with the White House as well as the political rivalries that sabotaged any chance of peace. Above all, he challenges the view that the war was inevitable, showing that a series of disastrous miscalculations lie behind the bloodshed. A vibrant and original history, 1967 is sure to stand as the definitive account of that pivotal year. From Booklist It is now 40 years since the Six Days' War, in which Israel routed the armies of Egypt, Syria, and Jordan and transformed the geography and political landscape of the Middle East. Segev is a columnist for Ha'aretz, Israel's leading left-of-center daily newspaper, and he clearly views the events leading to the war as well as the aftermath of the conflict with a predictable bias. Still, many of his revelations are both startling and credible. A substantial portion of the book is devoted to an analysis of Israeli society on the eve of the war. Segev portrays a nation plagued by disillusionment, communal tensions, and anxiety about national survival. The idealism that inspired the early Zionist pioneers had waned, and the Ashkenazi and Sephardic communities seemed increasingly resentful of each other. An increased awareness of the Holocaust by the younger generation combined with the extreme rhetoric of Arab leaders contributed to a sense of impending doom. Segev asserts that the outbreak of war was hardly inevitable and was precipitated by gross miscalculations by both sides. Freeman, Jay Copyright © American Library Association. All rights reserved Review "Today we know that Israel's triumph in 1967 was a Pyrrhic victory. Tom Segev's 1967 makes that more clear than anything written on the subject . . . Segev documents this historic tragedy brilliantly, authoritatively, as no one has before."--Amos Elon, Ha'aretz "Tom Segev's 1967 offers a brilliant description of the Six Day War in its widest context: the international scene, the Middle Eastern confrontations, the political and social situation of Israel, as well as fascinating snippets of everyday life. The crucial role of individual actors is deftly woven into the general picture, the description of the military events is enthralling. This is probably the best book on those most fateful days in the history of Israel and the Middle East."--Saul Friedlander, author of The Years Of Extermination: Nazi Germany And The Jews, 1939-1945 "The year 1967 divides the history of Israel in two: what came before and what came after. Tom Segev's book makes this abundantly clear, and demonstrates the difference between a military victory and a political one."--Daniel Barenboim About the Author Tom Segev is a columnist for H

This first fully documented biography of Simon Wiesenthal, the legendary Nazi hunter, is also a brilliant character study of a man whose life was part invention but wholly dedicated to ensuring both that the Nazis be held responsible for their crimes and that the destruction of European Jewry never be forgotten. Like most Jews in Eastern Europe on the eve of Hitler's invasion of Poland, twenty-four-year-old Simon Wiesenthal did not grasp the nature of the Nazi threat. But six years later, when a skeletal Wiesenthal was liberated from the concentration camp at Mauthausen, he fully fathomed the crimes of the Nazis. Within days he had assembled a list of nearly 150 Nazi war criminals, the first of dozens of such lists he would make over a lifetime as a Nazi hunter. A hero in the eyes of many, Wiesenthal was also attacked for his unrelenting pursuit of the past, when others preferred to forget. For this new biography, rich in newsworthy revelations, historian and journalist Tom Segev has obtained access to Wiesenthal's private papers and to sixteen archives, including records of the U.S., Israeli, Polish, and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his relationship with Israel's Mossad, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. Segev's challenge in writing this biography was Wiesenthal's own complicated relationship to truth. Wiesenthal told many versions of his life, his suffering in the camps, and his involvement with the arrest of individual Nazis. Segev shows that in order to gain the information he sought and twist the arms of reluctant government figures, Wiesenthal needed to seem more influential than he really was. For two generations of Americans, Simon Wiesenthal was a Jewish superhero--depicted on film by Ben Kingsley and Laurence Olivier--and the muse for a Frederick Forsyth thriller. Now Segev demonstrates that the truth of Wiesenthal's existence is as compelling as the fiction. "Simon Wiesenthal" is an unforgettable life of one of the great men of the twentieth century.

After Magritte

From Tony Award-winning playwright Tom Stoppard, Indian Ink is a rich and moving portrait of intimate lives set against one of the great shafts of history--the emergence of the Indian subcontinent from the grip of Europe. The play follows free-spirited English poet Flora Crewe on her travels through India in the 1930s, where her intricate relationship with an Indian artist unfurls against the backdrop of a country seeking its independence. Fifty years later, in 1980s England, her younger sister Eleanor attempts to preserve the legacy of Flora's controversial career, while Flora's would-be biographer is following a cold trail in India. Fresh from the critically acclaimed off-Broadway performance in 2014, Indian Ink is reemerging as an important part of Stoppard's oeuvre and the global dramatic canon, a fascinating, time-hopping masterwork.

This new offering from the Time Team duo of Robinson and Aston brings another entertaining and light-hearted book to our shelves. `This is the story of a fantasy dig readers undertake in their back gardens to find out what bits of rubbish are buried there'. What starts out as a small hole grows into a full-scale excavation involving mechanical diggers, and reveals the remains of a Roman villa under a proposed supermarket. In amongst this story, the authors answer many of the frequently asked questions about archaeology and archaeologists, about the history of the discipline and about how a dig works. Robinson and Aston are entertaining and amusing as always.

Explore the Jewish and Christian Scriptures with the world renowned Bible scholar and expert on Jewish evangelism, Rabbi Tovia Singer. This new two-volume work, Let’s Get Biblical! Why Doesn’t Judaism Accept the Christian Messiah?, takes the reader on an eye-opening journey through timeless passages in Tanach, and answers a pressing question: Why doesn’t Judaism accept the Christian messiah? Are the teachings conveyed in the New Testament compatible with ageless prophecies in the Jewish Scriptures? Rabbi Singer’s fascinating new work clearly illustrates why the core doctrines of the Church are utterly incompatible with the cornerstone principles expressed by the Prophets of Israel, and are opposed by the most cherished tenets conveyed in the Jewish Scriptures. Moreover, this book demonstrates how the Church systematically and deliberately altered the Jewish Scriptures in order to persuade potential converts that Jesus is the promised Jewish messiah. To accomplish this feat, Christian “translators” manipulated, misquoted, mistranslated, and even fabricated verses in the Hebrew Scriptures so that these texts appear to be speaking about Jesus. This exhaustive book probes and illuminates this thought-provoking subject.Tragically, over the past two millennia, the church’s faithful have been completely oblivious to this Bible-tampering because virtually no Christian can read or understand the Hebrew Scriptures in its original language. Since time immemorial, earnest parishioners blindly and utterly depended upon manmade Christian “translations” of the “Old Testament” in order to understand the “Word of God.” Understandably, churchgoers are deeply puzzled by the Jewish rejection of their religion’s claims. They wonder aloud why Jewish people, who are reared since childhood in the Holy Tongue, and are the bearers and protectors of the sacred Oracles of God, do not accept Jesus as their messiah. How can such an extraordinary people dismiss such an extraordinary claim? Are they just plain stubborn? Let’s Get Biblical thoroughly answers these nagging, age-old questions.

He has debated Protestants, skeptics, and socialists. He has refuted countless atheist arguments and debunked a thousand anti-Catholic myths-without breaking a sweat. But now Trent Horn has met his match ... himself. What if the voice of your deepest doubts and difficulties about Catholicism rose up in the form of a human being and challenged you to a defend your most foundational beliefs? That's the task Trent faces in Devil's Advocate: a dialogue with his own best objections against the faith he professes and defends. In this engaging series of conversations with his anti-Catholic alter-ego, Trent battles challenges on topics such as: God: You can t believe that God is a person when most philosophers say that-at best-God is just a force. The problem of evil won't allow it! The Resurrection: Why say that Jesus truly rose from the dead when simpler explanations suffice? Why believe in this miraculous story but reject those in other religions? The Bible vs. The Pope: Doesn't it make more sense to put your faith in the unchanging word of God over Catholic leaders who keep making new teachings? Hell: How can you believe that God tortures people in hell forever? What if it were your own child? The voice of doubt does not mess around-not for Trent, and maybe not for you, either. But in Devil's Advocate, you'll find that there's a better option than ignoring those doubts you can't quite beat. You have what it takes to face them ... and Trent will show you how. Book jacket.

Robbins uses reproductions of their comics in this documentation of women cartoonists from about 1900 to the present, giving sexism as the deterrant to women's success.

"In 1973, the Supreme Court gave women the right to make decisions over the care of their own bodies. A mere fifty years later, a rogue Supreme Court has taken that right away. Today, over 32 states have banned or severely restricted abortion. We're fighting back as best we can, with pens and brushes, paper and ink, and have produced a pro-choice anthology: Won't Back Down, featuring the work of over 30 artists, writers, inkers, and colorists, and we're giving the profits to Planned Parenthood. With Won't Back Down, Trina Robbins has created an important anthology that celebrates women who fight for justice - for anyone interested in women's rights, free speech, or simply great comics."--

Germany, the most racist of countries less than a century ago, has for the past two years welcomed over one million refugees, more than any other European country. To find out the secret behind this turn of character, Tuvia Tenenbom, a Jew born in Israel, presented himself as a Jordanian and was able to gain entry into many refugee camps. Living in squalid conditions in airless rooms, and with barely edible food, the refugees begged Tuvia to help them get out of the camps. When not with the refugees, Tuvia traveled through the land and mingled with the local people who shared with him that they, the Germans, were the kindest people in Europe, far superior to the "inhumane" Jews. Tuvia Tenenbom's provocative re-enactment of the refugee reality in the middle of Europe, coupled with the rising anti-Semitism of the people who proclaim themselves to be kind, exposes the hypocrisy of the "Refugees Welcome" mantra chiming throughout the Western world. - - - Praise for Tuvia Tenenbom's previous work: "Irresistibly fascinating, emotionally explosive ... seductive and engaging." The New York Times "Highly engaging and emotional, eminently readable, brutally honest." Publishers Weekly "A Falstaffian reporter . . . Illuminating and alarming." The Wall Street Journal "Tenenbom's hodgepodge of politics, zealotry and literary genres is fresh and audacious." The Village Voice "Hugely entertaining, terribly funny, sarcastic, engaging, powerful, accusatory, judgmental, good!" National Review