In plays such as Isn't It Romantic, Uncommon Women and Others, and the Pulitzer Prize-winning The Heidi Chronicles, Wendy Wasserstein put her finger on the pulse of her past-modern, post-feminist sisters and delivered her diagnosis with shrewd good humor and an unerring sense of the absurd. That same engaging sensibility bubbles through the twenty-nine essays in Bachelor Girls, in which Wasserstein presents her observations on: -- Boyfriends -- "The worse the boyfriend, the more stunning your American Express bill." -- Role Models -- "In the forties emulating an ideal woman meant bobbing your hair like Betty Grable's. In the eighties, because of Jessica Lange, women have to get a Pulitzer Prize-winning actor-playwright to fall in love with them, have a child by one of the world's great dancers, be nominated for two Academy Awards, and enjoy doing the laundry alone on a farm." -- Success -- "I knew my friend Patti was a big-time Hollywood agent the first time I saw her dial a telephone with a pencil." Ranging from the dietary secrets of lemon mousse to the politics of the second marriage, with stopovers at a bar mitzvah in Westchester, a chess tournament in Rumania, and a Tokyo production of Isn't It Romantic, Bachelor Girls is pure Wasserstein, which is to say, pure joy. From the Trade Paperback edition.

Yes, some women are opting out of their careers, taking an "off-ramp," and heading home to raise their babies. But millions of us cannot afford to make that choice. And millions more choose to work because we love our careers. So how are women holding on to financially necessary or stimulating and rewarding careers and still being engaged mothers? Wendy Sachs, journalist and mother of two, set out to find what's really happening at the intersection of motherhood and work today. Based on her in-depth interviews with mothers from diverse backgrounds, How She Really Does It explores the creative and courageous ways in which stay-at- work moms are making it happen. Here are the moms next door-as well as lawyers, doctors, entrepreneurs, fashion designers, journalists, and television personalities-who are navigating the everyday work/home conflicts, and, yes, dealing with the guilt. Through it all, they are empowered career women and caring, present mothers. A modern working woman's survival guide, How She Really Does It will give you hope that even if you can't have it all, you can have at least some of it all of the time.

Welcome to the Dollhouse is a stark suburban comedy about eleven-year-old Dawn Wiener, a middle child in middle school in the middle of New Jersey. Sometimes hated, often reviled, seldom understood, Dawn tries in vain to put on a happy face as she struggles through the onset of what looks to be a long puberty. Life is generally grim, and sometimes it only gets grimmer. Nevertheless, she does find moments of grace amidst the humiliation of her first series of frustrated love affairs, and soon Dawn begins to wonder if life might not be better outside New Jersey.

A beautiful, elegiac novel of a father, a son, and the secrets that divide generations. In the seventy-fifth year of his life, on a sweltering August afternoon, Chester Garland, the distinguished psychiatrist, author, and campaigner for human rights, is struck by a subway train and dies. Soon after, his son Paul receives a thoroughly unexpected inheritance: three diaries written decades earlier, in the year when Garland, on a trip to France,unaccountably walked out on his family and his profession. As cool, detached Paul, a cyberspace cartoonist, reads the diaries, he finally faces the event that has shadowed his life since childhood. He embarks, as his father had a quarter century earlier, on a pilgrimage of love and grief, of passions-religious, erotic, and intellectual-and of discovery that is as unexpected as it is moving. With grace and precision, Gitlin takes us on a journey not just across an ocean or across decades, but into the secret depths of two men's lives, which were forever changed in the aftermath of that tumultuous decade now known as "the sixties." A memorable portrait of a father and son locked in a biblical embrace, Sacrifice builds with quiet elegance to its shocking conclusion.

"A riveting story of how one brave and adventurous woman turned her life upside down for God. Firestone teaches us, through the joys and sorrows of her life, how our ancient traditions are calling out to us for renewal, and how, through faith, honesty, and struggle, we are learning to respond. At age seventeen, Tirzah Firestone left the oppressive home of her Orthodox Jewish parents and set off on a spiritual odyssey. With Roots in Heaven is the story of that journey, a fascinating and moving account of her evolution from rebellious young seeker to renegade rabbi. This is an inspiring, true account of a courageous woman with strong convictions and a passion to know and feel God. It is also a book that goes beyond one person's story of wandering and redemption to explore the dangers of modern religion and the joys and conflicts of intermarriage and raising interfaith children. An unforgettable story of love, sacrifice, and transformation-of grace sought and found-With Roots in Heaven offers hope, wisdom, and encouragement to anyone seeking deeper spiritual meaning in today's world"--

Napoleon III, being accused on one occasion of having nothing of the Great Napoleon about him, replied with as much exasperation as wit, that he did, on the contrary, have his relations. This book is a domestic chronicle of the incredible Bonaparte family, a greedy, amorous, quarrelsome and hot-blooded Corsican clan who provided nineteenth-century Europe — and America — not only with two French emperors but also with a dazzling assortment of pretenders and parvenus, statesmen and eccentrics, great ladies and adventurers. Plumped onto the thrones of Europe by the career of Napoleon I, who probably took better care of his family than any other conqueror in history, the Bonapartes survived the wreck of the two empires they ruled, buzzing around the honeypots of the continent with all the persistence of the imperial bees of Napoleon's crest. This is a personal history, not a political one. It is the family, with its eccentricities, vulgarities and fascinations manifesting themselves in generation after generation, which holds the centre of the stage. The great political, economic and military events of the time are heard dimly as 'noises off'. Napoleon I himself appears as a son, brother, husband, father and above all as the founder of a dynasty, rather than as a great public figure. Theo Aronson paints this family portrait with a wealth of detail based on many years of research with historical documents and original records, letters, memoirs and family diaries. Praise for The Golden Bees: ‘A very considerable feat… a long, comfortable, easy-going sort of narrative full of tit-bits of information, stuffed with anecdotes’ - Observer ‘This is a hugely entertaining book. Neither biography nor history; but a mixture of both.… All lovers of royal gossip, of sprightly anecdotes and of the scandal and personal drama of history should delight in it’ - New York Times Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain’s royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

'This war', wrote Winston Churchill to King George VI at the height of the Second World War, 'has brought throne and people closer together than was ever before recorded.' Here is a full and fascinating account of that coming together. It is a study of the contribution made not only by George VI and his redoubtable Queen, but also by the entire royal family during those turbulent years, and of how that contribution strengthened and popularized the monarchy. This is a family saga; an account of the lives, as much private as public, of all the diverse members of what George VI called 'The Firm'. Together with the tireless efforts of the King and Queen, it deals with such aspects as the Duke of Windsor's flirtation with fascism, the mysterious death of the Duke of Kent, the activities of the Athlones in Canada and the Gloucesters in Australia, and the imprisonment of the Princess Royal's eldest son, Viscount Lascelles. Occasionally tragic, often amusing, always interesting, The Royal Family at War is a richly detailed panorama of the monarchy in one of its finest hours. Theo Aronson is the author of over twenty works of royal historical biography including Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret. In the course of researching and writing these books he has interviewed major and minor members of Britain’s royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

'My nature', wrote Queen Victoria, 'is too passionate, my emotions too fervent, and I am a person who has to cling to someone in order to find peace and comfort.' To Queen Victoria, the love, attention and protection of a man was all but indispensable. During her long life, there were six men with whom her emotions were romantically involved: her first prime minister, the urbane Lord Melbourne; her husband, the idealistic Prince Albert; her fellow sovereign, the fascinating Napoleon III; her ghillie, the rough-hewn John Brown; another prime minister, the silver-tongued Disraeli; and her Indian servant, the exotic Munshi. The main appeal to Queen Victoria of these six apparently disparate characters was that they were men of distinctive personality: there was something exceptional about each of them. And they all treated her as a woman first, a queen second. By focusing on the Queen's romantic associations and making full use of recently revealed material, Theo Aronson has painted a fresh, intriguing and startlingly different portrait of Queen Victoria. With his talent for narrative and characterization, he has produced one of the most incisive and readable of his many royal biographies. Praise for Heart of a Queen: ’Theo Aronson always writes very thoughtfully and thoroughly. This book gave great insight into the relationships Queen Victoria had with the men in her life’ - Amazon review ‘Interesting angle on Queen Victoria who it seems could be amused! An intriguing read … Makes the Queen seem far less remote than some other portrayals’ - Amazon review Theo Aronson (1929–2003) was a South African-born writer who specialised in biographies of royal and other dynastic or celebrated figures. His warm and relaxed manner made him popular with the subjects of his works and their connections, many of whom granted him personal interviews, while C. P. Snow described his work as ‘bright with intelligence and human wisdom’.

An unforgettable story from one of Brazil's most accomplished and original new voices, this is a profoundly moving portrait of a young woman finding her way back into life. From one of Granta 's Best Young Brazilian Novelists comes a startling and powerful story about returning to one's origins in order to move forward. In Rio de Janeiro, a woman suffering from a mysterious illness, which is eroding her body and mind, decides to accept a challenge from her grandfather: to take the key to the house where he grew up--in the Turkish city of Smyrna--and open the door. As she embarks on this pilgrimage, she begins to write of her progress. The writing soon becomes an exploration of her family's legacy of displacement in Europe, told in several narrative strands. Sifting through family stories--her grandfather's migration from Turkey to Brazil, her parents' exile in Portugal under the Brazilian military dictatorship, her mother's death, and her own love affair with a violent man--she traces her family's history in a journey to make sense of the past and to understand her place in it. With an epic sweep of time and place--traversing Brazil, Turkey, and Portugal--this is a profoundly moving portrait of a young woman finding her way back into life. Spare, heartfelt, and evocative, The House in Smyrna is an unforgettable story from one of the most accomplished and original new voices in Brazil.

Shulamit, a biblical scholar from England, returns to her grandparents' home in Jerusalem for a visit after an absence of many years. Almost immediately she becomes embroiled in a family feud over possession of the so-called Shepher Codex, a mysterious and valuable manuscript which has been discovered in the attic. In tracing the origins of the Codex she uncovers the history of the Shepher family itself: of her great-grandfather, who traveled to Babylon in search of the ten lost tribes; of her grandfather, a dreamer whose Zionist ideals brought him into conflict with his religion; of her parents, and their tormented love affair; and of her own orphaned and unhappy past. At the same time, she struggles to find answers to pressing questions: what is the significance of the Codex and where does it come from? Who is the stranger, Gideon, who is desperate to enlist her help? Above all, whom does the Codex belong to and what part must Shula play in its destiny? Set against the backdrop of a changing Jerusalem over a hundred and thirty years, The Genizah at the House of Shepher is a large-canvas novel of exile and belonging, displacement, and the quest for both love and a true promised land.

A daughter is forever. No matter how old she is, in your heart she'll always be that little girl full of imagination, dreams, and fantastic potential -- the one who captured your heart the day she came into your life... Bestselling poet Susan Polis Schutz and Grammy Award-winning songwriter Donna Fargo, along with many other authors, have contributed to this book some of the most eloquent words any daughter could ever receive. This is a beautiful, lasting way to convey your love for your daughter, your confidence in her, and your promise to always be there for her no matter where life takes her... "My day always becomes wonderful when I see your pretty face smiling so sweetly. There is such warmth and intelligence radiating from you. It seems that every day you grow smarter and more beautiful." - Susan Polis Schutz

(Piano Solo Songbook). 37 contemporary composers chose a song by Stephen Sondheim and re-imagined it as a solo piano piece. Contents below: Akiho: Into the Woods (Act I Opening Into the Woods ) Bates: Very Put Together ("Putting it Together" Sunday in the Park with George ) Beglarian: Perpetual Happiness ("Happiness" Passion ) Bermel: Sorry/Grateful ("Sorry-Grateful" Company ) Bischoff: The Ballad of Guiteau ("The Ballad of Guiteau" Assassins ) Bolcom: A Little Night Fughetta ("Anyone Can Whistle" Anyone Can Whistle and "Send in the Clowns" A Little Night Music ) Brown: Birds of Victorian England ("Green Finch and Linnet Bird" Sweeney Todd ) Bunch: The Demon Barber ("The Ballad of Sweeney Todd" Sweeney Todd ) Childs: Now ("Now," "Later" and "Soon" A Little Night Music ) Daugherty: Everybody's Got the Right ("Everybody's Got the Right" Assassins ) de Mare: Sunday in the Park - Passages ( Sunday in the Park with George ) Golub: A Child of Children and Art ("Children and Art" Sunday in the Park with George ) Gordon: Every Day a Little Death ("Every Day a Little Death" A Little Night Music ) Gosfield: A Bowler Hat ("A Bowler Hat" Pacific Overtures ) Heggie: I'm Excited. No, You're Not. ("A Weekend in the Country" A Little Night Music ) Hersch: No One Is Alone ("No One Is Alone" Into the Woods ) Iverson: Send in the Clowns ("Send in the Clowns" A Little Night Music ) Kahane: Being Alive ("Being Alive" Company ) Kline: Paraphrase (Someone in a Tree) ("Someone in a Tree" Pacific Overtures ) Leon: going . . . gone ("Good Thing Going" Merrily We Roll Along ) Lorenz: The Worst Empanadas in London ("The Worst Pies in London" and "A Little Priest" Sweeney Todd ) Marsalis: That Old Piano Roll ("That Old Piano Roll" Follies ) Moravec: I Think About You ("Losing My Mind" Follies ) Muhly: Color and Light ("Color and Light" Sunday in the Park with George ) Musto: Epiphany ( Sweeney Todd ) Newman: Not While I'm Around ("Not While I'm Around" Sweeney Todd ) Rakowski: The Ladies Who Lunch ("The Ladies Who Lunch" Company ) Reich: Finishing the Hat - 2 Pianos ("Finishing the Hat" Sunday in the Park with George ) Rockwell: You Could Drive a Person Crazy ("You Could Drive a Person Crazy" Company ) Roumain: Another Hundred People ("Another Hundred People" Company ) Rzewski: I'm Still Here ("I'm Still Here" Follies ) Sharman: Notes on "Beautiful" ("Beautiful" Sunday in the Park with George ) Sheik: Johanna in Space ("Johanna" Sweeney Todd ) Shire: Love Is in the Air ("Love Is in The Air" A Funny Thing Happened on the Way to the Forum ) Speach: In and Out of Love ("Liaisons" and "Send in the Clowns" A Little Night Music ) Turnage: Pretty Women ("Pretty Women" Sweeney Todd ) Vigeland: Merrily We Roll Along ("Merrily We Roll Along" and "The Hills of Tomorrow" Merrily We Roll Along )

We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition. Abolish the Family traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer Marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after." --inside front cover flap

Three years ago, something terrible happened to Naomi Jenkins - so terrible that she never told anybody. Now Naomi has another secret - the man she has fallen passionately in love with, unhappily married Robert Haworth. When Robert vanishes without trace, Naomi knows he must have come to harm. But the police are less convinced, particularly when Robert's wife insists he is not missing. In desperation, Naomi has a crazy idea. If she can't persuade the police that Robert is in danger, perhaps she can convince them that he is a danger to others. Then they will have to look for him - urgently. Naomi knows how describe in detail the actions of a psychopath. All she needs to do is dig up her own troubled past...

"Sharona Muir's Heredity and Other Inventions radiate like elements discovered late at night after years of searching ... a rocket in a museum in another country is both public knowledge and family secret; a daughter's umbilical cord in her father's lab sparks questions about the uses of love; the body of an airplane holds the imagined gestures of humans in their fi nal moments of life ... Muir renders the physical world so unfl inchingly that the metaphysical blows back, in equal and opposite reaction ... these poems are an act of postmortem collaboration: daughter as witness to history, using language to weld and spark familial bonds and to summon up their mysteries." --Rebecca Klaver, author of Empire Wasted "... Muir has a gift for conjuring beauty in the least expected places, dazzling audiences with rich imagery ... While the speaker's narrative is particular to her unique experience, in many ways this chapbook's poems transcend place and time, and resonate with all who have looked to the past for a way of understanding the present." --Mary Biddinger, author of Small Enterprise

'It has taken me several years of exploration, but I am at a place now where I see autism as neither an affliction nor a superpower. It's just the blueprint for who I am. There is no cure, but that's absolutely fine by me. To cure me of my autism would be to cure me of myself.' During the first thirty years of her life, comedy script writer Sara Gibbs had been labelled a lot of things - a cry baby, a scaredy cat, a spoiled brat, a weirdo, a show off - but more than anything else, she'd been called a Drama Queen. No one understood her behaviour, her meltdowns or her intense emotions. She felt like everyone else knew a social secret that she hadn't been let in on; as if life was a party she hadn't been invited to. Why was everything so damn hard? Little did Sara know that, at the age of thirty, she would be given one more label that would change her life's trajectory forever. That one day, sitting next to her husband in a clinical psychologist's office, she would learn that she had never been a drama queen, or a weirdo, or a cry baby, but she had always been autistic. Drama Queen is both a tour inside one autistic brain and a declaration that a diagnosis on the spectrum, with the right support, accommodations and understanding, doesn't have to be a barrier to life full of love, laughter and success. It is the story of one woman trying to fit into a world that has often tried to reject her and, most importantly, it's about a life of labels, and the joy of ripping them off one by one.

England, 1932: Grace Hamblin is growing up in a rural idyll. The beekeeper's daughter, she knows her place and her future -- that is until her father dies and leaves her alone. Alone, that is, except for one man who she just can't shake from her thoughts ... Massachusetts, 1973: Grace's daughter Trixie Valentine is in love with an unsuitable boy. He's wild and romantic, and in a band that might be going somewhere. But when tragedy strikes and he has to go home to England, he promises to come back to Trixie one day, if only she will wait for him. Both mother and daughter are searching for love and happiness, unaware of the secrets that bind them. To find what they are longing for they must confront the secrets of the past, and unravel the lies told long ago.

On a day like any other, Kleinzeit gets fired. Hours later he finds himself in hospital with a pair of adventurous pyjamas and a recurring geometrical pain. Here he falls instantly in love with a beautiful night nurse called Sister. And together they are pitched headlong into a wild and flickering world of mystery ... Kleinzeit. In German that means 'hero'. Or 'smalltime'. It depends on whom you ask. 'Russell Hoban is our Ur-novelist, a maverick voice that is like no other' SUNDAY TELEGRAPH

"Robert Westbrook's novel strips the gilt off the Hollywood Golden Age to reveal the seamier underside. 'The Torch Singer' begins with an ending, a scene of murder and mayhem on St. Valentine's Night in 1956 Beverly Hills and unravels the many and various threads of the lives and careers that took them there." Time Out "The Torch Singer" is a sweeping historical saga that takes the reader from the horrors of Nazi-occupied Poland to the glittery excesses of Hollywood in the 1940s and 50s: the rise and fall of Sonya Saint-Amant, a singer who schemes her way to fame and glory breaking all the rules. Book One, "An Overnight Sensation" , charts the rise of Sonya from the age of 17 in 1940, a girl dreaming of being an understudy at the Krakow Opera when Nazis raid the theater. After witnessing the summary execution of her mother by German soldiers she escapes Poland and makes her way to London. Using guile and beauty, she finds passage to America in 1943 on the "Mauretania" , a dangerous North Atlantic crossing on a troop ship full of men. As the ship steams north into Arctic waters evading enemy submarines, Sonya almost wins at a high-stakes game of love . . . only to arrive in New York alone and desperate but determined to become a star. "A masterpiece of storytelling. A book of constant intrigue which from the outset creates that delicious paradox of it being immediately clear that nothing is ever quite as it seems." Daily Mail "Robert Westbrook is a born storyteller and a bit of a magician." Ally Sheedy "The Torch Singer" is an unforgettable journey through the shadowlands of fame.

Step into the enchanting world of "The Bishop's Wife" by Robert Nathan, the classic novel that inspired the beloved Christmas film featuring Cary Grant and Loretta Young - and later adapted as The Preacher's Wife starring Denzel Washington, Whitney Houston, and Courtney B. Vance. Bishop Henry Brougham faces dual challenges—a burning desire to erect a grand cathedral for his overflowing parish and a lack of a suitable archdeacon to fund the ambitious project. As if providence intervenes, his prayers are answered with the arrival of Michael, a radiant angel with golden hair, taking on the role of archdeacon. However, the story unfolds beyond the ecclesiastical duties, delving into the intricacies of Bishop Brougham's marriage to the beautiful Julia. While she dutifully fulfills her marital obligations, the spark of passion is missing. The celestial presence of Michael brings a new dimension to their lives, awakening unexpected emotions in Julia with his boundless love. Yet, Michael grapples with the constraints of earthly responsibilities, involving financial manipulation from wealthy patrons. As the holiday season approaches, the narrative takes an intriguing turn, exploring the delicate balance between divine love and earthly commitments. The bishop senses a magnetic attraction between Julia and the angelic Michael. Will the purity of divine love lead Julia astray, or will the bonds of marital duty triumph? "The Bishop's Wife" weaves a tale of love, duty, and the transcendent magic of the holiday season, leaving readers captivated by the timeless narrative.