Great behind-the-scenes account of a classic film. Book is in good overall condition. Jacket has minor scuffing and spine wear but pages are clean, tight, and intact. Prompt shipping.

"Legendary economist Hyman Minsky identified author William H. Janeway as a 'theorist-practitioner' of financial economics; this book is an expression of that double life. Interweaving his unique professional perspective with political and financial history, Janeway narrates the dynamics of the innovation economy from the standpoint of a seasoned practitioner of venture capital, operating on the frontier where financial speculation intersects with novel technology. In this fully revised and updated edition, Janeway develops his theory that asset bubbles play a central role in financing technological innovation and that state investment in national goals enable the innovation process. Now, the Digital Revolution, sponsored by the state and funded by speculation, has matured to attack the authority, and even the legitimacy, of governments. The populist response in the West, especially in the United States, opens the door for China to seize leadership of the innovation economy from America"--

Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- One: All About Stereotypes -- Two: Jews -- The Jewish Mother -- Internationalists Plotting to Take Over the World -- Shrewd Businessmen -- Have Horns -- The Chosen People -- Killed Jesus Christ -- Smarter -- Cheap -- Control Wall Street and the Banks -- Rich and Ostentatious -- Pushy and Aggressive -- Control the Media -- Have Big Noses -- Three: Italians -- "Mangia! Mangia!"--Stupid, Ignorant, Suspicious of Education -- Family-Oriented, Clannish, Distrustful of Outsiders -- Great Singers -- Talk with Their Hands -- Belong to the Mafia -- Cowards in Battle -- Violent and Quick-Tempered -- Great Shoemakers -- Four: Blacks -- Hypersensitive -- Sexual Prowess -- Physically Powerful, Great Athletes -- Dirty and Slovenly -- Stupid -- Musically Gifted, Great Rhythm, Terrific Entertainers -- Lazy and Shiftless -- Big Cadillacs and Flashy Clothes -- Violent Criminals -- Five: Japanese -- Chauvinistic -- Hardworking, Ambitious, and Competitive -- Highly Educated and Intelligent -- Japanese Women are Servile and Obedient -- The Sneaky Jap -- Strong Family Ties -- Great Imitators -- Law-Abiding -- Six: Chinese -- Sly, Sinister, and Deceitful -- No Tickee, No Washee -- Inscrutable -- The Best Food in the World -- Learned and Wise -- Love to Gamble -- Cruel -- Strong Family Ties -- Quiet, Polite, and Deferential -- Seven: Irish -- Heavy Drinkers -- Good at Politics -- Sexually Repressed -- Very Religious -- Highly Nationalistic -- Literary, Witty, and Gregarious -- The "Fighting Irish"--Eight: Poles -- Dumb -- Dirty -- Racists and Bigots -- Uneducated -- Boorish and Uncultured, Low Class -- Nine: WASPs -- Honorable -- Hardworking, Industrious, and Thrifty -- Cold and Insensitive -- Well-Mannered, Polite, Genteel -- Snobbish

Critical Globalization Studies is the first volume to map out a critical approach to the rapidly growing field of gloablization studies. Centrally concerned with global justice, the contributors both scrutinze and recast the subject. As well, the volume serves as a bridge connecting scholars of globalization, the policy world, and the global justice movement. The essays examine a wide range of topics too often left at the margin of globalization studies and in the process raise a host of crucial questions. Unique in its extensive and comprehensive approach, Critical Globalization Studies develops new and important theoretical perspectives on globalization while engaging global social activism. It is an indispenseable guide for both academics and practitioners.

Overview: Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of "drawing lessons." Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world.

"This Element documents the evolution of a research program that began in the early 1960s with the author's first investigation of language change on Martha's Vineyard. It traces the development of what has become the basic framework for studying language variation and change"--

An anthology of the very funniest jokes, stories, scripts, cartoons, and parodies from Americas's top humorists, comedians, cartoonists, and entertainers of the past twenty-five years on every subject from politics to sex

A playful and diverting, yet always scientifically rigorous look at those simple mysteries that are yet to be solved Why are so many giraffes gay? Has human evolution stopped? Where did our alphabet come from? Can robots become self-aware? Can lobsters recognize other lobsters by sight? What goes on inside a black hole? Are cell phones bad for us? Why can't we remember anything from our earliest years? Full of the mysteries of life, the universe, and everything, this is a fascinating and unputdownable exploration of the limits of human knowledge of our planet, its history and culture, and the universe beyond.

Pulitzer Prize Award Winner, Grammar Wiz, & New York Times curmudgeon offers the reader the "word" on words with some sound advice along with his light-hearted essays. A funny, self-mocking, light-hearted, sassily educational guide to good grammar and style. Well-worth reading.

From Library Journal A penetrating expose of the case of Pollard, an American Jew who worked for U.S. Naval Intelligence and spied for Israel. Blitzer, the Washington correspondent for The Jerusalem Post , interviewed Pollard (now in federal prison) and also made use of many contacts in the Israeli government. The tale Blitzer tells is of a bright but unstable man, a dedicated Zionist but questionably loyal American, who offered his services to the Israelis, who in turn mounted a poorly organized intelligence operation in the United States. Blitzer raises many issues about the case that will be debated for years--the harsh sentence given to both Pollard and his wife, the question of dual loyalties, and the possibility of a third party involvement. A thoroughly provocative tale that needed to be told and was done so with a great deal of passion. - Sanford R. Silverburg, Catawba Coll. , Salisbury, N.C . Copyright 1989 Reed Business Information, Inc.

Nobel Laureate's brilliant early treatise on Einstein's theory consists of his original 1921 text plus retrospective comments 35 years later. Concise and comprehensive, it pays special attention to unified field theories.

These transciptions are a loosely chronological collection of recordings of artists from the Delta to Chicago. The songs include tunes that were the blues 'hits' in their days - such as Robert Johnson's "Traveling Riverside Blues" - and well-known classics - like "Baby What You Want Me to Do, " by Jimmy Reed. In addition, there are undiscovered (but no less brilliant) rarities like "South Carolina Rag, " by Willie Walker, and Lonnie Johnson's "Away Down in the Alley Blues." Together, the songs offer a sampling of blues history. Some of the techniques covered in this collection including playing in five tunings and nine keys, bottleneck playing, syncopated picking styles, and a wide range of harmonic and melodic ideas.

For many, the name of Adolf Eichmann is synonymous with the Nazi murder of six million Jews. As a perpetuator of the Final Solution he stands alongside Adolf Hitler and Heinrich Himmler as one of history's most notorious murderers, yet ever since Hannah Arendt's seminal book, "Eichmann in Jerusalem: A Report on the Banality of Evil", there has been disagreement about the essence of Eichmann and by extension, about the definition of evil action. Was he a human monster or a petty bureaucrat? To what degree did the totalitarian organization to which he belonged absolve him and his staff from individual choice and responsibility for atrocities? This title looks at the words and actions of Eichmann and the bureaucrats he worked with in Berlin and throughout the more significant Gestapo offices in Western Europe. It claims that Hannah Arendt's thesis about the banality of evil was wrong. In chilling detail, it presents a group of people completely aware of what they were doing, people with high ideological motivation, people of initiative and dexterity who contributed far beyond what was necessary. While most of these bureaucrats sat behind desks rather than behind machine guns, there was nothing banal about the role they played in the destruction of European Jewry>

Astronomy is a fortunate science; it needs no embellishments, said the French savant Arago. So fascinating are its achievements that no special effort is needed to attract attention. Nonetheless, the science of the heavens is not only a collection of astonishing revelations and daring theories. Ordinary facts, things that happen, day by day, are its substance. Most laymen have, generally speaking, a rather hazy notion of this prosaic aspect of astronomy. They find it of little interest, for it is indeed hard to concentrate on what is always before the eye.Everyday happenings in the sky are the contents of this book, free from professional terminology with easy reading. Its purpose is to initiate the reader into the basic facts of astronomy. Ordinary facts with which you may be acquainted are couched here in unexpected paradoxes, or slanted from an odd and unexpected angle solely to excite the imagination and quicken your interest. The daily aspect of the science of the skies, its beginnings, not later findings that mainly form the contents of Astronomy for Entertainment. The purpose of the book is to initiate the reader into the basic facts of astronomy. Ordinary facts with which you may be acquainted are couched here in unexpected paradoxes, or slanted from an odd and unexpected angle. The theme is, as far as possible, free from "terminology" and technical paraphernalia that so often make the reader shy of books on astronomy.Books on popular science are often rebuked for not being sufficiently serious. In a way the rebuke is just, and support for it can be found (if one has in mind the exact natural sciences) in the tendency to avoid calculations in any shape or form. And yet the reader can really master his subject only by learning how to reckon, even though in a rudimentary fashion. True, he has taken care to present them in an easy form, well within the reach of all who have studied mathematics at school. It is his conviction that these exercises help not only retain the knowledge acquired; they are also a useful introduction to more serious reading.This book contains chapters relating to the Earth, the Moon, planets, stars and gravitation. The author has concentrated in the main on materials not usually discussed in works of this nature. Subjects omitted in the present book, will, he hopes, be treated in a second volume. The book, it should be said, makes no attempt to analyze in detail the rich content of modern astronomy.Unfortunately Y. Perelman never wrote the continuation he had planned for this book, as untimely death in war bound Leningrad in 1942 interrupted his labours.

True, the husbands of Motal have been vanishing for years, but a wife and mother? Whoever heard of such a thing. What on earth possessed her?Could it have anything to do with Fanny's missing brother-in-law, who left her sister almost a year ago and ran away to Minsk, abandoning their family to destitution and despair?Or could Fanny have been lured away by Zizek Breshov, the mysterious ferryman on the Yaselda river, who, in a strange twist of events, seems to have disappeared on the same night?Surely there can be no link between Fanny and the peculiar roadside murder on the way to Minsk, which has left Colonel Piotr Novak, head of the Russian secret police, scratching his head. Surely a crime like that could have nothing to do with Fanny Keismann, however the people of Motal might mutter about her reputation as a vilde chaya, a wild animal . . . -- Provided by publisher.

Beretning fra en israelsk journalist, som har infiltreret den tyske nynazistiske bevægelse i 1992-93.