Three erotic tales inspired by the hot, hit Showtime series. A new volume of hot fiction inspired by the man who delivered the erotic classics 9 1/2 Weeks , Two Moon Junction , and Wild Orchid Zalman King's sensational and groundbreaking Red Shoe Diaries has elegantly explored the most compelling sexual fantasies imaginable. Now, the boundaries of erotic entertainment are shattered once again in this trio of stories inspired by the hit series-stories of men and women letting go, and loving it. In Hard Labor , a beautiful, talented fashion designer dares to unzip the fantasies of every man and woman. In Strip Poker , a lonely female voyeur is drawn to the escapades of an uninhibited group of exhibitionists. In Slow Train , a woman's diary provides a feast of sensual surprises for the granddaughter who reads it. The new series based on the hit show that will touch its 20 million fans in a whole new way.

The peace treaties represented an almost impossible attempt to solve the problems caused by a murderous world war. In The Lights that Failed: European International History 1919-1933, part of the Oxford History of Modern Europe series, Steiner challenges the common assumption that the Treaty of Versailles led to the opening of a second European war. In a radically original way, this book characterizes the 1920s not as a frustrated prelude to a second global conflict but as a fascinating decade in its own right, when politicians and diplomats strove to re-assemble a viable European order. Steiner examines the efforts that failed but also those which gave hope for future promise, many of which are usually underestimated, if not ignored. She shows that an equilibrium was achieved, attained between a partial American withdrawal from Europe and the self-imposed constraints which the Soviet system imposed on exporting revolution. The stabilization painfully achieved in Europe reached it fragile limits after 1925, even prior to the financial crises that engulfed the continent. The hinge years between the great crash of 1929 and Hitler's achievement of power in 1933 devastatingly altered the balance between nationalism and internationalism. This wide-ranging study helps us grasp the decisive stages in this process. In a second volume, The Triumph of the Night , Steiner will examine the immediate lead up to the Second World War and its early years.

Listed by Le Monde as one of the forty most important books published in France during the 1980s, this explosive work asserts that fascism was an important part of the mainstream of European history, not just a temporary development in Germany and Italy but a significant aspect of French culture as well. Neither right nor left, fascism united antibourgeois, antiliberal nationalism, and revolutionary syndicalist thought, each of which joined in reflecting the political culture inherited from eighteenth-century France. From the first, Sternhell's argument generated strong feelings among people who wished to forget the Vichy years, and his themes drew enormous public attention in 1994, as Paul Touvier was condemned for crimes against humanity and a new biography probed President Mitterand's Vichy connections. The author's new preface speaks to the debates of 1994 and reinforces the necessity of acknowledging the past, as President Chirac has recently done on France's behalf.

Princess Charming finds a way to shine when a movie superstar visits the castle for a special event.

Zuzana Ruzickova's story stands as a remarkable testimony of Holocaust survival, as well as a joyful celebration of music and resistance.

We are living in an open sea, caught up in a continuous wave, with no fixed point and no instrument to measure distance and the direction of travel. Nothing appears to be in its place any more, and a great deal appears to have no place at all. The principles that have given substance to the democratic ethos, the system of rules that has guided the relationships of authority and the ways in which they are legitimized, the shared values and their hierarchy, our behaviour and our life styles, must be radically revised because they no longer seem suited to our experience and understanding of a world in flux, a world that has become both increasingly interconnected and prone to severe and persistent crises. We are living in the interregnum between what is no longer and what is not yet. None of the political movements that helped undermine the old world are ready to inherit it, and there is no new ideology, no consistent vision, promising to give shape to new institutions for the new world. It is like the Babylon referred to by Borges, the country of randomness and uncertainty in which ‘no decision is final; all branch into others’. Out of the world that had promised us modernity, what Jean Paul Sartre had summarized with sublime formula ‘le choix que je suis’ (‘the choice that I am’), we inhabit that flattened, mobile and dematerialized space, where as never before the principle of the heterogenesis of purposes is sovereign. This is Babel.

More than ever before, our conflict-ridden, drifting planet needs the qualities that Europe, unique among the continents, has developed in more than two millennia of history: its self-criticism, its urge to self-transcendence, exploration and experiment, its conviction that alternative and better forms of human togetherness can be achieved, as well as its dedication to the cause of seeking and promoting this improvement in practice. But today Europe is unsure of itself and its place in a fast-changing world; it is devoid of vision, limited in resources and lacking the will to pursue its vocation. It is also struggling with the consequences of a one-sided process of globalization which is divorcing power from politics, inciting the shift from the social state to security-focused governance and piling up the casualties of uncontrolled market expansion and the ethically blind commercialization of human life. Bauman argues that despite the odds Europe still has much to offer in dealing with the great challenges that face us in the twenty-first century. Through sharing its own hard-won historical lessons, Europe can play a vital role in moving from the Hobbesian-like world in which we find ourselves today towards the kind of peaceful unification of humanity that was once envisioned by Kant.

First published in 1982, Professor Baumanâe(tm)s discussion of the mechanism of class formation and institutionalisation of class conflict argues that our understanding of changes in social and political structure has been hindered by the freezing of concepts of class in the ice-age of industrial society. He investigates the impact of historical memory on the early transformation of rank into a class society, and on the current confusion in the analysis of the âe~crisis of late-industrial societyâe(tm). The book traces the formation of a class society back to the patterns of âe~surveillance powerâe(tm) and control, and shows how these patterns preceded and made possible the industrial system. Subsequently âe~economisedâe(tm) into the industrial system, these same patterns of control have now proved to be inadequate under social conditions brought about by this economisation of the power conflict.

Whose fault is it that the artist counts for so little in the public mind? Has it always been thus? Is there something wrong, perhaps, with the nature of the art work being created in America? Is our system of education lacking in its attitude toward the art product? Should our state and federal governments take a more positive stand toward the cultural development of their citizens? These are some of the provocative questions which Aaron Copland raises and answers in Copland on Music.

Published with the aid of a grant from the National Endowment for the Humanities. Contains the only complete English-language text of The Concept of Truth in Formalized Languages. Tarski made extensive corrections and revisions of the original translations for this edition, along with new historical remarks. It includes a new preface and a new analytical index for use by philosophers and linguists as well as by historians of mathematics and philosophy.

Book is in excellent condition. No markings. Has different cover as shown. It's a paperback.

In The Sleepwalkers and The Act of Creation Arthur Koestler provided pioneering studies of scientific discovery and artistic inspiration, the twin pinnacles of human achievement. The Ghost in the Machine looks at the dark side of the coin: our terrible urge to self-destruction... Could the human species be a gigantic evolutionary mistake? To answer that startling question Koestler examines how experts on evolution and psychology all too often write about people with an 'antiquated slot-machine model based on the naively mechanistic world-view of the nineteenth century. His brilliant polemic helped to instigate a major revolution in the life sciences, yet its 'glimpses of an alternative world-view' form only the background to an even more challenging analysis of the human predicament. Perhaps, he suggests, we are a species in which ancient and recent brain structures - or reason and emotion - are not fully co-ordinated. Such in-built deficiencies may explain the paranoia, violence and insanity that are central strands of human history. And however disturbing we find such issues, Koestler contends, it is only when we face our limitations head-on that we can hope to find a remedy.

This selection from the first ten years of the Evergreen Review gives the full flavor of the energy, savvy, excitement, and gall that characterized the magazine during the days of its publication. It also happens to bring together some of the world’s best writers in one volume, in the company of their peers. Evergreen was more than another literary magazine. Founded by Barney Rossett of Grove Press and publishing from 1957 through 1973 (it now exists as an online only magazine), it was the voice of a movement that helped to change the attitudes and prejudices of the culture at large through the language of art—and succeeded. It was always damn the torpedoes and full speed ahead. Here are original short stories by Samuel Beckett and Jack Kerouac (with his “October in the Railroad Earth” predating the publication of On the Road ); Allen Ginsberg’s “Howl” (previously published only as a pamphlet); a selection from Lawrence Ferlinghetti’s A Coney Island of the Mind ; and a passage from Alexander Trocchi’s Cain’s Book . Also included are a fantastic sample of the original and iconic magazine covers which were works of art themselves—a heavily bearded Ginsberg cavorting in a sport coat and Uncle Sam top hat in 1966—and several reprinted comic strips; notably, Michael O’Donoghue’s “The Adventure of Phoebe Zeit-geist.”

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This volume collects the best-known works of Bret Harte, one of the most celebrated writers of the American West. With a focus on Harte's stories of life in California during the gold rush era, this book features classic tales like The Outcasts of Poker Flat and The Luck of Roaring Camp. With their memorable characters and vivid descriptions of frontier life, these stories capture the spirit of a bygone era and remain popular with readers today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.