El trains, South Side slums, Lake Shore Drive, stockyards. 60 pictures from 1941, 5 from 1948.

Andreas Feininger gives you the benefit of his vast experience in the field of color photography, the result of twenty years as a staff photographer for Life Magazine.

The peace of St Paul's Cathedral is destroyed when a body spirals from the Whispering Gallery. The Friendship Line in New York is an all-night safety network, offering warmth at the end of a phone. These two different places are linked.

Delves into the personal and musical experiences of thirty-one American and British musicians through interviews, presenting a unique picture of the orchestral life

The eighth Mr Gum adventure--as ridiculous as ever Talking parrots in the rooftops? A giant cactus on the street? Mosquitos so nasty that even their own friends don't like them? Something's gone terribly wrong in Lamonic Bibber . . . and Mr Gum is nowhere to be found. Yes, folks, Polly and Friday are facing their biggest challenge yet. So strap yourselves in, cry HI-HO-WEIRDY! and get ready for an adventure so crazy your feet will melt with happiness! And I'm not just saying that, I've actually seen it happen.

The women of The Feminist Memoir Project give voice to the spirit, the drive, and the claims of the Women's Liberation Movement they helped shape, beginning in the late 1960s. These 32 writers were among the thousands to jump-start feminism in our time. Here, in pieces that are passionate, personal, critical, and witty, they describe what it felt like to make history, to live through and contribute to the massive social movement that transformed the nation.

Playfully mashing up the romantic elegance of the Victorian era with whimsically modernized technology, this entertaining and edgy new anthology is the third installment in a bestselling steampunk series. Featuring a renegade collective of writers and artists, from beloved legends to rising talents, the steam-driven past is rebooted and powered by originality, wit, and adventure. Lev Grossman offers a different take on the Six Million Dollar Man who possesses appendages and workings from recycled metal parts, yet remains fully human, resilient, and determined. Catherynne M. Valente explores a new form of parenting within the merging of man and machine while Cherie Priest presents a new, unsettling mode of transportation. Bruce Sterling introduces steampunk's younger cousin, salvage-punk, while speculating on how cities will be built in the future using preexisting materials and Jeff VanderMeer takes an anti-steampunk perspective as a creator must turn his back on an utterly destructive creation. Going beyond the simple realms of corsets and goggles, this engaging collection takes readers on a wild ride through Victoriana and beyond.

Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.

Years of meticulous study, writing, and editing have produced this remarkable commentary on the Messianic Jewish Epistles (MJE) covering the books of Hebrews, James, I Peter, II Peter, and Jude. The first installment of the Ariel Commentary Series highlights the real life concerns of 1st century Jewish believers. This important book deals with the issues Jewish believers wrestled with during the turbulent early years of the Church. With the Mosaic Law now replaced by the law of Messiah, Jewish believers struggled with questions such as... "How are we to live and relate to our family, community, and the world?" Questions like these and God's answers are at the core of this groundbreaking work.

This Sacheverell; Take Wooden Indians; The Vat; The Tail Tied Kings; Paramount Ulj; A Bottle Full of Kismet; The Goobers; Dr Morris Goldpepper Returns; The Certificate; Ogre in the Vly; Apres Nous; Climacteric; Yo Ho and Up; The Sixty Third Street Station; The House the Blakeneys Built; The Power of Every Root; and The Sources of the Nile.

Sixth-grade mathematical genius Charlie Lewis, the Whiz Kids, and new friends follow their hunch that eccentric billionnaire Blake Headstrom is importing mammoth tusks for sinister purposes.

"Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region's Christian minorities, who had previously accounted for 20 percent of the population. By 1924, the Armenians, Assyrians, and Greeks had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that the three were actually part of a single, continuing, and intentional effort to wipe out Anatolia's Christian population. The years in question, the most violent in the recent history of the region, began during the reign of the Ottoman sultan Abdulhamid II, continued under the Young Turks, and ended during the first years of the Turkish Republic founded by Ataturk. Yet despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post-World War I period, the nation's annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, mass rape, and brutal abduction. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation"--

A new understanding of the three waves of ethno-religious violence that swept Turkey from the last days of the Ottoman Empire to the early years of the Turkish Republic, arguing that all three were part of one purposeful genocidal program.--

Morton Martin Spell -- a once-brilliant, now-infirm seventy-five-year-old writer -- is sliding into delirium. He thinks Mount Sinai Hospital is an exclusive golf course and his catheter is a gym bag. His only link to reality is his thirty-five-year-old nephew, who makes his living as a hired gun for thirteen softball teams and still goes by the name College Boy. But College Boy's body has begun to betray him -- almost as much as his lack of ambition. (His only legitimate paycheck comes from a gig as a laugher on a morning radio show.) Not only that, the Dirt King, a small-time gangster who controls all the replacement soil in Central Park, is after College Boy. As their lives collide, College Boy takes refuge in the arms of Sheila -- his uncle's cleaning woman and a part-time call girl. And then it gets weird.

"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?