THE STORY: Anna, Ruth and Peter await the arrival of their newborn child, but first they must rid the crowded apartment of their three imaginary children.

In a wide-ranging study of unusual interest, Paul Weiss, Sterling Professor of Philosophy at Yale University, applies the principles and methods of philosophy to athletics. Every culture, he notes, has games of some kind; few activities seem to interest both children and young men as much as sports do; and few attract so many spectators, rich and poor. Yet none of the great philosophers, claiming to take all knowledge and being as their province, have made more than a passing reference to sport, in part, Professor Weiss suggests, because they thought that what pleased the vulgar was not worth sustained study by the leisured. This seminal book breaks new ground and explores new paths: psychological and sociological forms of human behavior exhibited in games; the physiology of athletics, and the efforts of training and conditioning; and the motivation of athletics-- the rhythm and aims of contests and games, and the meaning of team play. More importantly, however, Professor Weiss' s unique contributions lie in his discussions of the distinct contributions that sport makes to civilization. Professor Weiss discusses at length such topics as the Olympic Games and men and women as amateur and professional athletes-- and their sacrifices, defeats, and humiliations. And he delineates the stages the athlete must go through in his progress toward self-completion.

"This book tells the largely unknown story behind the rescue activities of several remarkable young Jewish women in Vichy France during World War II and their role in the resistance against Nazi and Vichy France deportation policies. Few studies of Vichy France and the Holocaust have looked at the rescue of Jews by those prepared to risk everything to escort them to safety in the border regions, and even fewer have considered Jewish rescue of Jews, specifically of Jewish children by women. This work will be arguably the first book in which the experiences and efforts of a number of female rescuers—all of whom knew or knew of each other—have been brought together in a single volume, with the object of honoring their memory and showing how the value of human life was sustained through the Holocaust. Focusing on a number of young Jewish women who defied the Nazis, this narrative highlights their courage and sacrifice in their efforts to rescue Jews in France during World War II. Additionally, it shows how these French women responded to Nazi and Vichy France policies of deportation through resistance activities. This is a story that will captivate anyone with an interest in the innate goodness of human beings that can shine even when confronted with the darkest expressions of depravity that occurred during the Holocaust." -- From publisher's website.

A novel of ordinary, every day life in Israel during multiple plagues ― deadly flu, economic collapse, apocalyptic weather, and suicide bombings. “It was an exceptional winter.” With understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued―by a Saudi flu that is decimating the population, and by weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. First published in 2002, Orly Castel-Bloom spins a web of filament-fine connections between her characters. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians. Holding a mirror up to her country, Castel-Bloom shows us a society in microcosm, struggling for continuity and normalcy in a fractured world. Sardonic, topical and wholly engrossing, this is a novel capturing the maelstrom of contradictions that is life today.

Between 1949 and 1951, 123,000 Iraqi Jews immigrated to the newly established Israeli state. Lacking the resources to absorb them all, the Israeli government resettled them in maabarot , or transit camps, relegating them to poverty. In the tents and shacks of the camps, their living conditions were squalid and unsanitary. Basic necessities like water were in short supply, when they were available at all. Rather than returning to a homeland as native sons, Iraqi Jews were newcomers in a foreign place. Impossible Exodus tells the story of these Iraqi Jews' first decades in Israel. Faced with ill treatment and discrimination from state officials, Iraqi Jews resisted: they joined Israeli political parties, demonstrated in the streets, and fought for the education of their children, leading a civil rights struggle whose legacy continues to influence contemporary debates in Israel. Orit Bashkin sheds light on their everyday lives and their determination in a new country, uncovering their long, painful transformation from Iraqi to Israeli. In doing so, she shares the resilience and humanity of a community whose story has yet to be told.

Presents reproductions of art works (mainly paintings but also in other media) related to the Holocaust, accompanied by explanatory texts about the Holocaust in general and the artists in particular. Pt. I (pp. 1-26), "Art in the Holocaust", presents artists who experienced the Holocaust directly; those who perished include Bertolan Gondor, who produced cartoon depictions of a Hungarian labor camp in 1944; an anonymous artist who depicted Bergen-Belsen; and Liesel Felsenthal, who kept an illustrated diary in the Gurs internment camp in 1941. Pt. II (pp. 27-45), "Historical Perspective", discusses Nazi oppression of Jewish artists and the role of art in Nazi ideology. Pt. III (pp. 47-102), "Artists' Retrospectives: Responses", presents 27 (mostly American) artists - survivors, children of survivors, and others - who express the influence of the Holocaust in various styles. Pt. IV (pp. 103-113), "Living Memorials and Educational Institutions", deals with memorializing the Holocaust in museums in the USA.

In the swinging culture of sixties' London, Canadian Mortimer Griffin is a beleaguered editor adrift in a sea of hypocrisy and deceit. Alone in a world where nobody shares his values but everyone wants the same things, Mortimer must navigate the currents of these changing times. Richler's eccentric cast of characters include the gorgeous Polly, who conducts her life as though it were a movie, complete with censor-type cuts at all the climactic moments; Rachel Coleman, slinky Black Panther of the boudoir; Star Maker, the narcissistic Hollywood tycoon who has discovered the secret of eternal life; and a precocious group of school children with a taste for the teachings of the Marquis de Sade. Cocksure is a savagely funny satire on television, movies, and the entertainment industry. This is Mordecai Richler at his most caustic and wicked best.

Monica Dickens' novel opens in a juvenile court in London. One of the young offenders is a 16-year-old girl, Kate, who is described as being in need of care and protection. In the court is a girl only slightly older, Emma, daughter of the magistrate. From her experience of going around with a social worker on his calls she knows that adolescents and, more important, small children are daily subjected to neglect and brutality and that "care and protection" cannot be prescribed like National Health aspirin.She meets Kate again, by chance, in her Uncle's supermarket where she is learning the business from the bottom up. And between these two girls, from different backgrounds, with very different parents who have different personal problems, there springs up a friendship which is deep and, for a while at any rate, beyond misunderstanding.Each girl has her way to make in life; each has her love, hate, despair, and hope; each the complications of parental control sapped by the inner knowledge of marriages that no longer work.

One of the most important modern developments in American constitutional law has been the extension of the Bill of Rights to the states. The most important guarantees of the first eight amendments have been incorporated into the Due Process Clause of the Fourteenth Amendment, along with the doctrine that these are rights that are so "fundamental" that any restriction is subject to judicial "strict scrutiny." The process has nationalized fundamental rights, giving them a preferred dignity and majesty. In this volume, the renowned constitutional scholar, Milton Konvitz, traces the development of fundamental rights from the early days of American jurisprudence through twentieth-century cases involving the right to privacy, racial discrimination, voting rights, censorship, and abortion laws. In Konvitz's astute view, the Bill of Rights in the Constitution of the United States, like the Ten Commandments, places no priority among protected or guaranteed rights. He argues that values, ideals, rights, liberties, and privileges need to be placed in a hierarchical order or scale. The Supreme Court, acting on a case-by-case basis, has slowly and cautiously moved to designate some rights as superior to others. This idea that some rights are of a "fundamental" nature, while others are not, can be traced back to the early days of the nation's government. Konvitz shows that there may be said to be not one, but two or even three bills of rights, one for the Federal government and one for the States. Still another, may be an unwritten but evolving Bill of Rights. The Court has recognized rights or liberties that are in no written constitution, as for example, a right to marry, a right to have a family, a right to choose education of one's children in a private, even a religious, school, rather than a public school. In an illuminating fashion, Konvitz, whose writings have been cited in Supreme Court decisions, traces the controversial and very uneven line of development of such "fundamental rights." This volume is likely the first book on the subject and a pioneering work in the history of American constitutional law. Accessibly written for a general and scholarly audience, it will be of particular interest to political scientists, historians, and constitutional scholars.

Surveying the state of American ballet in a 1913 issue of Clure's Magazine, author Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. One hundred years later, ballet is everywhere. Beginning with the arrival of Russian dancers like Anna Pavlova, who first toured the United States on the eve of World War I, 'Ballet Class: An American History' explores the growth of ballet from an ancillary part of nineteenth-century musical theater, opera, and vaudeville to the quintessential extracurricular activity it is today, pursued by countless children nationwide and an integral part of twentieth-century American childhood across borders of gender, class, race, and sexuality. 0A social history, 'Ballet Class' takes a new approach to the very popular subject of ballet and helps ground an art form often perceived to be elite in the experiences of regular, everyday people who spent time in barre-lined studios across the United States. Drawing on a wide variety of materials, including children's books, memoirs by professional dancers and choreographers, pedagogy manuals, and dance periodicals, in addition to archival collections and oral histories, this pathbreaking study provides a deeply-researched national perspective on the history and significance of recreational ballet class in the United States and its influence on many facets of children's lives, including gender norms, consumerism, body image, children's literature, extracurricular activities, and popular culture

In this incisive collection of essays, educator and activist Mark Naison draws on years of research on Bronx history and his own experience on the front lines of the education wars to unapologetically defend teachers and students from education "reform" policies that undermine their power and creativity. Naison shows how dominant education policy systematically hurts the very children it claims to support and instead forces them to "race to the top." He exposes the Duncans, Rhees, and Gateses for schemes that intensify racial and economic inequality. And he refocuses the conversation on teaching and organizing strategies that should be implemented in communities everywhere.

Search-Cover"I was four years old when my father came back to kidnap me," begins this gripping memoir about Matousek's search for James Matousek, the drifter father he never knew. Described by the New York Times as " part reminiscence, part detective story, part spiritual musing," this memoir is more than the story of one man's search for his father; it is also a look at the meaning of life and how fathers contribute to that meaning. Growing up in a family of troubled women (Matousek's sister committed suicide when the author was 29), he describes the turmoil of growing up "fatherless in America" - an experience shared by millions of children in what sociologists have called the Age of the Absent Father - and the difficult, ultimately successful, struggle to figure out what being a man really means in an age of shifting definitions, evolving sexuality, and "breaking out the man box" of stereotyping and patriarchy. With the tension of a mystery story, the climax occurs when Matousek meets a man he believes to be his father. But is he? And does Matousek, who has reconciled with his mother as she lay dying, really care? These are just two questions leading to this memoir's surprising conclusion. Praise for The Boy He Left Behind "Mark Matousek's memoir The Boy He Left Behind begins with the gripping sentence, 'I was four years old when my father came back to kidnap.' Part reminiscence, part detective story, part spiritual musing, the book is more than the story of one man's search for his father, it is also a look at the meaning of life and how fathers contribute to that meaning." -The New York Times Book Review "This thoughtful and lovingly rendered portrait of an American childhood is a refreshing addition to the genre. Matousek not only tells his own story but brilliantly evokes the troubled lives of his mother and sisters with humor, honesty, and above all, compassion." -Kathleen Norris, author of The Cloister Walk and Amazing Grace "A riveting story in the hands of a master storyteller. Mark Matousek has written a family memoir that is tight and revealing. This is one fine book." -James McBride, author of The Color of Water "[A] searing memoir....The writing is exhilarating...deeply soulful, compassionate, and self-scrutinizing. It is an explosive memoir filled with prose that sings, one that provokes readers to question where we come from and what our places are in this world. Matousek...writes from the heart. Read this book" -Los Angeles Magazine "Matousek's account of his search for the father he hadn't seen since he was four [is] sharp and funny, thanks to the punchy dialogue and dead-on character sketches." -Elle "Interweaving the frustrating suspenseful search for his long-lost father with unsparing recollections of a fatherless boyhood and his confrontation with a life-threatening disease, Mark Matousek expertly guides you through the particulars of his life into a harrowing meditation on the difficulties of becoming a man in a country without fathers. The Boy He Left Behind is beautifully crafted, artful and inspiring. It merits a place alongside the late Paul Monette's masterwork, Becoming a Man; Half a Life Story. Like Monette, Matousek's triumph is twofold - In the book he has written, and in the man he has become. Matousek's probing memoir of lost childhood and found history celebrates the power of manhood." -The Utne Reader "Mark Matousek has produced [a] riveting account of his search-at age 38, with the help of a private detective-for the father who abandoned him at age four. A searing meditation on the psychic harm suffered by men and women without fathers, this wise odyssey wrestles with questions of life and death and the search for the meaning of one's existence." -Publishers Weekly (starred review)

A father and son travel across North America in a pick-up truck--talking, laughing, fighting, and bonding. After years of thinking he'd never have kids, Lee Gutkind became a father at forty-seven and, following his divorce, soon found himself taking over more and more of the primary care responsibilities for his son, Sam. As one of a growing number of "old new dads" (recent studies have shown that one in ten children are born to fathers over forty), Gutkind realized that he faced challenges-both mental and physical-not faced by younger dads, not the least of which was how to bond with a son who was so much younger than himself. For the past five years, Gutkind's approach to this challenge has been to spend several weeks of every summer "truckin'" with Sam, a term they define as a metaphor for spontaneity, a lack of restriction: "Truckin' means that you can what you want to do sometimes; you don't always need to do what's expected." What began as long, cross-country journeys in a pick-up truck, including one memorable trip up the Alaska-Canadian Highway en route to a writer's conference in Homer, Alaska, have in more recent years ranged farther afield, to Europe, Australia, and Tibet. Whether listening to rock and roll music, entertaining themselves with their secret jokes and code words, fishing for halibut, or fighting over tuna fish sandwiches and how best to butter one's toast, Lee and Sam have learned to respect one another. In the process of their travels and their adventures, Lee has also come to grips with the downside of middle age and the embarassment of "senior moments," while Sam has inevitably begun to assert himself and shape his own life. Interspersed with Sam's own observations and journal entries, Truckin' with Sam is an honest, moving, and often hilarious account of one father's determination to bond with his son, a spontaneous travelogue that will appeal to old dads, new dads, and women who want to know more about how dads (and sons) think and behave.

Here is a book of spiritual adventure. From the miracle at the Red Sea to the miracle of waking up this morning, this intriguing book introduces young people to a way of spiritual thinking to last a lifetime. Kushner, whose award-winning books have brought spirituality to life for countless adults, here reveals the essence of Judaism in a way kids can understand and enjoy. Easy to read and imaginatively illustrated by the author, The Book of Miracles helps young people make--and treasure--the connections between religion, spirituality and everyday life. For parents to read to their children, for children to read to their parents, The Book of Miracles encourages kids' awareness of their own spirituality, and shows young people how to use Judaism as a foundation on which to build their lives.

"Where is God?" "What does God look like?" "How does God make things happen?" With little hands, and big hands. With young hands and old hands, With your hands." Mixing sparks of curiosity and spiritual imagination, this wondrous book lights children's creativity and shows how God is with us every day, in every way. It is a vibrant invitation to children and their adults to explore--together--what, where, and how God is in our lives. Multicultural, Nondenominational, Nonsectarian; Endorsed by Protestant, Catholic, and Jewish Religious Leaders

Little Lauren lived with her loving family in a small stone house by the sea. Her radiant smile and sweet disposition warmed the hearts of everyone she met, and she loved to play pretend but things changed the day a new babysitter came into little Lauren's life. with the help of her best friend Rodney, Lauren finds the courage to use her voice and face her fears. Together, Lauren and Rodney learn an important lesson for children everywhere: 'If you're choking back tears and your heart's filled with fears ... you know very well, it's OK to tell.'

Caldwell lives by the lakeside at Austin, Texas, with his wife of thirty years, his two children having long ago flown the nest. He is a judge in the Federal Bankruptcy Court. And the dog? A mongrel that kept upsetting his dustbins as it rooted about in them, until the judge went after it and secretly beat its brains out with the edge-trimmers. But this is not a crime story - for all that Caldwell's lifelong mentor, the Dutchman van de Rouwers, Philosophy guru and idol of the American campuses, was fished out dead from the lake about the time his Murky Past caught up with him. No, this is a Philosophical Tale- weaving through the judge's humdrum life between the Bench, the campus bookstore, the cocktail party circuit and his own kitchen, Great Metaphysical Questions are asked, about the reality of Good and Evil, ontological proofs of the existence of God, and the theoretical existence of the Most Intelligent Man in America. Lars Gustafsson taps a rich vein of comedy in the series of contrasts here engendered between the mundane and the highflown as reported in the judge's maybe fanciful narrative. The Tale of a Dog has marked affinity with his last novel, translated into English as A Tiler's Afternoon , in the clearsighted dissection of small people trying to cope with an all too complex modern world.

A beguiling fable about a summer holiday in the Swedish countryside that transforms into a provocative parable about oppression and the evil awaiting Europe as the Nazis came to power. Kurt Tucholsky was a journalist, satirist, feuilletonist, polemicist, and poet, all in all one of the most versatile, provocative, and winning writers of the Weimar Republic; Castle Gripsholm , a short novel about an enchanted summer, which came out in 1931, is the best and most beloved of his works. The book begins with correspondence: Tucholsky's publisher wants a short novel, light, funny, otherwise about whatever Tucholsky wants; Tucholsky is perfectly happy to oblige, presuming the money is right. A deal is eventually struck and the story is off: about Peter, a writer, and his girlfriend Lydia (aka the Princess), and a summer vacation from the hurly-burly of Berlin. Peter and the Princess have three weeks at their disposal, and they have rented a small house attached to a historic castle in Sweden, with its long days and white nights, three weeks for swimming and walking and sex and talking and visits with Peter's buddy Karlchen and with Billy, who is the Princess's best friend. It is perfect, until they meet a weeping girl fleeing the cruel headmistress of a home for children. The vacationers decide they must free the girl and send her back to her mother in Switzerland, which brings about an encounter with authority that casts a worrying shadow over their radiant summer idyll. Soon they must go back to Germany. What kind of fairy tale are they living in?

Do young people today find meaning in the Holocaust? That's the question that prompted a writing project across North America, Italy, and Australia asking young people to share their ideas about this time in history. Some students wrote short stories. Some discussed the impact of books they had read and wrote about the messages that they understood from these books. Several interviewed survivors and recorded their impressions. Many talked about how they have tried to make sense of this history in the world in which they now live. Others created works of art. Children wrote from their hearts with sensitivity, thoughtfulness, and great insight. Their teachers saw this opportunity as a gift, and it proves to all that young people can make a meaningful connection to the Holocaust. Their contributions give hope for a more peaceful and tolerant future.

My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.