Explains how to make codes, gives some established codes, and provides stories and exercises to practice deciphering.

Who knew kosher sex could be so sexy? Esther is a rabbi's daughter, a rabbi's wife, a teacher, and the mother of three young children. She is also more than a little fascinated with the young couple who live in the apartment across from hers. When, late one night, she accidentally witnesses her neighbors having sex, Esther's life is turned upside down. Hit by a sudden and inescapable sexual awakening, Esther must navigate the chaos that pursues her marriage, her husband and, most of all, herself. Welcome to Shosha Pearl's world of Orthodox Jewish erotic romance, where the characters are religiously observant and the sexy parts conform with Jewish laws on love and relationships. But don't be fooled, that still leaves a lot of scope for the imagination. Want to read more Shosha Pearl? Just head over to www.shoshapearl.com for more.

The stories in "Jewish Children" likely capture the joys, struggles, and everyday experiences of Jewish children growing up in the shtetls (Jewish villages) of Eastern Europe. Aleichem's writing often combines humor, warmth, and poignant observations about family, community, and tradition. The collection may include tales of mischief, friendship, and coming-of-age moments, as well as reflections on the unique cultural and religious heritage of Jewish communities. Aleichem's characters are typically colorful and memorable, offering readers insights into the rich tapestry of Jewish life and culture. Through "Jewish Children," Sholem Aleichem likely invites readers to immerse themselves in the world of Jewish childhood, where laughter and tears, dreams and aspirations, mingle against the backdrop of a changing world. The collection serves as a tribute to the resilience, humor, and enduring spirit of Jewish children throughout history.

Investigative reporter Jane Weston has a problem. Wherever she goes, the undead follow. They’ve cost her several well-paying, high-profile jobs in metropolitan areas, but she was sure that she would escape them when she took a job at WGBN in Jones Port, Arkansas. No such luck! It seems these blood-sucking night dwellers will follow their “host” to the end of the civilized world - and even beyond. Tracy Cohen is the rabbi of the small Jewish congregation in Jones Port. Tracy lost a lover to gang violence in New York and was rejected by her orthodox family because of her sexual orientation. Tracy’s life has been filled with turmoil, but nothing has prepared her to do battle with the undead in the streets of Jones Port, for the soul of an investigative reporter. Good Isn’t Stupid!

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

"The Fairy Green" is an ancient Children's poetry story book written by Rose Fyleman. This amazing story comes within the delusion and fairy story genres, taking young readers on a fable adventure through a wonderful the world complete of fairies, goblins, and other terrific animals. Fyleman's fabulous writing and ingenious storytelling take site visitors to the inexperienced lands of the Fairy Green, wherein wooded area sprites dance below the whole moon and depraved elves play tricks on unsuspecting vacationers. Each of the poems in the collection is a little works of art, full with shiny imagery and charming characters that pique the curiosity and excite the senses. "The Fairy Green" is a ways greater than a collection of poems; it's far a gateway to the lovely women of nature and the strength of the thoughts. Fyleman's eternal memories remind visitors of the importance of marvel and enchantment in some surroundings wherein humans are all too frequently distracted through the commonplace. Through its whimsical appealing people and ageless enchantment, "The Fairy Green" has charmed readers of each technology, motivating destiny generations to trust within the magic that exists simply backstage of fact.

This is a new release of the original 1926 edition.

Old-school sleuth Moses Wine--dubbed today's Sam Spade by The Washington Post--tackles movie industry corruption and wages war on terrorism in a sharply satiric new novel from the award-winning mystery author.

"A smart, daring, original new take on the Torah. Image: 54 leading young Jewish writers, artists, photographers, screenwriters, architects, actors, musicians, and graphic artists grappling with the first five books of the Bible and giving new meaning to the 54 Torah portions that are traditionally read over the course of a year. From the foundational stories of Genesis and Exodus to the legalistic minutiae of Leviticus, Numbers, and Deuteronomy, Unscrolled is a reinterpreting, a reimagining, a creative and eclectic celebration of the Jewish Bible"--

A serial killer turns Los Angeles into his own personal Monopoly board as he taunts the media and police with a trail of cash, deposit slips and bodies that randomly follow the game. When newly-promoted Detective Jessie Drake is appointed media spokesperson for the police, the killer plans his next move--against her.

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.

The time is 1936. In Berlin, the Olympic Games are in full swing. In Hamburg, 12-year-old Hannes Hacker experiences dangers at home and in school. He must guard his secret - a beloved Jewish grandmother whose existence he is forced to deny.

RO60006975. NEAR THE OCEAN. 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 55 pages. Premier plat llustré d'un dessin en noir et blanc.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon

This book is used, but in very good condition. The cover, pages,and binding are intact, and have no rips, tears, or stains. Book is shipped through Amazon

"The ancient Greeks were consequential - not by creating "timeless values", but by questioning them. This book is for anyone interested in the ancient world and its modern meaning and follows the history of science and of the literary canon to reveal how the Greeks set off a train of progress"--

a book of English Christian verse . first edition. published in 1988.

A collection of classic Jewish folktales which emphasize values and moral lessons, each with an introduction that places it in context with other Jewish teachings.