Award-winning historian Alfred F. Young unearths a rich story of the American Revolution with this account of George Robert Twelves Hewes, a Boston shoemaker who took part in such key events as the Boston Massacre and the Tea Party, and then served in the militia and as a seaman

Born with a famous name to an unhappy marriage, Alexander Newley is the son of the Hollywood stars Joan Collins and Anthony Newley. Their life was one of almost unparalleled privilege and glamour but under the glossy veneer there was trouble: drugs, infidelity, insecurity and emotional trauma. Both Joan and Anthony were infantilised after being thrust into the spotlight so young, rendering them ill-equipped to care for Alexander and his sister Tara when they were born. This book, written with humour and compassion, tells the story of Alexander's nomadic childhood; the disintegration of his parents' marriage; and his battle to make sense of the past. It is also a meditation on art, identity and inheritance, and a portrait of London and Hollywood during the swinging sixties and the seventies. Complementing Alexander's vivid and razor-sharp prose are more than twenty of his own artworks depicting the people who played a pivotal role in his early years.

"The first of Aletta Jacobs's major works available in English, Memories introduces American readers to a remarkable woman-a key Dutch feminist who herself broke new ground, and who worked alongside world-renowned leaders in the progressive movements of the early twentieth century. Aletta Jacobs learned to lvoe the medical profession from her physician father, who took her on his rounds. Despite a sex-segregated education system, she became the nations's first woman to earn a medical degree. Jacobs's experiences as a doctor led her to pioneering health care reforms for prostitutes and saleswomen, as well as campaigns for the acceptance and availability of reliable birth control. Aletta Jacob's career included equally remarkable achievements in the international woman's suffrage and peace movements, where she worked closely with U.S. activists Jane Addams and Carrie Chapman Catt. Jacobs and Catt made frequent lecture tours together, culminating in a tour of Africa and Asia that combined avid sightseeing with speaking engagements in every country they visited. In Memories, Jacobs recounts all of these experiences, and spiritedly imparts her opinions-such as her disdain for the customs that restricted women to theater balcony seats and chastised them for walking alone at night. By turns witty, impassioned, and poignant, Memories brings to life a time of enormous changes for women-and one of the women who helped bring about the changes."--Book desc. via amazon.ca.

"If an umpire could steal the show in a Major League game, Al Clark might well have been the one to do it. Tough but fair, in his thirty years as a professional umpire he took on some of baseball's great umpire baiters, such as Earl Weaver, Billy Martin, and Dick Williams, while ejecting any number of the game's elite--once tearing a hamstring in the process. He was the first Jewish umpire in American League history, and probably the first to eject his own father from the officials' dressing room. But whatever Clark was doing--officiating at Nolan Ryan's three hundredth win, Cal Ripken's record breaker, or the "earthquake" World Series of 1989, or braving a labor dispute, an anti-Semitic tirade by a Cy Young Award winner, or a legal imbroglio--it makes for a good story. Called Out but Safe is Clark's outspoken and often hilarious account of his life in baseball from umpire school through the highlights to the inglorious end of his stellar career. Not just a source of baseball history and lore, Clark's book also affords a rare look at what life is like for someone who works for the Major Leagues' other team"--

Traces the author's research into post-depression Chicago to better understand his physician father, an effort marked by a contrast between his father's admired status and the author's conflicted memories.

"Bound together for the first time, these two boyhood memoirs relate A. E. Hotchner's coming of age in the Midwest during the Depression"--Provided by publisher.

With trenchant realism and profound understanding, Matthew Josephson presents in VICTOR HUGO the realistic biography of a great romantic who wrote Les Misérables and The Hunchback of Notre Name, among others. Of tremendous sweep and scope, it is a penetrating analysis of a literary titan, who as a political pamphleteer, playwright, novelist, and romantic lover, dominated his time, influenced his peers, and moved the hearts of men. Matthew Josephson, whose Stendhal, Zola, The Robber Barons, and Rousseau defined him as a master of the art of biography, has given us in VICTOR HUGO a highly readable account of this vigorous, zestful, and fruitful career. VICTOR HUGO is the final and definitive work on "France's prince of poets and lord of language." EARLIER BOOK REVIEWS "Matthew Joseph's third full-blown biography of a great French writer.is the best. There is more color and drive in it .because the materials are so rich." New York Times Book Review (1942) "Victor Hugo's varied and colorful career offered Josephson a perfect opportunity to display again his gift for spirited narrative and keen characterization. He skillfully traces Hugo's conversion from literary great to political hero. Along the way he adds texture to his portrait by interweaving the fascinating components of Hugo's personal life -his marriage to Adèle Foucher, his fifty-year liaison with Juliette Drouet, and his friendship and betrayal by Sainte-Beuve.Victor Hugo's life was a success story without parallel, and it provided an apotheosis of Josephson's point about the duty of writers in times of social and political crisis. The critics again praised Josephson's talents as a biographer." - David E. Shi, Matthew Josephson: Bourgeois Bohemian, Yale University Press, 1981

In this book gender is the lens through which autobiography and biography are scrutinized. The authors show what is revealed when they magnify the gendered aspects of both men’s and women’s writing. The eternal questions of identity, choice, responsibility, happiness, tragedy, and even death are interpreted in terms of gender analysis. The book presents a sequence of studies from the early nineteenth to the late twentieth century that includes individuals such as American poet Anne Sexton and German writers Christa Wolf and Paul Celan, and groups such as nineteenth-century Mexican women and members of the British working class. It extends the paradigm of “self-reflexive” literature to include and highlight the overlap between autobiography and biography, especially in the case of women who often wrote their lives obliquely through the biographies of their famous male relatives, e. g., Adèle Hugo and Anne Thackeray Ritchie. The authors refuse to accept a monolithic conception of gender. The studies of Charles and Mary Lamb, Nadezhda Durova, and John Stuart Mill demonstrate that even in the nineteenth century, a binary gender system is inadequate as a mode of approach to actual life stories.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Max Brod, a successful novelist, was a boyhood companion of Kafka's and remained closely tied to him until Kafka's death in 1924. He was undoubtedly the one man whom Kafka trusted more than any other, and it is to Brod, as his literary executor and editor, that we are indebted for rescuing and bringing to light Kafka's work. Out of a lifelong devoted friendship, Brod drew this account of Kafka's youth, family and friends, his struggle to recognize himself as a writer, his sickness, and his last days. Franz Kafka gives us not only a more vivid and lifelike picture of Kafka than that painted by any of his contemporaries, but also a fascinating portrayal of the complicated interaction between two writers of different temperaments but similar backgrounds who together helped shape the future of twentieth-century literature.

Foreword by Daniel J. Kevles. With illustrations and index of names.

This first fully documented biography of Simon Wiesenthal, the legendary Nazi hunter, is also a brilliant character study of a man whose life was part invention but wholly dedicated to ensuring both that the Nazis be held responsible for their crimes and that the destruction of European Jewry never be forgotten. Like most Jews in Eastern Europe on the eve of Hitler's invasion of Poland, twenty-four-year-old Simon Wiesenthal did not grasp the nature of the Nazi threat. But six years later, when a skeletal Wiesenthal was liberated from the concentration camp at Mauthausen, he fully fathomed the crimes of the Nazis. Within days he had assembled a list of nearly 150 Nazi war criminals, the first of dozens of such lists he would make over a lifetime as a Nazi hunter. A hero in the eyes of many, Wiesenthal was also attacked for his unrelenting pursuit of the past, when others preferred to forget. For this new biography, rich in newsworthy revelations, historian and journalist Tom Segev has obtained access to Wiesenthal's private papers and to sixteen archives, including records of the U.S., Israeli, Polish, and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his relationship with Israel's Mossad, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. Segev's challenge in writing this biography was Wiesenthal's own complicated relationship to truth. Wiesenthal told many versions of his life, his suffering in the camps, and his involvement with the arrest of individual Nazis. Segev shows that in order to gain the information he sought and twist the arms of reluctant government figures, Wiesenthal needed to seem more influential than he really was. For two generations of Americans, Simon Wiesenthal was a Jewish superhero--depicted on film by Ben Kingsley and Laurence Olivier--and the muse for a Frederick Forsyth thriller. Now Segev demonstrates that the truth of Wiesenthal's existence is as compelling as the fiction. "Simon Wiesenthal" is an unforgettable life of one of the great men of the twentieth century.

'Bower's book is a devastating indictment' Sunday Times 'Explosive ... Bower reveals a remarkable and sinister picture of the man who likes to appear as the ever-smiling hero' Daily Mail A sensational critical biography of the man and his business practices. No British tycoon is better known, few claim to be richer and none has masterminded a more recognisable brand than Richard Branson. What is behind the success of the buccaneering balloonist, the tabloids' favourite celebrity nude, the 'grinning jumper' and the scourge of corporate goliaths? Tom Bower has a uncovered a different tale to the one so eagerly promoted by Virgin's publicists. Here is the full story of Branson: his businesses, his friendships, his ambition, his law-breaking, his drug-taking, his bullying. Offering an intimate scrutiny of exactly how Richard Branson created and sold himself, this biography reveals Branson to be a single-minded profiteer who, while occasionally generous to others, has a fixed purpose to enhance his family's wealth in secret off-shore trust funds. Instead of a glittering saint, Branson emerges as a devious actor, proud of plucking for his own profit the good ideas of others.

In this engrossing biography, acclaimed novelist Muriel Spark recreates Mary Wollstonecraft Shelley's turbulent life and career and persuasively defends the enigmatic writer's place among the giants of literary history.

When Mickie Siebert arrived in New York in the mid-1950s, she had $500 in her wallet and drove a used Studebaker. Almost fifty years later she is known as the "First Woman of Finance," the only woman to head a publicly traded national brokerage firm. Pithy, vastly entertaining, and full of behind-the-scenes anecdotes, Changing the Rules reveals how Siebert forged her phenomenal success in the chaotic and cutthroat world of Wall Street. Three four-letter words are behind Siebert's career success: One is work -- she learned everything there was to know about a company before recommending its stock. The second is luck -- as an analyst in training, she had the good fortune to follow a fledgling industry that nobody else wanted. (The "dog" industry was airlines.) The third word is risk -- she knew how to assess liability and make a decision. Siebert recounts the resistance of the good gray Stock Exchange when she dared to infiltrate the boys' club, threatening to have a Port-O-San delivered to the NYSE luncheon club if they didn't add a women's bathroom. She reveals the backstage stories about saving Lockheed and selling Conrail (at the time, the largest stock offering in Wall Street history), as well as the changes on the Street that led to May Day, 1975, when she was first in line as a discount broker (and considered a pariah by industry standards). She tells of her memorable encounters with such legendary figures as Captain Eddie Rickenbacker, the World War I flying ace who ran Eastern Airlines, and Robert Brimberg, the iconoclastic "Scarsdale Fats" whose investing acumen was the envy of the Street. Writing with equal candor about the politics of finance and the finance of politics, Siebert recalls her five years as Superintendent of Banking for New York State -- when she helped to prevent a national fiscal crisis during the Iran hostage situation -- and her experiences as a pro-choice Republican senatorial candidate. Siebert's reputation for rocking the boat is legendary, and Changing the Rules is both a fascinating biography of a true pioneer, and a valuable strategic and informational tool for anyone who deals with or dabbles in the money game.

Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.

D. H. Lawrence is recognized as one of the greatest novelists of this century. His work is taught in schools and universities all over the world. Yet, more than thirty years after the failure to ban Lady Chatterley's Lover in England fundamentally changed the moral climate of that country and of America, Lawrence remains a controversial figure. Regarded by many women during his lifetime as a sexual prophet, in recent years his supposed misogyny has drawn fierce condemnation from feminist critics. In this new biography of Lawrence, Elaine Feinstein explores his relationships with the women in his own life, many of whom have their counterparts in his novels. She traces the obsessive nature of his love for his mother, Lydia; his difficult relationship with his first sweetheart, Jessie Chambers; his pursuit of the bisexual Helen Corke; and the failure of his youthful engagement to Louisa Burrows. She gives a fascinating account of his long, battling marriage to Frieda von Richthofen; his friendships with women writers like Katherine Mansfield and Catherine Carswell; and the attachment to Lawrence of patronesses such as Lady Ottoline Morrell, Lady Cynthia Asquith and Mabel Dodge Luhan. Lawrence and the Women investigates the paradoxes of Lawrence's personality. He was considered to have a rare understanding of women's sexuality, yet his own sexual relationships were unusually difficult. He put all his faith in the energies of the body, yet his own was frail and sickly. He argued that women needed to submit to men, but he never succeeded in dominating his own wife, Frieda. With a novelist's eye for detail and uncanny intuition about character, Elaine Feinstein probes the sources of Lawrence's attitudes toward women with candor and compassion. Always responsive to the poetry and power of his writing, she offers a fresh and surprising portrait of one of the most misunderstood literary figures of our time.

Father Ed is the first biography of Father Edward Dowling, SJ, whose guidance transformed Alcoholics Anonymous co-founder Bill Wilson's life and deepened the spirituality of the twelve-step movement. Bill Wilson's legacy is one of the greatest of any person of modern times. Time magazine placed him at No. 20 on its list of the most important people of the 20th century. But whenever Wilson himself had the opportunity to name the greatest human being he had ever met, he had but one Father Edward Dowling. Jesuit Father Ed Dowling (1898-1960) rescued Bill Wilson from debilitating depression and gave him the spiritual guidance he needed to bring AA to international prominence. Although not an alcoholic himself, he came to devote his ministry to helping people in recovery-not only alcoholics but also people in troubled marriages (as a co-founder of the Cana Conference) and those suffering from nervous disorders (as an early champion of Recovery, Inc., now known as Recovery International). He was also a champion of civil rights and other social-justice issues, and his pastoral interests presaged the priorities of the Church under Pope Francis.