Once there were four women, three of them sisters, who fell under the spell of a revolutionary poet. Their shared vision of communal love left a trail of destruction, including two suicides and abandoned children. This book is based on the lost papers of the Shelley circle.

From the award-winning author of Minor Characters comes a haunting novel about the persistence of love and the sustaining and destabilizing power of memories In the vibrant downtown Manhattan art world of the 1960s, where men and women collide in "lucky and unlucky convergences," a series of love affairs has left Joanna Gold, a young photographer, feeling numbed. Then, at yet another party, a painter named Tom Murphy walks up to her. "Why do you hang back?" he asks. Rather than another brief collision, their relationship is the profound and ecstatic love each had longed to find. But it's undermined by Tom's harrowing past--his fatherless childhood, his wartime experiences, and most of all, the loss of the two children he left behind in Florida, along with the powerful red, white, and black paintings he will never set eyes on again. Tom, both tender and volatile, draws Joanna into the unwinnable struggle against the forces that drive him toward death. Once again, Joyce Johnson brings to life a mythic bohemian world where art is everything and life is as full of intensity and risk as the bold sweep of a painter's brush across a canvas. A New York Times Notable Book Excerpted in The New Yorker and Harper's Magazine

From stories of biblical patriarchs and matriarchs and their children, through the Gospel’s Holy Family of Jesus, Mary, and Joseph, and to modern Jewish families in fiction, film, and everyday life, the family has been considered key to transmitting Jewish identity. Current discussions about the Jewish family’s supposed traditional character and its alleged contemporary crisis tend to assume that the dynamics of Jewish family life have remained constant from the days of Abraham and Sarah to those of Tevye and Golde in Fiddler on the Roof and on to Philip Roth’s Portnoy’s Complaint . Jonathan Boyarin explores a wide range of scholarship in Jewish studies to argue instead that Jewish family forms and ideologies have varied greatly throughout the times and places where Jewish families have found themselves. He considers a range of family configurations from biblical times to the twenty-first century, including strictly Orthodox communities and new forms of family, including same-sex parents. The book shows the vast canvas of history and culture as well as the social pressures and strategies that have helped shape Jewish families, and suggests productive ways to think about possible futures for Jewish family forms.

This illustrated guide provides information about the elements and foundations of pediatric feeding therapy. It gives readers an overview of why mealtime can be aversive for children and how feeding therapy helps children to overcome related challenges.

Continuing her narration of the story of the Patriarchs in the Book of Genesis, After These Things recounts the relationship between Abraham’s tragic son Isaac and Isaac’s son Jacob. In following the psychological trail of the children of Abraham, the first properly constituted family, we discover all the complexities of love, power, and desire that make them so quintessentially human. Jenny Diski is the author of eight novels and two memoirs: Skating to Antarctica and Stranger on a Train.

Jacqueline Gold is the woman behind the success of the Ann Summers chain. This is a story of determination and suffering, of obstacles and inner-battles which will inspire women across the country. It tells about the secrets of her childhood, her struggle to find love, gain career success and respect, and to have children.

In the 1960s, A.B. Hodgetts in his groundbreaking What Culture? What Heritage? bemoaned the loss of our history. Some 30 years later, in this brilliant and impassioned new evaluation, J.L. Granatstein points to an even more appalling situation in both the educational system and in our daily lives. As he argues so articulately, Canada is one of the few nations in the Western world not to teach its history to its young people and to its new citizens. The result: a nation that does not understand and respect its own past. How bad is the situation? In a 1997 survey at York University's Glendon College, 66% of first-year students could not name a Canadian author, most could not name the first English- and French-speaking Prime Ministers, over 50% could not give the date of Confederation. In a Dominion Institute Poll of the same year, 77% were unaware that Remembrance Day commemorated the end of the First World War and only 10% could identify the Quiet Revolution. What is worse, when history is taught in our schools, it is too often processed through the filter of political correctness. Who is responsible for this unthinking conspiracy to eliminate our history? Granatstein lays the blame with a number of culprits: schools that are too busy teaching trendy subjects, and dealing with the needs of recent immigrants; universities where history has been reduced to a series of arcane subjects; ministries of education that have dropped Canadian history as a required course and approved dumbed-down textbooks; the federal government with its misguided multicultural policies; even the media, which should be above political pressures, too often uses history to search for villainy. Granatstein shows that other countries, much older than Canada, have understood how to treat history as a necessary and important condition of existence. He offers wise and reasoned solutions to a problem that undermines our sense of ourselves at a time when national understanding is essential. Parents who want their children well-educated, educators who face difficult decisions, policy makers who balance many needs and all those who care about their country must read this book.

Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.

Since the late nineteenth century, medicine has sought to foster the birth of healthy children by attending to the bodies of pregnant women, through what we have come to call prenatal care. Women, and not their unborn children, were the initial focus of that medical attention, but prenatal diagnosis in its present form, which couples scrutiny of the fetus with the option to terminate pregnancy, came into being in the early 1970s. Tangled Diagnoses examines the multiple consequences of the widespread diffusion of this medical innovation. Prenatal testing, Ilana Löwy argues, has become mainly a risk-management technology—the goal of which is to prevent inborn impairments, ideally through the development of efficient therapies but in practice mainly through the prevention of the birth of children with such impairments. Using scholarship, interviews, and direct observation in France and Brazil of two groups of professionals who play an especially important role in the production of knowledge about fetal development—fetopathologists and clinical geneticists—to expose the real-life dilemmas prenatal testing creates, this book will be of interest to anyone concerned with the sociopolitical conditions of biomedical innovation, the politics of women’s bodies, disability, and the ethics of modern medicine.

A play for four males and four females. An elderly widow and widower fall in love and decide to live together without getting married, so they can continue to receive their social security benefits, to the consternation of their children.

Leading international authorities in childhood neurology present a critical new appraisal of a childhood condition that has intrigued pediatric neurologists worldwide. An outstanding roster of specialists sheds new light on alternating hemiplegia of childhood (AHC), providing vital new links in our understanding of this baffling disorder in the areas of diagnosis and treatment. The book begins with an historical perspective on AHC, and continues with clinical findings and diagnostic criteria for the condition. Subsequent chapters examine the natural history and occurrence of the disorder in different patient populations; report on epilepsy and electrographic investigations, metabolic studies, sleep studies, and genetic findings; and explore treatments such as flunarizine, haloperidol, and rectal chloral hydrate. Other chapters address imaging procedures in children with alternating hemiplegia and discuss the latest findings on the relationship of migraine to the disorder.

1928. American author, Hurst is noted for her sympathetic, sentimental novels. The book begins: Twenty-two sat down to dinner on a Thanksgiving afternoon at four, 1903, in the House on Sycamore Street. It might have been the house in Downing Street so far as its centrifugal significance was ground into the consciousness of the men, women and children gathered about its board. See other titles by this author available from Kessinger Publishing.

Division TEACCH, located in the School of Medicine at the University of North Carolina at Chapel Hill, was one of the first programs in the country to understand that autism was an organic rather than a biologic condition. We were also one of the earliest programs to recognize the enormous variability in characteristics and behaviors of children described as autistic. For these reasons, the processes of diagnosis and assessment have always been important and central to our program. We are therefore extremely pleased to have a volume representing the most current thinking of the field's leaders in these important areas. As with the preceding books in our series, Current Issues in Autism, this volume is based on one of the annual TEACCH conferences held in Chapel Hill each May. The books are not simply published proceedings of the conference papers, however. Rather, conference participants are asked to develop a full chapter around their presentations. Other international experts whose work is beyond the scope of the conference, but related to the major theme, are asked to contribute chapters as well. These volumes are designed to provide the most current knowledge in research and professional practice available on the most important issues defining and clarifying autism.

A crisp clean softcover, no markings throughout: A stark and powerful dissection of the courageous/contemptible game of "adjustment" by human beings under extreme stress - in this case, a Jewish girl in Nazi-occupied Poland. Elli Rostow had cut down her grandfather's body after his suicide; had known other family self-slaughters; had seen grieving women and children sent to be exterminated; had been propelled into death's humiliations and horrors. Elli's mother - now known by the Polish name of Maria - is her introduction to the survival tactic of becoming "Polish." (Watch the inflection, study the Catholic prayerbook, make up heavily to hide the ghetto pallor.) Those who fail are wiped out, and in a succession of locations, jobs, Elli learns the ropes. But she suffers unbearable memories, just manages to hold off a breakdown such as her cousin Lili's who gave way under the pressure of life without warmth, honesty and love. To the end Elli dares not confide even in the man who loves her, a Polish underground fighter, whose work, evolved from guilt, seems mockingly irrelevant to Elli's own agonizing charade. But in the bestiality of persecution and massacre, the victims also lose their humanity. (In the Warsaw ghetto an oppressor's corpse is shredded and packed into candy boxes.) War, Elli's grandfather had said, "kills the conscience in man." And conscience, love, is dispensable in the kindergarten maneuvers of historical brutality. A chilling suggestion that death, too, has its games.

The International Society for Science and Religion has selected Matters of Life and Death as an element of the ISSR Library. The mission of the ISSR Library is "to provide a comprehensive resource for scholars, students, and interested lay readers in the area of science and the human spirit."The incredible medical breakthroughs of today, like genetic engineering, in-vitro fertilizations, and cloning have transformed long-held beliefs on the nature of both life and death, raising difficult moral and religious questions. In Matters of Life and Death Elliot Dorff thoroughly addresses this unavoidable confluence of medical technology and Jewish law and ethics. Elliot N. Dorff, Rabbi (Jewish Theological Seminary), PhD (Columbia University), is rector and Sol and Anne Dorff Distinguished Professor of Philosophy at the American Jewish University (formerly the University of Judaism) in Los Angeles. Among the twelve books he has written are four award-winning books on Jewish ethics and law published by The Jewish Publication Society: Matters of Life and Death (1998) on Jewish medical ethics; To Do the Right and the Good (2002) on Jewish social ethics; Love Your Neighbor and Yourself on Jewish personal ethics; and For the Love of God and People: A Philosophy of Jewish Law (2007). He has also edited 10 books, including Contemporary Jewish Ethics and Morality (Oxford, 1995) and Contemporary Jewish Theology (Oxford, 1999), co-edited by Louis Newman, who also co-edited with Dorff the first three volumes of the Jewish Choices, Jewish Voices series. Since 1984, Rabbi Dorff has served on the Rabbinical Assembly's Committee on Jewish Law and Standards, and has served as its Chair since 2007. He has also served on several federal advisory commissions dealing with the ethics of health care, sexual responsibility, and research on human subjects. He is a member of the State of California's Ethics Committee on embryonic stem cell research. He is married to Marlynn, and they have four children and seven grandchildren.

In 1946, Elizabeth Taylor -- then fourteen and a major star at MGM -- published a book about her pet chipmunk, Nibbles. With wit, charm, and remarkable skill, she related the adventures and mishaps of her high-spirited friend. She and Nibbles were virtually inseparable during the shooting of National Velvet and other films; in fact the chipmunk almost got to appear in Courage of Lassie -- but he was so well behaved that he didn't look real, and his scene was cut! Recounted here are such stories as the happiest birthday of her life, when she was given King Charles, the horse who was called The Pi in National Velvet, because only Elizabeth could ride him. Long out of print, this enchanting memoir is available once again with Miss Taylor's original illustrations (including previously unpublished drawings from her private collection), photos of Elizabeth Taylor and Nibbles on and off the set, and a new introduction by the legendary actress. Children will love the story of a girl and her pet; older readers will appreciate the insight into young Elizabeth Taylor's life that this book provides.

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

This is a personal history of the twentieth century as seen through the eyes of Edith Kurzweil, author, teacher, editor of Partisan Review, and a recent recipient of the National Medal of Humanities. The book opens with Kurzweil early adolescence in Vienna during the Nazi takeover. It ends with the author finding herself in the new century. In between, she kept moving on and interrogating the world around her. The reader follows Kurzweil on her perilous journey, at the age of fourteen, to Belgium, through France, Spain, and Portugal, alone with her younger brother. Her fantasies of reunion with her parents in New York kept her going but came to naught: she had not expected to fall from a wealthy childhood into the life of the working-class poor, as a millinery apprentice or a diamond cutter. Instead of entering college life, she eventually became a conventional American housewife. Unhappy and anxious, she anticipated the social changes in America, and returned to Europe with her second husband and her two children. She arrived at the beginning of the Italian miracle--its post-war revitalization. In Milan she met many Americans as an active member of its community and of the British-American club. After personal tragedy she returned to New York, and only then pursued her early intellectual ambitions. The author eventually became a professor of sociology and quickly climbed up the academic ladder. Just as she had been as a little girl, she still "wanted to know everything," beginning with her study of Italian entrepreneurs and going on to European history and French thought, to psychoanalysis and anti-Semitism. Her early writings prompted William Phillips, co-founder and editor of Partisan Review, to invite her into the elite circle of New York intellectuals. She worked alongside him, first as a reader, then as executive editor, and took over the editorship of the legendary journal during its final period. Kurzweil's journey was one of courage, and of emotional and intellectual growth. Full Circle will be of interest to intellectual and cultural historians, literary and Holocaust scholars, and American studies specialists.

In a love story framed by the vivid realities of the Israeli-Palestinian conflict, Edeet Ravel tenderly explores the complicated ways people connect when violence touches every aspect of their lives Dana Hillman is a young Israeli woman whose humanity and passion for justice are obvious to all who meet her. On peace missions, she and other activists act as human shields in situations where the Israeli army tries to displace Palestinians. A gifted photographer, she documents the protests, and the faces of women and children caught in the seemingly endless struggle. To make a living, though, she churns out junky historical romances, well aware of the irony of her situation. Her own love story has turned into a heartbreaking mystery: why did her husband, Daniel, suddenly disappear and where has he been for the last eleven years? Every year Dana publishes a full-page ad addressed to her lost husband that says, “I will never ever ever ever . . . stop waiting for you,” with that “ever” multiplied to fill the whole page. Dana’s hope and constancy fill the novel in the way that her “ever” fills up the page, as she holds fast to trust, love and a vision for the future that seems magical in this fractured place. From the Hardcover edition.

This book is a tribute to Donald Melzer's extraordinary contribution to psychoanalysis. It includes many of the papers given at the Tavistock Centre in London to celebrate Meltzer's 75th Birthday. Among the contributions, Margaret Rustin and Michael Rustin write on the work of Samuel Beckett; Gianna Williams elaborates upon Meltzer's thinking about the meeting of mother and baby; Didier Houzel discusses the aesthetic conflict and its connection with beauty and violence; and the Psychoanalytic Group of Barcelona describe their experience in working with Meltzer as a visiting supervisor. There are also several papers discussing the clinical relevance of Meltzer's thinking, particularly in work with children and adolescents.Apart from these papers, the book also contains a candid review by Meltzer of his own writing and thinking. This book provides a unique set of perspectives on his work and influence, and the sheer diversity of fields in which his thinking is now being used. It will surely be of continuing value to anyone interested in the state of psychoanalysis