"Carcanet first introduced her work to British readers in 1985 in Roger Conover's The Last Lunar Baedeker, a collected writings. This new edition updates our earlier volume and presents more reliable texts of the essential Loy poems. It includes more extensive notes and apparatus, and features a number of previously unknown works rescued from Dada archives and obscure avant-garde little magazines. All of Loy's canonical Futurist and feminist satires are included, as are the celebrated poems from her Paris and New York periods, the complete cycle of `Love Songs', and her famous portraits-in-verse which define the trajectory of her favoured company and geography -- from fellow modernists Joyce and Brancusi in Paris in the 1920s to fellow destitutes in New York's Lower East Side in the 1940s"--Publisher website

Michael Ratner (1943-2016) was one of America's leading human rights lawyers. He worked for more than four decades at the Center for Constitutional Rights (CCR) becoming first the Director of Litigation and then the President of what Alexander Cockburn called "a small band of tigerish people." He was also the President of the National Lawyers Guild. Ratner handled some of the most significant cases In American history. This book tells why and how he did it. His last case, which he worked on until he died, was representing truth-telling whistleblower and now political prisoner Julian Assange, the editor of WikiLeaks. Ratner "moved the bar" by organizing some 600 lawyers to successfully defend habeas corpus, that is, the ancient right of someone accused of a crime to have a lawyer and to be brought before a judge. Michael had a piece of paper taped on the wall next to his desk at the CCR. It read: 4 key principles of being a radical lawyer: 1. Do not refuse to take a case just because it is long odds of winning in court. 2. Use cases to publicize a radical critique of US policy and to promote revolutionary transformation. 3. Combine legal work with political advocacy. 4. Love people. Compelling and instructive, Moving the Bar is an indispensable manual for the next generation of activists and their lawyers.

"Argues that people make themselves more powerless than they need to be, and that this attitude ... undermines one's personal effectiveness in both love and work and negates one's willingness to pursue any large-scale visions of political or social change." -- Shofar

Intimate, humorous, and refreshingly candid, this extraordinary work is a remarkable record—in both words and images—of Jewish life in a Polish town before World War II as seen through the eyes of an inquisitive boy. Mayer Kirshenblatt, who was born in 1916 and left Poland for Canada in 1934, taught himself to paint at age 73. Since then, he has made it his mission to remember the world of his childhood in living color, "lest future generations know more about how Jews died than how they lived." This volume presents his lively paintings woven together with a marvelous narrative created from interviews that took place over forty years between Mayer and his daughter, Barbara Kirshenblatt-Gimblett. Together, father and daughter draw readers into a lost world—we roam the streets and courtyards of the town of Apt, witness details of daily life, and meet those who lived and worked there: the pregnant hunchback, who stood under the wedding canopy just hours before giving birth; the khayder teacher caught in bed with the drummer's wife; the cobbler's son, who was dressed in white pajamas all his life to fool the angel of death; the corpse that was shaved; and the couple who held a "black wedding" in the cemetery during a cholera epidemic. This moving collaboration—a unique blend of memoir, oral history, and artistic interpretation—is at once a labor of love, a tribute to a distinctive imagination, and a brilliant portrait of life in one Jewish home town. Copub: The Judah L. Magnes Museum

"Ressentiment" by Max Scheler delves into the psychological and philosophical underpinnings of resentment as a fundamental human emotion. Scheler explores how ressentiment arises in individuals who feel powerless and oppressed, leading to a moral inversion where they vilify the values of those they envy. This work is significant in understanding the dynamics of social relationships and the impact of feelings of inferiority on moral judgments. Scheler's insights into the nature of ressentiment provide a critical lens through which to examine personal and societal conflicts. *** In this book, Scheler also contrasts ressentiment with authentic values, emphasizing the importance of love and empathy in overcoming negative emotions. He argues that ressentiment can lead to destructive behaviors and societal decay, as it fosters a culture of blame and victimhood. By analyzing the roots of ressentiment, Scheler encourages readers to reflect on their own emotional responses and the broader implications for society. His philosophical approach invites a deeper understanding of how feelings of resentment can shape moral landscapes and interpersonal dynamics.

Features a section of full-color photos from this Broadway musical. Titles include: No More * A Beat Behind * My Rules * Good News, Bad News * Don't Follow in My Footsteps * How Can I Win * Paula (An Improvised Love Song) * I Can Play This Part * What a Guy * No More (Pop Version).

Described as “a continuous carnival” and “the crossroads of the world,” Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To esteemed scholar and author Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape both mythic and real. On the Town is a unique look through the lens of the ideas and works of art that inspired–or were inspired by–this landmark’s allure. Times Square pulses with life, drawing countless millions who long to be surrounded by too many in the midst of too much. Beyond the immense crowds, the intoxicating lights, the imposing architecture, and even the recent incursion of corporate headquarters that limn the Square’s present boundaries, there is an indefatigable humanity (and undeniable sexual tension) that, for more than a century, has nourished creative expression. Interleafing his own recollections with astute social commentary, Berman reveals how movies, graphic arts, literature, popular music, television, and, of course, the Broadway theater have reflected Times Square’s voluminous light to illuminate a vast spectrum of themes and vignettes. Berman shows us Times Square as it is seen in Alfred Eisenstadt’s iconic photography, the movies of Busby Berkeley, John Schlesinger, and Martin Scorsese, and the stage choreography of Jerome Robbins. Conversely, we see how Times Square’s distinctive aura finds its source in a stunningly diverse list of performers, writers, and impresarios, including Theodore Dreiser, Florenz Ziegfeld, Ethel Merman, Al Jolson, Bob Dylan, and Bruce Springsteen. Berman also celebrates the unsung heroes of Times Square–the artists, engineers, and hucksters behind the Square’s landmark signs that, throughout the decades, re-created raging waterfalls, blew smoke rings, bathed onlookers in the Square’s eerily welcoming light, and projected the image of what Americans want to be against a surface of who we really are. Part love letter, part revelatory semiotic exposition of a place known to all, On the Town is a nonstop excursion to the heart of American civilization, written by one of our keenest, most entertaining cultural observers.

National Outdoor Book Award Winner for Outdoor Literature From the award-winning, bestselling author of Cod- the irresistible story of the science, history, art, and culture of the least efficient way to catch a fish. Fly fishing, historian Mark Kurlansky has found, is a battle of wits, fly fisher vs. fish-and the fly fisher does not always (or often) win. The targets-salmon, trout, and char; and for some, bass, tarpon, tuna, bonefish, and even marlin-are highly intelligent, athletic animals. The allure, Kurlansky learns, is that fly fishing makes catching a fish as difficult as possible. The flies can be beautiful and intricate, some made with over two dozen pieces of feather and fur; the cast is a matter of grace and rhythm, with different casts and rods yielding varying results. Kurlansky is known for his deep dives into specific subjects, from cod to oysters to salt. But he spent his boyhood days on the shore of a shallow pond. Here, where tiny fish weaved under a rocky waterfall, he first tied string to a branch, dangled a worm into the water, and unleashed his passion for fishing. Since then, his love of the sport has led him around the world's countries, coasts, and rivers-from the wilds of Alaska to Basque country, from Ireland and Norway to Russia and Japan. And, in true Kurlansky fashion, he absorbed every fact, detail, and anecdote along the way. The Unreasonable Virtue of Fly Fishing marries Kurlansky's signature wide-ranging reach with a subject that has captivated him for a lifetime-combining history, craft, and personal memoir to show readers, devotees of the sport or not, the necessity of experiencing nature's balm first-hand.

In this classic memoir that explores the Nazi presence in the south of Chile after the war, Marjorie Agosín writes in the voice of her mother, Frida, who grew up as the daughter of European Jewish immigrants in Chile in the World War II era. Woven into the narrative are the stories of Frida's father, who had to leave Vienna in 1920 because he fell in love with a Christian cabaret dancer; of her paternal grandmother, who arrived in Chile later with a number tattooed on her arm; and of her great-grandmother from Odessa, who loved the Spanish language so much that she repeated its harmonious sounds even in her sleep. Agosín's A Cross and a Star is a moving testament to endurance and to the power of memory and words. This edition includes a collection of important new photographs, a new afterword by the author, and a foreword by Ruth Behar.

In this unique memoir, renowned poet, fiction writer, critic, and activist Marjorie Agosin writes in the voice of her mother, Frida, the daughter of European Jewish immigrants, living in Chile in the years before, during, and after World War II. Frida recounts stories from her family's Jewish/Chilean history: of her father, who had to leave Vienna in 1920 because he fell in love with a Christian cabaret dancer; of her paternal grandmother, who came to Chile later with a number tattooed on her arm; and of her great grandmother, an immigrant from Odessa, who learned to speak Spanish in Chile and loved the language so much that she repeated its harmonious sounds even in her sleep. Frida's stories of the past soften the realities of present times, when some immigrants from Germany still display portraits of Hitler m their homes and Jews still remain, after two generations, strangers in their own land. These stories are permeated with the shadow of faraway war in Europe, which haunts Frida's dreams and is a vivid presence in the everyday life in this Chilean town. For Frida the cross and the star of the title come to define two worlds that are for her distinct, yet inexorably entwined. Agosin's poetic reflections reveal a culture and a landscape little-known outside of her native land, explore the boundaries of "voice", and create a moving testament to endurance and to the power of memory and of words.

The New York Times bestselling author of A Return to Love turns to contemporary thinkers for a wide-ranging collection of essays on topics from relationships to religion, education and the environment.

For over 100 years, Paramount Pictures has been captivating movie and television audiences worldwide with its alluring imagery and compelling stories. Arising from the collective genius of Adolph Zukor, Jesse L. Lasky, and Cecil B. DeMille during the 1910s, Paramount Pictures is home to such enduring classics as Wings, Sunset Boulevard, The Ten Commandments, Love Story, The Godfather, the Indiana Jones series, Chinatown, Forrest Gump, Braveheart, Titanic, and Star Trek. Early Paramount Studios chronicles Paramount's origins, culminating in the creation and expansion of the lot at 5555 Melrose Avenue, the last major motion picture studio still in Hollywood.

Reminiscent of the novels of Nora Ephron, this brilliantly written, hilariously touching tale explores a contemporary woman's quirky love life. Katinka O'Toole has discovered that a degree from Harvard does not always lead to fame and fortune. Divorced and struggling to make a living as a writer, the highlight of her day has become the arrival of the mail. Or, more precisely, the mailman. Yes, she hopes for an acceptance letter, but she also has a fierce crush on Louie Capetti, her gorgeous postal carrier, who she hopes will carry her away to romantic bliss. So while she has taken to receiving her mail in "discount Dior", she also has to deal with her pretentious ex-husband (a noted Joycean scholar), her class-conscious mother, the unwanted affections of a corporate lawyer, and various other roadblocks to true love that plague smart women in today's society.

Venice for Lovers is a memorable collaboration by two fine stylists who have fashioned their own personal homages to Venice, one with a novella, the other with a personal essay. Every year for all the thirty they have been married, Begley and Muhlstein have escaped to Venice to write. In her contribution to the book, Muhlstein charmingly describes how she and her husband dine at the same restaurant every night for years on end, and how becoming friends with restaurateurs has been an unsurpassed means of getting to know the city and its inhabitants, far from the tourists in San Marco Square. In his short novella, Begley writes a story of falling in love with--and in--Venice. His twenty-year-old protagonist, enamored with an older, far worldlier woman of twenty-seven, is lured by her to the City of Water, only to be unceremoniously dumped and left to fend for himself after a brief rendezvous. But he discovers a lasting love for Venice itself--not an uncommon romance, as Begley's brilliant literary essay on the city's place within world literature demonstrates: Henry James, Marcel Proust, and Thomas Mann were all illustrious predecessors.

Intelligence turns me on. Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.” The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

Matching folio with 12 songs, including: Dance with the Angels * Falling in Love * Firecracker * Furious Rose * How * I Do * This * Truthfully * and more.

Originally published in 1958, this is Lillian Roth's story in her own words following up on her blockbuster memoir I'll Cry Tomorrow. "Nothing in my wildest imaginings could have prepared me for what has happened these past five years," says Lillian Roth in her new book, which continues the story of her life from the publication of I'll Cry Tomorrow to the present. Catapulted back into the limelight as a "reformed" alcoholic, faced with the problems of a professional come-back, besieged by people who sought solace and advice, troubled by her own weaknesses and doubts, she found herself on the verge of panic and blindness. But the love and strength of her husband, the will to make good on her own, and the faith and affection of a vast audience who turned to her for help, carried her over the troubled waters. Step by step she found her way out of the darkness that still threatened her. With the same frankness and honesty that made her autobiography a deeply moving experience, Lillian Roth now describes her struggle back to the top of the nightclub circuit, of the lean and the full years, of the disappointments and triumphs, and of her search for religious understanding. She tells of her decision to become a serious actress, of the way she finally found a home, after forty-six years, and of the never-ending struggle that everyone is faced with. "Life is a struggle-and to stop struggling is to stop living. But that struggle is not for money alone, but to create, to realize the best within us." "People turned to me for help, not realizing that I too suffered human frailty. But wondrously, they brought me their strength along with their fears." Seldom has there been a story as inspiring and warmly human as this continuation of the record of a woman's search to find peace and happiness within herself.

Born in 1940, Lillian Faderman was the only child of an uneducated and unmarried immigrant Jewish woman. Her mother, whose family perished in the Holocaust, was racked by guilt at having come to America and left them behind; she suffered recurrent psychotic episodes. Her only escape from the brutal labor of her sweatshop job was her fiercely loved daughter, Lilly, whose poignant dream throughout an impoverished childhood was to become a movie star and "rescue" her mother. Lilly grew up to become Lil, outwardly tough, inwardly innocent, hungry for love and success. A beautiful young woman who was learning that her deepest erotic and emotional connections were to women, she found herself in a dangerous but seductive lesbian underworld of addicts, pimps, and prostitutes. Desperately seeking to make her life meaningful and to redeem her mother's suffering, she entered the University of California at Berkeley and worked her way through college as a burlesque stripper. A brilliant student, she ultimately achieved a Ph. D. At last she became Lillian, the woman who in time became a loving partner, a devoted mother, an acclaimed writer, and a charismatic, groundbreaking scholar of gay and lesbian studies. Told with wrenching immediacy and great power, this is an extraordinary memoir: the nakedly honest -- and very American -- story of an exceptional woman and her remarkable, unorthodox life.

What if the man you loved betrayed your brother? Two thousand years ago, while a young Jewish preacher from Nazareth was gathering followers among the people of Galilee, his sister swept floors and dreamed of learning to read. In Leslie Cannold’s story, it is the women of Nazareth who take centre stage. The rebellious, gifted Rachael, consigned by her sex to a life of drudgery. Bindy, the crone who teaches her the skills of the healer. Shona her sister, the victim of a harsh social code, and their mother Miriame, a woman seemingly unable to love. When Rachael falls in love with her brother’s dearest friend, the rebel Judah of Iscariot, it seems that at least one of the women of Nazareth may find happiness. Then a message comes from her brother in Jerusalem. And the events begin to unfold that will change not just Rachael’s life, but the world—forever.

A story every daughter will recognize, The Reluctant Daughter depicts the struggles of Lydia Pinkowitz to communicate the realities of her life as a lesbian, as a feminist scholar, and as the woman she has become to her mother Doris. After years of hoping to attain her mother's love and acceptance while struggling to live a true and honest life, Lydia eventually acknowledges her mother will never really see her. When Doris develops a life-threatening illness, Lydia is forced to make a life-and-death decision of her own: should she make one final attempt to heal her relationship with her mother or simply let her go?