Analyzes the communal organization, political affiliations, and cultural contributions of Vienna's Jews from 1848 to World War I. After 1848, Jewish emancipation became an issue in party politics. Jews identified with the Austrian Liberal Party, with the Emperor and Germanism, in all of which they saw safeguards of Jewish emancipation. Analyzes the antisemitism of Schönerer's Pan-German Party, which found many adherents at the University of Vienna, and of Lueger's Christian Social Party. Describes the cautious reactions of Jewish officials, who supported the Liberal Party even in defeat and in the face of that party's desertion of the Jewish cause; the more nationalist faction led by Rabbi Joseph Samuel Bloch, a member of the Austrian parliament from 1884-95 and a militant fighter against antisemitism; and the Austrian Israelite Union set up in 1886 to encourage pride in Jewish identity and combat antisemitism. Surveys the role of antisemitism in the rise of Zionism. Suggests that the surge of antisemitism in Vienna, rather than the Dreyfus case, was responsible for Herzl's concern with the "Jewish question". Analyzes the Jewish self-hatred of Karl Kraus and Otto Weininger, and the role of Jewish identity and antisemitism in the life and work of Freud, Schnitzler, and other Austrian Jewish writers.

Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.

Great book.

Arthur Fenn is an ordinary young professor with an esoteric specialty, Comparative Mythology. He is in financial trouble and suddenly finds himself in possession of a magical spell that allows him access to the realm of the gods. He may be a professor, but he's got no common sense--so when he goes there, he makes the mistake of inviting a con-man god and his companions back to Earth. What develops is a fantastic mess full of rich opportunities for humor, satire, and surprise. Arthur's mistake unbalances his own life, life on Earth, and the lives of the gods in their realm...and universal darkness threatens to cover all. Chaos spread on a greater and greater scale until all creation is threatened. It's a good thing that Arthur is able to find the courage and self-confidence to save the day, even if the universe has to die and be reborn

Adventure

IT WAS THE WORST OF TIMES.... Fifteen feet tall, the Entities land in cities across Earth. lgnoring humankind, they wall themselves in impenetrable enclaves, enslaving a few willing collaborators with their telepathic PUSH. Then they plunge humans into a new Dark Age without electricity, allowing us to live -- but no longer as a dominant species. But a few refuse to submit to fate, including the Carmichael family, whose patriarch, an aging colonel devoted to resistance, will inspire a daring new generation of dissidents. United in spirit, these diverse rebels -- an aging hippie, a cold-blooded Muslim assassin, a prodigal son, and a renegade hacker -- will carry on the colonel's legacy as they attempt to kill the mysterious Prime Entity and free the planet.

These science fiction stories here were published just last year and honored in April. The winners are: Connie Willis's "A Letter from the Cleary's" and "Firewatch," John Kessel's novella "Another Orphan" and an excerpt from Michael Bishop's novel No Enemy But Time. Equally impressive is the quality of the nominees that didn't win. Joanna Russ's "Souls" is a medieval setting. Barry Malzberg's "Corridors," actually from the inside. "Swarm," one of the best stories ever about living with aliens, by Bruce Sterling. Also includes stories by Silverberg and William Gibson.

ICE AGE--NEW YORK CITY 2650 A.D. UNDERGROUND! By 2300, everyone knew what was happening, and why. The sun and all its planets, as they moved together through the galaxy, had been engulfed by a vast cloud of cosmic debris, and an all but infinite number of dust motes was screening and blocking the sun's radiation from Earth. To the eye, everything still looked the same, but so immense was the cloud that it would take centuries for the solar system to pass entirely through it. Nothing could hold back the ice age. Miles beneath the layer of ice that covered Earth in 2650, men survive in the subterranean cities they built to save themselves as the ice crept with killing cold over all living things. For three hundred years no one has seen the surface or communicated with any other city. Until now. Now the few scientific instruments that remain seem to indicate that the Ice Age may be ending; outside temperatures are reaching a level that may make life possible--though not easy--on the outside. But life in the underground cities is comfortable, and those few who are brave enough to be curious about the unknown frozen world above are suspect; troublemakers. A small party of these 'troublemakers, ' led by Dr. Raymond Barnes, with a few scientists and others who think they might prefer freedom to safety, has been allowed to take the long-unused elevator up through the ice to the outside. But they go more as exiles than as a scientific expedition; they are not expected --and may not be allowed--to return.

An Almost Perfect Ending is book two in The Torch Singer trilogy, Robert Westbrook's epic Hollywood Thriller series. "'An Almost Perfect Ending' ranks alongside the best Hollywood noir. It takes the reader on a journey which leads relentlessly towards a final, fatal conclusion." Daily Mail Book Two, An Almost Perfect Ending opens with sultry heroine Sonya Saint-Amant at the height of her career-a glittering, triumphant appearance at Ciro's, the clubhouse for the stars in 1950s Hollywood where everyone wants to claim her as their friend. But in 1954, popular music is undergoing a revolution in which all but the biggest stars will be cast aside. With her looks and popularity fading, Sonya believes she has come up with the perfect plan to save her career . . . if only she can maneuver a tricky path through the many dangers that beset her, a vortex of politics, sex, blackmail, and murder . . . "Pacy and unstoppable, the second book in the "The Torch Singer" series takes over where the first left off, grabbing your wrist, tugging you along, refusing to let go." Evening Standard "'The Torch Singer' exposes the fragility of fame. The higher the edifice the greater the risk that some element of deep-set animal emotion or human baseness will bring everything crashing down . . . and watching it happen is not just compulsive-it's addictive and unmissable." Event Magazine "Robert Westbrook is a born storyteller and a bit of a magician." Ally Sheedy Ambition, blackmail, murder . . . THE TORCH SINGER is an unforgettable journey through the shadowlands of fame.

Fictional Novel

This sweeping new anthology shows how religion has joined with and learned from movements for social justice, peace, and ecological wisdom. Liberating Faith surveys the entire range of religious social activism: from liberation theology and feminist religion to ecotheology and peace activism. It includes theology, social critique, position papers, denominational statements, manifestos, rituals, prayers, biographical accounts, and journalistic descriptions of real world struggles, beginning with a survey of ethical teachings from traditional sources. Following sections deal with 'precursor' voices before the 20th century, Gandhi's exemplary vision, overviews of the connections between religion, society, and political movements, and impassioned accounts of particular issues. Containing voices from a multitude of traditions, national settings, and perspectives. Liberating Faith includes writings by Latin American liberation theologians and radical American religious activists, statements on social justice by the Pope and environmental morality by the Eastern Orthodox Patriarch, religious critiques of collective and interpersonal violence, passionate denunciations of racism and quiet eloquence which demands that we all stand up for morality in dark times. Among the more than eighty authors are Thomas Berry, Thich Nhat Hanh, Abraham Heschel, Martin Luther King, Winona Laduke, Michael Lerner, Thomas Merton, Henri Nouwen, Judith Plaskow, Rosemary Ruether, and Vandana Shiva. An invaluable teaching resource and the definitive introduction to global religious social activism, this book offers a visionary alternative to both repressive fundamentalism and spiritless secularism.

Evaluates and considers the Bolshevik Revolution as Lenin's creation and looks at the hybrid society which emerged in Lenin's wake.

Angelica's Grotto is a pornographic website into which seventy-two-year-old art historian Harold Klein wanders one evening. Klein, a walking catalogue of infirmities, known to medical consultants as 'he who declines to hop the twig', may not be up to much physically but there's a lot of sex going on in his head. 'You're a tiger from the neck up, Professor,' says Melissa, the brains behind the website, when at last Klein faces the object of his desire. Harold first visits Angelica's Grotto after losing his 'inner voice', that censoring mechanism that keeps us from blurting out the first thing that pops into our heads and finding ourselves in Casualty as a result of it. Harold consults a therapist about this new lack of mental privacy and also has one-to-one onscreen dialogue in the Grotto. 'If I had an inner voice I wouldn't be telling you all this,' he explains to the as-yet-unmet Melissa. But when the flesh-and-blood Melissa and her large and well-hung colleague Leslie enter his life he finds it's good to keep the angina medicine at the ready. Harold Klein's odyssey takes him not only through erogenous zones but into various corners of the London art world, down the underground and up the buses.

Jim Hedgehog is converted to a healthy diet and lifestyle by confronting a frightening image of his future self in his favorite film the Revolting Blob.

Jachin-Boaz is a maker and seller of maps. In his shop are maps that will lead you to whatever it is you most desire: love, inspiration, wealth. But his greatest achievement is a master-map showing the location of everything that has ever been found in the world, which he intends to give to his son, Boaz-Jachin. There is only one thing missing from the map: lions - for there are no more lions left. Or are there? When Jachin-Boaz sets out on a quest to find a lion for his son, Boaz-Jachin will follow in search of his father, and both will discover something wholly unexpected ... Russell Hoban's first novel for adults, The Lion of Boaz-Jachin and Jachin-Boaz (1973) was widely acclaimed by critics and earned comparisons to Tolkien and C.S. Lewis. Both a humorous and light-hearted fantasy and an insightful meditation on the sometimes difficult relationships between fathers and sons, it is a perfect introduction to the work of this brilliant writer. 'A piece of invention as original as any of Tolkien's or C.S. Lewis's.' - New Statesman 'Magic at work ... Funny as well as beautiful.' - Irish Times 'Mr. Hoban is unclassifiable, thank goodness. His narrative is so minutely and compellingly realistic that after a time you cease to notice that he has stood reality on its head.' - Sunday Times 'Of outstanding quality ... unusually vivid imagination ... immensely striking use of words.' - Auberon Waugh, The Spectator

Three space travelers land on Earth in order to sample the cheese omelettes and chocolate cake being prepared by a mummosaurus.

Russell Sherman has been hailed as "that rarest of performers--a thinking man's virtuoso" (Chicago Tribune), and Piano Pieces is his scintillating excursion into the world of piano and its multiple spheres of affect and influence. From pithy reflections on tone, technique, and the thorny matter of thumbs to ruminations on how such a machine could be the voice and repository of priceless human messages both lyrical and complex, Piano Pieces examines the current status of music, piano-playing, and pedagogy through the noisy filter of contemporary culture.