Never Lose Your Nerve! chronicles the ups and downs of a Nobel Laureate's life. Professor Alan J Heeger was awarded the Nobel Prize in Chemistry in 2000 together with Professor Alan G MacDiarmid and Professor Hideki Shirakawa. Filled with humor, this book tells Professor Heeger's story -- his love for his family, especially how his wife's love has always been his guiding light, his progress from a young student to an eminent scientist, his passion for the theatre and its impact on his science, his adventures as a successful entrepreneur, and his personal losses. Many think of scientists as risk-adverse individuals but Professor Heeger shows the absolute necessity of risk in research and that scientists are, in fact, risk-addicted, as taking the first, risky step into unfamiliar territory is a step in the right direction towards creativity and great discoveries. Never lose your nerve and you will be rewarded. Life is an exciting adventure and this book clearly demonstrates it, and is for those who are looking to impact others.'Perhaps the greatest pleasure of being a scientist is to have an abstract idea, then to do an experiment (more often a series of experiments is required) that demonstrates the idea was correct; that is, Nature actually behaves as conceived in the mind of the scientist. This process is the essence of creativity in science. I have been fortunate to have experienced this intense pleasure many times in my life.'Alan J Heeger

The noted comedian, actor, and author exchanges views with the famous food critic and editor on all aspects of food, his favorite recipes and restaurants, and the famous people with whom he has eaten and for whom he has cooked

Examines the effect of the Holocaust on traditional attempts to explain the Jewish people's sufferings while retaining the concept of covenant with God. also examines its influence on the self-image of American Jewry. Analyzes the works of Elie Wiesel, Isaac Bashevis Singer, Saul Bellow, and Cynthia Ozick, among others, and suggests that awareness of a covenantal concept of Judaism is a criterion for authentic Holocaust literature. Adopts the definition of the Holocaust as a unique event - the plan to exterminate an entire nation, and describes various approaches to theological problems raised by the Holocaust.

Deepens and enriches our understanding of the Jewish literary tradition and the implications of the Shoah. Challenging the notion that Jewish American and Holocaust literature have exhausted their limits, this volume reexamines these closely linked traditions in light of recent postmodern theory. Composed against the tumultuous background of great cultural transition and unprecedented state-sponsored systematic murder, Jewish American and Holocaust literature both address the concerns of postmodern human existence in extremis. In addition to exploring how various mythic and literary themes are deconstructed in the lurid light of Auschwitz, this book provides critical reassessments of Saul Bellow, Bernard Malamud, and Philip Roth, as well as contemporary Jewish American writers who are extending this vibrant tradition into the new millennium. These essays deepen and enrich our understanding of the Jewish literary tradition and the implications of the Shoah.

Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century-gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorusof post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensionsthat produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of "postmemory"; the intergenerational and ongoingtransmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocationand anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation. --Back cover.

By turns hilarious and alarming, "American Mischief" is an ambitious attempt to define the disorders of American culture. Originally published in 1970, the novel takes on sexual anarchy, political madness, the collapse of monogamy, and above all the high cost of extreme behavior. These aspects of American culture are richly illustrated by the novel's two protagonists: Professor Bernard Kovell, a supreme and comical narcissist who dotes on lofty analogies while performing very low acts, and Lenny Pincus, a young radical fishing for more trouble than he can handle.

Raoul Wallenberg, the Swedish diplomat who saved thousands of Budapest Jews in 1944-45, was arrested by the Soviets and taken to Moscow where he disappeared. Now, more than 70 years after these events, many mysteries about Wallenberg's life and fate persist. As both a literary detective story and historical investigation Alan Lelchuk uses a fictional investigation to explore what really happened.

From Act I: The Girl Who Was Plugged In -- Weird Romance * Stop and See Me * Feeling No Pain * Pop Flash * Eyes That Never Lie * Worth It. Act II: Her Pilgrim Soul -- My Orderly World * Need to Know * I Can Show You a Thing or Two * A Man * Someone Else Is Waiting.

Wire Hangers creator/hard-rock musician, Alan Robert, is back for blood with an all-new horror tale, Crawl to Me, which centers on Ryan as he struggles to protect his family from what appears to be an evil entity living within their basement’s crawl space. It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

The Battle of Trafalgar is well-known for the magnanimous nature of the British victory, even though it cost the nation its greatest hero Lord Admiral, Horatio Nelson. For this reason, the battle itself has been remembered as a momentary success, the resulted only from a stroke of immediate genius or from a brief plan. But as Alan Schom shows, the Battle of 21 October 1805, a meeting of the might of the British and French navies, was the result of a strategy laid out by the British Admiralty two years earlier, in 1803. The period from that year until the Battle of Trafalgar was known as 'the Great Terror', when British naval forces were on constant alert for attacks by the Frenchman. Various political figures are written about, debating manoeuvres and quota of ships to be constructed, and putting down mutinies. Exploring previously unexplored archives of both England and France, Schom places Trafalgar in the context of the era. He draws portraits of the key personnel on both sides, such as Dumouriez, Decrès, Talleyrand, Berthier, Pitt, Cornwallis and Castlereagh. There is also a comprehensive discussion of the growth of the French naval fleet, helped by Dutch ships, and the preparations to build ports, which were hampered by their extraordinary costs and inclement weather. There are detailed descriptions of the fleets meeting during the run-in to Trafalgar, and Schom is engaging and sometimes humorous in his commentary on events. He also debunks several myths which should put an end to certain debates pertaining to a great battle of modern history. "[A] riveting narrative...Lively, dramatic." - Kirkus Reviews "Fresh and ever interesting...Triumphantly justifies adding to an already crowded bookshelf...The style is vigorous, the narrative packed with facts but relieved with excellently chosen quotations and off-beat insights." - The Sunday Times "Deftly drawn biographies bring to life the principal actors in the great drama...A thoroughly researched and splendidly written book." - The Los Angeles Times Book Review Alan Schom was a professor of French and European history before retiring to write full-time. He is the author of Emile Zola: A Biography and One Hundred Days: The Road to Waterloo .

" Lincoln's Smile demonstrates why Alan Trachtenberg has been the leading scholar in American studies for more than four decades." —Casey Nelson Blake, Columbia University Alan Trachtenberg has always been interested in cultural artifacts that register meanings and feelings that Americans share even when they disagree about them. Some of the most beloved ones—like the famous last photograph of Abraham Lincoln, taken at the time of his second inaugural—are downright puzzling, and it is their obscure, riddlelike aspects that draw his attention in the scintillating essays of Lincoln's Smile and Other Enigmas . With matchless authority, Trachtenberg moves from daguerreotypes to literary texts to subjects as diverse as Louis Sullivan's Auditorium Building, the Brooklyn Bridge, and the early works of Lewis Mumford.

Addressing volatile social issues such as gender, pornography, race, welfare, immigration, and schooling, Alan Wolfe examines the ills of American society in the 1990s. He shows that it is possible to be critical and fair at the same time, and concludes that social criticism does not lie within the boundaries of either left-wing or right-wing ideas, but rather is connected to a broad understanding of liberalism. This immensely readable book illustrates the power of social criticism to enlarge discussion of issues at the heart of democracy today. "In applying a realist approach to controversies over immigration, pornography, race relations, and the apparent communications gap between the genders, Wolfe seeks to demonstrate the advantages of combining the insights of criticism and the tools of social science."— Library Journal "A plea for a return to liberal thinking, an insistence on the value of 'social criticism beyond politics.' "— Washington Post Book World "[Wolfe] surveys contemporary public discourse on racial and sexual relations, welfare policy, immigration, pornography, education and cultural politics . . . he manages to bring some fresh thinking to most of these stale debates."—T. J. Jackson Lears, New York Times Book Review

Garry, it's Alan. Look, I'm calling because I just felt the need to tell someone that I'm forty-four years old, and about an hour ago, for the first time in my life, I put suntan lotion on my ass. I'll explain later. Bye. In Clothing Optional, Alan Zweibel offers a collection of laugh-out-loud personal narratives, essays, short fiction, dialogues, and even a few whimsical drawings. Zweibel first made a name for himself as one of the original writers for Saturday Night Live, but his career's humble beginnings included creating one-liners for Catskill comedians at seven dollars a pop. That experience is only one of the hysterically inspired anecdotes (Comic Dialogue) in this quirky compilation. Zweibel confesses his first love, as a young Hebrew school student, for Abraham's wife, Sarah (At this point, Sarah's husband had been dead for more than three thousand years-so, really, who would I be hurting?); recounts the time he was sent to a nudist resort to write an article (The fact that I brought luggage is, in itself, worthy of some discussion); offers a touching tribute to Saturday Night Live writer and mentor Herb Sargent (Herb was New York. But an older, more romantic New York that took place in black and white like the kind of TV I grew up on and wanted to be a part of someday); and imagines a scenario in which Sergeant Joe Friday, the stiff, monotoned character from Dragnet, is inexplicably partnered with Snoop Dogg (Damn, Friday. You gotta learn to chill. Take some free time and kick it with your boys) Every piece is punctuated with the same wit and insight that have come to define Zweibel's humor. Unhinged and hilarious, Clothing Optional is an unguidedtour through the uniquely peculiar life and mind of a man who The New York Times said has earned a place in the pantheon of American pop culture.

"A feast for the eyes...bringing alive a long vanished world that's still eerily present."--Daniel Czitrom, New York Post The premiere national Jewish newspaper has opened its never-before-seen archives, revealing a photographic landscape of Jews in the twentieth century and beyond. This extraordinary volume features classic photographs of the history one has learned to associate with the Jewish Daily Forward --Lower East Side pushcarts, Yiddish theater, labor rallies--along with gems no one would expect. The book also features essays by Leon Wieseltier, Roger Kahn, and Deborah Lipstadt, and a rousing introduction by Pete Hamill.

With his approval of masturbation, premarital sex and mutual adultery, the articles of Albert Ellis continue to provoke modern readers, as much as they did when he wrote them in the 50s, with his logical, humanistic approach to the taboo subject of sex. This updated collection of articles explores current myths about love, sexual inadequacies and sex fears.