From Eva Moskowitz, the outspoken founder and CEO of the charter school Success Academy, comes a frank, feisty memoir about the rough-and-tumble battles to reform America’s education system. Eva Moskowitz is a fighter with a reputation for having "sharp elbows"— if that’s a synonym for getting the job done, she’ll take it. A born and bred New Yorker, former City Councilmember, and "charter czarina," Moskowitz has taken on powerful unions and politicians to establish and grow her astonishingly effective and popular charter school program in four of the city’s five boroughs. In this unabashedly candid memoir, Moskowitz tells of how she became a forward-thinking education entrepreneur and her fight to establish nearly four dozen schools—activism that has made her into one of the most polarizing figures in New York City and beyond. Now, having established a remarkable, even unprecedented, track record for guiding the city’s most disadvantaged children to high academic performance, Moskowitz addresses the battles she has won and lost, writing candidly about the people who seek to undermine her work—most notably New York City Mayor Bill de Blasio—and celebrating the powerful allies who have aided her cause, including former Mayor Michael Bloomberg and Governor Andrew Cuomo. Moskowitz’s insightful memoir is a deeply felt personal story and an impassioned call to action that bluntly identifies failing policies and the alarmingly powerful forces arrayed against improving an education system that is both deeply dysfunctional and prejudiced. The Education of Eva Moskowitz is sure to galvanize supporters, enrage her opponents, generate headlines, and urgently impact the national conversation on education.

In an unforgettable addition to the literature of memoir, one of America’s preeminent literary scholars tells his story of coming of age in France during the buildup to the Second World War. As a Jewish youth in France during the 1930s, Victor Brombert’s heady explorations of sex and love were cut short by the rise of Nazi power and the Vichy Regime. His family narrowly escaped to New York, where Brombert joined the U.S. Army, only to return to Europe to fight on the beaches of Normandy and in the Battle of the Bulge. As he shuttles between the stations of his life, Brombert’s narrative recaptures the textures of childhood, the horrors of war, and his own discovery of a sustaining passion for literature. By turns melancholy and erotic, his memoir is also a meditation on memory itself, and a Proustian re-creation of a lost time and place.

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes. A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening. A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den. Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer. Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and... Well, the rest is the subject of this book.'

This is a powerful memoir about a life of success and tragedy and how the author discovers the importance of being positive about people and events. Marc Mero's enthusiasm is contagious as he empowers people of all ages and walks of life to make positive choices that lead to a more fulfilled life. From his early days growing up in a single-parent home in Buffalo, NY, Marc dreamed big and set lofty goals. Marc found success with hockey, football and boxing and then achieved fame as a WCW and WWE Wrestling Champion. Following a series of personal tragedies including the death of more than 30 friends and family members mostly due to lifestyle choices and negative behaviors, Marc now dedicates his life to sharing his story worldwide in order to inspire others to make positive choices. His passion for reaching youth with his Champion of Choices School Program saves lives, encourages youth to achieve their goals and helps them become the Champions they are destined to be.

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

This entertaining memoir follows Connie Sawyer's show business career, from childhood dance lessons through radio, vaudeville, nightclubs, USO, Broadway, movies and television. Connie never stopped moving, creating a career and a life of amazing longevity, while maintaining a deep connection with her extended family.

Paris, 1947: Colette Rossant returns to Paris after waiting out World War II in Cairo among her father's Egyptian-Jewish relatives. Initially, the City of Light seems gray and forbidding to the teenage Colette, especially after her thrill-seeking mother leaves her in the care of her bitter, malaisé grandmother. Yet Paris will prove the place where Colette awakens to her senses. Taken under the wing of Mademoiselle Georgette, the family chef, she develops a taste and talent for French cooking. The streets of Paris soon become Colette's own as she navigates the outdoor markets and café menus and emerges into her new, gastronomical self. Return to Paris is an extraordinary coming-of-age story that charts the course of Colette's culinary adventures -- replete with expertly crafted recipes and family photographs. An exploration of passion in all its flavor and texture, Colette's memoir will live in the hearts and palates of readers for years to come.

The classic memior of Betty Jean Lifton's search for her secret past that helped open the way for so many others. Betty Jean Lifton, acclaimed author of several books on the psychology of the adtoped that have helped open the field, tells her own story of growing up adtoped in the closed adoption system. Calling Twice Born both an autobiography and a psychological journey into the past, Lifton takes the reader with her as she describes the loneliness and islolation of an adopted child cut off from the knowledge of her heritage. She explores the ambivalence and guilt that she feels toward her adoptive parents when she awakens as an adult to her need to ask: Who am I? With the mounting suspense of a detective novel, Twice Born explores not only the difficulty of searching for one's past when one's records are sealed, but also the complexity of trying to reunite with the birth mother from whom one has been separated by social taboos--and by time. More than a vivid and poinant memior, Lifton has given hs a story of mothering and mother-loss attachment and bonding, secrets and lies, and the human need for origins. Important reading for anyone touched by these issues and by the experience of adoption--which is everyone.

The memoir of a South Asian immigrant to Canada, whose formative years in India were steeped in a reigning patriarchal culture of honour and shame, in which the burden of the family's good standing rests on the sexual purity of girls and women. The book traces the author's lonely, poignant, often risk-charged struggle to free herself from the oppressive code. As well, the book chronicles her courageous battle to help other South Asian girls and women in Canada step out of their kinsmen's ancient cultural cycle and claim their gender rights as fully equal Canadian citizens.

Hang on for a Wild Journey through the Political and Spiritual Adventures of the Baby-Boom Generation Join Wes "Scoop" Nisker as he takes us on a hilarious, wild ride through the heyday of the Beats and the Hippies and the birth of the modern environmental movement, and the surge of Buddhism in the West.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies. Generations of students have benefited from Hartman's generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act. All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America. Hartman treats us to a "biobibliography" of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida. All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman's unapologetic scholar's tale.

The rabbi came from the Slobodka Yeshiva; his congregation came from Broadway. The synagogue was a modest brick building a block from Broadway in the middle of that colorful New York neighborhood known fifty years ago as Hell's Kitchen. Between prayers on Yom Kippur you could hear a chorus of would-be Ruby Keelers tap-dancing in the rehearsal hall next door. This is the exuberant story of Bernard Birstein—his immigrant travels and travails in America, his ever-increasing family of five children and countless poor relations, and his adventurous rabbinical life. The narrator is his youngest daughter, Ann, the blond-haired enfant terrible who grew up to write six novels and now this captivating book.

This is Morton Shulman's own fast- moving story of his eight years in politics. It is sharp but full of public concern, opinionated but self-critical, serious in intent but often hilarious in the telling. It reflects perfectly the life-style of its author-- there is never a dull moment. During his eight years as a member of the provincial Legislature, Morton Shulman's name was rarely off the front pages. Here Shulman tells the dramatic stories behind the headlines, and the stories that never made the front page. For Shulman, an "unrepentant capitalist" millionaire, the decision to run for the NDP was a chance to get back at the Conservative government that had fired him as Coroner. But it became much more than that, as Shulman, the man who always was approachable, became an unofficial ombudsman for the province and the people. Shulman's career as a Member of the Legislature was as stormy as his record in office as Chief Coroner. He smuggled a camera into the House and took pictures of government members asleep during debates. Disguised as a workman, he walked into the INCO plant at Sudbury and spent the night measuring sulphur dioxide levels which proved that in spite of government inspectors' assurances the pollution levels were dangerously high. He exposed Mafia connections with union leaders, politicians and police, and ended up with a Mafia contract on his life and a full-time police guard. He put on a hard hat and walked unchallenged into the Pickering Nuclear Power Plant to show that there was virtually no security in this potentially dangerous area. All these capers had but one goal -- to expose the bureaucratic bungling that affected and sometimes even endangered the lives of the ordinary Canadians who paid the tax bill. One after another he took on the Departments of Labour, Health, Highways, Reform Institutions, Natural Resources, Energy, the Attorney General, Bell Canada and more. His eight years as a Member of the Legislature brought some changes in government policies, Royal Commissions and numerous editorials about the situations he brought to public attention. Sometimes he lost, but the degree of public trust in Morton Shulman brought him national attention. There's never been another Member like Shulman.

Eleanor Farjeon first met Edward Thomas in the late autumn of 1912, when her brother invited him to tea. It was the beginning of a deep friendship between the painfully shy 31-year-old woman and the reserved writer known for his prose works and literary criticism. Though he died at the Battle of Arras in April 1917, it was a friendship which for Eleanor did not end with his death, but lived beyond it in his letters, and his poems, many of which Edward had sent to her from the trenches of the First World War for her comments. This double memoir uses Edward's letters and Eleanor's diaries and linking commentary to provide an extraordinarily candid account of their developing friendship, and of the enthusiasms they shared - both loved walking, and it was during this period that Edward first found his way into poetry. Edward was often deeply depressed, a man who found in nature something fundamental and ideal, a soldier-poet who wrote about the war in a new way, but Eleanor also shows us another side to his character, capturing moments of joy and humour. She also offers a unique account of Thomas's development as a poet, including the momentous meeting in 1913 with the American poet Robert Frost, whose encouragement led to Thomas's first poems. Thomas describes for her his family, his friendships with other writers, D H Lawrence among them, and also provides an exceptionally detailed account of his experiences in the First World War with the Artists' Rifles. Edward Thomas: The Last Four Years, was widely acclaimed on its first publication in 1958 - this second edition, published on the 80th anniversary of Thomas's death, has an introduction by Anne Harvey, a selection of Eleanor's sonnets 'To E.T.', and 'Walking Tom', a hitherto little-known poem about Edward written by Clifford Bax and Herbert Farjeon. Also included are eight pages of black and white photographs.

STRAWBERRIES WITH EVERYTHING brings a new tone to political memoirs. How did a nice Jewish boy finish up in a place like Poland? In sometimes hilarious detail, Steve Brook describes his early years in prewar London, the emigration of his family to Australia, and his eventual Aussification. While still in his teens he gets a heavy dose of Left politics. After a holiday in Poland, via London, he is offered a job at the Polish Radio in Warsaw. He spends eight years on the wrong side in the Cold War, with a ringside seat at some of the most significant events in European history including the Warsaw Dog Show, the "anti-Zionist" uproar of 1968 and the Soviet-led invasion of Czechoslovakia the same year. He returns to Australia in 1974 and after numerous Candide-like adventures, he finds himself wondering if it was all worthwhile. Of course it was.

"So Morey was the family megastar. I was the also-ran, even something of a clan pariah... I was convinced that at root I was worthless, and maybe crazy.""The Sheik and the Shadow: A Memoir of Brotherly Bond, Celebrity, and Madness" imparts the intertwined accounts of Bob's intense relationship with his older brother, Morey; his experience as a certified-insane patient in a then-world-renowned mental hospital (Chestnut Lodge, the setting of the book, movie, and play "I Never Promised You a Rose Garden"); and his brother's descent from extreme literary success and fame to a bizarre, reclusive end.In his mid-thirties, Morey capped his multi-millionaire business career with "The Search for Bridey Murphy," a book that sold over 6 million copies in 30 languages across 34 countries and became a movie starring an Academy Award winner. Meanwhile, Bob was labeled schizophrenic, and locked-up with a group of creatures from his most nightmarish snake-pit fantasies. Early readers have been alternately amazed, appalled, and beguiled by the account of his confinement in this macabre setting.

In more than five decades as a reporter, editor and publisher, Peter Osnos has had an especially good view of momentous events and relationships with some of the most influential personalities of our time. As a young journalist for I.F. Stone's Weekly, one of the leading publications of the turbulent 1960s and in 18 years at The Washington Post , he covered the war in Vietnam and Cambodia, the Soviet Union at the height of Kremlin power, Washington D.C. as National Editor, "Swinging London" in the 60s and Thatcher's Britain in the 1980s. At Random House and the company he founded, PublicAffairs, he was responsible for books by four presidents -Carter, Clinton, Obama and Trump; celebrated Washington figures including Robert McNamara, House Speaker Tip O'Neill and Vernon Jordan, first ladies Rosalynn Carter and Nancy Reagan, the billionaire George Soros, basketball superstars Kareem Abdul Jabbar and Magic Johnson, legendary spies, political dissidents and the writers, Molly Ivins and Peggy Noonan, among many others. In this unusually wide-ranging memoir, Osnos uses a reporter's skills to portray historic events and encounters beginning with his parents' extraordinary World War II experiences escaping Europe to India, where he was born, to the present day. He shares unique portraits of the famous people he worked with and an insider's perspective of the news and publishing businesses. As he charts the evolution of his career and recent history, he also explores the influence and impact of family, character, curiosity, luck, resilience, a well-pressed suit and some unexpected wrinkles. Also featuring a "virtual attic" of photographs, documents and video at anespeciallygoodview.com.

"Orenstein is such a breezy, funny writer, it's easy to forget she's an important thinker too."--People In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone. The COVID pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater. Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home. With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren's lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren's beloved Chicago White Sox, among other subjects. In this collection, not just Algren's intensity but his diversity are revealed and celebrated.