Joseph Roth paints a vivid portrait of Emperor Napoleon's last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica--an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

Jakob Wassermann (1873-1934) war ein deutsch-jüdischer Schriftsteller. Er zählte zu den produktivsten und populärsten Erzählern seiner Zeit. Inhalt: - Franziska und die Freunde - Was über den Spiegel beschlossen wurde - Die Pest im Vintschgau - Der Stationschef - Geronimo de Aguilar - Von Helden und ihrem Widerspiel - Der Tempel von Apamea - Die Gefangenen auf der Plassenburg - Paterner - Nimführ und Willenius - Herr de Landa und Peter Hannibal Meier - Begegnung - Die Geschichte des Grafen Erdmann Promnitz - Franziskas Erzählung - Aurora - Der Affe und der Spiegel

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. Zangwill was initially educated in Plymouth and Bristol. At age 9 he was enrolled in the Jews' Free School in Spitalfields in east London. Zangwill excelled here. He began to teach part-time at the school and eventually full time. Whilst teaching he also studied with the University of London and by 1884 had earned his BA with triple honours in philosophy, history, and the sciences. His writing earned him the sobriquet "the Dickens of the Ghetto" primarily based on his much lauded novel 'Children of the Ghetto: A Study of a Peculiar People' in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter. As a writer he was keen to reflect on his political and social outlooks. His simulation of Yiddish sentence structure in English aroused great interest. His mystery work, 'The Big Bow Mystery' (1892) was the first locked room mystery novel. Zangwill was also involved with narrowly focused Jewish issues as an assimilationist, an early Zionist, and later a territorialist. In the early 1890s he had joined the Lovers of Zion movement in England. In 1897 he joined Theodor Herzl (considered the father of modern political Zionism) in founding the World Zionist Organization. Zangwill quit the established philosophy of Zionism when his plan for a homeland in Uganda was rejected and founded his own organisation; the Jewish Territorialist Organization. Its stated goal was to create a Jewish homeland in whatever territory in the world could be found for them. Amongst the challenges in his life he found time to write poetry. He had translated a medieval Jewish poet in 1903 and his volume 'Blind Children' in 1908 shows his promise in this new endeavour. 'The Melting Pot' in 1909 made Zangwill's name as an admired playwright. When the play opened in Washington D.C., former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." Israel Zangwill died on 1st August 1926 in Midhurst, West Sussex.

"Chosen Peoples", from Israel Zangwill. Israel Zangwil, british humorist and writer (1864-1926).

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

The most accurate and poetic translation of the world's greatest epic, which is now a film by Academy Award winner Christopher Nolan! “This may be the best translation of The Odyssey yet."—Edith Hall, The Telegraph A magnificent feat of translation, hailed by classicists and poets alike as a “momentous achievement”: “thrilling,” “rich and rhythmical,” “superb,” “mesmerizing,” “searingly faithful—yet absolutely original.” With this edition of Homer’s Odyssey, the celebrated author, critic, and classicist Daniel Mendelsohn brings the great epic to vividly poetic new life. Widely known for his essays on classical literature and culture in The New Yorker and many other publications, Mendelsohn gives us a line-for-line rendering of The Odyssey that is both engrossing as poetry and true to its source. Rejecting the streamlining and modernizing approach of many recent translations, he artfully reproduces the epic’s formal qualities—meter, enjambment, alliteration, assonance—and in so doing restores to Homer’s masterwork its archaic grandeur. Mendelsohn’s expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s dense verses without sacrificing the amplitude and shadings of the original. The result is the richest, most ample, most precise, and most musical Odyssey in English, conveying the beauty of its poetry, the excitement of its hero’s adventures, and the profundity of its insights. Supported by an extensive introduction and the fullest notes and commentary currently available, Daniel Mendelsohn’s Odyssey is poised to become the authoritative version of this magnificent and enduringly influential masterpiece.

Sybil, a novel by Benjamin Disraeli, is a powerful representation of the social and political issues of 19th-century England. Through a narrative of love, class struggle, and national identity, Disraeli provides a compelling account of the challenges of the day. The story follows Sybil, a passionate young woman, as she navigates the complexities of English society and the struggles of the working class. Disraeli's writing is richly detailed and poignantly captures the social and political issues of the era, providing a unique insight into the past. With its vivid characters and thought-provoking themes, Sybil is an essential read for those interested in 19th-century England and its people. Benjamin Disraeli (1804-1881) was an English politician, statesman, and author who served as the Prime Minister of the United Kingdom twice over his long and distinguished career. Disraeli is also remembered for his prolific literary career and renowned works of fiction, which often featured themes of ambition, power, and social climbing. Disraeli was born in London on December 21, 1804, to Isaac D'Israeli and Maria Basevi. He was educated at a variety of schools and universities, including Higham Hall and Trinity College, Oxford. In 1826, he left Oxford without a degree and embarked on a career in law. Despite his legal career, Disraeli was an avid reader and writer of fiction, and his first novel, Vivian Gray, was published in 1826. The book was well-received, and Disraeli continued to write political and social satire throughout his life. In 1837, Disraeli was elected to the House of Commons, where he aligned himself with the Conservative Party. In 1841, Disraeli's second novel, Coningsby, was published and was an instant success. This was followed by Sybil in 1845, and Tancred in 1847. His novels focused on social and political issues, such as the power of the aristocracy, the role of the Church, and the struggle between tradition and modernity. Throughout his political career, Disraeli continued to write and publish fiction, including Lothair in 1870, Endymion in 1880, and a collection of his works, The Works of Benjamin Disraeli, in 1883. His literary works have been praised for their insight into British society and class structure, and his novels remain popular to this day. Disraeli's legacy as both a politician and an author lives on in the United Kingdom, and his works continue to inspire readers and writers alike. His novels will remain a testament to his incredible talents and singular vision.

"The Infernal Marriage" from Benjamin Disraeli. British Conservative politician and writer (1804-1881).

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1904 Excerpt: ...questions in a hushed mystical voice, and as the colonel was rather silent and somewhat short in his replies, though ever expressed in a voice of sensibility and with refined deference of manner, Mrs. Neuchatel opened her own peculiar views on a variety of subjects of august interest, such as education, high art, the influence of women in society, the formation of character, and the distribution of wealth, on all of which this highly gifted lady was always in the habit of informing her audience, by way of accompaniment, that she was conscious that the views she entertained were peculiar. The views of Mrs. Neuchatel were peculiar, and therefore not always, or even easily, comprehended. That indeed she felt was rather her fate in life, but a superior intelligence like hers has a degree of sublimated self-respect which defies destiny. When she was alone with the ladies, the bulletin of Mrs. Neuchatel was not so copious as had been expected. She announced that Colonel Albert was sentimental, and she suspected a poet. But for the rest she had discovered nothing, not even his nationality. She had tried him both in French and German, but he persisted in talking English, although he spoke of himself as a foreigner. After dinner he conversed chiefly with the men, particularly with the Governor of the Bank, who seemed to interest him much, and a director of one of the dock companies, who offered to show him over their establishment, an offer which Colonel Albert eagerly accepted. Then, as if he remembered that homage was due at such a moment to the fairer sex, he went and seated himself by Adriana, and was playful and agreeable, though when she was cross-examined afterwards by her friends as to the character of his conversation, she really could not recall anything p...

Towards the end of 1937, having just completed his South American Amazonas trilogy (The Land without Death), Doblin embarked on a new project much closer to home. As a military doctor in Alsace he had experienced firsthand the chaotic scenes in Haguenau and Strasbourg that followed the Kaiser's abdication and the Armistice. His skill at depicting historical events in vivid epic prose would now be applied to seminal events still within living memory, and still highly controversial. He and his family (now with three small children) left Alsace on 14 November 1918 with the hospital staff and patients, reaching Berlin several days later. In March 1919 he witnessed the savage repression of the uprising in Lichtenberg, the eastern Berlin district where he had settled; his sister Meta was killed by grenade shrapnel as she fetched milk for her children. His essay On Cannibalism reveals his anger at both the ineptitude of the insurgents and the callousness of the Social Democrat Minister of War, Noske. Citizens and Soldiers, the self-contained first volume of November 1918: A German Revolution, presents a vivid panorama of fictional and real individuals, scenes and events over a chaotic two weeks. It was published in Amsterdam and Stockholm in October 1939, shortly after Britain and France declared war on Germany. Unsurprisingly it had little chance to circulate. During his exile years in California (1940-45), Doblin completed the remaining parts of what became the longest of his nine epic novels. When in 1947 the question arose of publishing the entire work in Germany, the French Occupation Authority (in which Doblin was serving as Public Education Officer) vetoed Citizens & Soldiers because of sensitivities about the status of Alsace-Lorraine, main location of the novel's action. (This border region had been French territory since the 17th century; was annexed by Germany in 1871 after the Franco-Prussian War, and reverted to France at the end of the First World War. Apart from the war years 1940-45 it has since remained French.) November 1918 A German Revolution therefore appeared as three volumes successively in autumn 1948, spring 1949 and spring 1950. This truncated edition was the basis for an incomplete English translation in the 1980s. In Germany, a complete edition appeared only in 1978, two decades after Doblin's death, enabling for the first time a proper evaluation of what is now seen as one of Doblin's most impressive achievements. It is high time that English readers too should have access to the missing first volume: Citizens & Soldiers.

Ada Leverson (1862 - 1933) was a British writer who is now known primarily for her work as a novelist. She began writing during the 1890s, as a contributor to Black and White, Punch, and The Yellow Book. She was a loyal friend to Oscar Wilde, who called her Sphinx. She was a wit, and a friend of Max Beerbohm; her writing has been compared to Beerbohm's, and the stories of Saki. In this book: Love at Second Sight (1916) Tenterhooks (1912) Love's Shadow (1908)

"[...]actors, semi-actors or hanger-ons of the company fitted the demands of the omniscient director; so he set out to find the type himself. Seated in a large touring car, he traversed every street of lower Manhattan, carefully scanning the faces of men. For a full week he thus busied himself without much success, unable to discover what he wanted. The beginning of the second week found the director roaming through the east side on foot. He stocked up more cigarettes than his pockets could hold, visiting the innumerable little shops on every street, and drank tea in a dozen obscure cafes without locating his man, the counterpart of his imagination. But on the fourth day of the second week his patience and perseverance were rewarded. As he was sipping a glass of tea in a little coffee house the door opened[...].""

"[...]delight which we derive from the enlargement of intellect, and the exquisite inward satisfaction that results from high fidelity to duty, may be mentioned as the last to crown the scale of pleasures. * Goethe, Iphigenie auf Tauris, Act I. Now, it is evident that all these elements of happiness, these diverse rays that nowhere melt into the perfect light, are dependent upon the physical organization of man, such as it is, even for their partial attainment; of the lower pleasures, this is at once evident. But a little reflection will show the same to be the case with the higher. If[...].""

The Sublime Jester, stands as a beacon in the world of books, bridging the gap between past and present. Once considered among the old books, this classic work-like so many forgotten and ancient books-has shaped our understanding of culture and history. It's a remarkable example of history books that have influenced generations, and now, through the dedication of Alpha Editions-your trusted book publisher-it's reborn in a fresh, elegant format. We've carefully retyped, redesigned, and improved this book so it's much more than just another title to read. Now you can enjoy clear, easy-to-read pages without any blurry scans or faded text. By choosing this edition, you're investing in more than a book-you're safeguarding a legacy. Your support keeps a remarkable piece of human heritage alive, ensuring its lessons and inspirations continue to resonate well into the future.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Jane's Career: A Story of Jamaica (1913) is a novel by H. G. de Lisser. Born and raised in Jamaica, H. G. de Lisser was one of the leading Caribbean writers of the early twentieth century. Concerned with issues of race, urban life, and modernization, de Lisser dedicated his career to representing the lives and concerns of poor and middle-class Jamaicans. In Jane's Career: A Story of Jamaica , the first West Indian novel to feature a Black protagonist, de Lisser captures the hope and struggle of a young woman leaving home for the first time. "'Jane,' he continued impressively after a pause, 'Kingston is a very big an' wicked city, an' a young girl like you, who de Lord has blessed wid a good figure an' a face, must be careful not to keep bad company.'" Preparing to send young Jane off to the Jamaican capital, village elder Daddy Buckram attempts to offer her advice on how to keep herself safe from Satan and sinners alike. Despite his serious tone and gloomy portrait of urban life, all Jane can think of is the wonder and excitement waiting for her in Kingston. Raised in the countryside, brought up in a conservative Christian family, Jane sees her new job as a means of achieving independence and establishing her own identity as a proud black woman, of forging her own path in a new, modern Jamaica. In spite of her dreams, however, Jane finds herself subjected to the cruelties of her employer Mrs. Mason, who threatens to send a letter to her parents alleging all sorts of imagined misdeeds. Through it all, she tries to maintain a sense of pride, hopeful that hard work--and even romance--will set her free. This edition of H. G. de Lisser's Jane's Career: A Story of Jamaica is a classic of Jamaican literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father's wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer--from a distance--but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's The Twelfth Hour is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.