A brand-new novel from New York Times bestselling author Robert Littell, A Plague on Both Your Houses is a thrilling tale of love and war. On Christmas Day, 1991, Mikhail Gorbachev delivered a ten-minute televised speech announcing his resignation as Soviet president. Moments later, with little pomp and less circumstance, the red flag was lowered from its floodlit perch atop the Kremlin, and the Soviet Union ceased to exist. Into the vacuum--before a new democracy had time to put down roots--surged the Russian mafia, supplying what the new state could not: krysha, or "roof"--protection for the privately owned businesses sprouting across the country. Rivalries turned bloody as Moscow's Jewish mafia battled the Ossete vory v zakone (literally "thieves-in-law") for control of the city. Caught up in the mayhem, Yulia, only daughter of the Jewish mafia godfather, and Roman, only son of the Ossete mafia godfather, are obliged to navigate the minefield of a star-crossed love affair as they attempt to escape a destiny that appears preordained. A Plague on Both Your Houses is the fictional story of one bloody episode in Moscow's Great Turf War, when clans fought brutally in the streets and the future of the Russian nation was anything but assured.

Regarded as the first full-length locked room mystery, The Big Bow Mystery focuses on a murder that has occurred inside a locked room, with no clear indication as to the weapon used, the perpetrator of the horrendous crime, or a possible escape route. Scotland Yard is stumped. Yet the seemingly unsolvable case has, as Inspector Grodman says, "one sublimely simple solution" that is revealed in a final chapter full of revelations and a shocking denouement. The Big Bow Mystery has been almost continuously in print since 1891 and has been used as the basis for three commercial films.

The magnificent saga of Charles Darwin...

The beloved actor and screenwriter Gene Wilder's first novel, My French Whore , set during World War I, delicately and elegantly explores a most unusual romance. It's almost the end of the war and Paul Peachy, a young railway employee and amateur actor in Milwaukee, realizes his marriage is one-sided. He enlists, and ships off to France. Peachy instantly realizes how out of his depth he is—and never more so than when he is captured. Risking everything, Peachy—who as a child of immigrants speaks German—makes the reckless decision to impersonate one of the enemy's most famous spies. As the urbane and accomplished spy Harry Stroller, Peachy has access to a world he could never have known existed—a world of sumptuous living, world-weary men, and available women. But when one of those women—Annie, a young, beautiful and wary courtesan—turns out to be more than she seems, Peachy's life is transformed forever.

Welcome to Rome. It is the summer of 1978, and the Krasnansky family, bickering, tired and confused, are supposed to be passing through. Alongside thousands of other Soviet Jewish refugees – among them criminals, dissidents and refuseniks – they await passage to their new homes in the West. But escaping Communism is not so easy, especially when some of the Krasnanskys insist on bringing it with them, and even more so when their sponsor in the USA lets them down and they find that they’re no longer passing through at all. On the contrary, they’re stuck.Welcome, then, to the waiting room of your life, and to a tragic but comic tale of reckless brothers and long-suffering sisters, ailing parents and innocent children, of love affairs and criminal liaisons, of a wonderfully troubled family and a perpetually wandering people, and their epic search for a home: somewhere, anywhere – or Canada, as it turns out.The Free World is the glorious debut novel by David Bezmozgis, whose collection of stories was shortlisted for the Guardian First Book Award, and who was recently included in the New Yorker’s prestigious ‘20 under 40’ list.

On September 23, 1926, and Austrian experimental biologist named Dr. Paul Kammerer blew his brains out on a footpath in the Austrian mountains. His suicide was the climax of a great evolutionary controversy which his experiments had aroused. The battle was between the followers of Lamarck, who maintained that acquired characteristics could be inherited, and the neo-Darwinists, who upheld the theory of chance mutations preserved by natural selection. Dr. Kammerer's experiments with various amphibians, including salamanders and the midwife toad (Alytes obstetricans), lent much weight to the Lamarckian argument and drew upon him the full fury of the orthodox neo-Darwinists. Arthur Koestler had known about Dr. Kammerer's work when he himself was a student in Vienna, and he has always been interested in this tragic story. He gives a fascinating description of the venomous atmosphere in which the battle was fought and of the lengths to which apparently respectable scholars would go to discredit their opponents. Heading the attack on Kammerer was a British scientist, William Bateson, who hinted that the Viennese's experiments were fakes, but who failed to examine the evidence, including the so-called nuptial pads of Kammerer's last remaining specimen of the midwife toad. It was a young American scientist who delivered the coup de grace; on a visit to Vienna, he discovered that the discoloration of the nuptial pads was due not to natural causes but to the injection Indian ink. When his findings were published, Kammerer shot himself. Mr. Koestler, whose recent writings, in books such as The Act of Creation and The Ghost in the Machine, have been in part concerned with evolutionary theory, decided to investigate this old mystery. When he started on his researches, he expected to relate the tragedy of a man who had betrayed his calling, for Kammerer's suicide was accepted as a confession of guilt and his work was discredited from that day to this. Instead, as Mr. Koestler read the contemporary papers, corresponded with Kammerer's daughter, Bateson's son, and the surviving scientists who attended Kammerer's lecture in Cambridge, he found himself writing a vindication of a man who in all probability was himself betrayed. The story that emerges is, on one level, fascinating piece of scientific detection; on another, it is a moving and human narrative about a much abused, brilliant and lovable figure. Though no Lamarckian himself, Mr. Koestler ends the book with an appeal to biologists to repeat Kammerer's experiments with an open mind in order to verify or refute them. If Kammerer's claims were posthumously confirmed our outlook on evolution would be significantly changed. A superb intellectual thriller whose implications still reverberate today, The Case of the Midwife Toad is an entirely new kind of book for Mr. Koestler, and perhaps only he could have written it, for it required expert knowledge and familiarity with the academic world of science, combined with the creativity and imaginative insight of an outstanding novelist.

Paris, 1938. Nicholas Morath, former Hungarian cavalry officer, returns home to his young mistress in the 7th arrondissement. He's been in Vienna where, amid the mobs screaming for Hitler, he's done a quiet favour for his uncle, Count Janos Polanyi. Polanyi is a diplomat and, desperate to stop his country's drift into alliance with Nazi Germany, he trades in conspiracy - with SS renegades, Abwehr officers, British spies and NKVD defectors, leading Morath deeper and deeper into danger as Europe edges towards war.

“Tell Me a Riddle” renders an unforgettable portrait of a working class couple when the gender determined differences in their experiences of poverty and familial life give rise to bitter conflict after almost four decades of marriage. As she dies from cancer, Eva, the protagonist, recollects a revolutionary past that both critiques and offers hope for the present. Deborah Rosenfelt’s introduction and the essays in this volume survey the critical reception of this highly acclaimed story, analyze its biographical and historical contexts, examine the text’s language, structure, spiritual and moral significance, and illuminate Olsen’s relationship to the American midwest, the American left, and the Jewish enlightenment tradition. This casebook includes an introduction by the editor, a chronology of Olsen’s life, an authoritative text of “Tell Me a Riddle,” relevant essays by Olsen, seven critical essays, and a bibliography. The contributors are: Joanne Trautmann Banks, Constance Coiner, Rachel Blau Duplessis, Mara Faulkner, Elaine Orr, Linda Ray Pratt, and Deborah Silverton Rosenfelt.

Beloved storyteller Belva Plain understands the rich tapestry of the human heart like no other. Her many dazzling New York Times bestsellers probe the shifting bonds of marriage and family with insight, compassion, and uncommon grace. And her new novel is no exception. A tale of fathers and daughters, lovers and families, acts of love and acts of betrayal, Her Father’s House is Belva Plain’s most powerful and unforgettable novel yet. It is the spring of 1968 when Donald Wolfe, a young graduate of a midwestern law school, arrives in New York. Filled with ambition and idealism, he is dazzled not only by the big city but by the vivacious, restless Lillian, whom he marries in the heat of infatuation. Surely theirs is no marriage made in heaven, but they have a child, Tina, and she is the love of Donald’s heart. For her he would give up everything--his home, his distinguished career, and his freedom. When his flawed marriage begins to fail, a choice must be made. Shall he consider a step that would force him into flight and a life of hiding? From her earliest years, Tina is exceptional, a brilliant student and a joyous, loving spirit. At the university she falls in love with Gilbert, who graduates from law school just as she is about to enter medical school. Together they go to New York, where she learns the truth about her family’s past, a truth that must change her regard for the father who has protected and cherished her. When a terrible lie has been told out of love, can it be forgiven? With courage and compassion, Belva Plain paints a moving portrait of the choices that shape the course of our lives, the secrets that haunt us, and the love that helps us heal and move on. It is a work of riveting storytelling and rare emotional power by one of the most gifted novelists of our time. From the Hardcover edition.

Greece, 1940. In the port city of Salonika, with its wharves and brothels, dark alleys and Turkish mansions, a tense political drama is being played out. As Adolf Hitler plans to invade the Balkans, spies begin to circle--and Costa Zannis, a senior police official, must deal with them all. He is soon in the game, working to secure an escape route for fugitives from Nazi Berlin that is protected by German lawyers, Balkan detectives, and Hungarian gangsters--and hunted by the Gestapo. Meanwhile, as war threatens, the erotic life of the city grows passionate. For Zannis, that means a British expatriate who owns the local ballet academy, a woman from the dark side of Salonika society, and the wife of a shipping magnate. With extraordinary historical detail and a superb cast of characters, Spies of the Balkans is a stunning novel about a man who risks everything to fight back against the world's evil.

It is the late summer of 1938, Europe is about to explode, the Hollywood film star Fredric Stahl is on his way to Paris to make a movie for Paramount France. The Nazis know he's coming--a secret bureau within the Reich Foreign Ministry has for years been waging political warfare against France, using bribery, intimidation, and corrupt newspapers to weaken French morale and degrade France's will to defend herself. For their purposes, Fredric Stahl is a perfect agent of influence, and they attack him. What they don't know is that Stahl, horrified by the Nazi war on Jews and intellectuals, has become part of an informal spy service being run out of the American embassy in Paris. From Alan Furst, the bestselling author, often praised as the best spy novelist ever, comes a novel that's truly hard to put down. "Mission to Paris" includes beautifully drawn scenes of romance and intimacy, and the novel is alive with extraordinary characters: the German Baroness von Reschke, a famous hostess deeply involved in Nazi clandestine operations; the assassins Herbert and Lothar; the Russian film actress and spy Olga Orlova; the Hungarian diplomat and spy, Count Janos Polanyi; along with the French cast of Stahl's movie, German film producers, and the magnetic women in Stahl's life, the socialite Kiki de Saint-Ange and the emigre Renate Steiner. But always at the center of the novel is the city of Paris, the heart and soul of Europe--its alleys and bistros, hotels grand and anonymous, and the Parisians, living every night as though it was their last. As always, Alan Furst brings to life both a dark time in history and the passion of the human hearts that fought to survive it. Praise for Alan Furst "Unfolds like a vivid dream . . . One couldn't ask for a more engrossing novel.""--The Wall Street Journal, "about" Spies of the Balkans" " " "Though set in a specific place and time, Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell."--"Los Angeles Times, " about" The Spies of Warsaw" "Alan Furst's novels swing a beam into the shadows at the edges of the great events leading to World War II. Readers come knowing he'll deliver effortless narrative."--"USA Today, " about "The Foreign Correspondent" "Positively bristles with plot, characters and atmosphere . . . "Dark Voyage" has the ingredients of several genres--the mystery, the historical novel, the espionage thriller, the romance--but it rises above all of them."--"The Washington Post, " about" Dark Voyage" "No other espionage writer touches [Furst's] stylish forays into Budapest and Berlin, Moscow and Paris. No other writer today captures so well the terror and absurdity of the spy, the shabby tension and ennui of emigre communities at the time. His characters are hopeless, lethal, charming. His voice is, above all, knowing."--"Boston Sunday Globe, " about "Blood of Victory"

From the author of The New York Times #1 bestselling novel The Carpetbaggers comes a powerful yarn exposing the money, fame, sex, politics, and power that accompany being at the top of the entertainment industry.... Based on the real lives of network executives and other high-profile personalities in the early days when television first became a viable threat to the all-powerful business of the silver screen, The Inheritors is the first in Harold Robbins's "Trilogy of Greed," and spent 21 weeks on The New York Times bestseller list. Steve Gaunt, the rebellious visionary, is the head of a successful television empire, making him a hit, both in the ratings and with the gorgeous women he meets. Sam Benjamin, one of the last of the old motion picture tycoons, desperately wants to hold on to the power that has long been associated with the more "glamorous" part of the business--the movies. When the two combine forces, they have the potential to remake the entertainment industry--or be each other's undoing. Will their friendship fall apart when their money is on the line, or will their partnership make them even more wealthy and powerful? Entertainment is a dirty business, built by ruthless mavericks, and friendships can fall in a heartbeat when money is on the line. The only rule is that nothing is real in Hollywood. In its initial publication, The Inheritors was a timely indictment of an industry on fire. Today, it is a fascinating look back at a time when television was just coming into its own, and how the movie industry dealt with this new and growing threat.

"Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent--with echoes of Inglourious Basterds and Seven Samurai--THE YID is a tragicomic masterpiece of historical fiction"--

Strange Devices of the Sun and Moon is set in an imaginative recreation of Elizabethan London, a rich, intense city overflowing with life and action, a city of spies and booksellers, alchemists and playwrights, poets, witches, plague and salvation. A series of strange events links the lives of an ordinary woman, a bookseller in St. Paul's, and the great writer Christopher Marlowe, as the Faerie Queen and her court invade London in search of the Queen's son, the reborn King Arthur. Marlowe must become in effect a detective, and Alice, strangely favored by the fairies, must become a heroine in a struggle against evil forces. The culmination of this extraordinary fantasy, a battle between the opposing dragons of good and evil, is certainly one of the most weird and enchanting events in all contemporary fantasy. Strange Devices of the Sun and Moon is a big, delicious fantasy adventure filled with strange creatures and ordinary people, famous characters, and mysterious historical doings. It is a triumph of entertainment and one of the finest fantasy novels of the decade.

"The Iron King--Philip the Fair--is as cold and silent, as handsome and unblinking as a statue. He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men. A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques de Molay to be burned at the stake, thus drawing down upon himself a curse that will destroy his entire dynasty..."--Page [4] of cover.

Don Juan of Austria, one of history's most triumphant and inspiring heroes, is reborn in this opulent novel by Louis de Wohl. Because of the circumstances of his birth, this last son of Emperor Charles the Fifth spent his childhood in a Spanish peasant's hut. Acknowledged by King Philip as his half-brother, the attractive youth quickly became a central figure in a Court where intrigues and romances abounded. Don Juan's intelligence, kindness and devout attachment to the Church enabled him to live unscathed in an environment of luxury, violence and treachery. De Wohl paints in brilliant color the vivid scenes and characters at the Court of King Philip, Juan's campaign against rebel Moriscos in Andalusia, and the amazing climactic victory at Lepanto where he saved the Christian world from Islamic dominance. Here is a novel of high adventure which brings to life the turbulence of the sixteenth century with its conflicts of wickedness and piety, its sins of pride and conquest, its seething heresies and its great faith.

Since her girlhood, Prudence Winship has gazed across the tidal straits from her home in Brooklyn to the city of Manhattan and yearned to bridge the distance. Now, established as the owner of the enormously successful gin distillery she inherited from her father, she can begin to realize her dream. Set in eighteenth-century Brooklyn, this is the story of a determined and intelligent woman who is consumed by a vision of a bridge: a gargantuan construction of timber and masonry she devises to cross the East River in a single, magnificent span. With the help of the local surveyor, Benjamin Horsfield, and her sisters—the high-spirited, obstreperous Tem, who works with her in the distillery, and the silent, uncanny Pearl—she fires the imaginations of the people of Brooklyn and New York by promising them a bridge that will meet their most pressing practical needs while being one of the most ambitious public works ever attempted. Prue’s own life and the life of the bridge become inextricably bound together as the costs of the bridge, both financial and human, rise beyond her direst expectations. Brookland confirms Emily Barton’s reputation as one of the finest writers of her generation, whose work is ”blessedly post-ironic, engaging and heartfelt” (Thomas Pynchon).

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times , “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” – The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” – The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” – Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” – Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle

Cynthia Ozick is an American master at the height of her powers in Heir to the Glimmering World, a grand romantic novel of desire, fame, fanaticism, and unimaginable reversals of fortune. Ozick takes us to the outskirts of the Bronx in the 1930s, as New York fills with Europe"s ousted dreamers, turned overnight into refugees. Rose Meadows unknowingly enters this world when she answers an ambiguous want ad for an "assistant" to a Herr Mitwisser, the patriarch of a large, chaotic household. Rosie, orphaned at eighteen, has been living with her distant relative Bertram, who sparks her first erotic desires. But just as he begins to return her affection, his lover, a radical socialist named Ninel (Lenin spelled backward), turns her out. And so Rosie takes refuge from love among refugees of world upheaval. Cast out from Berlin"s elite, the Mitwissers live at the whim of a mysterious benefactor, James A'Bair. Professor Mitwisser is a terrifying figure, obsessed with his arcane research. His distraught wife, Elsa, once a prominent physicist, is becoming unhinged. Their willful sixteen-year-old daughter runs the household: the exquisite, enigmatic Anneliese. Rosie's place here is uncertain, and she finds her fate hanging on the arrival of James. Inspired by the real Christopher Robin, James is the Bear Boy, the son of a famous children's author who recreated James as the fanciful subject of his books. Also a kind of refugee, James runs from his own fame, a boy adored by the world but grown into a bitter man. It is Anneliese's fierce longing that draws James back to this troubled house, and it is Rosie who must help them all resist James's reckless orbit. Ozick lovingly evokes these perpetual outsiders thrown together by surprising chance. The hard times they inherit still hold glimmers of past hopes and future dreams. Heir to the Glimmering World is a generous delight. --