Labour has been on a wild ride over the past thirty years. New Labour argued that we had no choice but to accept a globalized free market economy in which the race was to the swift, the open and the flexible. Corbynism reacted against this with a jumble of old school statism and identity politics. Both ultimately failed. In this book, Maurice Glasman takes the axe to the soulless utilitarianism and 'progressive' intolerance of both Blair and Corbyn. Human beings, he contends, are not calculating machines, but faithful, relational beings who yearn for meaning and belonging. Rooted in their homes, families and traditions, they seek to resist the revolutionary upheaval of markets and states, which try to commodify and dominate their lives and homes, by the practice of democracy, mutuality and pluralism. This is the true Labour tradition, which is paradoxically both radical and conservative - and more relevant than ever in a post-COVID world. This crisp statement of the real politics of Blue Labour - rather than the absurd caricature of its detractors - is Glasman's love letter to the left-conservatism that provides Labour's best chance of moral - and indeed electoral - redemption.

Explores how the concept of settler colonialism provides a clearer understanding of the Zionist movement's project to establish a Jewish state in Palestine, displacing the Palestinian Arab population and marginalizing its cultural presence. Halper argues that the only way out of a colonial situation is decolonization: the dismantling of Zionist structures of domination and control and their replacement by a single democratic state, in which Palestinians and Israeli Jews forge a new civil society and a shared political community. To show how this can be done, Halper uses the 10-point program of the One Democratic State Campaign as a guide for thinking through the process of decolonization to its post-colonial conclusion. --From publisher description.

"Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, as well as through the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. By selectively revisiting canonical pre-1990 films and amply representing films of the new millennium, Movie-Made Jews illuminates an American Jewish film tradition that includes jazz singers, pawnbrokers, and serious men. It also features those who tremble before G-d, who commit crimes and misdemeanors, who declare Hineini, Here I Am, who do whatever works, who leave and then return to Delancey Street and Liberty Heights. In these pages, those who might be identified as "just Jews" reside alongside those who are traditionally-and sometimes untraditionally-observant. Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis of what appears onscreen as well as what happens behind the scenes during production and how audiences respond to what they view, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it's a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews"--

"Piven has embodied the best of American democracy."-- The Nation Frances Fox Piven reminds us why we must understand the labor, civil-rights, and anti-imperialist struggles of the Depression era if we are going to advance the struggles of the present. Frances Fox Piven is the author of many important books.

Dawkins and Hitchens have convinced many western intellectuals that secularism is the way forward. But most people don't read their books before deciding whether to be religious. Instead, they inherit their faith from their parents, who often innoculate them against the elegant arguments of secularists. And what no one has noticed is that far from declining, the religious are expanding their share of the population: in fact, the more religious people are, the more children they have. The cumulative effect of immigration from religious countries, and religious fertility will be to reverse the secularisation process in the West. Not only will the religious eventually triumph over the non-religious, but it is those who are the most extreme in their beliefs who have the largest families. Within Judaism, the Ultra-Orthodox may achieve majority status over their liberal counterparts by mid-century. Islamist Muslims have won the culture war in much of the Muslim world, and their success provides a glimpse of what awaits the Christian West and Israel. Based on a wealth of demographic research, considering questions of multiculturalism and terrorism, Kaufmann examines the implications of the decline in liberal secularism as religious conservatism rises - and what this means for the future of western modernity.

In the aftermath of 9/11, President Bush declared that the struggle against terrorism would be nothing less than a war—a war that would require new tools and a new mind-set. As legal sanction was given to covert surveillance and interrogation tactics, internal struggles brewed over programs and policies that threatened to tear at the constitutional fabric of the country. Bush's Law is the alarming account of the White House's efforts to prevent the publication of Eric Lichtblau's exposé on warrantless wiretapping—and an authoritative examination of how the Bush administration employed its “war on terror” to mask the most radical remaking of American justice in generations.

Although the ideas of “tradition” and “modernity” may seem to be directly opposed, David Ellenson, a leading contemporary scholar of modern Jewish thought, understood that these concepts can also enjoy a more fluid relationship. In honor of Ellenson, editors Michael A. Meyer and David N. Myers have gathered contributors for Between Jewish Tradition and Modernity: Rethinking an Old Opposition to examine the permutations and adaptations of these intertwined forms of Jewish expression. Contributions draw from a range of disciplines and scholarly interests and vary in subject from the theological to the liturgical, sociological, and literary. The geographic and historical focus of the volume is on the United States and the State of Israel, both of which have been major sites of inquiry in Ellenson's work.

The Moral Lives of Israelis explores the last ten years of life in Israel, a sixty-one-year-old country that has never not been in a state of war. It began in David Berlin's head as he sat vigil over his father's deathbed in a falling-down hospital in Tel Aviv. The last words given to him by his father were not words of love for his son and his grandchildren, but this command: "Look after my little country." That note set off a huge voyage of exploration and remembrance for Berlin, who has spent much of the last six years living and reporting in Israel, interviewing his own generation and the new crop of politicians and leaders, and witnessing the Second Lebanon War, the removal of the settlers from Gaza, and other defining events. The result is a thrilling blend of memoir, reportage and original thinking on the place of Israel in the world. The fundamental question that floats over every page of this passionate book is, with so many missteps and in a region deeply fraught with antagonism, racism and misunderstanding, how can Israel move forward? After many dead ends and twists and turns, it is the nineteenth-century visionary father of Zionism, Theodor Herzl, who ultimately sparks Berlin's dream for Israel in the twenty-first century — it is Herzl's insistence on a secular and cosmopolitan state that Berlin sees as a way to move beyond. Berlin's brave inquiry will be a must-read for anyone concerned with the fate of the Middle East — it engages on every level from the deeply emotional to the philosophical, and brings new perspective to a question that resonates well beyond the borders of Israel.

The author describes his love for Vermont, sharing his thoughts on the history of the region, the reason for the state's live and let live attitude, and how Vermont's free-thinking traditions can survive in the modern world.

"Visitors tells the story of feminist activist Ann Snitow's work as an organizer in East Central Europe after the fall of the Berlin Wall in 1989. Over a period of 20 years, Snitow captures the changes and struggles in the new political landscape of post-communism as they unfold, and presents insight into the origins and development of the multi-faceted internationalist feminism that is evolving today"--

"We have long since lost our faith in the idea that human beings could achieve human happiness in some future ideal state, a state that Thomas More, writing five centuries ago, tied to a topos, a fixed place, a land, an island, a sovereign state under a wise and benevolent ruler. But while we have lost our faith in utopias of all hues, the human aspiration that made this vision so compelling has not died. Instead it is re-emerging today as a vision focused not on the future but on the past, not on a future-to-be-created but on an abandoned and undead past that we could call retrotopia. The emergence of retrotopia is interwoven with the deepening gulf between power and politics that is a defining feature of our contemporary liquid modern world ? the gulf between the ability to get things done and the capability of deciding what things need to be done, a capability once vested with the territorially sovereign state. This deepening gulf has rendered nation-states unable to deliver on their promises, giving rise to a widespread disenchantment with the idea that the future will improve the human condition and a mistrust in the ability of nation-states to make this happen. True to the utopian spirit, retrotopia derives its stimulus from the urge to rectify the failings of the present human condition - though now by resurrecting the failed and forgotten potentials of the past. Imagined aspects of the past, genuine or putative, serve as the main landmarks today in drawing the road-map to a better world. Having lost all faith in the idea of building an alternative society of the future, many turn instead to the grand ideas of the past, buried but not yet dead. Such is retrotopia, the contours of which are examined by Zygmunt Bauman in this sharp dissection of our contemporary romance with the past"--

The Islamic Republic of Iran has entered its fourth decade, and the values and legacy of the Revolution it was founded upon continue to have profound and contradictory consequences for Iranian life. Despite the repressive power of the current regime the immense creativity of popular cultural practices, that negotiate and resist a repressive system, is a potent and dynamic force. This book draws on the expertise and experience of Iranian and international academics and activists to address diverse areas of social and cultural innovation that are driving change and progress. While religious conservatism remains the creed of the establishment, this volume uncovers an underground world of new technology, media and entertainment that speaks to women seeking a greater public role and a restless younger generation that organises and engages with global trends online.

"A compelling record of one year in the life of a writer, including observations about movies, art, music, friendship, travel, and family. The essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the accumulated disjecta of daily life and personal and social history to take what it needs and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Philip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay's offshoots, the blog, a form by that time already thick, as he knew, with virtual dust. Lopate committed to writing a weekly blog about, really, whatever over the course of a year, a quicker pace of delivery than he'd ever undertaken and one that carried the risk of all too regularly falling short. What emerged was A Year and a Day, a collection of forty-seven essays best characterized as a single essay a year in the making, a virtuosic (if never showy) demonstration of the essay's range and reach, meandering, looping back, pressing reset, forging on. Lopate's topics along the way include family, James Baldwin, a trip to China, Agnes Martin, Abbas Kiarastomi, the resistable rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid new elaboration of what the essay can be"--

WouldYou Believe. . . When the Helsinki Accords were signed on August 1, 1975, thelikelihood they would have a profound and lasting impact on the world were verysmall. Which is why a book about them after a half century is both surprisinglytopical and well worth reading for anyone with an interest in modern history. Thethirty-five signatories were the nations of Europe, the United States andCanada at was formally known as the Conference of Security and Cooperation inEurope. The Final Act of CSCE contained detailed provisions on respect forhuman rights and set country borders that essentially held until Russia invadedUkraine in February,2022. Only15 years after the summit signing, the Soviet Union imploded and its EasternEuropean satellites broke with Communism and the broad range of human rightsissues -civil, social, economic, and political - were a major factor in thishistoric turning point. PeterL.W. Osnos' expertise on the history of the accords is vast, as a journalistand publisher. His narrative writing skill is widely recognized. Holly Cartner provides a vivid account of howa small organization called Helsinki Watch became Human Rights Watch, the most importantglobal NGO in its field.

"From an award-winning journalist, a provocative, deeply reported expose of the history and present crisis of anti-Semitism in France--and its dire consequences for the rest of Europe. Hate explores the alarming history and present predicament of anti-Semitism in France. By examining the issue at local, international, and personal levels--interviewing everyday French men and women as well as powerful leaders such as National Front president Marine Le Pen--Weitzmann attempts to understand how nine Jews have been murdered by French citizens in the last eight years, and how France has become the number one country from which Western jihadists flee to join ISIS and other extremist Middle Eastern organizations. How do contemporary French Jews grapple with these troubling facts, and with the historical legacies of the French Revolution, the Holocaust, and the Gaullist "Arab-French policy"? While internationally minded consumers of the news may have some knowledge of the events Weitzmann describes--including the 2013 "Day of Anger" and the rise of France's popular, and famously anti-Semitic, comedian Dieudonne M'bala M'bala--these controversies are largely unknown in the States, and utterly shocking in the unity Weitzmann gives them here. In his hands, these events are not just the story of French anti-Semitism, but that of the breakdown of a major Western power, of the dark side of our global age"--

In Third Wave Capitalism, John Ehrenreich documents the emergence of a new stage in the history of American capitalism. Just as the industrial capitalism of the nineteenth century gave way to corporate capitalism in the twentieth, recent decades have witnessed corporate capitalism evolving into a new phase, which Ehrenreich calls "Third Wave Capitalism." Third Wave Capitalism is marked by apparent contradictions: Rapid growth in productivity and lagging wages; fabulous wealth for the 1 percent and the persistence of high levels of poverty; increases in the standard of living and increases in mental illness, personal misery, and political rage; the apotheosis of the individual and the deterioration of democracy; increases in life expectancy and out-of-control medical costs; an African American president and the incarceration of a large percentage of the black population. Ehrenreich asserts that these phenomena are evidence that a virulent, individualist, winner-take-all ideology and a virtual fusion of government and business have subverted the American dream. Greed and economic inequality reinforce the sense that each of us is "on our own." The result is widespread lack of faith in collective responses to our common problems. The collapse of any organized opposition to business demands makes political solutions ever more difficult to imagine. Ehrenreich traces the impact of these changes on American health care, school reform, income distribution, racial inequities, and personal emotional distress. Not simply a lament, Ehrenreich's book seeks clues for breaking out of our current stalemate and proposes a strategy to create a new narrative in which change becomes possible.--Book flap

A unique insight into the rapidly expanding Chinese art market from an expert in the field Presents the remarkable story of the leading contemporary dealer in Chinese and other Asian art A Dealer's Hand serves as both a personal history of the evolving Chinese art market and a catalogue of Chinese art illustrated with over 500 objects As the West awakes, with some apprehension, to the economic power of that once-supine dragon, China, A Dealer's Hand is a timely reminder that its material culture has never failed to entrance and amaze those looking in from the outside, no less over the 50 years covered here than in the more distant past. Giuseppe Eskenazi is the pre-eminent expert and dealer in Chinese art and therefore well-placed to cast light on one aspect of this cultural relationship. Hajni Elias is a highly experienced researcher in the field. Together they have woven a narrative with several strands: Giuseppe's progression from young boy in Constantinople to doyen of Chinese art dealers, enlivened by reminiscence and anecdote; an overview of the market for Chinese art in the West and the part played in it by scholars, dealers, auction houses, museums and collectors; and a fabulous pictorial record of hundreds of the marvelous works of art that have passed through the Eskenazi Gallery's doors and amaze those looking in from outside, no less over the 50 years covered here than in the more distant past.

An award-winning journalist overturns western stereotypes as he takes readers as he takes readers .outside the wire. of the war in Afghanistan and introduces the people whose defiant courage offers hope for the future. Far from the Taliban's grim desert strongholds, the country we visit with Terry Glavin is a surprisingly welcoming place, hidden away in alleys and narrow streets that bustle with blacksmiths, gem hawkers and spice merchants. This is the unseen Afghanistan, reawakening from decades of savagery and bloodletting. Glavin shows us how events have unfolded in Afghanistan since September 11, 2001. Travelling with fluent interpreters and Afghan human rights activists, Glavin meets people from many walks of life -- key political figures, teachers, journalists, farmers, students, burqa-shrouded women and soccer players -- and in these pages they speak for themselves. And in the life story of Afghan-Canadian writer, translator and activist Abdulrahim Parwani, he finds the story of Afghanistan's agonies over the past 30 years. Celebrated as .a critical voice in the dialogue that sustains a civil society,. Glavin is a co-founder of the Canada-Afghanistan Solidarity Committee and is increasingly seen as an expert on Canada's role in Afghanistan. He is also one of the best writers we have. Come from the Shadows mounts a passionately, marvellously readable challenge to the usual depiction of the war in Afghanistan. What, Glavin asks, has made the West incapable of hearing the voices of Afghans at the forefront of the global struggle against slavery, misogyny and tyranny? His answers are often unexpected and always illuminating.

"Stephen H. Norwood has written the first systematic study of the American far left's role in both propagating and combating antisemitism. This book covers Communists from 1920 onward, Trotskyists, the New Left and its black nationalist allies, and the contemporary remnants of the New Left. Professor Norwood analyzes the deficiencies of the American far left's explanations of Nazism and the Holocaust. He explores far left approaches to militant Islam, from condemnation of its fierce antisemitism in the 1930s to recent apologies for jihad. Norwood discusses the far left's use of long-standing theological and economic antisemitic stereotypes that the far right also embraced. The study analyzes the far left's antipathy to Jewish culture, as well as its occasional efforts to promote it. He considers how early Marxist and Bolshevik paradigms continued to shape American far left views of Jewish identity, Zionism, Israel, and antisemitism"--