In the mid-1990s, two major Hollywood studios, Warner Bros. and Paramount Pictures, each launched their own broadcast television network with the hope of becoming the fifth major player in an industry long dominated by ABC, CBS, NBC, and, more recently, Fox. Despite the odds against them, the WB and UPN went on to alter the landscape of primetime television, only to then merge as the CW network in 2006—each a casualty of conflicting personalities, relentless competition, and a basic failure to anticipate the future of the entertainment business. Unfolding amid this backdrop of high-stakes business ventures, fanatical creative struggles, and corporate power plays, Season Finale traces the parallel stories of the WB and UPN from their prosperous beginnings to their precipitous demise. Following the big money, big egos, and big risks of network television, Susanne Daniels, a television executive with the WB for most of its life, and Cynthia Littleton, a longtime television reporter for Variety, expose the difficult reality of trying to launch not one but two traditional broadcast networks at the moment when cable television and the Internet were ending the dominance of network television. Through in-depth reportage and firsthand accounts, Daniels and Littleton expertly re-create the creative and business climate that gave birth to the WB and UPN, illustrating how the race to find suitable programming spawned a heated rivalry between the two but also created shows that became icons of American youth culture. Offering insider stories and never-before-published details about shows such as Buffy the Vampire Slayer, Dawson's Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America's Next Top Model, Daniels and Littleton provide an exhaustive account of the two creative teams that ushered these groundbreaking programs into the hearts, minds, and living rooms of Americans across the country. But in spite of these successes, the WB and UPN unraveled, and here the authors elucidate the corporate miscalculations that led to their undoing, examining the management missteps and industry upheaval that brought about their rapid decline and the surprising teamwork that united them as the CW. The result is a cautionary and compelling entertainment saga that skillfully captures a precarious moment in television history, when the dramatic transformation of the broadcast networks signaled an inevitable shift for all pop culture.

This reference looks at the economic and legal developments since the first edition was published in 1992. These developments include the international tax implications of the Internet and e-commerce, the increasing powers of transnational corporations and transfer pricing.

For feisty Los Angeles crime reporter Molly Blume, life is good. She is newly married (to the adoring and adorable Rabbi Zack), and her latest true-crime book is a hot seller. However, when an overardent fan's attentions arouse Molly's suspicion, her thoughts turn uneasily to stalkers. But the fan, Reuben Jastrow, swears that he desperately needs Molly's help in finding his eighteen-year-old daughter, Hadassah, who has run away from home to be with a man she met on the Internet. Molly hesitantly agrees--and immediately has regrets. For Reuben hasn't told her the whole truth. The more Molly looks for clues to the missing girl's fate, the more she wonders: Is Hadassah a random victim of a predator, or is the girl a pawn in a scheme of revenge against her family?

"After years of avoiding the subject, anthropologists have finally discovered that media can be profitably studied ethnographically and that anthropology of media is not only possible but essential. Media Worlds is a collection of groundbreaking essays by top-notch scholars."—Jay Ruby, author of Picturing Culture: Explorations of Film and Anthropology "Not just a book, but the book on the anthropology of the media. The collection works not just as an assemblage but from a sense that every paper adds another perspective to the whole."—Danny Miller, co-author of The Internet: An Ethnographic Approach "The anthropology of media is in many ways the most dynamic domain of the discipline today. Media Worlds will establish itself immediately as the canonical volume in this long overdue area of study. Its rigorous ethnographic studies of the production, distribution, and reception of film, television, and electronic media around the world will also encourage media and cultural studies to relinquish the exclusivity they afford to the 'text' and to attend to the global social practices of media in toto. An outstanding work."—Lucien Taylor, co-author of Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos "The strength of this lovely collection is in the diversity and range of the case materials that it brings together under one cover."—Michael M. J. Fischer, coauthor of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences "Contemporary media studies allow us to continue examining anthropology's traditional subjects in promising new ways. This strong and comprehensive collection by the key figures who have pioneered media studies in anthropology both focuses and surveys the field. As a much needed teaching resource, it will stimulate the proliferation of culture and media courses and will transform the many courses that are built on the identification of peoples as indigenous, minority, or ethnic."—George E. Marcus, editor of the series Late Editions: Cultural Studies for the End of the Century " Media Worlds is a compelling argument for how and why media matters in anthropology and the contemporary world. The exciting array of field-defining work bridges anthropology and film, TV, and radio media. Critically revising earlier paradigms for an anthropology of (visual) communication, the authors argue for new and forceful concerns with media activism, representation, nationalism and transnationalism, diasporas, and social engagements with technology."—Steven Feld, Producer of Voices of the Rainforest and Professor of Music and Anthropology, Columbia University "It is amazing that this is the first book of its kind. One would think that an anthropological approach, placing the media squarely within the rich and diverse contexts of social relations and everyday life, would long have been integral to media studies. Not so! This wonderful book provides an overdue correction. As the essays here show, we cannot understand lives and societies without understanding the mediascapes we inhabit. This is compulsive reading!"—Ien Ang, author of Living Room Wars: Rethinking Media Audiences for a Postmodern World "This landmark collection maps and motivates the anthropological voice in media studies by locating the media in worlds of practice, sentiment, debate, and dissent. Using such vivid examples as the image management of the Dalai Lama and the social organization of Nigerian cinema theatres, the authors remind us that media machineries are no more magical than the social worlds they inhabit and project. Media Worlds will be a boon to scholars and teachers in media studies, anthropology, and global cultural studies."—Arjun Appadurai, author of Modernity at Large: Cultural Dimensions of Globalization

The rare book dealers who delighted readers with the history of their bookselling days in "Old Books, Rare Friends" now offer the other side of their story -- an intimate look at the joys of a relationship that has lasted more than half a century. When their friendship and business partnership began in the 1940s, Leona Rostenberg and Madeleine Stern were pioneers in a man's world. Now approaching their nineties, the duo, who -- among their many discoveries -- unearthed Louisa May Alcott's pseudonymous blood-and-thunder stories, remains a vibrant institution in the rare book trade, even as the Internet changes their field -- and their community -- forever. After publishing "Old Books, Rare Friends," Rostenberg and Stern received a flood of fan mail asking about their personal lives, and they have responded with poignant honesty and the warmth for which they are famous, as they reflect on their lives and their remarkable partnership. "Bookends" recounts their fascinating histories: family backgrounds, business adventures, the men they did not marry, and their approach to the bittersweet trials of aging. More than just a dual memoir, "Bookends" is also a chronicle of the cultural changes of twentieth-century American life and a loving farewell to the golden age of book collecting. Filled with wisdom and humor, this volume is a tribute to Rostenberg and Stern's passion for the written word -- and for life itself. Catching us off guard with their candor, they offer their insights regarding their business, their way of life, and their worldview. Above all, they present the story of a special relationship. At a time when people find it increasingly difficult to connect, here wehave the seamless story of a shared life. It is the unique product of an earlier time, yet it is a timeless reflection on the very nature of friendship. Though their fantastic partnership is un-reproducible, the ideal they have established, for the integration of one life so completely with another, contains lessons for all of us. Without husband or children they created a loving home when this was uncharted territory for women. They nurtured a business and life partnership that has lasted more than half a century and has only gotten stronger with time. When the passing years began to claim one's hearing and the other's sight, they became each other's eyes and ears. A meditation on aging and togetherness, this book is also the narrative of two pioneering single, Jewish women making their way in tandem through a world largely organized to keep them in their place. It is a gentle, wise story, told in their inimitable style, sparse, unadorned, and honest. Their affirmations supersede their uncertainties. As they write, "Bookends support books and come in pairs...If the word encapsulates our past, it looks also to the future, and to the books -- lived together, written together -- that will follow." They confront the challenges of aging in a no-nonsense tone, and, in facing them, give us an ideal of enduring human friendship that can't help but touch the heart.

This cyber-erotic romantic thriller, written by two queer icons in the 1990s, has been "rebooted" for today's readers. In this rowdy cyber-romance originally written in the 1990s, two people meet online and fall in love in every guise they can manage. As Scratch and Winc go from anonymous lovers to accidental heroes and gender outlaws, they expose the shadowy Web stretched between technology and capitalist greed, nearly becoming roadkill on the internet superhighway. With a little help from their friends including a brave teenager and a mysterious hacker, these darling rebels fight government intervention and find chosen family in this eerily prescient tale. The 30th anniversary “reboot” edition includes an updated lens for today’s readers, as GenZ investigative journalist Drew uncovers what just might be the greatest queer love story of all time . Like Octavia Butler's PARABLE OF THE SOWER, Margaret Atwood's A HANDMAID'S TALE, and George Orwell's 1984, the return of NEARLY ROADKILL is right on time with urgent lessons for our contemporary landscape.

This book describes the transformation of telecommunications from national network monopolies to a new system, the "network of networks," and the glue that holds it together, interconnection. By their very nature, monopoly-owned networks provided a small number of standardized, nationwide services. Over the past two decades, however, new forces in the world economy began to unravel this traditional system. The driving force behind the change was the shift toward an information-based economy. Especially for large organizations, the price, control, security, and reliability of telecommunications became variables requiring organized attention. Thus, monopoly began to give way to the "network of networks," the foundation of today's telecommunications and Internet infrastructure. Taking a broad, multidisciplinary perspective Eli Noam discusses the importance and history of interconnection policy, as well as recent policy reforms both within the United States and around the globe. Other important topics he discusses include interconnection prices, the unbundling of interconnection, and the technology of interconnection. He concludes with an examination of social and policy issues, including the free flow of content, universal service and privacy protection, and the future of telecommunications.

Modern science, the Internet, big data, and AI are each saying the same thing to us: the world is -- and always has been -- far more complex and unpredictable than we've allowed ourselves to see. As a result we're undergoing a sea change in our understanding of how things happen, and in our deepest strategies for predicting, preparing for, and managing our lives and our businesses. For example, machine learning allows us to make better predictions (think the weather, stock performance, online clicks) but we know less about why those predictions are right--and we need to get used to that. And in fact, over the past twenty years we've been unintentionally developing strategies that avoid anticipating what will happen so we don't have to depend on unreliable revenue forecasts, assumptions about customer needs, and hypotheses about how a product will be used. By embracing these strategies, we're flourishing by creating yet more possibilities and yet more unpredictability. In wide-ranging stories and characteristically all-encompassing syntheses, technology researcher, internet expert, and philosopher David Weinberger reveals the trends that hide in so many aspects of our lives--and shows us how they matter.--

"In this book, Cindy Cohn, executive director of the Electronic Frontier Foundation, chronicles three important legal privacy battles that have defined the digital age and shaped the internet we have today"-- Provided by publisher.

"Google is a champion of cultural democracy, but without culture and without democracy." In this witty and polemical critique the philosopher Barbara Cassin takes aim at Google and our culture of big data. While impressed by the search engine's brilliance, Cassin enlists her formidable knowledge of the rhetorical tradition to challenge on the Google myth of a "good" tech company and its "democracy of clicks," laying bare the philosophical poverty and political naiveté ́hat underwrites its founding slogans: "Organize the world's information," and "Don't be evil." For Cassin, this conjunction of globalizing knowledge and moral imperative is frighteningly similar to the way American demagogues justify their own universalizing mission before the world. While sensitive to the possibilities of technology and to Google's playful appeal, Cassin shows what is lost when a narrow worship of information becomes dogma, such that research comes to mean data mining and other languages become provincial "flavors" folded into an impoverished Globish, or global English. As the Internet continues to intensify the neoliberal effacement of difference and corporate reduction of the common, Cassin's refreshing polemic takes technology seriously enough to scrutinize the beliefs upon which it operates.

"Wasserstein moves from the historical to the human dramas behind the headlines. He asks, and answers, the important questions that every financial watcher - and investor - needs to know. Are companies overpaying for their corporate acquisitions? What's the impact of the rise in Internet stock prices and the boom in IPOs? And, in assessing the big picture, Wasserstein makes a persuasive argument that the explosion of corporate alliances will have an effect as dramatic as the industrial revolution."--Jacket.

The Internet has been romanticized as a zone of freedom. The alluring combination of sophisticated technology with low barriers to entry and instantaneous outreach to millions of users has mesmerized libertarians and communitarians alike. Lawmakers have joined the celebration, passing the Communications Decency Act, which enables Internet Service Providers to allow unregulated discourse without danger of liability, all in the name of enhancing freedom of speech. But an unregulated Internet is a breeding ground for offensive conduct. At last we have a book that begins to focus on abuses made possible by anonymity, freedom from liability, and lack of oversight. The distinguished scholars assembled in this volume, drawn from law and philosophy, connect the absence of legal oversight with harassment and discrimination. Questioning the simplistic notion that abusive speech and mobocracy are the inevitable outcomes of new technology, they argue that current misuse is the outgrowth of social, technological, and legal choices. Seeing this clearly will help us to be better informed about our options. In a field still dominated by a frontier perspective, this book has the potential to be a real game changer. Armed with example after example of harassment in Internet chat rooms and forums, the authors detail some of the vile and hateful speech that the current combination of law and technology has bred. The facts are then treated to analysis and policy prescriptions. Read this book and you will never again see the Internet through rose-colored glasses.

The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic, and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote).The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life.Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's "War of the Worlds" was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium.The seventeen essays, by leading figures in philosophy, art, history, and engineering, are organized into three sections: Philosophy; Art, History, and Critical Theory; and Engineering, Interface, and System Design.

"This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--

A model for strategic negotiation for intelligent agents. As computers advance from isolated workstations to linked elements in complex communities of systems and people, cooperation and coordination via intelligent agents become increasingly important. Examples of such communities include the Internet, electronic commerce, health institutions, electricity networks, and digital libraries. Sarit Kraus is concerned here with the cooperation and coordination of intelligent agents that are self-interested and usually owned by different individuals or organizations. Conflicts frequently arise, and negotiation is one of the main mechanisms for reaching agreement. Kraus presents a strategic-negotiation model that enables autonomous agents to reach mutually beneficial agreements efficiently in complex environments. The model, which integrates game theory, economic techniques, and heuristic methods of artificial intelligence, can be automated in computer systems or applied to human situations. The book provides both theoretical and experimental results.

Newton Minow’s long engagement with the world of television began nearly fifty years ago when President Kennedy appointed him chairman of the Federal Communications Commission. As its head, Minow would famously dub TV a “vast wasteland,” thus inaugurating a career dedicated to reforming television to better serve the public interest. Since then, he has been chairman of PBS and on the board of CBS and elsewhere, but his most lasting contribution remains his leadership on televised presidential debates. He was assistant counsel to Illinois governor Adlai Stevenson when Stevenson first proposed the idea of the debates in 1960; he served as cochair of the presidential debates in 1976 and 1980; and he helped create and is currently vice chairman of the Commission on Presidential Debates, which has organized the debates for the last two decades. Written with longtime collaborator Craig LaMay, this fascinating history offers readers for the first time a genuinely inside look into the origins of the presidential debates and the many battles—both legal and personal—that have determined who has been allowed to debate and under what circumstances. The authors do not dismiss the criticism of the presidential debates in recent years but do come down solidly in favor of them, arguing that they are one of the great accomplishments of modern American electoral politics. As they remind us, the debates were once unique in the democratic world, are now emulated across the globe, and they offer the public the only real chance to see the candidates speak in direct response to one another in a discussion of major social, economic, and foreign policy issues. Looking to the challenges posed by third-party candidates and the emergence of new media such as YouTube, Minow and LaMay ultimately make recommendations for the future, calling for the debates to become less formal, with candidates allowed to question each other and citizens allowed to question candidates directly. They also explore the many ways in which the Internet might serve to broaden the debates’ appeal and informative power. Whether it’s Clinton or Obama vs. McCain, Inside the Presidential Debates will be welcomed in 2008 by anyone interested in where this crucial part of our democracy is headed—and how it got there.

In March 1996, a Nielsen survey found that 56 million people over the age of 16 in the U.S. and Canada have access to the Internet. If the current rate of growth continues, by the year 2000, over 50% of the US population will have access to the Internet. With as many as 50,000 new Web sites beginning each day, most Internet users would find the prospect of an Internet "yellow pages" both appealing and useful. Now, from the definitive leader in Internet publishing, Michael Wolff, comes NetGuide. Looking for a spouse? Try Marriage Brokers Online. Eager for the latest on your favorite sport? Try ESPNET SportsZone. Want a good book? Consult dozens of library catalogues or dip into The Iliad, Great Expectations, Black Beauty, or other literature online. NetGuide is the first in Dell's new series of Internet guidebooks. It is a comprehensive volume divided into helpful sections that provide simple, practical advice about everything readers need to know to surf the net: from choosing a modem to finding the right online service to locating the obscurest of sites. NetGuide provides a fun and informative list of Web sites in the following subject areas: ò Entertainment (including movies, television, music) ò Sci-fi ò Fun & Games (including comics, cartoons, video games) ò Home & Health ò The Digital World ò Virtual Newsstand (including magazines, newspapers) ò Politics & Government (including international, domestic) ò Dollars & Sense (including personal finance, taxes) In addition to other subject areas, NetGuidealso includes hundreds of Internet addresses for current information on topics ranging from television shows, to music, to literature (check out the Online University site at cc.columbia.edu/acis/bartleby/index.html, for electronic versions of such classics as Moby Dick), and everything else in between. Packed with invaluable advice, NetGuideis the most complete listing of what's on the net and how to get there. The ultimate guide for every Internet user, from part-time browsers to full-time "netheads," NetGuideis now finally available in a convenient paperback edition.

Joanne Limburg suffers from Obsessive-Compulsive Disorder: she thinks things she doesn't want to think, and she does things she doesn't want to do. As a small child, she would chew her hair all day and lie awake at night wondering if heaven had a ceiling; a few years later, when she should have been doing her homework, she was pacing her bedroom, agonising about the unfairness of life as a woman, and the shortness of her legs. By the time she was an adult, obsessive thoughts and compulsive behaviours had come to dominate her life. She knew that something was wrong with her, but it would take many years before she understood what that something was. "The Woman Who Thought Too Much" follows Limburg's quest to understand her predicament and to manage her symptoms, taking the reader with her on a long, twisted journey through consulting rooms, libraries and internet sites, as she seeks to discover all she can about rumination, scrupulosity, avoidance, thought-action fusion, fixed-action patterns, anal fixations, schemas, basal ganglia, tics and synapses. On the way, she encounters competing interpretations of her condition, as offered by psychoanalysts, neuropsychiatrists and cognitive psychologists, and does her best to come to terms with an illness which turns out to be both common, and even - sometimes - treatable. This candid, moving and beautifully written memoir is a sometimes shocking, often sad, and yet also humorous revelation of what it is like to live with so debilitating a condition. It is also an exploration of the inner world of a poet and an intense evocation of the persistence and courage of the human spirit in the face of mental illness.