"This book tells the largely unknown story behind the rescue activities of several remarkable young Jewish women in Vichy France during World War II and their role in the resistance against Nazi and Vichy France deportation policies. Few studies of Vichy France and the Holocaust have looked at the rescue of Jews by those prepared to risk everything to escort them to safety in the border regions, and even fewer have considered Jewish rescue of Jews, specifically of Jewish children by women. This work will be arguably the first book in which the experiences and efforts of a number of female rescuers—all of whom knew or knew of each other—have been brought together in a single volume, with the object of honoring their memory and showing how the value of human life was sustained through the Holocaust. Focusing on a number of young Jewish women who defied the Nazis, this narrative highlights their courage and sacrifice in their efforts to rescue Jews in France during World War II. Additionally, it shows how these French women responded to Nazi and Vichy France policies of deportation through resistance activities. This is a story that will captivate anyone with an interest in the innate goodness of human beings that can shine even when confronted with the darkest expressions of depravity that occurred during the Holocaust." -- From publisher's website.

A survey of Jewish-Gentile relations in Frankfurt am Main, Giessen, and Geisenheim on the eve of and during the Nazi dictatorship. Gives a demographic, social, and historical portrait of the three Jewish communities and a picture of Jewish-Gentile interaction in the Weimar years. Even in these years some anti-Jewish tendencies became evident, e.g. hostility toward the "Ostjuden, " broad popular indifference toward the Jews in the of the growing Nazi movement. Ch. 5-7 present a case study of Nazi anti-Jewish policy in Hesse, focusing on Jewish-Gentile relations there in the Nazi period. States that the persecution of Jews was facilitated by the indifference and passivity of ordinary Germans. A latent antisemitism (though not "eliminationist") combined with apathy and acquiescence to a brutal dictatorship in the conditions of war and paved the way to the mass murder. Dwells on the legal exclusion of Jews in 1933-38, on the "Kristallnacht" pogrom, and on the deportations of Hessian Jews in 1941-43.

(Applause Books). Jacob Adler, with his performances in the Yiddish King Lear , Uriel Acosta and Shylock in The Merchant of Venice , became first a megastar of the exploding Yiddish theatre, and then all of Broadway. His memoirs, originally written and published in Yiddish and now translated (by his granddaughter) into English provides not only a compelling portrait of one of America's greatest actors but a fascinating social history of his time.

A biography of Gertrude van Tijn (1891-1974), born as Gertrud Franzisca Cohn in Braunschweig, Germany. From 1911-15 she lived in London, but was forced to immigrate because of her status as an enemy alien. She then went to Holland, where she became a fervent Zionist. In 1920 she married Jacques van Tijn, a Dutch Jew, and gave birth to two children. As he was a mining engineer, they lived in different countries until 1932 when they returned to Holland; in 1937 they were divorced. Focuses on her life and activities during 1933-45, when she worked for organizations dealing with the resettlement of Jewish refugees from Germany who fled to Holland, as well as with emigration of Dutch Jews, in particular for the Committee for Jewish Refugees. In April-May 1941 van Tijn, with Nazi approval, traveled to Portugal to coordinate, together with Portuguese authorities and the Joint Distribution Committee, the transit of Jewish refugees through Portugal and across the Atlantic. Her task proved to be very difficult, but some Jews got through, including her daughter. Her son served in the Allied army in France and Belgium. Van Tijn became head of the emigration department of the Jewish Council in Amsterdam; however, her achievements in this capacity were modest. In September 1943 she was deported to Westerbork, and in March 1944 to Bergen-Belsen. In the summer of 1944 she was freed with a group of prisoners in exchange for Germans arrested in Palestine. She stayed in Palestine for a few months, traveled back to Europe in 1945, and eventually settled in the USA, living close to her daughter. While in Palestine she wrote a report of what she had witnessed, which is found in the Leo Baeck Archives in New York, but was never published. Soon after the war van Tijn was criticized and censured as a dupe of the Nazis, guilty at the least of false credulity and at the most of collaboration, but she was later exonerated.

A reading of African American and Jewish American writers from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton's book offers an original way of juxtaposing two major traditions in modern American literature, and rethinking the sometimes vexed relationship between two constituencies ordinarily confined to sociopolitical or media commentary alone. Newton combines Emmanuel Levinas's ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David Mamet and Anna Deavere Smith, and others, Newton seeks to represent American Blacks and Jews outside the distorting mirror of 'Black-Jewish Relations', and restrictive literary histories alike. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.

- Chronicles the substantial role played by Jews in the shaping and development of contemporary Indian art and aesthetics- Contains images of lost paintings of Fyzee Rahamin and Magda Nachman, and other never-before-seen paintings- Written in an unbiased manner and supported with in-depth research, the book will be invaluable to anyone who wishes to understand contemporary Indian artThis volume reveals the roles of foreign and Indian Jews in the Indian national art project and raises issues such as: Is an Indian artist any artist born into an Indian family? What role can foreigners and members of Indian minority groups play in the Indian National Art Project as scholars, critics, or artists? Is a piece of work Indian art because of its subject matter or its style? Is it possible to utilize foreign techniques in creating Indian art?Jews and the Indian National Art Project documents the work of artists such as Anna Molka Ahmed, Mirra Alfassa (The Mother), Siona Benjamin, Carmel Berkson, and Fredda Brilliant as well as those of photographers (David Mordecai and Man Ray) and architects (Otto Königsberger, Moshe Safdie). Also covered in this volume are the work of critics, scholars and art patrons like Ernst Cohn-Wiener, Charles Fabri, Stella Kramrisch, and Marion Harry Spielmann.

A study of antisemitism in Poland in the 20th century. Describes the increase in antisemitism between 1918-39. Reflects on the question of the role of Polish antisemitism in the Holocaust. During the war, most Poles either collaborated with the Nazis or at least approved of the economic measures against the Jews. The rightist anti-German resistance (e.g. Narodowe Sily Zbrojne) regarded Jews as enemies of Poland and sometimes cooperated with the Nazis in the murders. The Armia Krajowa was also antisemitic, and sometimes killed Jews. Many Poles profited from the Holocaust. The Catholic Church was silent. Discusses, also, the Poles who rescued Jews and their motivations. At the end of the war there was a wave of murders of Jews who had survived the Holocaust or were repatriated from the USSR. Antisemitism remained a political factor in Poland both in the communist and post-communist periods.

"Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto"--

"Defying the binary and Eurocentric view of the Israeli-Palestinian conflict, Ella Shohat's work, as a whole, dares to engage the deeper historical and cultural questions swirling around colonialism, Orientalism, and nationalism. Spanning several decades, Shohat's work has introduced conceptual frameworks that have fundamentally challenged the conventional understandings of Arabs and Jews, Palestine, Zionism, and the Middle East. Collected now in a single volume, this book gathers together some of her most influential political essays, interviews, speeches, testimonies, and memoirs for the first time"--

"Defying the binary and Eurocentric view of the Israeli-Palestinian conflict, Ella Shohat's work, as a whole, dares to engage the deeper historical and cultural questions swirling around colonialism, Orientalism, and nationalism. Spanning several decades, Shohat's work has introduced conceptual frameworks that have fundamentally challenged the conventional understandings of Arabs and Jews, Palestine, Zionism, and the Middle East. Collected now in a single volume, this book gathers together some of her most influential political essays, interviews, speeches, testimonies, and memoirs for the first time"--

Tells the story of Dr. Martin Luther King, Jr.'s involvement with the Jewish community, drawing from previously unpublished material and interviews with Dr. King's associates, to examine his activities as an advocate for the human and civil rights of Jews.

A remarkable collection of essays by Reform Jewish rabbis illustrating how Judaism tackles today's issues.

"The essay that forms the core of this book is an attempt to understand the developments that have occurred in Orthodox Jewry in America in the last seventy years, and to analyse their implications. The prime change is what is often described as 'the swing to the right', a marked increase in ritual stringency, a rupture in patterns of behaviour that has had major consequences not only for Jewish society but also for the nature of Jewish spirituality. For Haym Soloveitchik, the key feature at the root of this change is that, as a result of migration to the 'New Worlds' of England, the US, and Israel and acculturation to its new surroundings, American Jewry--indeed, much of the Jewish world-- had to reconstruct religious practice from normative texts: observance could no longer be transmitted mimetically, on the basis of practices observed in home and street. In consequence, behaviour once governed by habit is now governed by rule. This new edition allows the author to deal with criticisms raised since the essay, long established as a classic in the field, was originally published, and enables readers to gain a fuller perspective on a topic central to today's Jewish world and its development."

Streaming Video on Love In Black & White now available at Expandedbooks.com Most Americans regard the World War II period as belonging to the "greatest generation," but it was also a time when religious intolerance and racial violence flourished. Shamefully, it was commonplace to see signs that read "Whites Only" or "Jews Not Allowed." It is within this world that this compelling memoir is set. William Cohen, born in Bangor, Maine, was the eldest son of a Jewish father and a Protestant Irish mother. Janet Langhart, an African-American, was raised in Indianapolis, Indiana by her single parent mother, a Southern Baptist. The book draws fascinating parallels between the histories of two people from different regions, races, and religions, as both are witnesses to and targets of the social tensions of the day. Throughout Love in Black and White, readers accompany Bill and Janet in their struggle to overcome to the barriers of ethnic and racial bigotry and hatred. The stories are rich and profound. At times they are amusing. Other times, harrowing. Against impossible odds, Bill would be elected to serve his country as a U.S. Congressman and Senator, and Janet would become a prominent television personality, activist, and highly respected businesswoman and author. Opposites in so many ways―in color, faith and culture―seemingly a bundle of contradictions, they meet in 1974, become friends, and eventually fall in love. They decide to marry on Valentine's Day 1996 in the very place that once harbored some of the nation's most prominent racists-the U.S. Capitol. They receive the surprise of a lifetime when Bill is asked by President Bill Clinton to serve as the nation's 20th Secretary of Defense. It is a calling that proves to be life transforming for both him and Janet, as they lead, inspire and bring comfort to the men and women who defend our nation. It is at the Pentagon where they witness just how powerful our nation ca

"Stephen H. Norwood has written the first systematic study of the American far left's role in both propagating and combating antisemitism. This book covers Communists from 1920 onward, Trotskyists, the New Left and its black nationalist allies, and the contemporary remnants of the New Left. Professor Norwood analyzes the deficiencies of the American far left's explanations of Nazism and the Holocaust. He explores far left approaches to militant Islam, from condemnation of its fierce antisemitism in the 1930s to recent apologies for jihad. Norwood discusses the far left's use of long-standing theological and economic antisemitic stereotypes that the far right also embraced. The study analyzes the far left's antipathy to Jewish culture, as well as its occasional efforts to promote it. He considers how early Marxist and Bolshevik paradigms continued to shape American far left views of Jewish identity, Zionism, Israel, and antisemitism"--

"In August 1970, David Biale, a 21-year-old American Jewish student, arrived at Kibbutz Kfar Ruppin in Israel's Bet She'an Valley as a volunteer. There, he met Rachel Korati, nine days shy of her eighteenth birthday. They began an intense dialogue about how a secular Jew might be Jewish and what the role of Israel and kibbutz ought to be in modern Jewish life. They also found a common language in the counter-culture of the 1960s to which both were drawn. Upon David's return to university studies in Berkeley and Rachel's first steps into independent adulthood - living in a town near Tel Aviv and working as a youth movement counselor -- the two commenced a correspondence in which they continued their intellectual and ideological discussions from the summer, engaging Jewish sources on the one hand, and contemporary events on the other. Gradually, the letters became more intimate and so began an epistolary romance, which one might associate more with the nineteenth century and which would be inconceivable in today's world of texting and email. Over the next two years, the correspondence continued, often on a daily basis. Twice, David's plans to come to Israel were dashed. The two struggled to hold onto a relationship composed primarily of written words. In the fall of 1971, Rachel was drafted into the Israeli Army and David had his own brush with the American draft in the last phase of the Vietnam War. Aerograms Across the Ocean: A Love Story in Letters opens a rare window into the lives and thoughts of two passionate young people, trying to find their identities and life trajectories in the tumultuous early 1970s. By turns philosophical and playful, poetic and prosaic, idealistic and uncertain, pensive and erotic, this jointly-written memoir is a coming-of-age story in Israel after the Six Day War and in America in the shadow of the Vietnam War. The book is organized around the 258 letters the authors exchanged, a correspondence that takes readers back into a different age, half a century ago." --

The Universal Jew analyzes literary images of the Jewish nation and the Jewish national subject at Zionism’s formative moment. In a series of original readings of late nineteenth-century texts—from George Eliot’s Daniel Deronda to Theodor Herzl’s Altneuland to the bildungsromane of Russian Hebrew and Yiddish writers—Mikhal Dekel demonstrates the aesthetic and political function of literary works in the making of early Zionist consciousness. More than half a century before the foundation of the State of Israel and prior to the establishment of the Zionist political movement, Zionism emerges as an imaginary concept in literary texts that create, facilitate, and naturalize the transition from Jewish-minority to Jewish-majority culture. The transition occurs, Dekel argues, mainly through the invention of male literary characters and narrators who come to represent "exemplary" persons or "man in general" for the emergent, still unformed national community. Such prototypical characters transform the symbol of the Jew from a racially or religiously defined minority subject to a "post-Jewish," particularuniversal, and fundamentally liberal majority subject. The Universal Jew situates the "Zionist moment" horizontally, within the various intellectual currents that make up the turn of the twentieth century: the discourse on modernity, the crisis in liberalism, Nietzsche’s critique of the Enlightenment, psychoanalysis, early feminism, and fin de siècle interrogation of sexual identities. The book examines the symbolic roles that Jews are assigned within these discourses and traces the ways in which Jewish literary citizens are shaped, both out of and in response to them. Beginning with an analysis of George Eliot’s construction of the character Deronda and its reception in Zionist circles, the Universal Jew ends with the self-fashioning of male citizens in fin de siècle and post-statehood Hebrew works, through the aesthetics oftragedy. Throughout her readings, Dekel analyzes the political meaning of these nascent images of citizens, uncovering in particular the gendered arrangements out of which they are born.

Poetics & Polemics, 1980-2005 brings together in one volume a wide-ranging selection of essays and commentaries by one of the most significant poets, critics, and translators working with American and international poetry today. Jerome Rothenberg's work spans a period of over forty years and nearly one hundred books, and though perhaps best known as a poet, his critical and theoretical contributions to the fields of innovative, experimental poetry have become equally important facets of his work. Rothenberg's earliest critical writings concerned themselves with ethnopoetics and the poetics of performance. In the last twenty years his critical thinking has evolved to encompass more explicitly issues of modernism, postmodernism, and the avant-garde, as well as meditations on the nature of the book and writing. This volume extends and elaborates all of those interests, allowing for the first time a comprehensive glimpse of the full trajectory of his thinking. In the first section, "Poetics and Polemics," Rothenberg's essays address a range of issues with which he's become closely associated, among them the anthology as a critical and polemical tool; the intersection of poetry with art, performance, and politics, in both contemporary and traditional practice; the poetics of Jewish mysticism as a traditional form of conceptual and language poetry; and the universality of poetic discourse, particularly as seen in tribal poetry or in poetic traditions long separated from the Western literary mainstream. In "A Gallery of Poets" is Rothenberg's lively explorations of the work of other poets, as they relate to his own work, to avant-garde poetry in general, and to the poetic traditions that concern him the most. Finally, in "Dialogues and Interviews" are Rothenberg's unbridled meditations and musings on what he calls "the life of poetry" outside the bounds of book and binding, class and category, a dynamic force at the center of all that we call human.

What remains of moral judgment when truth itself is mistrusted, when the validity of every belief system depends on its context, when power and knowledge are inextricably entangled? Is a viable moral theory still possible in the wake of the postmodern criticism of modern philosophy? The Order of Evils responds directly to these questions and dilemmas with one simple and brilliant change of focus.Rather than concentrating on the age-old themes of justice and freedom, Adi Ophir offers a moral theory that foregrounds the existential and political nature of Evil. Ophir’s main contention is that evil is neither a diabolical element residing in the hearts of men nor a meaningless absence of the good. Rather, it is the socially structured order of “superfluous evils.”Evils, like pain, suffering, loss, and humiliation, are superfluous when they could have — but have not — been prevented. Through close analysis of seminal works by modern and postmodern philosophers — from Rousseau, Kant, Marx, Sartre, and Arendt to Foucault, Lévinas, Derrida, and Lyotard — Ophir forges a new perspective for thinking about what it means to be a moral being; to be moral, he argues, is to care for others and to be committed to preventing, at all costs, their suffering and distress.A theoretically sophisticated work, The Order of Evils also bears the traces of Ophir’s own political and personal experiences as an Israeli philosopher and activist. Two major events in recent Jewish history have profoundly influenced his thinking: the Holocaust and the prolonged Israeli domination of Palestinians in the occupied territories, both of which are interpreted within the author’s moral framework as systematic productions of evils.Ophir does not compare the two events. Instead, he introduces a typology of disasters that allows them to be located within the wide spectrum of human-generated calamities whose specificity and general patterns emerge clearly and distinctly as what they are and are not.

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.