Hailed as a writer of uncommon clarity by the New Yorker, National Book Award finalist Allegra Goodman has dazzled readers with her acclaimed works of fiction, including such beloved bestsellers as The Family Markowitz and Kaaterskill Falls. Now she returns with a bracing new novel, at once an intricate mystery and a rich human drama set in the high-stakes atmosphere of a prestigious research institute in Cambridge, Massachusetts. Sandy Glass, a charismatic publicity-seeking oncologist, and Marion Mendelssohn, a pure, exacting scientist, are codirectors of a lab at the Philpott Institute dedicated to cancer research and desperately in need of a grant. Both mentors and supervisors of their young postdoctoral proteges, Glass and Mendelssohn demand dedication and obedience in a competitive environment where funding is scarce and results elusive. So when the experiments of Cliff Bannaker, a young postdoc in a rut, begin to work, the entire lab becomes giddy with newfound expectations. But Cliff's rigorous colleague-and girlfriend-Robin Decker suspects the unthinkable: that his findings are fraudulent. As Robin makes her private doubts public and Cliff maintains his innocence, a life-changing controversy engulfs the lab and everyone in it. With extraordinary insight, Allegra Goodman brilliantly explores the intricate mixture of workplace intrigue, scientific ardor, and the moral consequences of a rush to judgment. She has written an unforgettable novel.

Stan Leventhal paints a picture of Christopher Street in the 80s and 90s. "The streets became ours again. When the fag-bashers began to get bold, to slither from their slimy lairs, the young gay guys and fledgling lesbians fought back. There was a new war to win, along with battles of fear, ignorance, and indifference... But now the streets belong to us again. We paid for it with our muscles, our brains, our bodily fluids. It has our names written all over it. Our blood fills the cracks in the pavement. It's ours and we're never going to give it up." Against that backdrop, we see the pieces of an ordinary life. He's an editor for a porn publishing house - it's not glamorous, it's just work. His relationship is on the verge of ending. He is visited by the ghosts of friends he has lost to AIDS. In the midst of the familiar days, he learns from his doctor that he too has AIDS. Leventhal's final novel was produced in 1995. This new edition features a foreword by Paras Borgohain who is currently writing a screenplay for the novel.

This essential title provides practical examples for companies following IFRS, UK Company Legislation and FSA listing rules, As of 30 September 2010. The easy-to-use format presents model financial statements and expert commentary, making this an essential guide for those working with the accounts of UK Listed Groups.

A Library Journal Horror Best Seller From Nebula Award winner Sam J. Miller comes a frightening and uncanny ghost story about a rapidly changing city in upstate New York and the mysterious forces that threaten it. Ronan Szepessy promised himself he'd never return to Hudson. The sleepy upstate town was no place for a restless gay photographer. But his father is ill and New York City's distractions have become too much for him. He hopes that a quick visit will help him recharge. Ronan reconnects with two friends from high school: Dom, his first love, and Dom's wife, Attalah. The three former misfits mourn what their town has become--overrun by gentrifiers and corporate interests. With friends and neighbors getting evicted en masse and a mayoral election coming up, Ronan and Attalah craft a plan to rattle the newcomers and expose their true motives. But in doing so, they unleash something far more mysterious and uncontainable. Hudson has a rich, proud history and, it turns out, the real-state developers aren't the only forces threatening its well-being: the spirits undergirding this once-thriving industrial town are enraged. Ronan's hijinks have overlapped with a bubbling up of hate and violence among friends and neighbors, and everything is spiraling out of control. Ronan must summon the very best of himself to shed his own demons and save the city he once loathed.

A Psychological Interpretation of Mythology. Translated from the German by Drs. F. Robbins and Smith Ely Jelliffe; Nervous and Mental Disease Monograph Series No. 18.

Creating a sensation around the world, Twelve established its seventeen-year-old author as a powerful voice of the new millennium. The chilling novel follows prep school dropout White Mike through the week between Christmas and New Year's 1999, as he takes a year off to deal an alluring new drug to his privileged peers on Manhattan's Upper East Side. The kids of Twelve have it all; Chris and Claude and Hunter and Laura have the best, and most, of everything, but are constantly looking for something more exotic, and more dangerous. But Twelve is not a coming-of-age story, because these kids never had a childhood--their parents are off on holiday in Bali or business in Brussels, leaving hired help to look the other way as the kids stay home alone in their multimillion-dollar town houses, partying with drugs and sex and, in the end, much worse. From page one, the pace is set toward an apocalyptic climax. In the penultimate party scene, when we thought we couldn't be surprised, we are shocked. And throughout the book, where there is an excess of everything but hope, we are filled with that very emotion as White Mike struggles for nothing less than his soul.

"There is no privacy more inviolable than that of the prisoner. To visualize that cell in which he is thinking, to reach what he alone knows; that is a blank in the dark." Privileged whites in post-apartheid South Africa, Harald and Claudia Lindgard have managed to live the better part of 50 years without ever confronting the deepest shadows in their culture or in their own souls. Though they conceive of themselves as liberal-minded, neither has ever taken any active political stand; neither has ever been in any black person's home. Harald sits on the board of an insurance company; Claudia is a compassionate doctor. Neither of them has ever been inside a courtroom before; neither has ever been inside a prison. When their architect-son, Duncan, is arrested for murder, both know that the charge is preposterous. But Duncan himself fails to deny his guilt, and his parents are brought by a harsh and ungainly process to accept the possibility that he has committed an unthinkable crime. Nadine Gordimer's The House Gun is a gravely sustained exploration of their long-delayed but necessary descent into an intimate acquaintance with the culture of violence that surrounds them and that is "the common hell of all who are associated with it." The novel is a mystery, but not in the usual sense of the whodunit. Here the question of who quickly gives way to why and thence to other, still deeper quandaries of culpability, both immediate and ultimate. The enigmatic Duncan becomes a dark mirror in which his stunned parents must desperately grope for a new vision of themselves and their world--a vision that will not shatter, as their old one has, under a single blow from reality. Gordimer's prose is mannered and severe; humor is rare, or absent. "As the couple emerge into the foyer of the courts, vast and lofty cathedral echoing with the susurration of its different kind of supplicants gathered there, Claudia suddenly breaks away, disappearing towards the sign indicating toilets. Harald waits for her among these people patient in trouble, no choice to be otherwise, for them, he is one of them, the wives, husbands, fathers, lovers, children of forgers, thieves and murderers." This difficult exposition is the reader's own dark mirror, where we as spectators fumble from one dubious explanation to the next--a twisted reflection always reminding us that, underlying this social tragedy, there is a mystery play in the old sense, and an unanswerable question: What is a human being? Paragraph after paragraph, the reader is led into deeper and deeper perceptions of the sensibilities and the dilemmas of these characters--into a quiet intimacy with their trouble that is sometimes acutely uncomfortable, but which pays off richly in an ending that reconciles our sense of the horror of violence with our desire to believe in the value of each life. --Daniel Hintzsche

Michelle Huneven, Richard Russo once wrote, is "a writer of extraordinary and thrilling talent." That talent explodes with her third book, "Blame," a spellbinding novel of guilt and love, family and shame, sobriety and the lack of it, and the moral ambiguities that ensnare us all. The story: Patsy MacLemoore, a history professor in her late twenties with a brand-new Ph.D. from Berkeley and a wild streak, wakes up in jail--"yet again"--after another epic alcoholic blackout. "Okay, what'd I do?" she asks her lawyer and jailers. "I really don't remember." She adds, jokingly: "Did I kill someone?" In fact, two Jehovah's Witnesses, a mother and daughter, are dead, run over in Patsy's driveway. Patsy, who was driving with a revoked license, will spend the rest of her life--in prison, getting sober, finding a new community (and a husband) in AA--trying to atone for this unpardonable act. Then, decades later, another unimaginable piece of information turns up. For the reader, it is an electrifying moment, a joyous, fall-off-the-couch-with-surprise moment. For Patsy, it is more complicated. Blame must be reapportioned, her life reassessed. What does it mean that her life has been based on wrong assumptions? What can she cleave to? What must be relinquished? When Huneven's first novel, "Round Rock," was published, Valerie Miner, in the "Los Angeles Times Book Review," celebrated Huneven's "moral nerve, sharp wit and uncommon generosity." The same spirit electrifies "Blame." The novel crackles with life--and, like life, can leave you breathless.

This story takes place largely in the garden of a wealthy Jewish family in Ferrara where young Jews meet to play tennis after being forced out of the local club by Fascists. The garden becomes an island of civilization in a brutal world.

Découvrez en VO le second volet des aventures de DUNK au royaume de WESTEROS, avec des traductions en marge pour vous aider à bien comprendre le texte original.

In 2005, celebrated novelist Francisco Goldman married a beautiful young writer named Aura Estrada in a romantic Mexican hacienda. The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura's death by her family and blaming himself, wanted to die, too. Instead, he wrote Say Her Name , a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain. Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe--and always through the prism of her gifted writings--Goldman seeks her essence and grieves her loss. Humor leavens the pain as he lives through the madness of grief and creates a living portrait of a love as joyous as it is deep and profound. Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura, who she was and who she would've been.

New York Times bestselling author It’s 1975, and Shaltiel Feigenberg – professional storyteller, writer and beloved husband – has been abducted from his home in Brooklyn, blindfolded and tied to a chair in a dark basement. His captors, an Arab and an Italian, don’t explain why he was chosen, just that his life will be bartered for the freedom of three Palestinian prisoners. As his days of waiting commence, Shaltiel resorts to what he does best, telling stories – to himself and to the men who hold his fate in their hands. A Communist brother, a childhood spent hiding from the Nazis in a cellar, the kindness of liberating Russian soldiers, the unrest of the 1960s – these are the stories that unfold in Shaltiel’s captivity, as the outside world breathlessly follows his disappearance and the police move toward a final confrontation with his captors. Wiesel’s] terse first-person, present-tense narrative will hold readers . . . With the intense contemporary action, the prisoner’s memories also bring close the sweep of Jewish history, including persecution and survival. - Booklist

A stunning early novel by the twice Booker-shortlisted author of Hot Milk and Swimming Home , Deborah Levy. Like her namesake Jack Kerouac, J.K. is always on the road, travelling Europe with her typewriter in a pillowcase. From J.K.'s irreverent, ironic perspective, Levy charts a new, dizzying, end-of-the-century world of shifting boundaries and displaced peoples. _________________________________ 'An exciting writer, sharp and shocking as the knives her characters wield' Sunday Times 'Levy is a brilliant writer' Telegraph 'Levy's strength is her originality of thought and expression' Jeanette Winterson

New York Times Notable Book of the Year Publishers Weekly Best Book of 1997 With an Introduction by Robert Giroux, The Complete Stories of Bernard Malamud is "an essential American book," Richard Stern declared in the Chicago Tribune when the collection was published in hardcover. His praise was echoed by other reviewers and by readers, who embraced the book as they might a displaced person in one of Malamud's stories, now returned to us, complete and fulfilled and recognized at last. The volume gathers together fifty-five stories, from "Armistice" (1940) to "Alma Redeemed" (1984), and including the immortal stories from The Magic Barrel and the vivid depictions of the unforgettable Fidelman. It is a varied and generous collection of great examples of the modern short story, which Malamud perfected, and an ideal introduction to the work of this great American writer.

In The Winter Vault, award-winning poet and novelist Anne Michaels crafts a love story of extraordinary depth and complexity, juxtaposing historic dislocations with the most intimate moments of individual lives. In 1964, a newly married Canadian couple settles into a Nile River houseboat moored below the towering figures of Abu Simbel. Avery is one of the engineers responsible for moving the temple above the rapidly rising waters of the Aswan Dam. At the edge of a world about to be lost forever, Avery and and his new wife Jean begin to create their own world. But it will not be enough to bind them when tragedy strikes and they go back to separate lives in Toronto. There Jean meets Lucjan, a Polish artist whose haunting stories of his shattered childhood in occupied Warsaw draw her further away from Avery. But, in time, he will also show her the way back to consolation and forgiveness.

It's 1922 and David Bendiger, an aspiring eighteen-and-a-half-year-old writer, arrives in Warsaw, penniless and homeless. His only contacts are Sonya, a young woman with whom he has had amorous dealings in the village they have left, and a Zionist functionary who informs him he has qualified for a certificate permitting him to emigrate to Palestine. But in order to make the journey David must enter into a fictitious marriage with a woman so eager to get to Palestine that she will pay all the expenses. While David waits for his certificate, he becomes involved not only with Sonya but with Edusha, the sexually avant-garde Communist Party member in whose apartment he finds a temporary haven; and with Minna, the well-to-do young woman who wants to join her fiance in Palestine and agrees to "marry" David. Grappling with romantic, political, and youthful turmoil, David also confronts his literary future and religious past when his older brother - a writer disillusioned by a recent sojourn in Russia - and his father, an Orthodox rabbi, both turn up in Warsaw. The Certificate was serialized in Yiddish in 1967, but may have been written much earlier. The translator, Leonard Wolf, in a postscript calls it "a very young man's book" and "certainly the most playful of Singer's long fictions", with its alternately comic and poignant shifts in plot. Young David's passions for women, philosophizing, Jewish religious speculation, and Walter Mitty-like fantasies make The Certificate a captivating novel in the great tradition of a master storyteller.

Menedemos, the young dashing sea captain, and his helper, the scholarly Sostratos, are sea-traders from the Greek island of Rhodes. Fearless sailors, they will travel any distance to make a profit or to search for rich treasures. *** While they trade in fineries such as wine and silk (and even, to the chagrin of many, peacocks), they live in dangerous times with pirates, thieves and barbarians. As if avoiding death by the hands of these miscreants isn't enough (particularly the barbarians from an obscure town called Rome), they are also caught between the political intrigues of Alexander's former generals.

The son of Reuven Tamiroff, who emigrated to America from Eastern Europe following World War II, discovers secrets from his father's past and sets out for Germany to avenge his brother's death by destroying his killer, an S.S. officer known as "The Angel"