"In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment (eventually revealed to be a recently vacated brothel) on Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman burrowed into his bedroom. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City.Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of "the poetry of the place" (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists" --Amazon.com.

In his work as a physician, Williams had learnt the skill of objective observation which he applied to his poetry, examining, as he said, 'the particular to discover the universal'. Marked by a vernacular American speech and direct observation of the landscape and people of his native New Jersey, his poetry explores the 'raw merging of American pastoral and urban squalor. Emotionally restrained but rich in sensory experience, the poems were written according to the guiding concept- 'no ideas but in things' and those 'things', a red wheelbarrow, a group of trees, a river, convey the local and the particular with a vivid intensity.

A comprehensive anthology of American poetry since 1940. This balanced selection of 92 leading poets includes Robert Lowell, John Berryman, Theodore Roethke, and Elizabeth Bishop.

Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way. Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

Ovid's Metamorphoses is one of the great works in classical literature, and a primary source for our knowledge of much of classic mythology, in which the relentless theme of transformation stands as a primary metaphor for the often cataclysmic dynamics of life itself. For this book, British poets Michael Hofmann and James Lasdun have invited more than forty leading English-language poets to create their own idiomatic contemporary versions of some of the most famous and notorious myths from the Metamorphoses . Apollo and Daphne, Pyramus and Thisbe, Proserpina, Marsyas, Medea, Baucis and Philemon, Orpheus and Eurydice--these and many other immortal tales are given fresh and startling life in exciting new versions. The contributors--among them Fleur Adcock, Amy Clampitt, Jorie Graham, Thom Gunn, Seamus Heaney, Ted Hughes, Lawrence Joseph, Kenneth Koch, Michael Longley, Paul Muldoon, Les Murray, Robert Pinsky, Frederick Seidel, Charles Simic, and C. K. Williams--constitute an impressive roster of today's major poets. After Ovid is a powerful re-envisioning of a fundamental work of literature as well as a remarkable affirmation of the current state of poetry in English.

"Forgive my bluntness, but... Goddamn, Sam Sax can write some poems. Devastating, comic, inventive, weird, dangerous, smart as hell. I could talk about the diction sometimes glass and sometimes bouquet. Or the syntax jagged here, balletic there. Or the metaphors, good lord. But the bottom line is that when reading the poems in A GUIDE TO UNDRESSING YOUR MONSTERS, one after the next, I kept saying to myself, probably twisting my face a little bit or squirming in my seat, 'Goddamn, Sam Sax can write some poems.'"-Ross Gay

A book for every patriotic American kid! Never before has the riveting American saga of "The Star-Spangled Banner" been so beautifully and thoroughly presented. This info-packed story of our national anthem includes: ★ Illustrated lyrics ★ The fascinating history of the War of 1812 and the battle that inspired Francis Scott Key to pen the words ★ Musical notation ★ Historical images ★ A reproduction of Key's original manuscript Caldecott Medalist Peter Spier's magnificent tribute takes readers from our anthem's turbulent origins at the Battle of Baltimore through the flag's significance in modern-day America. It's a must-have for every American family's library.

"A novel told in fifty poems, explores the passionate friendship between a woman and a gay man who dies of AIDS. Both deeply personal and undeniably universal, the narrator tells her story with rage, humor, sadness, and most of all, undying love."--Page 4 of cover.

"Though the words [in this collection of free-verse poems] are simple and the humor direct, there's an inner core of meaning for thoughtful readers to ponder, while the deft play with sounds is delightful. Cheerfully unassuming illustrations make a perfect complement." —K. Notable Children's Books of 1993 (ALA) 100 Books for Reading and Sharing 1992 (NY Public Library)

In this poem an old tin can becomes an urban conch shell when, held against a child's ear, it reveals the sounds of a bustling city.

''A sonnet is a moment's monument, '' said Dante Gabriel Rossetti in a sonnet about sonnets. The sonnets in this collection - whether they capture moments of perception, recognition, despair or celebration - reveal how great an amount of feeling, insight and experience can be concentrated into a mere fourteen lines. Here are classics such as Milton's ''On His Blindness'', Yeats's ''Leda and the Swan'' and Frost's ''The Oven Bird'', juxtaposed with the mischievous wit of Rupert Brooke's ''Sonnet Reversed'', the lyric defiance of Mona Van Duyn's ''Caring for Surfaces'' and the comic poignancy of Philip Larkin's ''To Failure''. From the lovelorn laments of Dante and Petrarch to the artful heights of Sidney, Spenser and Shakespeare, from the masterpieces of Wordsworth and Keats to the innovations of Elizabeth Bishop, Wallace Stevens and James Merrill, the sonnet has proved both versatile and enduring. This delightful anthology displays the incredible range and power of the verse form that has inspired poets across the centuries.

In this unusual counting book, playful poems tell the stories of one elk, two birds, three fish—from one through ten and then many—as they go about their day. For an added bonus, numerals, Roman numerals, and words related to the numbers are included in the page design. Jason Stemple's intimate photographs give us a unique look at some common creatures that enjoy the company of others.

Asimov, the scientific-literary jack-of-all-trades, and Ciardi, a serious poet with a ribald sense of humor, have collaborated on this copious collection of 288 wicked and witty limericks

Typewriter Music begins with a memory of new love - with 'grace unasked for, urgencies that boom under the pocket of a shirt' - and ends in the intimate territory of the long-familiar relationships that define our lives as we grow old. This volume is marked by a breadth of intelligence, stepping lightly among the objects of our lives and the wonder of everyday encounters, and then journeying across the globe, in a flight of music, imagination, history and language.

What does mathematics have to do with poetry? Seemingly, nothing. Mathematics deals with abstractions while poetry with emotions. And yet, the two share something essential: Beauty. Euclid alone has looked on beauty bare, says the title of a poem by Edna St. Vincent Millay. Mathematics, Poetry and Beauty tries to solve the secret of the similarity between the two domains. It tries to explain how a mathematical argument and a poem can move us in the same way. Mathematical and poetic techniques are compared, with the aim of showing how they evoke the same sense of beauty. The reader may find that, as Bertrand Russell said, Mathematics, rightly viewed, possesses not only truth, but supreme beauty - a beauty hold and austere, like that of sculpture ... sublimely pure, and capable of a stern perfection such as only the greatest art can show.

Few poets have demonstrated as persuasively as Yehuda Amichai why poetry matters. One of the major poets of the twentieth century, Amichai created remarkably accessible poems, vivid in their evocation of the Israeli landscape and historical predicament, yet universally resonant. His are some of the most moving love poems written in any language in the past two generations - some exuberant, some powerfully erotic, many suffused with sadness over the fate of separation that casts its shadow on love. In a country torn by armed conflict, these poems poignantly assert the preciousness of private experience, cherished under the repeated threats of violence and death. Amichai's poetry has attracted a variety of gifted English translators on both sides of the Atlantic from the 1960s to the present. Assembled by the award-winning Hebrew scholar and translator Robert Alter, The Poetry of Yehuda Amichai is by far the largest selection of the master poet's work to appear in English, gathering the best of the existing translations as well as offering English versions of many previously untranslated poems. With this collection, Amichai's vital poetic voice is now available to English readers as it never has been before.

Text: English (translation)

San Francisco Beat is an essential archive of the Beat Generation, a rich moment in a fortunate place. America-somnolent, conformist, and paranoid in the 1950s-was changed forever by a handful of people who refused an existence of drudgery and enterprise, opting instead for a life of personal, spiritual, and artistic adventure. In these intimate, free-wheeling conversations, a baker's dozen of the poets of San Francisco talk about the scene then and now, the traditions of poetry, and about anarchism, globalism, Zen, the Bomb, the Kabbalah, and the Internet. Thirty years ago, poet David Meltzer interviewed his poet friends for The San Francisco Poets. Now in San Francisco Beat he has combined these classic interviews with recent follow-up. San Francisco Beat features major new interviews with Philip Lamantia, Joanne Kyger, Gary Snyder, Jack Hirschman, Diane di Prima, Jack Micheline, Philip Whalen, and David Meltzer himself. David Meltzer is the author of many books of poetry, including Tens, The Name, Arrows: Selected Poetry 1957-1992, and No Eyes: Lester Young. He is the editor of Birth, The Secret Garden, Reading Jazz, and Writing Jazz, among other collections. His agit-smut fictions include The Agency Trilogy. Meltzer read poetry at the Jazz Cellar in the 1950s and in the 1960s fronted the band, Serpent Power. Meltzer teaches poetics at New College of California. Table of Contents/Interviewed Authors Preface Acknowledgments Diane di Prima (1999) William Everson (1971) Remembering Everson (1999) Lawrence Ferlinghetti I (1969) Lawrence Ferlinghetti II (1999) Jack Hirschman (1998) Joanne Kyger (1998) Philip Lamantia (1998) Michael McClure I (1971) Michael McClure II (1999) David Meltzer (1999) Jack Micheline (1994) Kenneth Rexroth (1971) Remembering Rexroth (1971) Gary Snyder (1999) Lew Welch (1971) Philip Whalen (1999) Bibliographies Preface Nothing is hidden; As of old All is clear as daylight -Anonymous haiku, 16th century San Francisco Beat: Talking with the Po