This collection of the Pulitzer Prize-winning syndicated columnist's finest essays from 1981 to the present includes observations on everything from love in the work place to military defense

Pulitzer Prize Award Winner, Grammar Wiz, & New York Times curmudgeon offers the reader the "word" on words with some sound advice along with his light-hearted essays. A funny, self-mocking, light-hearted, sassily educational guide to good grammar and style. Well-worth reading.

The Tony Award-winning, Pulitzer Prize-winning author of The Heidi Chronicles spins a charming storybook tale of a magical first trip to a Broadway musical. A light, fantastic trip down the Great White Way for the little kid in all of us.--Meryl Streep. Full color.

In plays such as Isn't It Romantic, Uncommon Women and Others, and the Pulitzer Prize-winning The Heidi Chronicles, Wendy Wasserstein put her finger on the pulse of her past-modern, post-feminist sisters and delivered her diagnosis with shrewd good humor and an unerring sense of the absurd. That same engaging sensibility bubbles through the twenty-nine essays in Bachelor Girls, in which Wasserstein presents her observations on: -- Boyfriends -- "The worse the boyfriend, the more stunning your American Express bill." -- Role Models -- "In the forties emulating an ideal woman meant bobbing your hair like Betty Grable's. In the eighties, because of Jessica Lange, women have to get a Pulitzer Prize-winning actor-playwright to fall in love with them, have a child by one of the world's great dancers, be nominated for two Academy Awards, and enjoy doing the laundry alone on a farm." -- Success -- "I knew my friend Patti was a big-time Hollywood agent the first time I saw her dial a telephone with a pencil." Ranging from the dietary secrets of lemon mousse to the politics of the second marriage, with stopovers at a bar mitzvah in Westchester, a chess tournament in Rumania, and a Tokyo production of Isn't It Romantic, Bachelor Girls is pure Wasserstein, which is to say, pure joy. From the Trade Paperback edition.

New Page 1 "Its official title is Town House, but in Hollywood they're already calling Tish Cohen's novel About a Girl." --The Globe and Mail. Jack Madigan should be leading an enviable life. He's the sole heir of a '70s rock icon. He lives with his retro-obsessed teenage son, Harlan, in a once-magnificent Boston town house. But now 36, Jack's painting career is buckling under a raging case of agoraphobia. And when the foreclosure notice arrives, Jack must face losing the only home he's ever known--and his only safe zone. When Jack's ex-wife announces that Harlan would be better off living with her and her vitamin-enriched fiancé, Jack has to figure out how to deter the perky, inexperienced real-estate agent, hold on to his house, keep his son at home, and--through the tenacity of the little girl next door--finally step out onto the sidewalk. Fox 2000 swooped in to pre-empt the film rights while Town House was still on submission to publishers. Ridley Scott's Scott Free Productions is set to produce the movie and Pulitzer Prize- winning screenwriter Doug Wright (Memoirs of a Geisha) is adapting the screenplay. A book with the ability to both entertain and move us, Town House is a smart, acerbic novel bursting with heart and quirky charm.

Pulitzer Prize-winner Mark Strand gives us a poem in forty-five sections that—despite its wide range and shifting mood and tone—is all of a piece. Here Strand speaks candidly to the reader, conversing, offering urban wit and surrealist digressions that draw on our innermost sensations and the outermost reaches of our reality: Is what exists a souvenir of the time Of the great nought and deep night without stars The time before the universe began? When we look at each other and see nothing Is that not a confirmation that we are less Than meets the eye and embody some of The night of our origins? A timeless pursuit of timeless questions, Dark Harbor centers on uncertainty and the known, family and isolation, the possible and the real. The poems in this book are easily recognizable as the world of one of our most interesting and influential poets.

1966 - 1st Edition - Tempo Books - #T-134 - Paperback - Follow Me, Boys - By MacKinlay Kantor - Pulitzer Prize Winner - Originall published under title: "God and My Country - Movie Tie In Edition - Disney - Fred MacMurray - MacMurray photo cover - VG+ Condition - Unread - Collectible

The very best writing from one of America's most groundbreaking literary magazines. When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the "fourth genre." The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic's boyhood remembrances of the bombing of Belgrade, Carolyn Forche's haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman's meditation on the photo of a murdered boy his same age--Emmett Till--and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath. With an introduction by Lee Gutkind, Creative Nonfiction's founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.

"On February 18, 2001, the FBI finally arrested Hanssen and charged him with selling to the Russians - over a period of more than twenty years - top-secret, classified information. Nothing that has been reported to date about this ordinary-looking but tormented man has revealed the astonishing facts that Lawrence Schiller and Norman Mailer - collaborators on the Pulitzer Prize-winning The Executioner's Song and Oswald's Tale-uncovered during their nine-month investigation into the life of this complex man. In seeking to solve this almost impenetrable mystery, Schiller and Mailer spent hundreds of hours interviewing members of Hanssen's family as well as his closest friends, colleagues, and fellow church members. They traveled to Moscow to interview a key member of the KGB who had handled the spy they knew only as "Ramon Garcia."".

"Jerry Saltz, current senior art critic for "New York Magazine" and former senior art editor at "The Village Voice" for almost ten years, as well as a two-time finalist for the Pulitzer Prize in Criticism, popular teacher, and coast-to-coast lecturer surveys the good, the bad, and the very bad in contemporary art. Saltz doesn't only address art objects in these essays, he considers the art world as an ever-mutating organism. He signals out mismanaged museums, out-of-control auction houses, misguided artists, the gossip pages of Artforum, and the tent-city casinos known as Art Fairs. Saltz has an unsparing eye, a deep love of the art world, respect for artists, self-deprecating humor, sweet skepticism, and one of the easiest writing styles of any critic working today. Tracking the most recent all-out orgy of art and money, Saltz considers what this did to art and asks, now that the money is gone, how might art and the art world put their house in order? Don't miss the twists and turns as he sorts out the answers. If books had credos, the one affixed to "Seeing Out Louder" would be: Art First. All Else Follows." --Book Jacket.

Nearly a century and a half after his death, Abraham Lincoln remains an intrinsic part of the American consciousness, yet his intentions as president and his personal character continue to stir debate.Now, in The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life, including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald highlights the similarities and differences of the Union and Confederate presidents' roles as commanders-in-chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a young man who questions his own identity and struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final chapter Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art.Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.

Originally published in 1931, this bestselling American family saga from Pulitzer Prize-winning author Edna Ferber shares the story of the Oakes family, as their relationships and property encounter numerous struggles over the course of hundreds of years.In the early 18th century, the Oakes family was one of many working to settle their land in the Connecticut Valley, facing harsh winters and land disputes. Their attempts over the years to tame the land and produce a properous tobacco farm prove more difficult than expected, and when the family takes on Polish immigrants to work the farm, cultures clash, and relationships become complicated. American Beauty follows the goings-on at the Oakes estate from 1700 through 1930, and whether in times of family turmoil or hopeful prosperity, Edna Ferber's cast of fascinating characters and pitch-perfect take on American life rings true.

This provocative new collection of essays by a Pulitzer Prize winner deals with the challenging themes of discovery and surprise in history. Cleopatra's Nose is not a miscellany but rather a selection of recent essays illustrating specific subjects that have preoccupied Boorstin for several decades. Tantalizing themes all: How sometimes discovery only increases our ignorance. What were the specific historical opportunities in the New World? How has the fourth kingdom - the kingdom of machines - contradicted Darwinian expectations, contributed to a confusion of statistics, created the need for the unnecessary, and highlighted the paradoxes of science and the politics of common sense? In a "personal postscript," Boorstin gives us a memorable and affectionate portrait of his father and optimistically celebrates the United States as the Land of the Unexpected.

In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna --draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the past pervaded most fields of thought from philosophy and politics to art, music, and literature. However, Schorske also shows that the nineteenth century's attachment to thinking with history and the modernist way of thinking without history are more than just antitheses. They are different ways of trying to address the problems of modernity, to give shape and meaning to European civilization in the era of industrial capitalism and mass politics. Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to Fin-de-Siécle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism--Adolf Loos, Gustav Mahler, and Sigmund Freud--as they sought new orientation in their fields. In a concluding essay, Schorske turns his attention to thinking about history. In the context of a postmodern culture, when other disciplines that had once abandoned history are discovering new uses for it, he reflects on the nature and limits of history for the study of culture. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. -- "Kirkus Reviews"

From the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s new collection Another Reason assume that our efforts to reason with ourselves and with others about what matters to us are necessary to escape the purely private point of view, to provide the houses we live in with doors and windows. These poems enact a drama of attempted persuasion, as the poet confers with himself, with intimates, and with strangers, if only in the hope that by defining differences more precisely one may be drawn into a genuine dialogue. As the poet asserts and questions his own authority, encountering a wide range of competing claims from other voices, we find ourselves included in a conversation that deepens our notion of the human community.

The definitive memoir of Arthur Miller--the famous playwright of The Crucible , All My Sons , Death of a Salesman , A View from the Bridge , and other plays-- Timebends reveals Miller's incredible trajectory as a man and a writer. Born in 1915, Miller grew up in Harlem in the 1920s and 1930s, developed leftist political convictions during the Great Depression, achieved moral victory against McCarthyism in the 1950s, and became president of PEN International near the end of his life, fighting for writers' freedom of expression. Along the way, his prolific output established him as one of the greatest writers of the twentieth century--he wrote twenty-two plays, various screenplays, short stories, and essays, and won the Pulitzer Prize in 1949 for Death of a Salesman and the New York Drama Critics Circle Award in 1947 for All My Sons . Miller also wrote the screenplay for The Misfits, Marilyn Monroe's final film. This memoir also reveals the incredible host of notables that populated his life, including Marilyn Monroe, Elia Kazan, Clark Gable, Sir Laurence Olivier, John F. Kennedy, and Mikhail Gorbachev. Leaving behind a formidable reputation in the worlds of theater, cinema, and politics, Arthur Miller died in 2005 but his memoir continues his legacy.

From the winner of the Pulitzer Prize and the Ruth Lilly Prize Carl Dennis has become one of the most important American poets writing today. Unknown Friends , his tenth book, is about separation and connection, about actual friends we can never know fully and friends never met who are summoned into existence through the efforts of an imagination that insists on dialogue. While accepting our ignorance as inevitable, the poems work to expand the notion of what it means to be part of a community larger than any we can comprehend, both a community given to us by history and one outside of history through which the world of experience is nurtured and sustained.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

In his critically acclaimed Rewrites, Neil Simon talked about his beginnings - his early years of working in television, his first real love, his first play, his first brush with failure, and, most moving of all, his first great loss. Simon's same willingness to open his heart of the reader permeates The Play Goes On. This second act takes the reader from the mid-1970s to the present, a period in which Simon wrote some of his most popular and critically acclaimed plays, including the Brighton Beach trilogy and Lost in Yonkers, for which he won the Pulitzer Prize. Simon experienced enormous professional success during this time, but in his personal life he struggled to find that same sense of happiness and satisfaction. After the death of his first wife, he and his two young daughters left New York for Hollywood. There he remarried, and when that foundered he remarried again. Told with his characteristic humor and unflinching sense of irony, The Play Goes On is rich with stories of how Simon's art came to imitate his life. Simon's forty-plus plays make up a body of work that is a long-running memoir in its own right, yet here, in a deeper and more personal book than his first volume, Simon offers a revealing look at an artist in crisis but still able and willing to laugh at himself. -- from back cover.-- Provided by publisher.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT