In a society where lies are law, a simple act of honesty can become the ultimate rebellion. When does silent compliance with an oppressive regime become unbearable? For Charlie Simpkins, the manager of a small vegetable shop in Los Angeles' San Fernando Valley, part of the West Coast People's Democratic Republic, the breaking point comes when he is asked to display a meaningless propaganda poster in his shop window. It is a seemingly insignificant act in a lifetime of obedience. But Charlie just can't bring himself to doing it. This minor act of defiance, however, show too much independent thinking on Charlie's part, setting off a chain of escalating consequences for Charlie and his wife and two children. Powerless is a haunting dystopian tale of how even the smallest act of defiance can spiral into disaster in a society that demands total conformity. It serves as a chilling reminder of how easily standing up for one's principles can lead to crushing consequences, erringly echoing the challenges we face today for speaking our truth, even in societies that claim to uphold freedom. While the novel draws original inspiration from Alexander Dubček's 1968 vision of "socialism with a human face" in Czechoslovakia (the reformist movement sought to humanize authoritarian rule), it will resonate with many who fear that individual freedoms are under attack in many parts of the world. In Powerless, Charlie Simpkins' growing disillusionment mirrors the psychological toll experienced by many today as political stress and uncertainty become ever more pervasive. As Charlie seeks out others who share his dissatisfaction, his increasingly deliberate and risky actions symbolize the quiet acts of defiance that offer hope and resistance in a society where the powerful suppress dissent. Powerless serves as a poignant reminder of the consequences that can arise when standing up for one's principles in an environment that demands conformity.​

Against all expectations, Krispos had won the crown of Videssos. But how long could he hope to keep head and crown together? For trouble was brewing in every, quarter. Civil war erupted under Petronas, the late Emperor's uncle. A brilliant general and a canny politician, Petronas had a very personal score to settle against the upstart Krispos. And even as rebel troops took the field against the untried Emperor, outland raiders swept down from the northlands in a tide of carnage. The power stemmed from foulest sorcery, and Videssos' wizards could not counter its evil curse. Krispos reign showed every sign of being brief -- and very bloody...

The work of the great literary and cultural critic Walter Benjamin is an audacious plotting of history, art and thought; a reservoir of texts, commentaries, scraps and fragments of everyday life, art and dreams. It comprises myriad smaller archives, in which Benjamin gathered together all kinds of artefacts, assortments of images, texts and signs, themselves representing experiences, ideas and hopes, each of which was enthusiastically logged, systematized and analyzed by their author. In them, Benjamin laid the groundwork for the salvaging of his own legacy. This unique book, produced in association with the Benjamin Archive, delves into these archives. They include carefully laid-out manuscripts; photograps of a home with luxurious furniture, arcades, Russian toys; picture postcards from Tuscany and the Balearics; meticulous and unconventional registers, card indexes and catalogs; notebooks, in which every single square centimeter is covered; a collation of his son’s first words and sentences; riddles and enigmatic Sibyls. Everything here is subtly interlinked with everything else. Intricate and intimate, Walter Benjamin’s Archive leads right into the core of his work, yielding a rich and detailed portrait of its author.

The Horror Hall of Fame contains 18 of the finest stories in the history of the horror/supernatural genre, including a seldom seen novella by Stephen King. Selected by the World Fantasy Convention, it contains a full range of the best horror fiction written during the last two centuries, ranging from the classic work of Edgar Allan Por to Ray Bradbury and Ramsey Campbell.

With fascinating etymologies and letter patterns for more than 1,000 everyday words, best-selling language writer Richard Lederer shines light on the most bedazzling, beguiling, and bewitching words in the English language. Chock-full of transfixing word histories, magical letter play, and hilarious puns, Amazing Words is an essential book for word lovers and verbivores. Dr. Lederer is the author of 60 books on language, history, and humor.

As she did with Martin Guerre, Natalie Zemon Davis here retrieves individual lives from historical obscurity to give us a window onto the early modern world. As women living in the seventeenth century, Glikl bas Judah Leib, Marie de l'Incarnation, and Maria Sibylla Merian, equally remarkable though very different, were not queens or noblewomen, their every move publicly noted. Rather, they were living "on the margins" in seventeenth-century Europe, North America, and South America. Yet these women - one Jewish, one Catholic, one Protestant - left behind memoirs and writings that make for a spellbinding tale and that, in Davis' deft narrative, tell us more about the life of early modern Europe than many an official history. All these women were originally city folk. Glikl bas Judah Leib was a merchant of Hamburg and Metz whose Yiddish autobiography blends folktales with anecdotes about her two marriages, her twelve children, and her business. Marie de L'Incarnation, widowed young, became a mystic visionary among the Ursuline sisters and cofounder of the first Christian school for Amerindian women in North America. Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname. The resulting triptych suggests the range of experience, self-consciousness, and expression possible in seventeenth-century Europe and its outposts. It also shows how persons removed from the centers of power and learning ventured in novel directions, modifying in their own way Europe's troubled and ambivalent relations with other "marginal" peoples.

   At the height of his powers, Pablo Picasso was the artist as revolutionary, breaking through the niceties of form in order to mount a direct challenge to the values of his time. At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolized−and wholly isolated.    In this stunning critical assessment, John Berger−one of this century's most insightful cultural historians−trains his penetrating gaze upon this most prodigious and enigmatic painter and on the Spanish landscape and very particular culture that shpaed his life and work. Writing with a novelist's sensuous evocation of character and detail, and drawing on an erudition that embraces history, politics, and art, Berger follows Picasso from his childhood in Malaga to the Blue Period and Cubism, from the creation of Guernica to the pained etchings of his final years. He gives us the full measure of Picasso's triumphs and an unsparing reckoning of their cost−in exile, in loneliness, and in a desolation that drove him, in his last works, into an old man's furious and desperate frenzy at the beauty of what he could no longer create.

Drawing on Asimov's third hundred works, this anthology is divided into subject categories, including astronomy, physics, biology, humor, history, and science fiction, and features background pieces that discuss the germination of the writings and their place in the Asimov canon

Discover the complete Black history of New York—from 1609 to the present—by the award-winning author of Breaking the Chains and Black Indians. For readers 12 and up. Includes a new intro and last chapter with insights on modern-day movements like Black Lives Matter, plus 50+ historical maps, illustrations, and photos. Essential for NY teachers, librarians and teens. From the arrival of the first enslaved Africans in New Amsterdam in 1609 to the Harlem Renaissance to the impact of #BLM, here is a concise and newly updated history of Black Americans in New York for readers 12 and up. Black Legacy reasserts the essential work of teacher and historian William Loren Katz, who was committed to documenting and uplifting the stories of Black Americans’ courage and creativity, resilience and rebellion, especially for younger readers. A new introduction gives context to Katz's “full tableau of Black accomplishments and aspirations,” and a new chapter brings the book up to the present day, considering the changing economic, cultural and political influences on Black New Yorkers. Black Legacy includes, chronologically, Black politicians and poets, abolitionists and athletes and activists, and the first Black children to attend public schools; Sojourner Truth, Paul Robeson, W.E.B. DuBois, Frederick Douglass, Marcus Garvey, Malcolm X, the Black Panthers, and others who fought for Black freedom; Shirley Chisholm, Madame C.J. Walker, NY's first Black mayor David Dinkins and many other businesspeople and politicians who brought dignity through their work toward equality; and the Black history of Seneca Village and Weeksville, the Savoy and Cotton clubs of the Jazz Age, Harlem Hospital where Martin Luther King Jr. nearly died, the African burial site at Trinity Church, and so much more. Written with economy and flair, Black Legacy is a fascinating read, a necessary teaching tool, and a great addition to the literature of the Black history of New York and of America.

"[Of] the 12 well-crafted essays in this volume...the most useful are those dealing with the Holocaust." — Choice "Especially recommended for college-level students of Jewish history and culture." — The Bookwatch This is a critical exploration of the most repercussive topics in modern Jewish history and thought. A sequel to Katz's National Jewish Book Award-winning study, Post-Holocaust Dialogues, this book identifies the main issues in the contemporary Jewish intellectual universe and outlines a larger, more synthetic understanding of contemporary Jewish existence.

A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer's pioneering book, which examines German history from 1921 to 1933 in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis , and The Blue Angel , has never gone out of print. Now, over half a century after its first appearance, this beautifully designed and entirely new edition reintroduces Kracauer for the twenty-first century. Film scholar Leonardo Quaresima places Kracauer in context in a critical introduction, and updates the book further with a new bibliography, index, and list of inaccuracies that crept into the first edition. This volume is a must-have for the film historian, film theorist, or cinema enthusiast. In From Caligari to Hitler , Siegfried Kracauer made a startling (and still controversial) claim: films as a popular art provide insight into the unconscious motivations and fantasies of a nation. In films of the 1920s, he traced recurring visual and narrative tropes that expressed, he argued, a fear of chaos and a desire for order, even at the price of authoritarian rule. The book has become an undisputed classic of film historiography, laying the foundations for the serious study of film. Kracauer was an important film critic in Weimar Germany. A Jew, he escaped the rise of Nazism, fleeing to Paris in 1933. Later, in anguish after Benjamin's suicide, he made his way to New York, where he remained until his death in 1966. He wrote From Caligari to Hitler while working as a "special assistant" to the curator of the Museum of Modern Art's film division. He was also on the editorial board of Bollingen Series. Despite many critiques of its attempt to link movies to historical outcomes, From Caligari to Hitler remains Kracauer's best-known and most influential book, and a seminal work in the study of film. Princeton published a revised edition of his Theory of Film: The Redemption of Physical Reality in 1997 .

"This history covers the Middle East from its ancient beginnings to the present. The Byzantine and Ottoman empires, which laid much of the framework for the region to move into the modern era, are covered in depth, as are World Wars I and II and the regional conflicts that inflame the Middle East of the 21st century"--Provided by publisher.

Prague consists of many layers of symbolic sites and buildings which chart the ever-evolving historical relationship between Germans, Jews, Czechs and the imprints left by their many rulers and conquerors, as Demetz reveals in this history of the city.

The only book to cover the entire history of birth control and the intense controversies about reproduction rights that have raged in the United States for more than 150 years, The Moral Property of Women is a thoroughly updated and revised version of the award-winning historian Linda Gordon's classic history Woman's Body, Woman's Right, originally published in 1976. Arguing that reproduction control has always been central to women's status, The Moral Property of Women shows how opposition to it has long been part of the conservative opposition to gender equality. From its roots in folk medicine and in a campaign so broad it constituted a grassroots social movement at some points in history, to its legitimization through public policy, the widespread acceptance of birth control has involved a major reorientation of sexual values. In three new chapters and updates throughout, Gordon addresses birth control and public policy, the intense abortion debates of the past thirty years, and a host of issues that extend from abortion controversies, including sterilization, teenage pregnancy and childbearing, and stem-cell research. Illuminating the conflicts and politics at the core of birth control issues through a historical lens, The Moral Property of Women places today's "choice" versus "right-to-life" movements in the context of the campaign that first prohibited abortion in the mid-nineteenth century and the campaign that legalized contraception in the early twentieth century. From the earliest attempts of women to organize for the legal control of their bodies to the effects of second-wave feminism, Gordon defines the role that birth control has played in society's attitudes towardwomen, sexuality, and gender equality. Highlighting the leaders of the struggle and their actions, The Moral Property of Women chronicles the contributions of notorious reproductive control activists such as Margaret Sanger as well as lesser-known pioneers including the utopian socialist Robert Dale Owen, the women's rights advocate Elizabeth Cady Stanton, the three doctors Foote -- Edward Bliss Foote, Edward Bond Foote, and Mary Bond Foote -- the anarchists Ezra Heywood and Emma Goldman, the civil libertarian Mary Ware Dennett, and abortion rights advocates of the 1970s.

"The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The vast effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Services (OSS) took jobs in the burgeoning postwar structure of university-based military research and the intelligence agencies, bringing infusions of government money into many fields." "Little has been written about the long-term impact of this close association, despite considerable study of the McCarthy period's destructive impact on academic careers. The Cold War and the University is a groundbreaking collection of newly commissioned essays that takes a bold first step toward the reconstruction of this history. In it, some of the country's most prominent intellectuals use their own experiences to explore what happened to the university in the postwar years and why." "In wide-ranging and revealing essays, these writers show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos; they discuss the rise of new fields, such as area studies; and they explore the changing nature of dissent and academic freedom during and since the Cold War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"A well-researched history of virginity...In an era marked by a �chaotic maelstrom of virginities,' Blank's book is a useful...antidote to our confusion."� New York Times Book Review Hanne Blank's revolutionary, rich, and entertaining survey of an astonishing untouched history reveals why humans have been fixated on an indefinable state of being since the dawn of time. As the butt of innumerable jokes, center of spiritual mysteries, locus of teenage angst, popular genre for pornography, and nucleus around which the world's most powerful government has created an unprecedented abstinence policy, Virgin also shows how utterly important to contemporary times the topic is.

From the first Arab-Islamic Empire of the mid-seventh century to the Ottomans, the story of the Middle East has been the story of the rise and fall of universal empires and, no less important, of imperialist dreams. So argues Efraim Karsh in this provocative book. Rejecting the conventional Western interpretation of Middle Eastern history as an offshoot of global power politics, Karsh contends that the region's experience is the culmination of long-existing indigenous trends, passions, and patterns, and that foremost is Islam's millennarian imperial tradition. Attacks such as September 11 have little to do with U.S. international behavior or policy in the Middle East, says Karsh. The House of Islam's war for world mastery is traditional, indeed venerable, and it is a quest that is far from over.

First published in 1970, The Cambridge History of Islam is the most comprehensive and ambitious collaborative survey of Islamic history and civilization yet to appear in English. On publication it was welcomed as a work useful for both reference and reading, for the general reader, student and specialist alike. It has now been reprinted, with corrections, and for ease of handling the original two hardcover volumes have each been divided into two separate paperbacks.

From thoughtful pieces on the historian's role to striking insights into America's past and present to trenchant observations on the international scene, Barbara W. Tuchman looks at history in a unique way and draws lessons from what she sees. Here is a splendid body of work, the story of a lifetime spent "practicing history."

A leading authority in the field here provides the first synthetic and comprehensive history of women in American higher education in over fifty years. "Essential reading for feminists and educators, appealing to general readers as well, this study joins familiar material with new insights gleaned from fiction, journals and the records of deans and dons." - Publishers Weekly "An absorbing history of women's higher education in the United States." -Patricia Meyer Spacks, The New Republic "Will be invaluable to social historians or anyone interested in the education of women." -Sue Beckwith, New Directions for Women "An aid and resource for women to continue their struggle for equality, it is a work of both scholarship and inspiration." -Jurgen Herbst, Reviews in American History " An] excellent history." -Christine Bolt, Times Higher Education Supplement "A major contribution to the exploration of women's past." -Joyce Antler, American Educator "This marvelous and monumental book will be an enduring classic--a major contribution to our understanding of historical changes in the lives of American women during the past two hundred years. It is a very human book, filled with humor as well as statistics, and it will be enjoyed by a general as well as an academic audience." -Kathryn Kish Sklar