Provides a critique and assessment of the media after 9/11. Includes web log entries, columns, and articles by correspondents and alternative journalists analyzing the events of 9/11 and the media's coverage of the U. S. government's war on terrorism. Stresses the lack of international coverage of the American media, examines the media distortion, oversimplification, and government propaganda as major roadblocks in accurate coverage of terrorism and war, and provides a thorough analysis of the news media and how 9/11 affected the content of broadcast and print news sources. Concludes that there is a lack of a truly free and independent press in America owing to government and corporate control.

DANNY SCHECHTER, "The News Dissector" has spent decades as a truth teller in the media, with leading media companies and as an independent filmmaker with the award-winning independent company Globalvision. A graduate of Cornell and the London School of Economics, Schechter was a Nieman Fellow at Harvard and a multiple Emmy Award winner at ABC News, where he was among the first to cover the S&L crisis. In 2007, his film IN DEBT WE TRUST was the first to expose Wall Street's connection to subprime loans, predicting the economic crisis that this book investigates. Schechter is a blogger, editor of Mediachannel.org, and author of nine books. He has reported from 53 countries, and lives in Gotham. He owns no derivatives or tranches.

A candid insider's tale of how the media really works and why it doesn't work the way it should, The More You Watch, The Less You Know has emerged as a key catalyst in the debate on media reform. The More You Watch, The Less You Know recounts Schechter's media adventures, from when he was "Danny Schechter the News Dissector" on Boston's WBCN radio, to his stints as a producer at ABC's 20/20 and CNN, to his personal odyssey chronicling the anti-Apartheid revolution in South Africa, to his development of innovative programming like South Africa Now and Rights & Wrongs as an independent producer. In this age of telecommunications bills and media mergers, The More You Watch, The Less You Know is an insider’s passionate plea for freedom of the (electronic) press.

When News Lies is the untold story of media war behind Iraq; the American government's efforts to manipulate war coverage; and the media's own timidity and reluctance to do its job-report the news to the public.Veteran author, video journalist, and media critic, Danny Schechter, takes us on a sometimes frightening, sometimes humorous journey behind the scenes of the media machine that sold us Operation Iraqi Freedom.This innovative new publishing format includes the full length DVD of Danny's award winning and controversial documentary, WMD-Weapons of Mass Deception.

There were two battles against apartheid - a political campaign and a media war. The political story has been told, and now you can read about the media effort. As South Africa marks in 2014 its 20th anniversary as a democracy, its transformation is still hailed as a "miracle." Most of the credit for the region's massive changes is awarded to towering leaders like the late Nelson Mandela. But the freedom fighters didn't achieve it alone--they had active solidarity from a global anti-apartheid movement, with a media component that showcased the struggle and kept it visible worldwide. "News Dissector" Danny Schechter reveals the inside story of what he calls a "Media War" in When South Africa Called, We Answered. He presents journalism as activism and displays the determination and dedication of journalists worldwide in exposing and eradicating apartheid. DANNY SCHECHTER is a writer, television producer, and independent filmmaker who also speaks about media and financial issues. He is the editor of Mediachannel1.org and blogs daily as the News Dissector at NewsDissector.net. Schechter is the author of sixteen books and has produced and directed more than thirty documentaries and television specials. His blog was named the 2009 "Blog of the Year" by the Hunter College Media Department of the City University of New York.

Recounts the mitzvahs, or good deeds, of a dozen men and women and suggests ways young people can help others.

In this powerful oral history, Daphne Patal evokes the rich and varied lives of Brazilian women. Twenty of them tell their own life stories — women in city and country, in comfort and poverty, and in rebellion and resignation. These stories illuminate ordinary "invisible" women from many different walks of life: domestic servants, secretaries, factory workers, nuns, hairdressers, entrepreneurs, seamstresses, prostitutes, landowners, schoolgirls, homemakers, revolutionaries; single, married, widowed, and divorced; Black and White and in between. Patal conducted these interviews in two contrasting regions—cosmopolitan Rio de Janeiro and the more traditional, largely agrarian Northeast: Translated from the Portuguese in vivid, direct, compelling language, the twenty stones convey the feel of contemporary Brazil as experienced by women whose everyday existence and dreams have until now gone almost entirely unrecorded. Through these life stories, we gain a sense of the opportunities and constraints that structure women's lives in Brazil. Patal provides extensive notes to relate the individual lives to the political and economic changes of Brazil, and to corroborate and contrast the women's particular views with information about legal status, health conditions, education, feminist and Black activism, the practice of liberation theology. Afro-Brazilian cults, and the fluctuations of women's economic position. They are not impersonal facts, however, bur rather real women who speak most forcefully in this book. Their self-portraits, brought to life in strong and often eloquent voices, throw a new and even a glaring light on a country, a time, and above all on a profound transformation in women's consciousness. -- back cover.

One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.

This volume brings together for the first time more than two dozen of Daphne PataiOs incisive and at times satirical essays dealing with the academic and intellectual orthodoxies of our time. Patai draws on her years of experience in an increasingly bizarre academic world, where a stifling politicization threatens genuine teaching and learning. Addressing the rise of feminist dogma, the domination of politics over knowledge, the shoddy thinking and moralizing that hide behind identity politics, and the degradation of scholarship, her essays offer a resounding defense of liberal values. Patai takes aim at the unctuous and also dangerous posturing that has brought us restrictive speech codes, harassment policies, and a vigilante atmosphere, while suppressing plain speaking about crucial issues. But these trenchant essays are not limited to academic life, for the ideas and practices popularized there have spread far beyond campus borders. Included are two new pieces written especially for this volume, one on the bullying tactics of a famous feminist and the other on Islamic fundamentalism.

This volume brings together for the first time more than two dozen of Daphne PataiOs incisive and at times satirical essays dealing with the academic and intellectual orthodoxies of our time. Patai draws on her years of experience in an increasingly bizarre academic world, where a stifling politicization threatens genuine teaching and learning. Addressing the rise of feminist dogma, the domination of politics over knowledge, the shoddy thinking and moralizing that hide behind identity politics, and the degradation of scholarship, her essays offer a resounding defense of liberal values. Patai takes aim at the unctuous and also dangerous posturing that has brought us restrictive speech codes, harassment policies, and a vigilante atmosphere, while suppressing plain speaking about crucial issues. But these trenchant essays are not limited to academic life, for the ideas and practices popularized there have spread far beyond campus borders. Included are two new pieces written especially for this volume, one on the bullying tactics of a famous feminist and the other on Islamic fundamentalism.

This volume incorporates Darko Suvin's thinking on utopian horizons in fiction and on eutopian and dystopian readings of historical reality since the 1970s. While the focus is on the United States and the United Kingdom, the essays also draw on French, German and Russian sources. The book is composed of eighteen chapters, including four sets of poems. The chapters include heretic reflections on utopian fiction, science fiction and utopian studies, explorations of dystopias, and epistemological examinations of political standpoint. Throughout, plebeian history is the stance from which all the author's value judgements are made. The essays and poems engage with the empirical world and identify areas of hope. In a dark dystopian time, they reaffirm eutopia, the radically better place to be striven for in every here and now.

In eleven incisive, biting essays, Marxist philosopher Darko Suvin suggests that "capitalism (and all of us in Leviathan's belly) stands today in the presence of Yeats's rough beast advancing toward Bethlehem, that finance capitalism is not simply a stage but a recurrent 'Autumn' signal of transition from one world regime of accumulation and domination to another; it signals the destruction of the old regime and creation of a 'new' one." And to bolster his argument, Suvin points to the economic and social chaos creeping and growing through western society, bank failures, riots, unrest, loss of private capital, loss of middle-class jobs, increase in drug and alcohol abuse, proliferation of guns and other weapons in society, failure of our school systems, inability of police to provide security, and political revolution in less-developed states. The author stresses the need to provide "universal guaranteed income sufficient to modestly live on for all adults working 35 hours a week, and a stress on [providing decent] education and health." And to fund these simple measures: "Just pay trillions to people instead of banks and the military." Suvin's intelligent analysis and commentary will open many eyes that have been prejudiced against socialist thought by the rise of right-wing politicians, and demonstrate quite clearly to the modern reader that there IS another perspective worth considering.

""What I wanted after college was a job and my own apartment, but what I needed was a good comeuppance, and that's what I got." " When Dave Itzkoff graduated from Princeton in 1998-the first member of his family to earn a college degree-he expected to be rewarded with a career, and a life, that mattered. Instead, he ended up convinced that he was selling the entire institution of manhood down the river. After a series of personal and professional experiences stripped him of any lingering sense of entitlement, Itzkoff found himself working as an editor at Maxim, the pugnacious frontrunner in a new breed of men's periodicals dubbed "lad magazines." There, he was initiated into a culture of heavily retouched girlie pictorials, dirty jokes, disingenuous sex advice, and shopping guides for expensive electronic gadgetry. And as Maxim continued its inexorable rise to become the most successful men's magazine in modern publishing history, Itzkoff was left wondering what his work-and his life-really meant. Lads is the hilarious, heartbreaking story of Dave Itzkoff's efforts to define himself as a man while working at a magazine that was purveying a vision of young manhood-a state of perpetual adolescence-that was seductive to all but viable for none. Lads takes us deep inside one young man's struggle with identity, responsibility, and sexuality, in an unsparingly candid account of how men really relate to one another, as fathers and sons, as employers and employees, as colleagues and friends. Lads is trenchant. Lads is perceptive. Lads is alarmingly funny. This is an unforgettable debut from a young writer of astounding talent. "From the Hardcover edition."

(Instrumental). A first-ever collection from world-renowned saxophonist Dave Koz. 15 songs, including: Castle of Dreams * Faces of the Heart * Honey-Dipped * Just to Be Next to You * Know You by Heart * Wake Up Call * and more!