In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue "Zuckerman bound," It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art. This Vintage edition is the first paperback publication of the epilogue.

In Philip Roth's intimate intellectual encounters with an international and diverse cast of writers, they explore the importance of region, politics and history in their work and trace the imaginative path by which a writer's highly individualized art is informed by the wider conditions of life. With Primo Levi, Roth discusses the stubborn core of rationality that helped the Italian chemist-writer survive the demented laboratory of Auschwitz. With Milan Kundera, he analyzes the mix of politics and sexuality that made him the most subversive writer in communist Czechoslovakia. With Edna O'Brien, he explores the circumstances that have forced generations of Irish writers into exile. Elsewhere Roth offers appreciative portraits of two friends--the writer Bernard Malamud and the painter Philip Guston--at the end of their careers, and gives us a masterful assessment of the work of Saul Bellow. Intimate, charming, and crackling with ideas about the interplay between imagination and the writer's historical situation, Shop Talk is a literary symposium of the highest level, presided over by America's foremost novelist.

From acclaimed designer and novelist Peter Mendelsund, a deeply personal reflection on depression and the redemptive power of art, interspersed with 100 original paintings In the early days of the pandemic, Peter Mendelsund and his family traveled up to a secluded New Hampshire farmhouse to weather the chaos. There began his journey through a crippling and seemingly intractable depression--which differed in degree but not in kind from episodes that have recurred periodically throughout his life--that brought him to the brink of suicide. Relief came from an unlikely source: painting, something Peter had never contemplated doing before. And yet it became the thing that may very well have saved his life. Bleakly funny, profoundly moving, and--against all odds--truly inspiring, Exhibitionist is not just an account of a mind thinking through its own suffering in real-time, and of the author's reckoning with his father's tortured legacy; it's also the story of the birth of an artist, and a portrait of an artist at work. --

"A joyful round of the seasons in the garden of the best-selling novelist, memoirist, and champion putterer with a wheelbarrow. On the perimeter of Israel's Jezreel Valley, with the Carmel Mountains rising up to the west, Meir Shalev has a large garden, "neither neatly organized nor well-kept," as he cheerfully explains. Often covered in mud and scrapes, Shalev cultivates both nomadic plants and "house dwellers," using his own quirky techniques. He extolls the virtues of the lemon tree; rescues a precious variety of purple snapdragon from the Jerusalem-Tel Aviv highway; does battle with a saboteur mole rat. He even gives us his superior private recipe for curing olives. The book will attract gardeners and literary readers alike, with its appreciation for the joy of living, quite literally, on earth, and for our borrowed time on a particular patch of it--enhanced, the author continually reminds us, by our honest, respectful dealings with all manner of beings who inhabit it with us"--

Joseph Roth (1894-1939) was a superb writer whose compact yet lambent fiction deserves the highest praise (and a much wider readership). The Legend of the Holy Drinker, written and published in the year of his death, is a deeply affecting tale of Andreas, an alcoholic like Roth, who drinks himself to death in the rough houses of Paris. Michael Hoffman's superb translation has rightly garnered much praise. Hoffman stresses that, although often esteemed for the simplicity of his style, Roth is no brutalist: it is the economy and the directness of his writing that is so moving and makes his work so special. Despite its melancholic subject matter The Legend is an uplifting novella. Throughout the tale Andreas, previously an impoverished vagrant, is continuously visited by miraculous good fortune that illuminates the last days of his mendicant existence and lift him, and the reader, to a new understanding of his (our) dissolution.

"I want you frowning now, knowing something is very wrong with your parachute even before actually pulling the cord and praying it opens. P.S. It won't." So Jonathan Carroll addresses his readers in this much-awaited collection of 20 stories. Author of several wry and dark novels, Carroll has a considerable following, but his books are difficult to pigeonhole, so some horror and fantasy readers are still unfamiliar with him. This collection shows off his talents admirably, in tales that range from bittersweet sadness over God's failing memory, to a disturbing friendship between a dog and a dying child, to a macabre fantasy about how men and women manipulate each other. As The New York Times put it, "Carroll's world is one that is subtly out of kilter, and which can take a turn for the sinister at any time." This volume is winner of the 1996 Bram Stoker Award for Best Short Story Collection. Contents: Mr. Fiddlehead (1989) Uh-Oh City (1992) The Fall Collection (1989) Friend's Best Man (1987) The Sadness of Detail (1990) Waiting to Wave (1993) The Jane Fonda Room (1982) A Quarter Past You (1989) My Zoondel (1989) Learning to Leave (1992) The Panic Hand (1989) The Bear in the Mouth (1989) Postgraduate (1984) Tired Angel (1989) The Dead Love You (1990) Florian (1989) The Life of My Crime (1992) A Wheel in the Desert, the Moon on Some Swings (1994) A Flash in the Pants (1995)

When best-selling novelist Sam Boyd starts to write a book about the death of a teenage beauty, Pauline Ostrova, called the beehive, the journey into his past becomes a terrifying jolt into the reality of the present. For many of the people close to him, this leads to devastating consequences.

"Lukacs's book is a lyrical, sometimes dazzling, never merely nostalgic evocation of a glorious period in the city's history. . . . {His} true sympathy lies . . . not with the famous expatriates, but with the writers and intellectuals who lived and died at home: the poets Endre Ady and Mihaly Babits; the novelists Ferenc Herczeg, Sandor Hunyady, Frigyes Karinthy, Dezso Kosztolanyi, Gyula Krudy, Kalman Mikszath, and Zsigmond Moricz; the political essayist DezsoSzabo; the playwright Erno Szep; the literary historian Antal Szerb; and others. . . . {John Lukacs} sets out to explain Hungarian literature to English-speaking readers. Though I have no idea whether or not he will succeed, few interpreters of Hungarian literature have made a more touching and eloquent attempt." -- The New York Review of Books

A pictoral essay by the great art critic, novelist and long-time smoker, John Berger, and Turkish writer and illustrator Selçuk Demirel. "Once upon a time, men, women and (secretly) children smoked." This charming illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview)

The interviews in this collection will convince the reader that Jerzy Kosinski's public persona was one of the greatest creations. Few authors were ever more adept at press interviews. For Kosinski, the author of nine novels, including The Painted Bird, Steps, Being There , and The Hermit of 69th Street , the interview was part performance, part public relations, part blind date. Kosinski in person was different from the existential adventurer in his novels. He was not so much engaged as engaging. though his fiction was brutal, he was charming. The contrast between Kosinski and the intensity of his fiction created the backdrop for his interviews. Like his readers, Kosinski's interviews were obsessed with the facts of his life. As a young boy he survived the Holocaust. He escaped Communist Poland. His life became the stuff of novels. He came to the United States with little money and no command of the English, but within a year he was a Ford Fellow at Columbia University and not long afterward was married to an American heiress and was living on Park Avenue. Yet Kosinski felt that his unique experiences, when transmuted to fiction, became a didactic lesson for others. A human being is loaded with the greatest power, he says in one interview, his imagination and the power to transcend his own conditions. The interviews here are published chronologically without abridgement. The same questions recur and Kosinski's answers are filled with discrepancies and contradictions. A good interview, he once wrote, is like truth itself, the temporary resolution of various contradictions. These compelling conversations recapture part of Jerzy Kposinski, who took his own life on May 3, 1991.

Internationally renowned author Jane Yolen has composed a sequence of tough, angry, and moving love poems that express grief and gratitude for her late husband David, as witness to his treatment for and passing from cancer, and the ongoing loss that is felt years after his death. In one poem, Yolen--a prize-winning poet, speaks of his "shallow bird breath/beating beneath the cage of his chest bones." In another: "Do not help me to forget./Help me to remember." And in a third: You have gone before me into winter, Into spring, into summer, somehow A consummate time traveler I can never catch up to, Always a season ahead. Jane Yolen , often called "the Hans Christian Andersen of America," is the author of over three hundred books, including Owl Moon , The Devil's Arithmetic , and How Do Dinosaurs Say Goodnight . The books range from rhymed picture books and baby board books through middle grade fiction, poetry collections, nonfiction, novels, and story collections for young adults and adults, and two books of adult poetry. Her books and stories have won two Nebula Awards, a World Fantasy Award, a Caldecott Medal, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award. She is also the winner (for body of work) of the Kerlan Award, the World Fantasy Association Lifetime Achievement Award, and the Catholic Library's Regina Medal.

Ben the tramp's uncanny knack of running into trouble is unsurpassed in the final crime thriller written for him by J. Jefferson Farjeon. On a grey afternoon he was destined never to forget, Ben sat down on a park seat and proceeded to think, not of cabbages and kings, but of numbers, lucky and unlucky. But it wasn't Ben's lucky day, or that of the nondescript-looking stranger sitting at the other end of the bench - murdered before his very eyes! That was the prelude to the most uncomfortable and eventful twenty-four hours Ben had ever spent in an uncomfortable and eventful life. J. Jefferson Farjeon's famous Cockney character Ben, who first appeared in No.17 and six other novels, was never so richly humorous or so absurdly heroic as in this, his last hair-raising adventure taking place at No.19, Billiter Road.

"It was...unnecessary for me to fret about who the murderer was: Everybody was." A haunting, never-before-translated, autobiographical novella by the 2002 Nobel Prize winner. An unnamed narrator recounts a simple anecdote, his sighting of the Union Jack—the British Flag—during the Hungarian Revolution of 1956, in the few days preceding the uprising's brutal repression by the Soviet army. In the telling, partly a digressive meditation on "the absurd order of chance," he recalls his youthful self, and the epiphanies of his intellectual and spiritual awakening—an awakening to a kind of radical subjectivity. In his Nobel address Kertesz remembered: "I, on a lovely spring day in 1955, suddenly came to the realization that there exists only one reality, and that is me, my own life, this fragile gift bestowed for an uncertain time, which had been seized, expropriated by alien forces, and circumscribed, marked up, branded—and which I had to take back from 'History', this dreadful Moloch, because it was mine and mine alone..." The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

"In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed."- First Corinthians 15:52 "Three alarming, eclectic novellas imagine a ravaged America left behind by the totalitarian reign of Donald Trump in this chilling anthology, which picks up after Trump's death in 2024 during 'the second great COVID outbreak' "-Publishers Weekly From New York Times bestselling author, Harry Turtledove, critically-acclaimed novelist, James Morrow, and Nebula Award winner, Cat Rambo, comes a masterful anthology of three sensational novellas depicting a dark fictional future of the United States. And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government. There are those who cannot abide by what they view as a betrayal of the nation's founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union. The authors' depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization-a dire warning to all of us of where we may be headed unless we can learn to come together again.

The trial of Adolf Eichmann began in 1961 under a deceptively simple label, "criminal case 40/61." Hannah Arendt covered the trial for the New Yorker magazine and recorded her observations in Eichmann in Jerusalem: The Banality of Evil . Harry Mulisch was also assigned to cover the trial for a Dutch news weekly. Arendt would later say in her book's preface that Mulisch was one of the few people who shared her views on the character of Eichmann. At the time, Mulisch was a young and little-known writer; in the years since he has since emerged as an author of major international importance, celebrated for such novels as The Assault and The Discovery of Heaven . Mulisch modestly called his book on case 40/61 a report, and it is certainly that, as he gives firsthand accounts of the trial and its key players and scenes (the defendant's face strangely asymmetric and riddled by tics, his speech absurdly baroque). Eichmann's character comes out in his incessant bureaucratizing and calculating, as well as in his grandiose visions of himself as a Pontius Pilate-like innocent. As Mulisch intersperses his dispatches from Jerusalem with meditative accounts of a divided and ruined Berlin, an eerily rebuilt Warsaw, and a visit to the gas chambers of Auschwitz, Criminal Case 40/61, the Trial of Adolf Eichmann becomes as a disturbing and highly personal essay on the Nazi extermination of European Jews and on the human capacity to commit evil ever more efficiently in an age of technological advancement. Here presented with a foreword by Debórah Dwork and translated for the first time into English, Criminal Case 40/61 provides the reader with an unsettling portrait not only of Eichmann's character but also of technological precision and expertise. It is a landmark of Holocaust writing.

Harry Harrison was recognized as a Grand Master by the Science Fiction Writer's of America. He was best known for his Deathworld and Stainless Steel Rat series. He was nominated for the Hugo, Nebula, Locus, and Sideways Awards. He was inducted into the Science Fiction Hall of Fame in 2004. This omnibus edition of his work includes four complete novels and six short stories. Both of his best known series Deathworld and The Stainless Steel Rat are represented herein. If you enjoyed this book, you'll want to search on "Positronic Publishing Super Pack" and check out all our other exciting Super Packs!

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

Explores the experiences of characters, including a writer searching for a refugee novelist, a woman losing her sanity, a lonely middle-aged alcoholic, and a man coping with his mistress' death

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active history George Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century—an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely—and ultimately fatally—tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, Blood of the Liberals is an original, intimate examination of the meaning of politics in American lives.

For investing movies with an image of style and glamour George Cukor (1899--1983) is considered one of the founding fathers of the Golden Age of Hollywood. The roll call of the great films he made and the stars he directed validates his rank as one of cinema's greatest moviemakers. "The only really important thing I have to say about George Cukor," Katharine Hepburn proclaimed, "is that all the other directors I have worked with starred themselves. But George 'starred' the actor. He didn't want people to say, 'this great director.' He wanted them to say 'this great actor.' " Along with introducing Hepburn and Greta Garbo to American audiences, he worked with many of the most acclaimed movie actresses of his day, including Vivien Leigh, Olivia de Havilland, Jean Harlow, Elizabeth Taylor, Joan Crawford, Ingrid Bergman, Ava Gardner, Claudette Colbert, Angela Lansbury, Judy Holliday, Audrey Hepburn, and Marilyn Monroe. These interviews are a pleasure to read because Cukor is so immersed in his subject and so forthright in his observations. He comes to life immediately with disarming candor and infectious enthusiasm for cinema and the people who make it. In addition to discussing his romantic comedies, Cukor talks about his famous screen adaptations of classic novels and plays, including Little Women (1933) and David Copperfield (1935). His experience of being fired by producer David O. Selznick partway through the shooting of Gone With the Wind (1939) surfaces in nearly every interview. Instead of having his career derailed by this dismissal, however, he continued his rise as one of America's premier directors. In his cornucopia of films are Holiday (1938), The Philadelphia Story (1940), Adam's Rib (1949), Born Yesterday (1950), A Star Is Born (1954), Let's Make Love (1960), and My Fair Lady (1964). Cukor was a man of myriad dimensions. In his last years he opened up about his private life and his previously undisclosed homosexuality. He was ardent in his friendships and single-minded in his devotion to making quality movies for a popular audience. Robert Emmet Long, a literature and film scholar and writer living in Fulton, New York, is the author or editor of more than forty books, including John Huston: Interviews (University Press of Mississippi).