A Nobel Prize-winning physicist explains what happened at the very beginning of the universe, and how we know, in this popular science classic. Our universe has been growing for nearly 14 billion years. But almost everything about it, from the elements that forged stars, planets, and lifeforms, to the fundamental forces of physics, can be traced back to what happened in just the first three minutes of its life. In this book, Nobel Laureate Steven Weinberg describes in wonderful detail what happened in these first three minutes. It is an exhilarating journey that begins with the Planck Epoch - the earliest period of time in the history of the universe - and goes through Einstein's Theory of Relativity, the Hubble Red Shift, and the detection of the Cosmic Microwave Background. These incredible discoveries all form the foundation for what we now understand as the "standard model" of the origin of the universe. The First Three Minutes examines not only what this model looks like, but also tells the exciting story of the bold thinkers who put it together. Clearly and accessibly written, The First Three Minutes is a modern-day classic, an unsurpassed explanation of where it is we really come from.

On April 20, 1999, Eric Harris and Dylan Klebold walked into Columbine High School in Littleton, Colorado. In a matter of minutes, they killed twelve students and a teacher and wounded twenty-four others before taking their own lives. For the last sixteen years, Sue Klebold, Dylan's mother, has lived with the indescribable grief and shame of that day. How could her child, the promising young man she had loved and raised, be responsible for such horror? And how, as his mother, had she not known something was wrong? Were there subtle signs she had missed? What, if anything, could she have done differently? Here she chronicles her journey as a mother trying to come to terms with the incomprehensible, shedding light on one of the most pressing issues of our time. In the hope that the insights and understanding she has gained may help other families recognize when a child is in distress, she tells her story in full, drawing upon her personal journals, the videos and writings that Dylan left behind, and on countless interviews with mental health experts.

It has become clear over the years that the reaction of America's politicians and media to the attacks of 9/11 was bizarrely misdirected and dangerous to our national security. But no one has fully probed its cultural roots. Until now. Pulitzer Prize–winning journalist and bestselling author Susan Faludi brilliantly demonstrates how our culture's seemingly inexplicable response was actually a reflex set centuries deep in the American grain. Her analysis of what went on in the months and years after 9/11 will shock even those who thought they knew the full measure of that tragedy (as her account of the post-9/11 media marketing of flight-suit superheroes, cowering "security moms," Jessica-Lynchesque helpless "girls," and Daniel Boone–wannabe politicians will outrage and amuse). A masterwork of historical interpretation and a Rosetta stone for deciphering the ongoing spectacle of American politics, journalism, and culture, The Terror Dream flushes from hiding a forceful dynamic that disfigures our lives even in times of normalcy, and that, unless it is confronted, will send us reeling in a wrong direction the next time tragedy strikes.

"... the best collection of feminist essays on women poets now available." —Spokeswoman Review "[The essays] form a satisfying whole, stunningly enlightening, important for literature and women’s studies.... " —Library Journal The essays in this landmark volume highlight the achievements of "Shakespeare’s sisters," including Emily Bronte, Emily Dickinson, Elizabeth Barrett Browning, Christina Rossetti, and others.

While working on a case involving a man who marries women for their money and then murders them, a Long Island criminal defense lawyer reevaluates her own childhood and family life.--

A wake-up call to Americans who have long been deluded by the dangerous twenty-first hucksters of longevity. “If old age isn’t for sissies, neither is Susan Jacoby’s tough-minded and important book ... which demolishes popular myths that we can ‘cure’ the ‘disease’ of aging.”— The Washington Post Combining historical, social, and economic analysis with personal experiences of love and loss, Jacoby reveals the hazards of the magical thinking that prevents us from facing the genuine battles of growing old. Never Say Die speaks to Americans, whatever their age, who draw courage and hope from facing reality instead of embracing platitudes and delusions, and who want to grow old with dignity and purpose. It is a life-affirming and powerful message that has never been more relevant.

NATIONAL BESTSELLER “Magnificent.” — The New York Times * “Beguiling, observant, and howlingly funny.” — San Francisco Chronicle * “Spectacular.” — Star Tribune (Minneapolis) * “Full of astonishments.” — The Boston Globe Susan Orlean—the beloved New Yorker staff writer hailed as “a national treasure” by The Washington Post and the author of the New York Times bestseller The Library Book —gathers a lifetime of musings, meditations, and in-depth profiles about animals. “How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,” writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon , she’s been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals , she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career. These stories consider a range of creatures—the household pets we dote on, the animals we raise to end up as meat on our plates, the creatures who could eat us for dinner, the various tamed and untamed animals we share our planet with who are central to human life. In her own backyard, Orlean discovers the delights of keeping chickens. In a different backyard, in New Jersey, she meets a woman who has twenty-three pet tigers—something none of her neighbors knew about until one of the tigers escapes. In Iceland, the world’s most famous whale resists the efforts to set him free; in Morocco, the world’s hardest-working donkeys find respite at a special clinic. We meet a show dog and a lost dog and a pigeon who knows exactly how to get home. Equal parts delightful and profound, enriched by Orlean’s stylish prose and precise research, these stories celebrate the meaningful cross-species connections that grace our collective existence.

Suze Orman has transformed the concept of personal finance for millions by teaching us how to gain control of our money -- so that money does not control us. She goes beyond the nuts and bolts of managing money to explore the psychological, even spiritual power money has in our lives. The 9 Steps to Financial Freedom is the first personal finance book that gives you not only the knowledge of how to handle money, but also the will to break through all the barriers that hold you back. Combining real-life recommendations with the motivation to overcome financial anxieties, Suze Orman offers the keys to providing for yourself and your family, including: * seeing how your past holds the key to your financial future * facing your fears and creating new truths * trusting yourself more than you trust others * being open to receiving all that you are meant to have * understanding the lessons of the money cycle The 9 Steps to Financial Freedom is useful advice and inspiration from the leading voice in personal finance. As Orman shows, managing money is far more than a matter of balancing your checkbook or picking the right investments. It's about redefining financial freedom -- and realizing that you are worth far more than your money.

Anxious to see what life is like outside the zoo, Sammy the seal explores the city, goes to school, and plays with children but decides that there really is no place like home.

Sydney Taylor grew up among immigrant families on New York City's Lower East Side prior to World War I and wrote the All-of-a-Kind Family stories for her daughter. Based on her family and childhood, these charming books capture the everyday life of a home with little money but lots of love and good times to share. Each book shares the ups and downs in the lives of this special family, through the eyes of Ella, Charlotte, Henny, Sarah, Gertie, and their little brother, Charlie.

In this tour de force of investigative reporting, Ted Koppel reveals that a major cyberattack on America’s power grid is not only possible but likely, that it would be devastating, and that the United States is shockingly unprepared. Imagine a blackout lasting not days, but weeks or months. Tens of millions of people over several states are affected. For those without access to a generator, there is no running water, no sewage, no refrigeration or light. Food and medical supplies are dwindling. Devices we rely on have gone dark. Banks no longer function, looting is widespread, and law and order are being tested as never before. It isn’t just a scenario. A well-designed attack on just one of the nation’s three electric power grids could cripple much of our infrastructure—and in the age of cyberwarfare, a laptop has become the only necessary weapon. Several nations hostile to the United States could launch such an assault at any time. In fact, as a former chief scientist of the NSA reveals, China and Russia have already penetrated the grid. And a cybersecurity advisor to President Obama believes that independent actors—from “hacktivists” to terrorists—have the capability as well. “It’s not a question of if,” says Centcom Commander General Lloyd Austin, “it’s a question of when.” And yet, as Koppel makes clear, the federal government, while well prepared for natural disasters, has no plan for the aftermath of an attack on the power grid. The current Secretary of Homeland Security suggests keeping a battery-powered radio. In the absence of a government plan, some individuals and communities have taken matters into their own hands. Among the nation’s estimated three million “preppers,” we meet one whose doomsday retreat includes a newly excavated three-acre lake, stocked with fish, and a Wyoming homesteader so self-sufficient that he crafted the thousands of adobe bricks in his house by hand. We also see the unrivaled disaster preparedness of the Mormon church, with its enormous storehouses, high-tech dairies, orchards, and proprietary trucking company – the fruits of a long tradition of anticipating the worst. But how, Koppel asks, will ordinary civilians survive? With urgency and authority, one of our most renowned journalists examines a threat unique to our time and evaluates potential ways to prepare for a catastrophe that is all but inevitable.

Theodor Herzl's passionate advocacy of the founding of a Jewish state grew out of his conviction that Jews would never be assimilated into the populations in which they lived. Born in Budapest, Hungary in 1860, Herzl encountered anti-Semitism when he attended a scientific secondary school. Later, as a newspaper correspondent in Paris, he was shocked and dismayed by the anti-Semitic prejudice surrounding the notorious Dreyfus affair (Herzl said in later years that it was the Dreyfus affair that had made a Zionist out of him). Herzl concluded that the only solution for the majority of Jews would be organized emigration to a state of their own. He discussed the political and historic rationale for such a homeland in this book, first published as a pamphlet, Der Judenstaat, in Vienna in 1896. The Jewish question, he wrote, was not a social or religious question but a national question that could be solved only by making it "a political world question to be discussed and settled by the civilized nations of the world in council." In 1897, at a world congress of Zionism, he declared, "We want to lay the foundation stone for the house which will become the refuge of the Jewish nation. Zionism is the return to Judaism even before the return to the land of Israel."

Explore the visionary ideas that laid the groundwork for the modern state of Israel with “The Jewish State” by Theodor Herzl. Written at the turn of the 20th century, Herzl’s seminal work is a passionate and prescient call for the establishment of a Jewish homeland. In this groundbreaking manifesto, Herzl outlines the challenges faced by Jews in Europe and proposes a radical solution: the creation of a Jewish state. Drawing on historical precedents and envisioning a future where Jews could live free from persecution, Herzl’s ideas ignited the Zionist movement. Herzl’s writing is both prophetic and pragmatic, anticipating the geopolitical realities that would shape the 20th century. His advocacy for a Jewish state not only sparked a political movement but also paved the way for the eventual establishment of Israel. “The Jewish State” is more than a political treatise; it’s a passionate plea for justice and a testament to Herzl’s dedication to the well-being of his people. Delve into the thoughts of a visionary whose ideas transformed the course of history, and whose influence is felt to this day in the ongoing story of the State of Israel.

Perhaps the most important aesthetics of the twentieth century appears here newly translated, in English that is for the first time faithful to the intricately demanding language of the original German. The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Theodor W. Adorno's magnum opus, the clarifying lens through which the whole of his work is best viewed, providing a framework within which his other major writings cohere.

America has a huge problem. It faces four major challenges, on which its future depends, and it is failing to meet them. In "That Used to Be Us," Thomas L. Friedman, one of our most influential columnists, and Michael Mandelbaum, one of our leading foreign policy thinkers, analyze those challenges--globalization, the revolution in information technology, the nation's chronic deficits, and its pattern of energy consumption--and spell out what we need to do "now" to rediscover America and rise to this moment. They explain how the end of the cold war blinded the nation to the need to address these issues. They show how our history, when properly understood, provides the key to addressing them, and explain how the paralysis of our political system and the erosion of key American values have made it impossible for us to carry out the policies the country needs. They offer a way out of the trap into which the country has fallen, which includes the rediscovery of some of our most valuable traditions and the creation of a new, third-party movement. "That Used to Be Us" is both a searching exploration of the American condition today and a rousing manifesto for American renewal. "As we were writing this book," Friedman and Mandelbaum explain, "we found that when we shared the title with people, they would often nod ruefully and ask: 'But does it have a happy ending?' Our answer is that we can write a happy ending, but it is up to the country--to all of us--to determine whether it is fiction or nonfiction. We need to study harder, save more, spend less, invest wisely, and get back to the formula that made us successful as a country in every previous historical turn. What we need is not novel or foreign, but values, priorities, and practices embedded in our history and culture, applied time and again to propel us forward as a country. That is all part of our past. That used to be us and can be again--if we will it."

In this cogent and accessible introduction to philosophy, the distinguished author of Mortal Questions and The View From Nowhere sets forth the central problems of philosophical inquiry for the beginning student. Arguing that the best way to learn about philosophy is to think about its questions directly, Thomas Nagel considers possible solutions to nine problems--knowledge of the world beyond our minds, knowledge of other minds, the mind-body problem, free will, the basis of morality, right and wrong, the nature of death, the meaning of life, and the meaning of words. Although he states his own opinions clearly, Nagel leaves these fundamental questions open, allowing students to entertain other solutions and encouraging them to think for themselves.

Draws on recently declassified documents to chronicle one of the most disastrous presidencies in U.S. history, presenting a portrait of a brilliant man overcome by his deep insecurities and his distrust of his cabinet, Congress, and the American people

Hunters in the Snow is a classic short story by Tobias Wolff centered around the suburbs of Spokane and featured in In the Garden of the North American Martyrs. The story deals with three characters hunting together in the woods; Kenny, who is hard and brutal; Tub, who is fat, a target of ridicule, and lags behind the rest of the party; and Frank, who is the most "frank" of the group. Each character has a distinct personality which changes as the story progresses. The story reaches its climax when Tub shoots Kenny in what appears to be an accident. Tub and Frank seem to be taking Kenny to a hospital, but wind up stopping in a diner and a roadhouse in a strange chain of events. The story ends with them driving in a direction that is opposite to the one of the hospital. This story is believed to be based upon the painting Hunters in the Snow by Pieter Bruegel, a painter involved in the realism movement.

The Seagull , a spectacular failure on its first appearance, was the play that, on its second, established Anton Chekhov as an important and revolutionary dramatist. Here, amid the weariness of life in the country, the famous actress Arkadina presides over a household riven with desperate love, with dreams of success and dread of failure. It is her son, Konstantin, who one day shoots a seagull; it is the novelist Trigorin who will one day write the story of the seagull so casually killed; but it is Nina, the seagull herself, whose life to come will rewrite the story. This new translation of The Seagull --made by Tom Stoppard for the Peter Hall Company at the Old Vic in 1997--was produced by The Public Theater/New York Shakespeare Festival in New York City in 2001. The volume also contains an Introduction by Stoppard that indicates some of the problems translators have faced since the first English language Seagull in 1909